Nothing new under the sun: essays on the economic history of intellectual property rights in music
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | Swedish |
| Veröffentlicht: |
Göteborg
Unit for Economic history, Department of Economy and Society, School of Business, Economics and Law, University of Gothenburg
2013
|
| Schriftenreihe: | Gothenburg studies in economic history
8 |
| Schlagworte: | |
| Online-Zugang: | kostenfrei Inhaltsverzeichnis |
| Beschreibung: | 249 S. graph. Darst. |
| ISBN: | 9789186217075 |
Internformat
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| 912 | |a ebook | ||
Datensatz im Suchindex
| _version_ | 1805079630485389312 |
|---|---|
| adam_text |
Contents
Preface
.13
Introductory chapter
.15
1.
Introduction
.15
1.1.
General background
.15
1.2.
The research frontier
.17
1.3.
Terminology
.21
2.
Historical background
.23
2.1.
The antiquity
.23
2.2.
Scholasticism
.24
2.3.
The
íeth-century
Paradigm Shift of Economic Thought in Europe
.25
2.4.
Performing rights, mechanical rights, blank media levies
.27
3.
IPRs as an institution
.29
3.1.
The knowledge component of copyright
.31
3.2.
Economic incentives for creation
.33
3.3.
The Bundle of Rights
.36
3.3.1.
Droits économiques
(economic rights)
.37
3.3.2.
Droits moraux
(moral rights)
.38
3.4.
The stakeholders
.39
3.5.
Copyright Licensing Agencies as natural monopolies
.40
4.
Some criticism of current IPRs
.42
4.1.
The piracy movement
.42
4.2.
Duration of post-mortem autoris
.42
4.3.
The
EU
challenges national collective licensing society monopolies
.43
4.4.
Qualitative implications of copyright
.44
5.
The articles
.46
6.
David Bowie's predictions of music being always everywhere
.50
7.
Coda
.52
References
.53
Article
1:
Early Music Copyrights: Did they matter for Beethoven and
Schumann? International Review of the Aesthetic and Sociology of music,
vol
42:2 (2012).61
1.
Introduction
.61
2.
The Beginning of an Originator Consciousness'
.62
3.
Fundamental Economics of Composing
.63
4.
Musical Public and Non-Public Domains
.64
5.
Early Copyright Legislation
.65
5a. Printing Technologies
.70
6.
The Paradigm Shift of Music Creation in the Vienna of the 1790s
.71
7. Ludwig
van Beethoven
.75
Nothing New under the Sun:
7.1
The Performing Artist
.76
7.2.
Support from Nobility: Stipends, pensions and dedication fees
.77
7.3.
Commissions
.78
7.4.
Publishers' Fees
.79
7.5.
Example: Revenues from symphonies
.80
8.
Pan-Germanic Copyright Treatise
.82
9.
Robert Schumann
.84
10.
Composers and publishing after Schumann
.87
11.
Conclusions
.90
References
.91
Appendix
.94
Article
2:
The Advent of Performing Rights in Europe
Music
&
Politics,
voi VI:2
(2012).99
1.
Introduction
.99
2.
Infant performing rights (grands
droits
/Ь'щ
rights)
.99
3.
The growth of the music businesses in the 1800s
.102
4.
Composers as entrepreneurs:
Polányi's
'fictitious commodification'
.103
5.
Transaction costs and the unification of composers
.105
6.
Petits droits
(small rights)
.106
6.1.
France
.106
6.2.
Germany
.107
6.3.
Britain
.110
6.4.
Sweden
.113
7.
Conclusions
.115
References
.117
Article
3:
The Resilience of Music Copyright: Technological Innovation,
Copyright Disputes and Legal Amendments Concerning the Distribution of
Music. Draft for an article in Culture Unbound,
vol
5,
June
2013.121
1.
Introduction
.121
2.
Technological shifts, IPRs and aesthetic possibilities
.124
3.
The printing technology
.127
5.
The Berne Convention of
1886.131
6.
The gramophone and the beginning of mechanical rights
.132
7.
Broadcasting rights
.134
8.
The blank media levy
.136
9.
Discussion
.140
References
. . 143
Article
4:
Swings
and roundabouts: Swedish music
copyrights
1980-2009
Journal
of Cultural
Economies,
DOI
10.1007/
sl0824-012-9176-4(2012)
.147
1.
Introduction
.147
2.
Collective
music IPR licensing in Sweden
1980-2009.148
3.
Income
distribution
from IPR
revenues
distributed by the
STIM:
A winner-takes-all arena
.152
4.
Conclusions
.154
References
.155
Article
5:
Sound Earnings? The Income structure of Swedish. Will be
published in Review of Economic Research on Copyright Issues, June
2013.
1.
Introduction
.157
2.
Composers of art music
.161
3.
The data
.163
3.1.
STIM
.163
3.2.
The Swedish Tax Agency
.163
3.3.
The Swedish Music Information Centre
(Svensk Musik).
164
4.
Method
.166
5.
The sample
.168
6.
Composers v. others
.170
7.
Control variables: the influence of gender, education and domicile
.172
7.1.
Gender
.172
7.2.
Education
.174
7.2.
Domicile
.-.175
8.
The effect of age on income
.177
9.
The celebrity variable
.179
10.
The monetary incentive case
.181
10.1.
Output as an effect of prior royalty income
.181
10.2.
Royalty income as an effect of output
.182
10.3.
Alternative monetary incentives
.184
10.4.
Total income as an effect of output
.186
11.
The recognition incentive
.188
11.1.
Self-expressed motivations for the value of composers
for society
.190
11.2.
Occupational risk management
.191
12.
The pleasure incentive
.194
13.
Conclusions
.197
References
.199
Appendix
.204
Article
6:
Summary in Swedish: \arfor
upphovsrätter? Kort ideologisk och
ekonomisk historik ur Intro
-
en antologi om musik och samhälle
',
ed. Johan
A. Lundin, Kira förlag
(2012).205
Framföranderättigheterna
.210
Bernkonventionen
1886.213
Grammofonens intåg och de mekaniska rättigheterna
.214
Radion och mediatransmissionsrätten
.216
Ekonomisk betydelse för kompositörer/låtskrivare
.218
Comprehensive reference list
.223
Meddelanden från Ekonomisk historiska institutionen vid Göteborgs
universitet
(1-73).243
Meddelanden från Ekonomisk historiska institutionen, Handelshögskolan
vid Göteborgs universitet
(74-100).247
Gothenburg
Studies
in Economic History.
249 |
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| indexdate | 2024-07-20T06:48:01Z |
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| isbn | 9789186217075 |
| language | Swedish |
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| publisher | Unit for Economic history, Department of Economy and Society, School of Business, Economics and Law, University of Gothenburg |
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| spelling | Albinsson, Staffan 1951- Verfasser (DE-588)1043974792 aut Nothing new under the sun essays on the economic history of intellectual property rights in music Staffan Albinsson Göteborg Unit for Economic history, Department of Economy and Society, School of Business, Economics and Law, University of Gothenburg 2013 249 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Gothenburg studies in economic history 8 Zugl.: Göteborg, Univ., Diss., 2013 Geschichte gnd rswk-swf Aufführungsrecht (DE-588)4003517-7 gnd rswk-swf Verlag (DE-588)4063004-3 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Musikwirtschaft (DE-588)4268614-3 s Verlag (DE-588)4063004-3 s Urheberrecht (DE-588)4062127-3 s Aufführungsrecht (DE-588)4003517-7 s Geschichte z DE-604 Gothenburg studies in economic history 8 (DE-604)BV036628864 8 https://gupea.ub.gu.se/bitstream/2077/32756/3/gupea_2077_32756_3.pdf Verlag kostenfrei Volltext Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026856588&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Albinsson, Staffan 1951- Nothing new under the sun essays on the economic history of intellectual property rights in music Gothenburg studies in economic history Aufführungsrecht (DE-588)4003517-7 gnd Verlag (DE-588)4063004-3 gnd Urheberrecht (DE-588)4062127-3 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4003517-7 (DE-588)4063004-3 (DE-588)4062127-3 (DE-588)4268614-3 (DE-588)4113937-9 |
| title | Nothing new under the sun essays on the economic history of intellectual property rights in music |
| title_auth | Nothing new under the sun essays on the economic history of intellectual property rights in music |
| title_exact_search | Nothing new under the sun essays on the economic history of intellectual property rights in music |
| title_full | Nothing new under the sun essays on the economic history of intellectual property rights in music Staffan Albinsson |
| title_fullStr | Nothing new under the sun essays on the economic history of intellectual property rights in music Staffan Albinsson |
| title_full_unstemmed | Nothing new under the sun essays on the economic history of intellectual property rights in music Staffan Albinsson |
| title_short | Nothing new under the sun |
| title_sort | nothing new under the sun essays on the economic history of intellectual property rights in music |
| title_sub | essays on the economic history of intellectual property rights in music |
| topic | Aufführungsrecht (DE-588)4003517-7 gnd Verlag (DE-588)4063004-3 gnd Urheberrecht (DE-588)4062127-3 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Aufführungsrecht Verlag Urheberrecht Musikwirtschaft Hochschulschrift |
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