The Oxford handbook of the Georgian theatre: 1737 - 1832
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| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Oxford
Oxford Univ. Press
2014
|
| Edition: | 1. ed. |
| Subjects: | |
| Online Access: | Klappentext Inhaltsverzeichnis |
| Physical Description: | XXV, 758 S. Ill. |
| ISBN: | 9780199600304 |
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| 245 | 1 | 0 | |a The Oxford handbook of the Georgian theatre |b 1737 - 1832 |c edited by Julia Swindells and David Francis Taylor |
| 246 | 1 | 3 | |a Handbook of the Georgian theatre |
| 246 | 1 | 3 | |a The Georgian theatre |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a Oxford |b Oxford Univ. Press |c 2014 | |
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Record in the Search Index
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| adam_text | Contents
List of Figures
xiii
Abbreviations and Conventions
xvii
List of Contributors
xix
Introduction
ι
David Francis Taylor
PART I THEATRE, THEORY,
HISTORIOGRAPHY
1. Enlightenment, Exclusion, and the Publics of the
Georgian Theatre
11
Angie Sandhu
2.
Theorizing Audience and Spectatorial Agency
31
Betsy
Bolton
3.
Theorizing the Performative Event
53
Marvin Carlson
4.
Theatre Managers and the Managing of Theatre History
70
David Francis Taylor
PART II LEGISLATING DRAMA
5.
The
1737
Licensing Act and its Impact
91
David Thomas
6.
The Political Context of the
1737
Licensing Act
107
Julia Swindells
7.
The Dialectics of Print and Performance after
1737 123
Matthew J. Kinservik
8.
The
1832
Select Committee
140
Katherine Newey
9.
Looking Towards
1843
and the End of the Monopoly
156
Jim Davis
PART III THE CHANGING CULTURES
OF PERFORMANCE
10.
Georgian Theories of the Actor
177
Frederick Burwick
11.
Theatrical Celebrity and the Commodification of the Actor
192
Heather McPherson
12.
Shakespeare in the Georgian Theatre
213
Gefen Bar-On Santor
13.
Performing Variety, Packaging Difference
229
Kristina Sträub
14.
Interrogating Legitimacy in Britain and America
247
Peter P. Reed
PART IV THE WHOLE SHOW:
SPECTACLES, SOUNDS, SPACES
15.
Painting the Scene
265
Kathryn R. Barush
16.
Manufacturing Spectacle
286
Shearer West
17.
Orchestra and Theatre Music
304
Vanessa L. Rogers
18.
Dance and the Georgian Theatre
321
Erin J. Smith
19.
Restoring a Georgian Playhouse
333
An Interview with Colin
Blumenau
PART V GENRES AND FORMS
20.
Genealogies of Comedy
347
Misty G. Anderson
21.
The Challenge of Tragedy
368
Felicity A. Nussbaum
22.
Pantomimic Politics
390
John O Brien
23.
The Gothic Drama: Tragedy or Comedy?
407
Jeffrey
N.
Cox
24.
The Writing and Staging of Georgian Romantic Opera
424
Michael Burden
25.
The Stages of Closet Drama
442
Catherine Burroughs
26.
The Formation of Melodrama
457
Matthew S. Buckley
PART VI THEATRE AND THE
ROMANTIC CANON
27.
The Case of Byron s Marino Faliero
479
John Gardner
28.
Shelley,
Viganò,
and Coreodramma
498
Jacqueline Mulhallen
29.
William Godwin and the Politics of Playgoing
514
David O Shaughnessy
30.
Jane Austens Stage
532
Penny Gay
PART
VII
WOMEN AND THE STAGE
31.
Theorizing the Woman Performer
551
Helen
E. M.
Brooks
ХИ
CONTENTS
32.
Women Theatre Managers
568
Thomas
С.
Crochunis
33·
Women Playwrights
585
Marjean D. Purinton
34.
Retrieving Elizabeth Inchbald
601
Paula R. Backscheider
PART
VIII
PERFORMING RACE
AND EMPIRE
35.
Empire, Sentiment, and Theatre
621
Bridget
Orr
36.
Theatre, Islam, and the Question of Monarchy
638
Daniel O Quinn
37.
The Georgian Theatre in Colonial America
656
Odai Johnson
38.
Staging Atlantic Slavery
673
Prithi Kanakamedala
39.
Colmans Inkle and Yarico: Four Critical Perspectives
688
Frank
Felsenstein,
Jean I.
Marsden,
Mita Choudhury,
Nandini Bhattacharya
40.
Historic
Williamsburg:
Theatre, Memory, and Colonial Slavery
706
Marcus Wood
Index
727
The Oxford Hcijxclbook of the
Georgiern,
Theatre
1Ύ3Ύ
—1332
provides an essential
guide to theatre in Britain between the passing
of the Stage Licensing Act in
1737
and the
Reform Act of
1832---
a period of drama
long neglected but now receiving significant
scholarly attention. Written by specialists
from a range of disciplines, its forty essays
both introduce students and scholars to the
key texts and contexts of the Georgian theatre
and also push the boundaries of the field,
asking questions that will animate the
study of drama in the eighteenth and early
nineteenth centuries for years to come.
The HcindbooL·^ gives equal attention, to the
range of dramatic forms
---
not just tragedy
and comedy, but the likes of melodrama and
pantomime
---
as they developed, and overlapped
across the period, and to the occasions, commu¬
nities, and materialities of theatre production.
It includes sections on historiography,, the
censorship and regulation of drama, theatre
and the Romantic canon, women and the
stage, and the performance of race and empire.
In doing so, it shows the
centr
ality of theatre
to Georgian culture and politics, and paints
a picture of a stage defined by generic fluidity
and experimentation; by networks of perform¬
ance that spread far beyond London; by
professional women who played pivotal roles
in every aspect of production; and by its
complex mediation of contemporary
attitudes of class, race, and gender.
Fortv
original chapters written bv leading scholars in the field
Provides the most comprehensive guide to Georgian Theatre
Includes pioneering essays on new areas within field
Offers an interdisciplinary approach with essays by theatre
historians,
literarv
critics, theatre directors, art historians.
and music and dance historians
|
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| era | Geschichte 1737-1832 gnd |
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| spelling | The Oxford handbook of the Georgian theatre 1737 - 1832 edited by Julia Swindells and David Francis Taylor Handbook of the Georgian theatre The Georgian theatre 1. ed. Oxford Oxford Univ. Press 2014 XXV, 758 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1737-1832 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Geschichte 1737-1832 z DE-604 Großbritannien (DE-588)4022153-2 g Theater (DE-588)4059702-7 s Swindells, Julia 1951- (DE-588)1166423859 edt Taylor, David Francis (DE-588)1020175257 edt Erscheint auch als Online-Ausgabe 978-0-19-175655-9 (DE-604)BV043247600 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026819709&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026819709&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Oxford handbook of the Georgian theatre 1737 - 1832 Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4012899-4 (DE-588)4059702-7 (DE-588)4022153-2 (DE-588)4143413-4 |
| title | The Oxford handbook of the Georgian theatre 1737 - 1832 |
| title_alt | Handbook of the Georgian theatre The Georgian theatre |
| title_auth | The Oxford handbook of the Georgian theatre 1737 - 1832 |
| title_exact_search | The Oxford handbook of the Georgian theatre 1737 - 1832 |
| title_full | The Oxford handbook of the Georgian theatre 1737 - 1832 edited by Julia Swindells and David Francis Taylor |
| title_fullStr | The Oxford handbook of the Georgian theatre 1737 - 1832 edited by Julia Swindells and David Francis Taylor |
| title_full_unstemmed | The Oxford handbook of the Georgian theatre 1737 - 1832 edited by Julia Swindells and David Francis Taylor |
| title_short | The Oxford handbook of the Georgian theatre |
| title_sort | the oxford handbook of the georgian theatre 1737 1832 |
| title_sub | 1737 - 1832 |
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| topic_facet | Englisch Drama Theater Großbritannien Aufsatzsammlung |
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