British literature and print culture:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Brewer
2013
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Essays and studies / The English Association
66 = 2013 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIV, 221 S. Ill. 23 cm |
| ISBN: | 9781843843436 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804151420677521408 |
|---|---|
| adam_text | Contents
List of Illustrations
vii
Notes on Contributors
xiii
Introduction
ι
Sandro
Jung
Tracing a Genealogy of Oroonoko Editions
5
Laura L.
Runge
The Pilgrim s Progress, Print Culture and the Dissenting Tradition
33
Nathalie
Collé-Bak
Printing for the Author in the Long Eighteenth Century
58
J. A. Downk
Robert Burns s Interleaved Scots Musical Museum: A Case-Study
in the Vagaries of Editors and Owners
78
Gerard Carruthers
Packaging, Design and Colour: From Fine-Printed to Small-
Format Editions of Thomson s The Seasons,
1793-1802 97
Sandro ]ung
Print Illustrations and the Cultural Materialism of Scott s
Waverley Novels
!
25
Peter Garside
Beyond Usefulness and Ephemerality: The Discursive Almanac,
1828-60 158
Brian
Maidment
vi
CONTENTS
The Last Years of a Victorian Monument: The Athenaeum after
Maccoll
195
Maryša
Demoor
Index
213
The essays collected here offer examinations of bibUographical
matters, publishing practices, the illustration of texts in a
variety of engraved media, little studied print culture genres,
the critical and editorial fortunes of individual works and the
significance of the complex interrelationships that authors
entertained with booksellers, publishers and designers. They
investigate how these relationships affected the production
of print commodities and how all the agents involved in the
making of books contributed to the cultural literacy of readers
and the formation of a canon of literary texts. Specific topics
include a bibliographical study of Aphra Behris Oroonoko and
its editions from its first publication to the present day; the
illustrations of John Bunyaris Pilgrim s Progress and the ways
in which the interpretive matrices of book illustration
conditioned the afterlife and reception of Bunyan s work;
the almanac and the subscription edition; publishing history,
collecting, reading and textual editing, especially of Robert
Burns s poems and James Thomson s The Seasons; the printing
for the author practice; the illustrated and material existence
of Sir Walter Scott s Waverley novels, and the Victorian
periodical, The Athenaeum.
SANDRO
JUNG is Research Professor of Early Modern
British Literature and Director of the Centre for the Study of
Text and Print Culture at Ghent University.
CONTRIBUTORS: Gerard Carruthers, Nathalie
Colié-Bak,
Maryša
Demoor, Alan Downie, Peter Garside,
Sandro
Jung,
Brian
Maidment,
Laura L.
Runge.
Cover illustration: Spring ,
ТЫ
Seasons (London: printed by J. Cundee, for
T. Hurst,
1802).
Reproduced from a copy in the author s collection.
COVER DESIGN: SIMON LOXLEY
D.S.
BREWER
ігі ігпрппс
of
Boydell &
Brewer Ltd
PO
Boj
9, Woodbridge,
Suffolk
IPI2 3DF
(GB)
and
ö68
Мт
Hope
Ave,
Rochester NY 1
4620-273
1 (US)
wvifc .fc<wd<ll andbrewer.com
|
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| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. |
| format | Book |
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| title_short | British literature and print culture |
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