A history of chromolithography: printed colour for all
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
The British Library
2013
New Castle, Del. Oak Knoll Press |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 728 Seiten Illustrationen, Karten, Plan 31 cm |
| ISBN: | 9780712357104 9781584563204 |
Internformat
MARC
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| 100 | 1 | |a Twyman, Michael |d 1934- |e Verfasser |0 (DE-588)133498360 |4 aut | |
| 245 | 1 | 0 | |a A history of chromolithography |b printed colour for all |c Michael Twyman |
| 264 | 1 | |a London |b The British Library |c 2013 | |
| 264 | 1 | |a New Castle, Del. |b Oak Knoll Press | |
| 300 | |a 728 Seiten |b Illustrationen, Karten, Plan |c 31 cm | ||
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| 336 | |b sti |2 rdacontent | ||
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| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
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| 856 | 4 | 2 | |m Digitalisierung UB Augsburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026244891&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
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Datensatz im Suchindex
| _version_ | 1804150737368776704 |
|---|---|
| adam_text | CONTENTS
PREFACE
7
ACKNOWLEDGEMENTS
11
PART
ONE
FROM
1818
TO
ABOUT
1970
1.1
PRECURSORS
AND
OPTIONS
15
1.2
FIRST
STEPS
IN
OR
TOWARDS
CHROMOLITHOGRAPHY
25
1.3
TINTED
LITHOGRAPHY
41
1.4
THE
COLOUR
REVOLUTION:
CHROMOLITHOGRAPHY
IN
CONTEXT
63
1.5
EARLY
PUBLICATIONS:
DECORATION
AND
FLAT-COLOUR
WORK
77
1.6
PICTURES
IN
COLOUR:
GODEFROY
ENGELMANN
AND
CHARLES
HULLMANDEL
97
1.7
A
PROCESS
IN
TRANSITION
125
1.8
MASS
MARKETS
AND
MASTERWORKS 185
1.9
DECLINE
AND
REINVENTION
269
1.10
COMPETITION:
HAND
COLOURING, CHROMOTYPOGRAPHY,
AND
PHOTOMECHANICAL
PRINTING
309
PART
TWO THE
LITHOGRAPHIC
TRADE
2.1
GROWTH
AND
REGULATION
331
2.2
THE
CHROMOLITHOGRAPHIC
ARTISTS
343
2.3
THE
PRINTERS
377
2.4
APPRENTICESHIP
AND
TRAINING
393
2.5
THE
WORKPLACE
405
2.6
THE
TRADE S
OWN
PUBLICITY
421
PART
THREE
HOW
A CHROMOLITHOGRAPH WAS
MADE
3.1
SOME
CAVEATS
445
3.2
FROM
STONE
TO
PLATE 447
3.3
FROM
HAND-PRESS
TO
POWERED MACHINE
459
3.4
MARK-MAKING
FOR
THE
HAND-PRESS
479
3.5
MARK-MAKING
FOR
MACHINE
PRINTING 489
3.6
REGISTRATION
AND
REGISTRATION MARKS
SOY
3.7
PAPER
STRETCH
517
3.8
INKS
AND
PIGMENTS
525
3.9
VISUALS
AND
THE
VISUALIZER
541
3.10
THE
KEY-LINE
DRAWING
559
3.11
THE
NUMBER
AND
SEQUENCE OF WORKINGS 569
3.12
PROGRESSIVES
AND OTHER
PROOFS
591
3.13
MULTIPLYING
THE
IMAGE
AND CHANGING
ITS
SIZE
619
3.14
SPECIAL
APPLICATIONS:
TRANSFERS,
OFFSET
PRINTING,
AND
TRANSPARENCIES
635
PART
FOUR
SEVERAL
PROCESSES
IN
ONE
4.0
TERMS
AND
CATEGORIES
653
4.1
FLAT-COLOUR
WORK
657
4.2
TINTED
LITHOGRAPHY
659
4.3
SELECTIVE
INKING
662
4.4
COLOURS
ON A
FOUNDATION
WORKING
664
4.5
THE
ENGELMANN
METHOD
667
4.6
COLOUR
SIMULATION
(GRAINED
STONES)
670
4.7
COLOUR
SIMULATION
(POLISHED
STONES)
673
4.8
GOLD
AND
SILVER
675
PICTURE
CREDITS
678
GLOSSARY
679
ARCHIVAL
SOURCES
682
BIBLIOGRAPHY
683
INDEX
693
Dns
laid by
ects of our
hand-drawn
Colour printing is something we take
. _
was not always so, and we owe it to the fo,
.. , .....................
chromolithography that it now touches most aspects of
oui
lives. Xwyman s book traces the evolution of this hand-drav
colour-printing process from its tentative beginnings in
Germany in the early nineteenth century to its spread from
Europe to the United States and beyond to become the
major method of colour printing before the century was
ou
At one end of the
met a vora¬
cious
demand for colour printing in everyday life; at the
other, it was applied to work of real quality: illustrations
(for science, art, architecture, and design), reprodi
famous and popular paintings, maps and atlases,
<
,>ts, book covers, posters, and high-end product
in the
and illustrated with
drawn from a dozen
or so countries. Chromolithography declined gradually with
the rise of photographically-based printing methods, but
a foothold in the
m
idd
le
specialities, particularly posters, right through
of the twentieth century, by which time it had already been
revived as an artistic medium.
Michael Twyman has spent a lifetime
:
printing, and is the first to consider chromolithography
from a global standpoint. In particular, he draws
¿
ι
, —
~
. -.4- -..... +- :,- *.
-( ^ printers, equip
m
ent,
maiericiib,
products, and ideas across national boundaries, initially
within Europe, but later, and more significantly, between
Europe and other parts of the world, particularly the United
States. All this is put in the context of the development of
the lithographic trade and its
orr
The book offers
for the
in its heyday
—
a detailed
were made. But whereas
<
on the methods and
prac
¡graphs
s
of their own
tinne,
the author
■ · ;
their evolution over a period of a hundred yep
Some of the methods he describes and illustrates are so
extraordinary that they require readers in our digital age
to suspend their disbelief. Drawing on a variety of sources
—
manuals, journals, correspondence, preparatory drawings,
proofs, interviews with people in the trade, as
weřl
as the
products themselves
—
he provides fascinating insights
into the methods and skills of the chromolithogrr1
-.■-..-,,■
With almost
800
index, the
book should provide
in the subject.
|
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| era | Geschichte gnd |
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| id | DE-604.BV041271286 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:43:41Z |
| institution | BVB |
| isbn | 9780712357104 9781584563204 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026244891 |
| oclc_num | 862801749 |
| open_access_boolean | |
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| owner_facet | DE-12 DE-210 DE-Y2 DE-384 DE-Y3 DE-255 |
| physical | 728 Seiten Illustrationen, Karten, Plan 31 cm |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | The British Library Oak Knoll Press |
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| spelling | Twyman, Michael 1934- Verfasser (DE-588)133498360 aut A history of chromolithography printed colour for all Michael Twyman London The British Library 2013 New Castle, Del. Oak Knoll Press 728 Seiten Illustrationen, Karten, Plan 31 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Farblithografie (DE-588)4279198-4 gnd rswk-swf Farblithografie (DE-588)4279198-4 s Geschichte z DE-604 Digitalisierung Deutsches Museum application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026244891&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026244891&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Twyman, Michael 1934- A history of chromolithography printed colour for all Farblithografie (DE-588)4279198-4 gnd |
| subject_GND | (DE-588)4279198-4 |
| title | A history of chromolithography printed colour for all |
| title_auth | A history of chromolithography printed colour for all |
| title_exact_search | A history of chromolithography printed colour for all |
| title_full | A history of chromolithography printed colour for all Michael Twyman |
| title_fullStr | A history of chromolithography printed colour for all Michael Twyman |
| title_full_unstemmed | A history of chromolithography printed colour for all Michael Twyman |
| title_short | A history of chromolithography |
| title_sort | a history of chromolithography printed colour for all |
| title_sub | printed colour for all |
| topic | Farblithografie (DE-588)4279198-4 gnd |
| topic_facet | Farblithografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026244891&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026244891&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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