Watching films: new perspectives on movie-going, exhibition and reception
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bristol
Intellect
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXI, 418 S. Ill. 23 cm |
| ISBN: | 9781841505114 1841505110 9781783200429 1783200421 |
Internformat
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Datensatz im Suchindex
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| adam_text | Watching Films:
New Perspectives on Movie-Going, Exhibition
and Reception
Edited by
Karina Aveyard and Albert Moran
intellect Bristol, UK/Chicago, USA
Contents
Foreword xi
Richard Maltby
Figures and Tables xiii
Acknowledgements xv
About the Contributors xvii
Introduction: New perspectives on Movie-Going, Exhibition and Reception 1
Karina Aveyard and Albert Moran
Part I: Theoretical Perspectives 15
Chapter 1: Cinema, Modernity and Audiences: Revisiting and Expanding
the Debate 17
Daniel Biltereyst
Chapter 2: What is a Cinema? Death, Closure and the Database 33
Deb Verhoeven
Chapter 3: A Poetics of Film-audience Reception? Barbara Deming Goes
to the Movies 53
Albert Moran
Chapter 4: The Porous Boundaries of Newsreel Memory Research 69
Louise Anderson
Watching Films
Chapter 5: Why are Children the Most Important Audience for Pornography
in Australia? 87
Alan McKee
Part II: The Film Industry - Systems and Practices 101
Chapter 6: Local Promotion of a Picture Personality : A Case Study of the
Vitagraph Girl 103
Kathryn Fuller-Seeley
Chapter 7: Calamity Howling : The Advent of Television and Australian Cinema
Exhibition 121
Mike Walsh
Chapter 8: A Nation of Film-goers: Audiences, Exhibition and Distribution in
New Zealand 141
Geoff Lealand
Chapter 9: The Critical Reception of Certified Copy: Original Art or Copy
of a Rom-com? 157
Eylem Akatav
Part III: Movie Theatres - From Picture Palace to the Multiplex 169
Chapter 10: Movie-going in the Shenandoah Valley of Virginia: A Case Study
of Place, Transportation, Audiences, Racism, Censorship and Sunday
Showings 171
Douglas Gomery
Chapter 11: From Mom-and-Pop to Paramount-Publix: Selling the Community
on the Benefits of National Theatre Chains 189
Jeffrey Klenotic
Chapter 12: A Progressive City and Its Cinemas: Technology, Modernity
and the Spectacle of Abundance 209
Mark Jancovich and Lucy Faire with Sarah Stubbings
Chapter 13: They Don t Need Me in Heaven There are No Cinemas There,
Ye Know : Cinema Culture in Antwerp (Belgium) and the Empire
of Georges Heylen, 1945-75 223
Kathleen Lotze and Philippe Meers
viii
Contents
Chapter 14: From Out-of-town to the Edge and Back to the Centre: Multiplexes
in Britain from the 1990s 245
Stuart Hanson
Part IV: On the Margins 261
Chapter 15: The Place of Rural Exhibition: Makeshift Cinema-going and the Highlands
and Islands Film Guild (Scotland) 263
Ian Goode
Chapter 16: A Popcorn-free Zone : Distinctions in Independent Film Exhibition in
Wellington, New Zealand 279
Ian Huffer
Chapter 17: Getting to See Women s Cinema 295
Julia Knight
Chapter 18: Shifting Fandoms of Film, Community and Family 315
Tom Phillips
Part V: Just Watching Movies? 329
Chapter 19: Watching Popular Films in the Netherlands, 1934-36 331
Clara Pafort-Overduin
Chapter 20: Contemporary Italian Film-goers and Their Critics 351
Alan O Leary and Catherine O Rawe
Chapter 21: Imagining a Decent Crowd at the Indian Multiplex 369
Adrian Mabbott Athique
Chapter 22: The VHS Generation and their Movie Experiences 387
Janna Jones
Index 403
ix
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