The soul of film theory:
"In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo M...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2013
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo Münsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Amédée Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"-- |
| Beschreibung: | Includes bibliographical references Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks |
| Beschreibung: | X, 209 S. Ill. |
| ISBN: | 9780230365131 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV041095827 | ||
| 003 | DE-604 | ||
| 005 | 20130910 | ||
| 007 | t | ||
| 008 | 130619s2013 a||| |||| 00||| eng d | ||
| 020 | |a 9780230365131 |c hbk |9 978-0-230-36513-1 | ||
| 020 | |z 0230365132 (hardback) |9 0230365132 (hardback) | ||
| 035 | |a (OCoLC)856805736 | ||
| 035 | |a (DE-599)BVBBV041095827 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-29 |a DE-12 | ||
| 100 | 1 | |a Cooper, Sarah |d 1971- |e Verfasser |0 (DE-588)1036243400 |4 aut | |
| 245 | 1 | 0 | |a The soul of film theory |c Sarah Cooper |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Basingstoke [u.a.] |b Palgrave Macmillan |c 2013 | |
| 300 | |a X, 209 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references | ||
| 500 | |a Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks | ||
| 520 | |a "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo Münsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Amédée Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"-- | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Motion pictures / Philosophy | |
| 650 | 4 | |a Motion pictures / Psychological aspects | |
| 650 | 7 | |a BODY, MIND & SPIRIT / General |2 bisacsh | |
| 650 | 7 | |a PHILOSOPHY / General |2 bisacsh | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies |2 bisacsh | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Psychologie | |
| 650 | 0 | 7 | |a Seele |g Motiv |0 (DE-588)4180652-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Filmtheorie |0 (DE-588)4071216-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Körper |g Motiv |0 (DE-588)4164424-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Filmtheorie |0 (DE-588)4071216-3 |D s |
| 689 | 0 | 1 | |a Seele |g Motiv |0 (DE-588)4180652-9 |D s |
| 689 | 0 | 2 | |a Körper |g Motiv |0 (DE-588)4164424-4 |D s |
| 689 | 0 | 3 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m HBZ Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026072332&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-026072332 | ||
Datensatz im Suchindex
| _version_ | 1804150473894133760 |
|---|---|
| adam_text | Titel: The soul of film theory
Autor: Cooper, Sarah
Jahr: 2013
Contents
List ofPlates viii
Acknowledgements ix
Introduction: The Soul of Film Theory 1
1 Classical Souls 23
2 Signifying Souls 68
3 Body and Soul 108
Concluding Remarks 152
Notes 156
Bibliography 188
Films Cited 202
Index 204
|
| any_adam_object | 1 |
| author | Cooper, Sarah 1971- |
| author_GND | (DE-588)1036243400 |
| author_facet | Cooper, Sarah 1971- |
| author_role | aut |
| author_sort | Cooper, Sarah 1971- |
| author_variant | s c sc |
| building | Verbundindex |
| bvnumber | BV041095827 |
| ctrlnum | (OCoLC)856805736 (DE-599)BVBBV041095827 |
| edition | 1. publ. |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03061nam a2200529 c 4500</leader><controlfield tag="001">BV041095827</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20130910 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">130619s2013 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780230365131</subfield><subfield code="c">hbk</subfield><subfield code="9">978-0-230-36513-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">0230365132 (hardback)</subfield><subfield code="9">0230365132 (hardback)</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)856805736</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041095827</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cooper, Sarah</subfield><subfield code="d">1971-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1036243400</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The soul of film theory</subfield><subfield code="c">Sarah Cooper</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Basingstoke [u.a.]</subfield><subfield code="b">Palgrave Macmillan</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">X, 209 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo Münsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Amédée Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Philosophy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures / Psychological aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">BODY, MIND & SPIRIT / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHILOSOPHY / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Media Studies</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Psychologie</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Seele</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4180652-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Körper</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4164424-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Filmtheorie</subfield><subfield code="0">(DE-588)4071216-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Seele</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4180652-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Körper</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4164424-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HBZ Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026072332&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-026072332</subfield></datafield></record></collection> |
| id | DE-604.BV041095827 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:39:29Z |
| institution | BVB |
| isbn | 9780230365131 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026072332 |
| oclc_num | 856805736 |
| open_access_boolean | |
| owner | DE-29 DE-12 |
| owner_facet | DE-29 DE-12 |
| physical | X, 209 S. Ill. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Palgrave Macmillan |
| record_format | marc |
| spelling | Cooper, Sarah 1971- Verfasser (DE-588)1036243400 aut The soul of film theory Sarah Cooper 1. publ. Basingstoke [u.a.] Palgrave Macmillan 2013 X, 209 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Machine generated contents note: Introduction: The Soul of Film Theory -- 1. Classical Souls -- 2. Signifying Souls -- 3. Body and Soul -- Concluding Remarks "In contemporary film theory, body and mind have been central to explorations of film form, representation, and spectatorship. While the soul may seem to have no place here, the history of film theory and its legacy to the present suggest otherwise. From the origins of film theory - from Hugo Münsterberg through French Impressionism to writings of the Weimar Republic - to the mid-twentieth century work of Henri Agel and Amédée Ayfre and Henri Agel, as well as Edgar Morin, the soul emerges as a multi-faceted, if contested, concept. By revisiting such key moments in the history of film theory, and tracing the survival of this concept through to a range of cutting-edge debates today, from the work of Vivian Sobchack to Jean-Luc Nancy, Gilles Deleuze to Torben Grodal, The Soul of Film Theory tells the heretofore tacit tale of the relation between cinema and the soul, from classical to contemporary times, in dialogue with philosophy, religion, and science"-- Geschichte gnd rswk-swf Motion pictures / Philosophy Motion pictures / Psychological aspects BODY, MIND & SPIRIT / General bisacsh PHILOSOPHY / General bisacsh SOCIAL SCIENCE / Media Studies bisacsh Film Philosophie Psychologie Seele Motiv (DE-588)4180652-9 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Körper Motiv (DE-588)4164424-4 gnd rswk-swf Filmtheorie (DE-588)4071216-3 s Seele Motiv (DE-588)4180652-9 s Körper Motiv (DE-588)4164424-4 s Geschichte z DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026072332&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cooper, Sarah 1971- The soul of film theory Motion pictures / Philosophy Motion pictures / Psychological aspects BODY, MIND & SPIRIT / General bisacsh PHILOSOPHY / General bisacsh SOCIAL SCIENCE / Media Studies bisacsh Film Philosophie Psychologie Seele Motiv (DE-588)4180652-9 gnd Filmtheorie (DE-588)4071216-3 gnd Körper Motiv (DE-588)4164424-4 gnd |
| subject_GND | (DE-588)4180652-9 (DE-588)4071216-3 (DE-588)4164424-4 |
| title | The soul of film theory |
| title_auth | The soul of film theory |
| title_exact_search | The soul of film theory |
| title_full | The soul of film theory Sarah Cooper |
| title_fullStr | The soul of film theory Sarah Cooper |
| title_full_unstemmed | The soul of film theory Sarah Cooper |
| title_short | The soul of film theory |
| title_sort | the soul of film theory |
| topic | Motion pictures / Philosophy Motion pictures / Psychological aspects BODY, MIND & SPIRIT / General bisacsh PHILOSOPHY / General bisacsh SOCIAL SCIENCE / Media Studies bisacsh Film Philosophie Psychologie Seele Motiv (DE-588)4180652-9 gnd Filmtheorie (DE-588)4071216-3 gnd Körper Motiv (DE-588)4164424-4 gnd |
| topic_facet | Motion pictures / Philosophy Motion pictures / Psychological aspects BODY, MIND & SPIRIT / General PHILOSOPHY / General SOCIAL SCIENCE / Media Studies Film Philosophie Psychologie Seele Motiv Filmtheorie Körper Motiv |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026072332&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT coopersarah thesouloffilmtheory |