Perception, time and music analysis: an introduction to analytic-generative methodology
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Book |
| Language: | English |
| Published: |
Heslinki
Univ. of Helsinki, Dep. of Philosophy, History, Culture and Art Studies
2013
|
| Series: | Studia musicologica Universitatis Helsingiensis
23 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | 231 S. Ill., graph. Darst., Notenbeisp. |
| ISBN: | 9789521087158 |
Staff View
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV041085291 | ||
| 003 | DE-604 | ||
| 005 | 20140808 | ||
| 007 | t | ||
| 008 | 130613s2013 adgl m||| 00||| eng d | ||
| 020 | |a 9789521087158 |9 978-952-10-8715-8 | ||
| 035 | |a (OCoLC)854726743 | ||
| 035 | |a (DE-599)BVBBV041085291 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Laiho, Timo |d 1957- |e Verfasser |0 (DE-588)1035778491 |4 aut | |
| 245 | 1 | 0 | |a Perception, time and music analysis |b an introduction to analytic-generative methodology |c by Timo Laiho |
| 264 | 1 | |a Heslinki |b Univ. of Helsinki, Dep. of Philosophy, History, Culture and Art Studies |c 2013 | |
| 300 | |a 231 S. |b Ill., graph. Darst., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Studia musicologica Universitatis Helsingiensis |v 23 | |
| 502 | |a Zugl.: Helsinki, Univ., Diss., 2013 | ||
| 650 | 0 | 7 | |a Musikalische Semiotik |0 (DE-588)4195308-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikwahrnehmung |0 (DE-588)4126097-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Zeit |g Motiv |0 (DE-588)4207564-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalische Analyse |0 (DE-588)4040814-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Poststrukturalismus |0 (DE-588)4137176-8 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Musikwahrnehmung |0 (DE-588)4126097-1 |D s |
| 689 | 0 | 1 | |a Musikalische Analyse |0 (DE-588)4040814-0 |D s |
| 689 | 0 | 2 | |a Musikalische Semiotik |0 (DE-588)4195308-3 |D s |
| 689 | 0 | 3 | |a Poststrukturalismus |0 (DE-588)4137176-8 |D s |
| 689 | 0 | 4 | |a Zeit |g Motiv |0 (DE-588)4207564-6 |D s |
| 689 | 0 | |5 DE-604 | |
| 830 | 0 | |a Studia musicologica Universitatis Helsingiensis |v 23 |w (DE-604)BV010346576 |9 23 | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 3 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026061992&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n oe | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-026061992 | ||
| 942 | 1 | 1 | |c 781 |e 22/bsb |
Record in the Search Index
| _version_ | 1804150458678247424 |
|---|---|
| adam_text | CONTENTS
Abstract
............................................................................................................................ix
Preface and Acknowledgements
....................................................................................
χ
Part One
Towards the Preconditions of Musical Cognition and Analysis
1
PRELIMINARY ISSUES
.........................................................................3
1.1
Introductory Remark
.............................................................................................3
1.2
Music Analysis and Musical Perception. What is the Role of Perception in
Music Analysis?
............................................................................................................4
1.3
Objective vs. Subjective Knowledge of Musical Experience
...........................7
1.4
Positivistic Influence as a Scientific Ideal in Music Theory and Analysis
. 10
1.5
Relationships Between Music Theory, Analysis and Perception
................15
2
WHAT IS ANALYSIS?
........................................................................22
2.1
Some General Definitions
..................................................................................22
2.2 Adornos
Insights of Analysis
...........................................................................24
2.3
Adorno s Truth Content: Analysis as Cognition and Becoming
..............27
2.4
Towards an Analysis of Becoming
................................................................32
2.5
Introduction of the Analytic Concept of Musical Vector (muV)
................35
2.6
Analysis
#1:
Musical Vectors and the Counter-Subject s Directionality
in Mahler s Fourth Symphony
................................................................................40
2.7
Summary of Chapters
1-2.................................................................................48
xvi _
PERCEPTION,
TIME AND MUSIC ANALYSIS
3
PERCEPTION, SENSATION AND COGNITION: THE
STRUCTURAL ORGANIZATION OF COGNITIVE PROCESSING
.....52
3.1
Perception vs. Sensation
....................................................................................52
3.2
The Problem of High- and Low-Level Processing of Perceptual Systems
..55
3.3
The Critiques Against the Computational Modelling of Cognition
...........58
3.3.1
Gödel s
Theorems and the Non-Computability of Consciousness
...59
3.3.2
Computation and the Structural Features of Formal Languages
.......61
3.3.2.1
Searle s Critique
..........................................................................62
3.3.2.2
The Problem of Initial Conditions
..........................................64
3.4
The Generative/Reductive Principles of
Тор
-Down
and Bottom-Up
Processing
..................................................................................................................68
3.4.1
The Top-Down Organization and Introduction
of the Principle of Higher-Order Reduction (R2)
.....................................68
3.4.2
The Generative/Reductive Principles of Bottom-Up Processing
......70
3.5
Conclusions
.........................................................................................................74
4
FORMALITY OF FUSIC ANALYSIS: EXAMPLES OF
PROLONGATION AND SEGMENTATION
...........................................78
4.1
The Concept of Prolongation
...........................................................................80
4.1.1
General Structural Principles
..................................................................80
4.1.2
Prolongation in Atonal Context
.............................................................84
4.2
The Problem of Segmentation
..........................................................................90
5
NON-CONCEPTUALITY AND SENSATION: THE PRINCIPLES OF
DIFFERENTIATION
..............................................................................96
5.1
Non-Conceptual Mental Content
....................................................................96
5.2
Priority of Sensation?
.......................................................................................100
5.3
Analysis
#2:
Differentiation and the Principles of Visual Grouping
.........103
6
COGNITIVE MODEL: THE FOUNDATIONS OF SUB-SEMIOTIC
ANALYSIS
............................................................................................
109
6.1
Overview
............................................................... 109
6.2
ReiDejconstructing the Sign Structure
.........................................................112
CONTENTS — xvii
6.2.1 Saussure
and the
Concept
of the Linguistic Sign
...............................113
6.2.2
Peirce s Tripartition
...............................................................................118
6.2.3
Icon-Index-Symbol: Towards Peircean Dynamism
..........................124
6.2.3.1
Symbol
-
The Level of Thirdness
..........................................124
6.2.3.2
Icon
-
The Level of Firstness
.................................................126
6.2.3.3
Index
-
The Level of Secondness
..........................................131
6.3
Cognitive Model and Differentiation as a Basis of
Sub-Semiotic Analysis
...........................................................................................135
6.3.1
Relation to Peircean Sign-Theory
........................................................135
6.3.2
Differentiation as Diacritics and
Dìfférance
......................................138
6.3.3
Analysis
#3:
Differentiation and Contextuality in Schoenberg s
opening of Op.
19 ........................................................................................144
6.3.4
Generalized Principles
...........................................................................149
Part Two
The methodology of AGM: Analytic Concepts and Musical Examples
7
ANALYTIC CONCEPTS AND THE THEORETICAL FRAMEWORK
..................................................................................................................165
7.1
Classification of Analytic Concepts
................................................................165
7.2
Differentiation as Movement: Interval-Time -Complex (intiC)
...............166
7.2.1
Analyses
#4
and
#5:
The Structural Principles of Pitch Perception
and the Formation of Harmonic Spectrum
.................................................173
7.2.2
Analyses
#6
and
#7:
Examples of the Analytical Concept of intiC
..181
7.3
Analyses
#8
and
#9:
Examples of the Analytical concept of muV
.............190
7.3.1
Two Further Considerations Related to the Analytical Concepts
of intiC and muV
.............................................................................................202
7.4
A Summary of the Principles of Differentiation in Relation to
the Milieu and Territorial Structures
-
Analysis
#10.........................................211
8
CONCLUSIONS
................................................................................215
BIBLIOGRAPHY
..................................................................................223
|
| any_adam_object | 1 |
| author | Laiho, Timo 1957- |
| author_GND | (DE-588)1035778491 |
| author_facet | Laiho, Timo 1957- |
| author_role | aut |
| author_sort | Laiho, Timo 1957- |
| author_variant | t l tl |
| building | Verbundindex |
| bvnumber | BV041085291 |
| ctrlnum | (OCoLC)854726743 (DE-599)BVBBV041085291 |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02113nam a2200481 cb4500</leader><controlfield tag="001">BV041085291</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20140808 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">130613s2013 adgl m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789521087158</subfield><subfield code="9">978-952-10-8715-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)854726743</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV041085291</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Laiho, Timo</subfield><subfield code="d">1957-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1035778491</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Perception, time and music analysis</subfield><subfield code="b">an introduction to analytic-generative methodology</subfield><subfield code="c">by Timo Laiho</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Heslinki</subfield><subfield code="b">Univ. of Helsinki, Dep. of Philosophy, History, Culture and Art Studies</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">231 S.</subfield><subfield code="b">Ill., graph. Darst., Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Studia musicologica Universitatis Helsingiensis</subfield><subfield code="v">23</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="a">Zugl.: Helsinki, Univ., Diss., 2013</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Semiotik</subfield><subfield code="0">(DE-588)4195308-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwahrnehmung</subfield><subfield code="0">(DE-588)4126097-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Zeit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4207564-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Poststrukturalismus</subfield><subfield code="0">(DE-588)4137176-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikwahrnehmung</subfield><subfield code="0">(DE-588)4126097-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musikalische Analyse</subfield><subfield code="0">(DE-588)4040814-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikalische Semiotik</subfield><subfield code="0">(DE-588)4195308-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Poststrukturalismus</subfield><subfield code="0">(DE-588)4137176-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Zeit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4207564-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Studia musicologica Universitatis Helsingiensis</subfield><subfield code="v">23</subfield><subfield code="w">(DE-604)BV010346576</subfield><subfield code="9">23</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen 3</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026061992&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-026061992</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV041085291 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:39:15Z |
| institution | BVB |
| isbn | 9789521087158 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-026061992 |
| oclc_num | 854726743 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 231 S. Ill., graph. Darst., Notenbeisp. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Univ. of Helsinki, Dep. of Philosophy, History, Culture and Art Studies |
| record_format | marc |
| series | Studia musicologica Universitatis Helsingiensis |
| series2 | Studia musicologica Universitatis Helsingiensis |
| spelling | Laiho, Timo 1957- Verfasser (DE-588)1035778491 aut Perception, time and music analysis an introduction to analytic-generative methodology by Timo Laiho Heslinki Univ. of Helsinki, Dep. of Philosophy, History, Culture and Art Studies 2013 231 S. Ill., graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Studia musicologica Universitatis Helsingiensis 23 Zugl.: Helsinki, Univ., Diss., 2013 Musikalische Semiotik (DE-588)4195308-3 gnd rswk-swf Musikwahrnehmung (DE-588)4126097-1 gnd rswk-swf Zeit Motiv (DE-588)4207564-6 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Poststrukturalismus (DE-588)4137176-8 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Musikwahrnehmung (DE-588)4126097-1 s Musikalische Analyse (DE-588)4040814-0 s Musikalische Semiotik (DE-588)4195308-3 s Poststrukturalismus (DE-588)4137176-8 s Zeit Motiv (DE-588)4207564-6 s DE-604 Studia musicologica Universitatis Helsingiensis 23 (DE-604)BV010346576 23 Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026061992&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Laiho, Timo 1957- Perception, time and music analysis an introduction to analytic-generative methodology Studia musicologica Universitatis Helsingiensis Musikalische Semiotik (DE-588)4195308-3 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Zeit Motiv (DE-588)4207564-6 gnd Musikalische Analyse (DE-588)4040814-0 gnd Poststrukturalismus (DE-588)4137176-8 gnd |
| subject_GND | (DE-588)4195308-3 (DE-588)4126097-1 (DE-588)4207564-6 (DE-588)4040814-0 (DE-588)4137176-8 (DE-588)4113937-9 |
| title | Perception, time and music analysis an introduction to analytic-generative methodology |
| title_auth | Perception, time and music analysis an introduction to analytic-generative methodology |
| title_exact_search | Perception, time and music analysis an introduction to analytic-generative methodology |
| title_full | Perception, time and music analysis an introduction to analytic-generative methodology by Timo Laiho |
| title_fullStr | Perception, time and music analysis an introduction to analytic-generative methodology by Timo Laiho |
| title_full_unstemmed | Perception, time and music analysis an introduction to analytic-generative methodology by Timo Laiho |
| title_short | Perception, time and music analysis |
| title_sort | perception time and music analysis an introduction to analytic generative methodology |
| title_sub | an introduction to analytic-generative methodology |
| topic | Musikalische Semiotik (DE-588)4195308-3 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Zeit Motiv (DE-588)4207564-6 gnd Musikalische Analyse (DE-588)4040814-0 gnd Poststrukturalismus (DE-588)4137176-8 gnd |
| topic_facet | Musikalische Semiotik Musikwahrnehmung Zeit Motiv Musikalische Analyse Poststrukturalismus Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026061992&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV010346576 |
| work_keys_str_mv | AT laihotimo perceptiontimeandmusicanalysisanintroductiontoanalyticgenerativemethodology |