Intersections and counterpoints: proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference
Saved in:
| Format: | Conference Proceeding Book |
|---|---|
| Language: | English |
| Published: |
Clayton, Vic.
Monash University Publishing
2013
|
| Series: | Monash art design + architecture
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XVI, 539 S. Ill. 29 cm |
| ISBN: | 9781921867569 |
Staff View
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| 245 | 1 | 0 | |a Intersections and counterpoints |b proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference |c ed. by Luke Morgan |
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Record in the Search Index
| _version_ | 1804150443316609024 |
|---|---|
| adam_text | Contributors
Preface
Marian Crawford
χ
xiv
Part
1 :
Keynotes
10
The Nomadic Resolution:
Multiple Making in the United Arab Emirates
54
Janet
Bellotto
and Karen
Oremus
11
InterdisciPR/WTarity:
Exploring Print Pedagogy within an Interdisciplinary
Framework
60
Bepen Bhana
Copying Collaboration:
A Dialogue between Brook Andrew and Trent Walter
Brook Andrew and Trent Walter
12
Spacing Operations and Temporal Procedures in
the Practice of
Joëlle Tuerlinckx
Teni Bird
65
Just What Is It that Makes an Artist s Folio
So Special, So Appealing, So Important?
Paul Coldwell
The Work Event:
Art in the Distributed Field and Systems of Production
12
Johanna
Drucker
Mike Parr s Correspondence to John Loane
via Email on Tuesday
30
August
2011 6:26
am
17
Mike Pan-
Ripped
&
Torn, But Never Thrown Away:
The Legitimisation of the Ephemeral Graphic Object
20
Teal Triggs
13
Life, the Universe and Everything:
The Artist s Book as a Means of Theoretical, Political
and Social Consideration of the Natural World
70
Sarah Bodman
14
A Manifesto for the Book:
Book
-
Artist s Book
-
Artist s Publication
-
Book Art?
75
Sarah Bodman and Tom Sowden
15
Untying the Knot:
Memory and Forgetting in Contemporary Print Work
81
Deidre
Brollo
16
Chromatic Fields:
Printmedia
and the Artist s Book
88
Duncan
Bullen
Part
2:
Papers
β
The Imprint of South Africa:
Narratives by Some Black Women Printmakers at
the Caversham Press
Marion Arnold
30
17
Printmaking, Mapmaking and Tracking Evidence of
Movement
94
Susanna Castleden
18
The Printed Image and Nation Building in the
Republic of Singapore
100
Leong K. Chan
The Work of Art in the Age of Environmental
Degradation:
Exploring the Form of Contemporary Printmaking
37
Karen Ball
8
Securing Norman Lindsay:
The Trans-dimensional Printed Vase
41
Roderick Bamford
9
Home Is Where the Art Is:
Popular Print Media and the Forming of White
Australian Identity
47
Gene Bawden
19
Girlie Shape-Shifters with Five O Clock Shadows:
Surveying Representations of She Wolves, Wolf Girls
and Female Werewolves in Printmaking and the
Visual Arts
106
Jazmina Cininas
20
Digital Media Aesthetics and Materiality
114
Joel Collins, Indae Hwang and Darragh O Brien
21
When a World Disappears:
Tracking the Trace in Mixed Reality Artwork
120
Leonie
Cooper
22
The Digital Dialect:
Tactility, Transience, Reach, Limits and Limitlessness
125
Deborah Cornell
23
Non-sequitur:
The Accidental Narrative
132
Maryanne Coutts
24
The Print and Impossible Mourning
138
Marian Crawford
25
A Floating World:
Printmaking, Post-war Australia, Japan and Robert
Grieve
Marian Crawford and Anna Grieve
26
Fremantle Arts Centre Print Award Supported by
Little Creatures Brewing:
Novetty Cheques, Free Beer and New Audiences
151
Elizabeth Delfs
36
POP-Up:
Binding Landscape Architectural Learning and
Bookmaking
212
Fiona
Harrisson
and Marian
Macken
37
Teaching Artists Books:
Interdisciplinary Conversations and Transdisciplinary
Pedagogy
219
Brad Haylock
38
There are too many spelling or grammatical errors
in finneganswake doc to continue
223
Nicci Haynes
39
The Scrawl of Thought:
On
Dürer
and Design
229
Christopher P.
Heuer
40
On Commoning
233
Jan Hogan
27
The Digital Print Shop:
Artist and Computer as Co-creators
157
Jennifer
Eiserman
and Gerald Hushlak
28
Portrait Punching:
The Monetary Screw Press, Imprinting, and the
Continual Quest for Perfection
163
Jennifer Ferng
29
Up Against the Thing :
Comic Espionage and Double Acts on the British
Stage and Page
169
David Ferry
41
A Model for the Collaborative Studio in the
Twenty-First Century:
What It Might Be!
Stephen Hoskins
42
Relational Surfaces:
The Tissue of Materiality
Clare Humphries
43
Beyond the Frame:
Five Printmakers from Alberta
Liz Ingram
238
243
250
30
Editions and Art Market in Video Art
174
Elena Galimberti
31
Re-membering Portraits of the Stolen Generations
179
Wendy Garden
32
The Impact of
Digital
Technologies on Contemporary
Australian Printmaking
186
Sasha Gnshin
33
Documentary nShape:
From Print to Simulation
190
Mark
Guglielmotti
34
Imprint and Memory in the Analogue Book
197
Inga
Hanover
35
Print as Other,
The Future
»
Queer
205
Rtchmrd Harding
Imprinting into and out of the Virtual and
across the Real:
Digital Media Aesthetics and Materiality
256
Troy Innocent
45
Moving Pictures
Print in Glass
262
Shelley James
46
Reading the Media
268
Sarah Jones
/
Stubbs
47
(Re) Framing the Suburban Landscape
274
Jennifer
Kamp
48
From Papunya to Pakistan:
Connecting with Asia through the Research Projects
of Cicada Press,
COFA UNSW
280
Michael Kempson
49
Prawat and the Renegade Print
Anne Kirker
61
285
The Image in the Age of Computer Agency
Gordon Monro
358
50
Selling Picture Books in Eighteenth-Century Paris
292
Wallace Kirsop
51
Celestial Striptease:
Exposure in Nineteenth-Century Spirit Photography
and Writing
297
Anita
La Pietra
52
The Human Printer Featuring the Print Is Dead
Series:
A Model for the Collaborative Studio in the
Twenty-First Century and the Changing Role of the
Master Printer
303
Paul Laidler
53
Nurturing Creativity:
Typographic Visual Abstraction through the
Letterpress Poster
310
Debra Livingston
54
Representation, Re-presenting and Re-framing
the Body:
The Trace of Corporeality through Cross-disciplinary
Media and Its Installation in the Work of Ryan
Trecartin and Joan Jonas
316
Gian Manik
55
Paper
Parthenons:
Context Versus Fragment in Contemporary Debates
Regarding the Display of the Parthenon Sculptures
321
Christopher R. Marshall
56
Jill Posters Will Be Prosecuted:
Australia s Women-Only Print Collectives from the
1970s
and
1980s 328
Louise May hew
57
Good Texts:
The Tracing of Printmaking and Grief through
Actor-Network-Theory
335
Rebecca Mayo
58
Cross-disciplinary Projects:
How Blended Disciplines Activate Change
341
Jennifer McKnight
59
Cowboys of the Red Manuka
346
Faith McManus
60
Painting with Light:
Josef Stanislaus Ostoja-Kotkowski and the Limits
of the Photographic Print
351
Melissa Miles
62
Paper Machines:
The Fountain in Early Modern Technical Treatises
364
Luke Morgan
63
The Essence of Food:
Representing the Core Values of Local New Zealand
Food through Letterpress Processes
369
Jacqueline Naismith and Annette O Sullivan
64
Extensions of a No-Place:
Four Narratives for Invented Landscapes
374
Peter Nelson
65
Towards a History of Impact:
The Violence of the Creative Vocabulary
380
Robert Nelson
66
Aesthetics of Austerity in
Toda Seiju s
Posters
386
Hung Ky Nguyen
67
Tagged at Dundee Contemporary Arts:
How Your Mobile Phone Can Demystify Print-Based
Artworks
392
Simone O Callaghan
68
Physical and Virtual Attributes of Quality for
Consideration by the Master Printer
397
Melissa Olen
69
Accidental Journey
400
Tim O Riley
70
Objects in the Text:
Art in the Age of Documentation
404
Stephen Palmer
71
Sited Prepositional Sculpture:
Its Public and Relation to Paper Architecture
408
Spiros Panigirakis
72
Elective Affinities:
Observations on Contemporary Printmaking through
Drawing
414
Ruth Pelzer-Montada
73
Printmaking for Ceramics and Glass:
Intersections and Counterpoints
422
Kevin
Pétrie
74
Negotiating Narrative Interstices:
The Lithographs and Etchings of Marian Maguire
428
Elizabeth Rankin
75
Thinking through the Body: Transcription and Its
Visual Image
Bea Maddock s
Being and Nothingness by
Jean-Paul Sartre
434
Macushla Robinson
76
A Paper Cabinet:
The Skottowe Manuscript
438
Lisa
Slade
77
Drawing with Fire:
The Art of Laser Cutting Paper
443
Tom Sowden
78
Follow-ed (after Hokusai)
449
Tom Sowden
79
Ruptured Masculinity:
The Male Body in Popular Pakistani Poster Art
453
Abdullah M. I. Syed
80
Conventions of the Book:
Analysing the Impact of Digital Yechnology on the
Interpretation of Images and Text in News Media
460
Pat Thomas
81
New Tendencies in Print at Sydney College of
the Arts
466
Justin
Trendall
82
Psychic Counterpoints:
Participatory Realist Documentary and Printmaking
as Thwarted War Romance, Longing and Desire
470
Penelope Trotter
83
Becoming Imperceptible:
Drawing As a Way of Understanding Interconnectedness
with All Living Beings
475
Paul Uhlmann
84
Fata Morgana.
The Cinema of Ghostly Duplications
481
Michael Vale
85
Aura of the
Semiotic
Imprint
484
Christopher Waller
86
Trace, Mark, Scribble:
The Dancing Body on the Page of the Artist s Book
491
Jude
Walton
87
Unfolding Projects:
Afghan and Australian Artists Books Collaborations
496
Gali
Weiss and Barbara
Kamenier
88
Chinese Traditional Woodcut Prints,
Nian
hua,
and Chinese Contemporary Art
504
U
Wenmin
89
Best Wishes Nora Gee:
A Case Study
510
Tracey Williams
90
When the Dead Help the Living
-
Archives and
Databases:
The Print and Digital Media; the Witness and the
Archive
516
Kit Wise
91
Conceptual Art as Literary Writing:
The Introductory Editorial to the Journal
Art-Language, Read through the Work of Jacques
Derrida
521
David
Wlazło
92
Fertile Bodies:
Fearsome Space, Collage and the Maternal
Print Archive
525
Sophia Xeros-Constantinides
93
Marina Roy s Apartment
533
Barbara Zeigler
|
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| id | DE-604.BV041075305 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:39:00Z |
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| institution_GND | (DE-588)1049517415 |
| isbn | 9781921867569 |
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| owner_facet | DE-12 |
| physical | XVI, 539 S. Ill. 29 cm |
| publishDate | 2013 |
| publishDateSearch | 2013 |
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| publisher | Monash University Publishing |
| record_format | marc |
| series2 | Monash art design + architecture |
| spelling | Intersections and counterpoints proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference ed. by Luke Morgan Clayton, Vic. Monash University Publishing 2013 XVI, 539 S. Ill. 29 cm txt rdacontent n rdamedia nc rdacarrier Monash art design + architecture Prints / Technique / Congresses Buchdruck (DE-588)4008598-3 gnd rswk-swf Drucken (DE-588)4150721-6 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Grafik (DE-588)4021845-4 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2011 Melbourne gnd-content Drucken (DE-588)4150721-6 s Buchdruck (DE-588)4008598-3 s Grafik (DE-588)4021845-4 s Kunst (DE-588)4114333-4 s DE-604 Morgan, Luke 19XX- Sonstige (DE-588)135646308 oth International Multi-Disciplinary Printmaking Conference 7 2011 Melbourne Sonstige (DE-588)1049517415 oth Digitalisierung BSB Muenchen 21 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026052200&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Intersections and counterpoints proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference Prints / Technique / Congresses Buchdruck (DE-588)4008598-3 gnd Drucken (DE-588)4150721-6 gnd Kunst (DE-588)4114333-4 gnd Grafik (DE-588)4021845-4 gnd |
| subject_GND | (DE-588)4008598-3 (DE-588)4150721-6 (DE-588)4114333-4 (DE-588)4021845-4 (DE-588)1071861417 |
| title | Intersections and counterpoints proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference |
| title_auth | Intersections and counterpoints proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference |
| title_exact_search | Intersections and counterpoints proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference |
| title_full | Intersections and counterpoints proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference ed. by Luke Morgan |
| title_fullStr | Intersections and counterpoints proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference ed. by Luke Morgan |
| title_full_unstemmed | Intersections and counterpoints proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference ed. by Luke Morgan |
| title_short | Intersections and counterpoints |
| title_sort | intersections and counterpoints proceedings of the impact 7 international multi discplinary printmaking conference |
| title_sub | proceedings of the Impact 7 International Multi-Discplinary Printmaking Conference |
| topic | Prints / Technique / Congresses Buchdruck (DE-588)4008598-3 gnd Drucken (DE-588)4150721-6 gnd Kunst (DE-588)4114333-4 gnd Grafik (DE-588)4021845-4 gnd |
| topic_facet | Prints / Technique / Congresses Buchdruck Kunst Grafik Konferenzschrift 2011 Melbourne |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=026052200&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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