Hispanic and Lusophone women filmmakers: theory, practice and difference
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
Manchester
Manchester Univ. Press
2013
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XII, 282 S. |
| ISBN: | 9780719083570 0719083575 |
Staff View
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Record in the Search Index
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| adam_text | Hispanic and
Lusophone women
filmmakers
Theory, practice and difference
Edited by Parvati Nair and Julian Daniel Gutierrez-Albilla
Manchester University Press
Manchester and New York
distributed in the United States exclusively by Palgrave Macmillan
Contents
Notes on contributors vii
Acknowledgements xiii
Introduction: through feminine eyes 1
Parvati Nair and Julian Daniel Gutierrez-Albilla
1 Paul Julian Smith Transnational co-productions and female
filmmakers: the cases of Lucrecia Martel and Isabel Coixet 12
Part I Memory and history
2 Patricia Torres San Martin Lost and invisible: a history of Latin
American women filmmakers
3 Isolina Ballesteros Feminine spaces of memory: mourning and
melodrama in Para que no me olvides (2005) by Patricia
Ferreira
4 Catherine L Benamou and Leslie L Marsh Women filmmakers
and citizenship in Brazil, from Bossa Nova to the retomada
5 Steven Marsh Ana Mariscal: signature, event, context
6 Alejandro Melero Salvador Rosario Pi and the challenge of
social and cinematic conventions during the Second Republic
7 Maria Caridad Cumana Gonzalez and Susan Lord
Deterritorialised intimacies: the documentary legacy of Sara
Gomez in three contemporary Cuban women filmmakers
Part II Culture and conflict
8 Ann Davies Ana Diez: Basque cinema, gender and the
home(land) 115
9 Deborah Martin Slipping discursive frameworks: gender (and)
politics in Colombian women s documentary 126
10 Rosa Linda Fregoso The poetics of transformation in the
works of Lourdes Portillo , 140
vi Contents
Part III Migration, transnationalism and borders
11 Helena Lopez A disjunctive order: place, space and the
gendered body in Isabel Coixet s The Secret Life of Words
(2005) 157
12 Parvati Nair Reconfiguring the rural: fettered geographies,
unsettled histories and the abyss of alienation in the work of
three Spanish women filmmakers 171
13 Sofia Ruiz-Alfaro Tracing the border: the frontier condition
in Maria Novaro s Sin dejar huella 181
Part IV Subjectivity
14 Charlotte Gleghorn Genealogies of the self: (auto)biography in
Sandra Kogut s Um Passaporte Hungaro (2001) and Albertina
Carri s Los rubios (2003) 199
15 Julian Daniel Gutierrez-Albilla Filming in the feminine:
subjective realism, social disintegration and bodily affection
in Lucrecia Martel s La cienaga (2001) 215
16 Sarah Wright Everything to play for: renegotiating Chilean
identity in Alicia Scherson s Play (2005) 229
17 Tom Whittaker The politics of pathos in Pilar Miro s Gary
Cooper, que estas en los cielos (1980) 241
18 Jo Evans Iciar Bollain s Carte de Tendre : mapping female
subjectivity for the turn of the millennium 252
19 Rui Gongalves Miranda Murmuring another( s) story: histories
under the sign of the feminine, pre- and post- the Portuguese
revolution of 1974 264
Index 277
i
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