Hollywood and Hitler: 1933 - 1939
The abundance of WWII-era documentaries and the huge cache of archival footage that has emerged since 1945 make it seem as if cinematic images of the Nazis were always as vivid and plentiful as they are today. Yet between 1933 and 1939, representations of the Nazis and the full meaning of Nazism cam...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY [u.a.]
Columbia Univ. Press
2013
|
| Series: | Film and culture
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | The abundance of WWII-era documentaries and the huge cache of archival footage that has emerged since 1945 make it seem as if cinematic images of the Nazis were always as vivid and plentiful as they are today. Yet between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more distinct and ominous only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as 'Hitler's Reign of Terror' (1934), a pioneering anti-Nazi docu-drama by Cornelius Vanderbilt, Jr.; 'I Was a Captive of Nazi Germany' (1936), a sensational true tale of 'a Hollywood girl in Naziland!'; and 'Professor Mamlock' (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision |
| Item Description: | Rezensiert in: Yearbook of German-American studies Band 55 (2020), Seite 200-202 (Gregory Zieren) Includes bibliographical references and index |
| Physical Description: | IX, 429 S. Ill. |
| ISBN: | 9780231163927 9780231163934 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV040974694 | ||
| 003 | DE-604 | ||
| 005 | 20220823 | ||
| 007 | t | ||
| 008 | 130430s2013 a||| |||| 00||| eng d | ||
| 020 | |a 9780231163927 |c hbk. |9 978-0-231-16392-7 | ||
| 020 | |a 9780231163934 |c pbk. |9 978-0-231-16393-4 | ||
| 035 | |a (OCoLC)854696895 | ||
| 035 | |a (DE-599)BVBBV040974694 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-29 |a DE-188 |a DE-M472 |a DE-M352 |a DE-B496 |a DE-355 |a DE-11 |a DE-Po75 | ||
| 050 | 0 | |a PN1995.9.N36D65 | |
| 082 | 0 | |a 791.4309430904 |2 23 | |
| 084 | |a AP 44983 |0 (DE-625)7516:743 |2 rvk | ||
| 084 | |a AP 50300 |0 (DE-625)7572: |2 rvk | ||
| 084 | |a l 84 |2 ifzs | ||
| 084 | |a 267000 Hitler, Adolf*by*ob |2 sbb | ||
| 084 | |a l 167 |2 ifzs | ||
| 100 | 1 | |a Doherty, Thomas Patrick |d 1952- |e Verfasser |0 (DE-588)129481149 |4 aut | |
| 245 | 1 | 0 | |a Hollywood and Hitler |b 1933 - 1939 |c Thomas Doherty |
| 264 | 1 | |a New York, NY [u.a.] |b Columbia Univ. Press |c 2013 | |
| 300 | |a IX, 429 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Film and culture | |
| 500 | |a Rezensiert in: Yearbook of German-American studies Band 55 (2020), Seite 200-202 (Gregory Zieren) | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a The abundance of WWII-era documentaries and the huge cache of archival footage that has emerged since 1945 make it seem as if cinematic images of the Nazis were always as vivid and plentiful as they are today. Yet between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more distinct and ominous only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as 'Hitler's Reign of Terror' (1934), a pioneering anti-Nazi docu-drama by Cornelius Vanderbilt, Jr.; 'I Was a Captive of Nazi Germany' (1936), a sensational true tale of 'a Hollywood girl in Naziland!'; and 'Professor Mamlock' (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision | ||
| 648 | 7 | |a Geschichte 1933-1939 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Faschismus |g Motiv |0 (DE-588)4153742-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Nationalsozialismus |g Motiv |0 (DE-588)4115345-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Widerstand |g Motiv |0 (DE-588)4193190-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Los Angeles- Hollywood |0 (DE-588)4099817-4 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Los Angeles- Hollywood |0 (DE-588)4099817-4 |D g |
| 689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 2 | |a Nationalsozialismus |g Motiv |0 (DE-588)4115345-5 |D s |
| 689 | 0 | 3 | |a Faschismus |g Motiv |0 (DE-588)4153742-7 |D s |
| 689 | 0 | 4 | |a Widerstand |g Motiv |0 (DE-588)4193190-7 |D s |
| 689 | 0 | 5 | |a Geschichte 1933-1939 |A z |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025952812&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n DHB | |
| 940 | 1 | |n by | |
| 940 | 1 | |q DHB_BSB_DDC1 | |
| 940 | 1 | |q DHB_JDG_ISBN_1 | |
| 940 | 1 | |q DHB_IFZ_BIBLIO_2014 | |
| 942 | 1 | 1 | |c 900 |e 22/bsb |f 09043 |g 43 |
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |f 09043 |g 73 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-025952812 | |
Record in the Search Index
| _version_ | 1811034908802416640 |
|---|---|
| adam_text |
HOLLYWOODAND
S amp;itl etl933-1939
THOMAS DOHERTY
COLUMBIA UNIVERSITY PRESS
NEW YORK
CONTENTS
PROLOGUE: JUDENFILM!
1 HOLLYWOOD-BERLIN-HOLLYWOOD 13
The Hitler Anti-Jew Thing 18
The Aryanization of American Imports 24
The Aryanization of Hollywood's Payroll 31
2 HITLER, A BLAH SHOW SUBJECT 40
The Disappearance of Jews qua Jews 45
The Unmaking of The Mad Dog of Europe 54
What about the Jews, Your Excellency?:
Cornelius Vanderbilt Jr 's Hitler's Reign of Terror (1934) 59
The Story of a Hollywood Girl in Naziland:
I Was a Captive of Nazi Germany (1936) 66
3 THE NAZIS IN THE NEWSREELS 78
The Swastika Man 85
Naziganda 91
CONTENTS
4 THE HOLLYWOOD ANTI-NAZI LEAGUE 96
Unheil Hitler! 100
The Politics of Celebrity 111
5 MUSSOLINI JR GOES HOLLYWOOD 1 2 2
6 THE SPANISH CIVIL WAR IN HOLLYWOOD 137
Censored Pap! Walter Wanger's Blockade (1938) 142
Loyalist Red Screen Propaganda 158
7 FOREIGN IMPORTS 174
German Tongue Talkers 176
Anti-Nazism in the Arty Theaters 185
Nazi Scrammers 196
8 THE BLIGHT OF RADICAL PROPAGANDA 207
Trouble from Rome Over Idiot's Delight (1939) 211
Trouble from Berlin Over The Road Back (1937) 217
Trouble from Washington with the Dies Committee 226
9 INSIDE NAZI GERMANY WITH THE MARCH OF TIME 237
10 GRIM REAPER MATERIAL 259
History Unreels 267
The Present Persecutions in Germany 281
11 THERE IS NO ROOM FOR LENI RIEFENSTAHL
IN HOLLYWOOD 293
CONTENTS •
ix
12 THE ONLY STUDIO WITH ANY GUTS 311
The Warner Bros Patriotic Shorts 319
The Activist Moguls 329
The Picture That Calls a Swastika a Swastika!:
Confessions of a Nazi Spy (1939) 335
13 HOLLYWOOD GOES TO WAR 351
EPILOGUE: THE MOTION PICTURE MEMORY
OF NAZISM 365
Thanks and Acknowledgments 575
Notes 379
Index 409 |
| any_adam_object | 1 |
| author | Doherty, Thomas Patrick 1952- |
| author_GND | (DE-588)129481149 |
| author_facet | Doherty, Thomas Patrick 1952- |
| author_role | aut |
| author_sort | Doherty, Thomas Patrick 1952- |
| author_variant | t p d tp tpd |
| building | Verbundindex |
| bvnumber | BV040974694 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.N36D65 |
| callnumber-search | PN1995.9.N36D65 |
| callnumber-sort | PN 41995.9 N36 D65 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 44983 AP 50300 |
| ctrlnum | (OCoLC)854696895 (DE-599)BVBBV040974694 |
| dewey-full | 791.4309430904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4309430904 |
| dewey-search | 791.4309430904 |
| dewey-sort | 3791.4309430904 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1933-1939 gnd |
| era_facet | Geschichte 1933-1939 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV040974694</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220823</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">130430s2013 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231163927</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-231-16392-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231163934</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-0-231-16393-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)854696895</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV040974694</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-M352</subfield><subfield code="a">DE-B496</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995.9.N36D65</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4309430904</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44983</subfield><subfield code="0">(DE-625)7516:743</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 50300</subfield><subfield code="0">(DE-625)7572:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">l 84</subfield><subfield code="2">ifzs</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">267000 Hitler, Adolf*by*ob</subfield><subfield code="2">sbb</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">l 167</subfield><subfield code="2">ifzs</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Doherty, Thomas Patrick</subfield><subfield code="d">1952-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)129481149</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hollywood and Hitler</subfield><subfield code="b">1933 - 1939</subfield><subfield code="c">Thomas Doherty</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY [u.a.]</subfield><subfield code="b">Columbia Univ. Press</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">IX, 429 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film and culture</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Rezensiert in: Yearbook of German-American studies Band 55 (2020), Seite 200-202 (Gregory Zieren)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The abundance of WWII-era documentaries and the huge cache of archival footage that has emerged since 1945 make it seem as if cinematic images of the Nazis were always as vivid and plentiful as they are today. Yet between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more distinct and ominous only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as 'Hitler's Reign of Terror' (1934), a pioneering anti-Nazi docu-drama by Cornelius Vanderbilt, Jr.; 'I Was a Captive of Nazi Germany' (1936), a sensational true tale of 'a Hollywood girl in Naziland!'; and 'Professor Mamlock' (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1933-1939</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Faschismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4153742-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Nationalsozialismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4115345-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Widerstand</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4193190-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Los Angeles- Hollywood</subfield><subfield code="0">(DE-588)4099817-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Los Angeles- Hollywood</subfield><subfield code="0">(DE-588)4099817-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Nationalsozialismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4115345-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Faschismus</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4153742-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Widerstand</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4193190-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1933-1939</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025952812&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">DHB</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">by</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">DHB_BSB_DDC1</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">DHB_JDG_ISBN_1</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">DHB_IFZ_BIBLIO_2014</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">900</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09043</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09043</subfield><subfield code="g">73</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-025952812</subfield></datafield></record></collection> |
| geographic | Los Angeles- Hollywood (DE-588)4099817-4 gnd |
| geographic_facet | Los Angeles- Hollywood |
| id | DE-604.BV040974694 |
| illustrated | Illustrated |
| indexdate | 2024-09-24T00:24:36Z |
| institution | BVB |
| isbn | 9780231163927 9780231163934 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025952812 |
| oclc_num | 854696895 |
| open_access_boolean | |
| owner | DE-12 DE-29 DE-188 DE-M472 DE-M352 DE-B496 DE-355 DE-BY-UBR DE-11 DE-Po75 |
| owner_facet | DE-12 DE-29 DE-188 DE-M472 DE-M352 DE-B496 DE-355 DE-BY-UBR DE-11 DE-Po75 |
| physical | IX, 429 S. Ill. |
| psigel | DHB_BSB_DDC1 DHB_JDG_ISBN_1 DHB_IFZ_BIBLIO_2014 |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Columbia Univ. Press |
| record_format | marc |
| series2 | Film and culture |
| spelling | Doherty, Thomas Patrick 1952- Verfasser (DE-588)129481149 aut Hollywood and Hitler 1933 - 1939 Thomas Doherty New York, NY [u.a.] Columbia Univ. Press 2013 IX, 429 S. Ill. txt rdacontent n rdamedia nc rdacarrier Film and culture Rezensiert in: Yearbook of German-American studies Band 55 (2020), Seite 200-202 (Gregory Zieren) Includes bibliographical references and index The abundance of WWII-era documentaries and the huge cache of archival footage that has emerged since 1945 make it seem as if cinematic images of the Nazis were always as vivid and plentiful as they are today. Yet between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more distinct and ominous only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as 'Hitler's Reign of Terror' (1934), a pioneering anti-Nazi docu-drama by Cornelius Vanderbilt, Jr.; 'I Was a Captive of Nazi Germany' (1936), a sensational true tale of 'a Hollywood girl in Naziland!'; and 'Professor Mamlock' (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision Geschichte 1933-1939 gnd rswk-swf Faschismus Motiv (DE-588)4153742-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Nationalsozialismus Motiv (DE-588)4115345-5 gnd rswk-swf Widerstand Motiv (DE-588)4193190-7 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 g Film (DE-588)4017102-4 s Nationalsozialismus Motiv (DE-588)4115345-5 s Faschismus Motiv (DE-588)4153742-7 s Widerstand Motiv (DE-588)4193190-7 s Geschichte 1933-1939 z DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025952812&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Doherty, Thomas Patrick 1952- Hollywood and Hitler 1933 - 1939 Faschismus Motiv (DE-588)4153742-7 gnd Film (DE-588)4017102-4 gnd Nationalsozialismus Motiv (DE-588)4115345-5 gnd Widerstand Motiv (DE-588)4193190-7 gnd |
| subject_GND | (DE-588)4153742-7 (DE-588)4017102-4 (DE-588)4115345-5 (DE-588)4193190-7 (DE-588)4099817-4 |
| title | Hollywood and Hitler 1933 - 1939 |
| title_auth | Hollywood and Hitler 1933 - 1939 |
| title_exact_search | Hollywood and Hitler 1933 - 1939 |
| title_full | Hollywood and Hitler 1933 - 1939 Thomas Doherty |
| title_fullStr | Hollywood and Hitler 1933 - 1939 Thomas Doherty |
| title_full_unstemmed | Hollywood and Hitler 1933 - 1939 Thomas Doherty |
| title_short | Hollywood and Hitler |
| title_sort | hollywood and hitler 1933 1939 |
| title_sub | 1933 - 1939 |
| topic | Faschismus Motiv (DE-588)4153742-7 gnd Film (DE-588)4017102-4 gnd Nationalsozialismus Motiv (DE-588)4115345-5 gnd Widerstand Motiv (DE-588)4193190-7 gnd |
| topic_facet | Faschismus Motiv Film Nationalsozialismus Motiv Widerstand Motiv Los Angeles- Hollywood |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025952812&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT dohertythomaspatrick hollywoodandhitler19331939 |