Screening text: critical perspectives on film adaptation
"Rather than limiting the cinema, as certain French New Wave critics feared, adaptation can give new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gende...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jefferson [u.a.]
McFarland
2013
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Rather than limiting the cinema, as certain French New Wave critics feared, adaptation can give new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches"-- |
| Beschreibung: | Includes bibliographical references (pages 239-243) and index Introduction -- Setting the scene. Adaptation, sound and Shakespeare in the 1930s / Deborah Cartmell -- Postmodern screened writers / Kamilla Elliott -- Adapting genre. True stories: film and the non-fiction narrative / Kevin Dwyer -- The writing of a film noir: Ernest Hemingway and the killers / Delphine Letort -- Filmic avatars of The Maltese falcon / Gilles Menegaldo -- The aesthetic of epic in Kenneth Branagh's Hamlet / Sarah Hatchuel -- Sociocultural concerns: race and gender. White lies, noir lighting, dark others / Joyce Goggin -- Making red black: race and The Shawshank redemption / Donald Ulin -- Shaft's political shifts / Helane Charlery -- Sexual politics: The last September, novel and film / Shannon Wells-Lassagne -- Jane Austen goes to Bollywood- with a pinch of salt / Florence Cabaret -- Aesthetics of adaptation. Surface and depth in Korea / Nicole Cloarec -- The visible in Howard's end and The remains of the day / Karim Chabani -- Adapting E.M. Forster's subversive aesthetics / Laurent Mellet -- Remakes and readaptation. Re-adaptation as part of the myth: Orson Welles and Don Quixote's "outings" / Sebastien Lefait -- Bad Shakespeare: adapting a tradition / Charles Holdefer -- Readapting "the horror": versions of Conrad's Heart of darkness / Gene M. Moore -- Scarfaces: documents, messages and works of art / Dominique Sipiere -- Conclusion: from theory to practice -- Lost in adaptation-a producer's view / Roger Shannon |
| Beschreibung: | VI, 247 S. |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV040924758 | ||
| 003 | DE-604 | ||
| 005 | 20130708 | ||
| 007 | t | ||
| 008 | 130404s2013 |||| 00||| eng d | ||
| 020 | |z 9780786472307 |c pbk. |9 978-0-7864-7230-7 | ||
| 035 | |a (OCoLC)854687048 | ||
| 035 | |a (DE-599)BVBBV040924758 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 100 | 1 | |a Wells-Lassagne, Shannon |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Screening text |b critical perspectives on film adaptation |c ed. by Shannon Wells-Lassagne and Ariane Hudelet |
| 264 | 1 | |a Jefferson [u.a.] |b McFarland |c 2013 | |
| 300 | |a VI, 247 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (pages 239-243) and index | ||
| 500 | |a Introduction -- Setting the scene. Adaptation, sound and Shakespeare in the 1930s / Deborah Cartmell -- Postmodern screened writers / Kamilla Elliott -- Adapting genre. True stories: film and the non-fiction narrative / Kevin Dwyer -- The writing of a film noir: Ernest Hemingway and the killers / Delphine Letort -- Filmic avatars of The Maltese falcon / Gilles Menegaldo -- The aesthetic of epic in Kenneth Branagh's Hamlet / Sarah Hatchuel -- Sociocultural concerns: race and gender. White lies, noir lighting, dark others / Joyce Goggin -- Making red black: race and The Shawshank redemption / Donald Ulin -- Shaft's political shifts / Helane Charlery -- Sexual politics: The last September, novel and film / Shannon Wells-Lassagne -- Jane Austen goes to Bollywood- with a pinch of salt / Florence Cabaret -- Aesthetics of adaptation. Surface and depth in Korea / Nicole Cloarec -- The visible in Howard's end and The remains of the day / Karim Chabani -- Adapting E.M. Forster's subversive aesthetics / Laurent Mellet -- Remakes and readaptation. Re-adaptation as part of the myth: Orson Welles and Don Quixote's "outings" / Sebastien Lefait -- Bad Shakespeare: adapting a tradition / Charles Holdefer -- Readapting "the horror": versions of Conrad's Heart of darkness / Gene M. Moore -- Scarfaces: documents, messages and works of art / Dominique Sipiere -- Conclusion: from theory to practice -- Lost in adaptation-a producer's view / Roger Shannon | ||
| 520 | |a "Rather than limiting the cinema, as certain French New Wave critics feared, adaptation can give new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches"-- | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Film adaptations / History and criticism | |
| 650 | 4 | |a Motion pictures and literature | |
| 650 | 4 | |a Motion picture authorship | |
| 650 | 0 | 7 | |a Verfilmung |0 (DE-588)4062809-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Literatur |0 (DE-588)4035964-5 |D s |
| 689 | 0 | 1 | |a Verfilmung |0 (DE-588)4062809-7 |D s |
| 689 | 0 | 2 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025903826&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-025903826 | ||
| 942 | 1 | 1 | |c 791.409 |e 22/bsb |
Datensatz im Suchindex
| _version_ | 1804150221157957632 |
|---|---|
| adam_text | Screening Text
Critical Perspectives
on Film Adaptation
Edited by SHANNON WELLS-LASSAGNE
and ARIANE HUDELET
Hi
McFarland amp; Company, Inc , Publishers
Jefferson, North Carolina, and London
Table of Contents
Introduction
SHANNON WELLS-LASSAGNE and ARIANF HUDELET
Part 1 Setting the Scene
Adaptation, Sound and Shakespeare in the 1930s
DEBORAH CARTMELL
Postmodern Screened Writers
KAMILLA ELLIOTT
Part 2 Adapting Genre
True Stories: Film and the Non-Fiction Narrative
KEVIN DWYER
The Writing of a Film Noir: Ernest Hemingway and The Killers
DELPHINE LETORT
Three Filmic Avatars of The Maltese Falcon
GILLES MENEGALDO
The Aesthetic of Epic in Kenneth Branagh s Hamlet
SARAH HATCHUEL
Part 3 Sociocultural Concerns: Race and Gender
White Lies, Noir Lighting, Dark Others
JOYCE GOGGIN
Making Red Black: Race and The Shaiushank Redemption
DONALD ULIN
Shaft s Political Shifts
HEL£NE CHARLERY
V
vi Table of Contents
Sexual Politics: The Last September, Novel and Film
SHANNON WELLS-LASSAGNE 129
Jane Austen Goes to Bollywood with a Pinch of Salt
FLORENCE CABARET 140
Part 4 Aesthetics of Adaptation
Surface and Depth in Korea
NICOLE CLOAREC 153
The Visible in Howards End and The Remains of the Day
KARIM CHABANI 164
Adapting E M Forster s Subversive Aesthetics
LAURENT MELLET 174
Part 5 Remakes and Readaptation
Re-Adaptation as Part of the Myth: Orson Welles and Don
Quixotes Outings
SFIBASTIEN LEFAIT 185
Bad Shakespeare: Adapting a Tradition
CHARLES HOLDEFER 197
Readapting the Horror: Versions of Conrad s Heart of Darkness
GENE M MOORE 207
Three Scarfaces: Documents, Messages and Works of Art
DOMINIQUE SIPI£RE 216
Conclusion: From Theory to Practice
Lost in Adaptation— A Producer s View
ROGER SHANNON 231
Bibliography 239
About the Contributors 241
Index 245
|
| any_adam_object | 1 |
| author | Wells-Lassagne, Shannon |
| author_facet | Wells-Lassagne, Shannon |
| author_role | aut |
| author_sort | Wells-Lassagne, Shannon |
| author_variant | s w l swl |
| building | Verbundindex |
| bvnumber | BV040924758 |
| ctrlnum | (OCoLC)854687048 (DE-599)BVBBV040924758 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03493nam a2200445 c 4500</leader><controlfield tag="001">BV040924758</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20130708 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">130404s2013 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780786472307</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-0-7864-7230-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)854687048</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV040924758</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wells-Lassagne, Shannon</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Screening text</subfield><subfield code="b">critical perspectives on film adaptation</subfield><subfield code="c">ed. by Shannon Wells-Lassagne and Ariane Hudelet</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Jefferson [u.a.]</subfield><subfield code="b">McFarland</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VI, 247 S.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (pages 239-243) and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction -- Setting the scene. Adaptation, sound and Shakespeare in the 1930s / Deborah Cartmell -- Postmodern screened writers / Kamilla Elliott -- Adapting genre. True stories: film and the non-fiction narrative / Kevin Dwyer -- The writing of a film noir: Ernest Hemingway and the killers / Delphine Letort -- Filmic avatars of The Maltese falcon / Gilles Menegaldo -- The aesthetic of epic in Kenneth Branagh's Hamlet / Sarah Hatchuel -- Sociocultural concerns: race and gender. White lies, noir lighting, dark others / Joyce Goggin -- Making red black: race and The Shawshank redemption / Donald Ulin -- Shaft's political shifts / Helane Charlery -- Sexual politics: The last September, novel and film / Shannon Wells-Lassagne -- Jane Austen goes to Bollywood- with a pinch of salt / Florence Cabaret -- Aesthetics of adaptation. Surface and depth in Korea / Nicole Cloarec -- The visible in Howard's end and The remains of the day / Karim Chabani -- Adapting E.M. Forster's subversive aesthetics / Laurent Mellet -- Remakes and readaptation. Re-adaptation as part of the myth: Orson Welles and Don Quixote's "outings" / Sebastien Lefait -- Bad Shakespeare: adapting a tradition / Charles Holdefer -- Readapting "the horror": versions of Conrad's Heart of darkness / Gene M. Moore -- Scarfaces: documents, messages and works of art / Dominique Sipiere -- Conclusion: from theory to practice -- Lost in adaptation-a producer's view / Roger Shannon</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Rather than limiting the cinema, as certain French New Wave critics feared, adaptation can give new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film adaptations / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures and literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture authorship</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Verfilmung</subfield><subfield code="0">(DE-588)4062809-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Verfilmung</subfield><subfield code="0">(DE-588)4062809-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025903826&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-025903826</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV040924758 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T00:35:28Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025903826 |
| oclc_num | 854687048 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | VI, 247 S. |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | McFarland |
| record_format | marc |
| spelling | Wells-Lassagne, Shannon Verfasser aut Screening text critical perspectives on film adaptation ed. by Shannon Wells-Lassagne and Ariane Hudelet Jefferson [u.a.] McFarland 2013 VI, 247 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (pages 239-243) and index Introduction -- Setting the scene. Adaptation, sound and Shakespeare in the 1930s / Deborah Cartmell -- Postmodern screened writers / Kamilla Elliott -- Adapting genre. True stories: film and the non-fiction narrative / Kevin Dwyer -- The writing of a film noir: Ernest Hemingway and the killers / Delphine Letort -- Filmic avatars of The Maltese falcon / Gilles Menegaldo -- The aesthetic of epic in Kenneth Branagh's Hamlet / Sarah Hatchuel -- Sociocultural concerns: race and gender. White lies, noir lighting, dark others / Joyce Goggin -- Making red black: race and The Shawshank redemption / Donald Ulin -- Shaft's political shifts / Helane Charlery -- Sexual politics: The last September, novel and film / Shannon Wells-Lassagne -- Jane Austen goes to Bollywood- with a pinch of salt / Florence Cabaret -- Aesthetics of adaptation. Surface and depth in Korea / Nicole Cloarec -- The visible in Howard's end and The remains of the day / Karim Chabani -- Adapting E.M. Forster's subversive aesthetics / Laurent Mellet -- Remakes and readaptation. Re-adaptation as part of the myth: Orson Welles and Don Quixote's "outings" / Sebastien Lefait -- Bad Shakespeare: adapting a tradition / Charles Holdefer -- Readapting "the horror": versions of Conrad's Heart of darkness / Gene M. Moore -- Scarfaces: documents, messages and works of art / Dominique Sipiere -- Conclusion: from theory to practice -- Lost in adaptation-a producer's view / Roger Shannon "Rather than limiting the cinema, as certain French New Wave critics feared, adaptation can give new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies--questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches"-- Geschichte gnd rswk-swf Film adaptations / History and criticism Motion pictures and literature Motion picture authorship Verfilmung (DE-588)4062809-7 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Literatur (DE-588)4035964-5 s Verfilmung (DE-588)4062809-7 s Geschichte z DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025903826&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wells-Lassagne, Shannon Screening text critical perspectives on film adaptation Film adaptations / History and criticism Motion pictures and literature Motion picture authorship Verfilmung (DE-588)4062809-7 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4062809-7 (DE-588)4035964-5 (DE-588)4143413-4 |
| title | Screening text critical perspectives on film adaptation |
| title_auth | Screening text critical perspectives on film adaptation |
| title_exact_search | Screening text critical perspectives on film adaptation |
| title_full | Screening text critical perspectives on film adaptation ed. by Shannon Wells-Lassagne and Ariane Hudelet |
| title_fullStr | Screening text critical perspectives on film adaptation ed. by Shannon Wells-Lassagne and Ariane Hudelet |
| title_full_unstemmed | Screening text critical perspectives on film adaptation ed. by Shannon Wells-Lassagne and Ariane Hudelet |
| title_short | Screening text |
| title_sort | screening text critical perspectives on film adaptation |
| title_sub | critical perspectives on film adaptation |
| topic | Film adaptations / History and criticism Motion pictures and literature Motion picture authorship Verfilmung (DE-588)4062809-7 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Film adaptations / History and criticism Motion pictures and literature Motion picture authorship Verfilmung Literatur Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025903826&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT wellslassagneshannon screeningtextcriticalperspectivesonfilmadaptation |