Ideï, smysly, interpretaciï obrazotvorčoho mystectva: ukraïnsʹka teoretyčna dumka XX stolittja : antolohija Častyna 2
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Lʹviv
Lʹvivsʹka nacionalʹna akademija mystectv
2012
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| 245 | 1 | 0 | |a Ideï, smysly, interpretaciï obrazotvorčoho mystectva |b ukraïnsʹka teoretyčna dumka XX stolittja : antolohija |n Častyna 2 |c uporjadnyk: R. M. Jaciv |
| 264 | 1 | |a Lʹviv |b Lʹvivsʹka nacionalʹna akademija mystectv |c 2012 | |
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Datensatz im Suchindex
| _version_ | 1804150204390178816 |
|---|---|
| adam_text | MINISTRY OF EDUCATION AND SCIENCE, YOUTH AND SPORT OF UKRAINE
NATIONAL ACADEMY OF SCIENCES OF UKRAINE
LVIY NATIONAL ACADEMY OF ARTS
THE ETHNOLOGY INSTITUTE
IDEAS, SENSES,
INTERPRETATIONS
OF
FINE ART:
UKRAINIAN
THEORETICAL THOUGHT
OF THE XX-TH CENTURY
Anthology
Part Two
Compiled by R.M. Yatsiv
iv,
2012
CONTENT
From
the compiler
...................................................................................................................................................13
CHAPTER
1
HISTORICAL CULTURAL, AND CONCEPTUAL RESOURCES OF THE UKRAINIAN HISTORY OF ART
Yuriy LYPA. MISSION OF UKRAINE (fragment)
(1938).................................................................................................25
Dariya VIKONSKA. JAMES JOYCE: MYSTERY OF HIS ARTISTIC IMAGE (fragment).
(1934)................................................39
Dariya VIKONSKA. EUROPE AND US.
(1938)................................................................................................................49
Natalia GERKEN-RUSOVA. HEROICTHEATRE.
(1957)...................................................................................................79
Dmytro ANTONOVÝCH.
THE PRAGUE STUDIO GROUP.
(1925)......................................................................................124
THE FIRST NATIONAL EXHIBITION OF THE ASSOCIATION OF REVOLUTIONARY ART OF UKRAINE
(ARAU).
(1927)..............130
Yevhen V. BACHYNSKYI. MEETINGS AND SILHOUETTES OF UKRAINIAN PAINTERS AND ENGRAVERS
IN STRANGE LANDS: Memoirs of the old emigrant during the years
1908-1950.
(Fragments).
(1953)........................133
Yuriy LYPA. A LETTER TO WRITERS.
(1929)................................................................................................................146
Volodymyr KYVELYUK. EPOCH ART AS THE EPOCH ITSELF.
(Ί955)
...............................................................................149
ARTISTS ABOUT ART.
(1947)....................................................................................................................................154
Alexander BOGOMAZOV. PAINTING AND ITS ELEMENTS (fragment) (translation by Martha Hrytsyk)
..........................161
CHAPTER
2
THE
RESETTINGS
IN THE CULTURAL AND ARTISTIC PROCESS: SOME AESTHETIC CONFRONTATIONS OF THE
SECOND HALF OF THE 20-TH CENTURY
Oleh OLZHYCH. SOME THOUGHTS ON CULTURE
. (1941).............................................................................................183
UlasSAMCHUK.UAM AND UAMISM.
(1949).............................................................................................................185
Mykola BUTOVYCH. PROF. VOLODYMYR SICHYNSKYI (Regarding the visitto the United States).
(1949).......................188
UlasSAMCHUK. IN MYRHOROD S SLAVERY.
(1949)...................................................................................................190
Jaro ZAREMBA.
OUR ARTISTS IN THE NEW WORLD (Interview with Serhiy Lytvynenko).
(1949)..................................192
Mykhailo OSTROVERKHA. THE LAST ECHO.
(1949)....................................................................................................194
UlasSAMCHUK. Yuriy LYPA. THE POET AND THE PHYSICIAN.
(1949)...........................................................................197
Mykola BUTOVYCH. EDWARD
KOZAK.
(1949)............................................................................................................199
UKRAINIAN EVENING FILM PERFORMANCE AND THE EXHIBITION OF EDWARD KOZAK S PICTURESYUMSH.
(1949).........201
UKRAINIAN ART EXHIBITION IN WASHINGT0N.0949)
...............................................................................................203
Hryhoriy ZANDLER. UKRAINIAN ART EXHIBITION IN AUSTRALIA.
(1949)....................................................................204
S.H. (HORDYNSKYI). ART EXHIBITION DESIGNED IN NEWYORK.
(1949)......................................................................206
V.S. (SICHYNSKYI). ARTISTIC WORK BY MYKHAILO OSINCHUK IN CANADA.
(1949).......................................................208
MykhailoOSINCHUK. UKRAINIAN STYLE.
(1949)......................................................................................................210
Mykhailo OSINCHUK. IMPORTANCE OF NATIVE TRADITIONS IN STRANGE LANDS.
(1949).............................................212
Mykola SHLEMKEVYCH. ON THETHRESHOLD OF THE 50-s.
(1950)..............................................................................214
Volodymyr BLAVATSKYI. CULTURAL SPREEFIELD.
(1950)...........................................................................................217
M.
BRADOVÝCH.
ACHIEVEMENTS OFTHE UKRAINIAN PAINTER IN ITALY.
(1950)..........................................................219
Stephan DM0H0VSKYI.
RESTORATION OFTHE UKRAINIAN PHOTOGRAPHIC SOCIETY.
(1950).......................................221
Damian
HORNIATKEVYCH. ARTISTIC SUPERVISION AT
UFAS:
its purpose and objectives.
(1951).................................223
O.TYMOSHENKO. SKYSCRAPERS AND THEIR STYLE.
(1951)........................................................................................226
Liubomyr KUZMA. IVAN KURAKH S ART EXHIBITION.
(1958).....................................................................................229
APPEAL OFTHE INITIATIVE COMMITTEE FOR WORLD EXHIBITION OF UKRAINIAN FINE ART.
(1959)...............................231
Volodymyr LASOVSKYI .THE EXHIBITION OF R. PACHOVKYI S PAINTINGS.
(1960).......................................................233
Alexander ARCHIPENKO. WHY I MADE THE BUST OF
TARAS SHEVCHENKO.
(1964).......................................................235
Volodymyr LASOVSKYI.THE FIRST EXHIBITION OF NINA KLYMOVSKA S PAINTINGS.
(1964).........................................237
YakymVECHERJHE EXHIBITION OF
MARTA
HIRNYAKIVNA S ARTISTIC WORKS IN CLEVELAND.
(1964)..........................239
Taras KOZBUR.
THE EXHIBITION OF VOLODYMYR BALYAS S WORKS.
(1964).................................................................241
Edward
KOZAK.
NOT RECOGNIZING ONE S OWN.
(1973)............................................................................................243
Svyatoslav HORDYNSKY. LVIV, PARIS, EMIGRATION (Memories of
Stephan
Lutsyk).
(1973).........................................250
Antin
MALIUTSA.
BOHDAN
BOZHEMSKYI, A PAINTER AND A GRAPHIC ARTIST.
(1966).................................................257
Petro
ANDRUSIV. ONTHE MARGINS OFTHE WORLD CONGRESS OF FREE UKRAINIANS IN
1967. (1967).........................259
Petro
ANDRUSIV. MORE ABOUTTHE QUESTION WHERE WE ARE IN ART
(1977)...........................................................268
Iryna PETRENKO-FEDYSHYN. MY ANSWER
(1977).....................................................................................................278
Arcadia OLENSKA-PETRYSHYN. NOT FOR THE INHERENTTHEME
(1977)......................................................................281
Jacques HNIZDOVSKY. MORE ONTHE CASE OF PANEL IN
UFAS
ABOUT ART
(1977).......................................................285
Petro
ANDRUSIV. VIEWS AFTER DISCUSSIONS ABOUT ART
(1977)..............................................................................288
HAPTER3
THE FORMAL IDEOLOGICAL SPECTRUM OF UKRAINIAN POSTMODERNISM:
THE AUTHOR
-
SEMANTIC LINKS
-
WAYS OF COMPREHENSION
Valentyna
CHECHYK. THEATRICAL PRACTICE OF
ODESA
«INDEPENDENTS» ARTISTSTS
(TO THE HISTORY OF UKRAINIAN THEFTRICAL DECORATIVE ART).
(2010)....................................................................293
Luidmyla SOKOLIUK. BOICHUKISTS IN
ARAU.
(2012)................................................................................................306
Orest
HOLUBETS. FATE OF UKRAINIAN GENII: ALEXANDER ARCHIPENKO AND MYKHAILO BOYCHUK.
(2012)..................319
Eustakhia SHYMCHUK. OBSERVATION OF ARTISTIC EXPERIENCE IN UKRAINE.
(1989-2008).........................................328
Oleksandr FEDORUK. HERMETICISM OF UKRAINIAN ART. Is border a historical continuity?
(1999)..............................338
10
Halyna STELMASCHUK.
UKRAINIAN ARTISTS IN THE WORLD: THE PROBLEM OF RESEARCH IN THE CONTEXT OF THE 20-th
CENTURY ARTISTIC PROCESSES.
(2012)....................................................................................................................354
Maria OCHRYMOVYCH. FIVE CANADIAN ARTISTS.
(1972)...........................................................................................361
Vasyl KACHUROVSKY. MILONADIS.
(1973)................................................................................................................365
Ronald KOSTYNIUK. STRUCTURED RELIEFS.
(1969-1973)..........................................................................................368
Volodymyr LASOVSKYI. TWO CREATIVE LINES AND ONE ARTIST
(Concerning artistic and ornamental exhibition of Tanya Osadca).
(1974)................................................................372
Carlo ZVIRYNSKYI. ABOUT WESTERN AND EASTERN CHURCH ART.(1992)
....................................................................374
Ilona SOCHYNSKA.
EXCERPTS FROM THE CONVERSATION ABOUT MYSELF.
(1992)........................................................378
Roman YATSIV. MEDIATION AND MEDIOCRE.
(1998)..................................................................................................380
Svitlana HLUVKO. ABOUT MY FATHER ROSTYSLAV HLUVKO.
(2000)............................................................................384
Denys KVITKOVSKYI.T. VYRSTA AND HIS UNDERSTANDING OF PAINTING.
(1971)........................................................391
Vasyl
BARKA.
CERTIFICATE OF VISIONS.
(1981).........................................................................................................394
Liuboslav HUTSALIUK
-
A CONVERSATION (done by
Bohdan Boychuk).
(1981)..........................................................400
Yuriy SOLOVIY. VIEWS ON HUTSALYUK S CREATIVITY.
(1967)......................................................................................409
Liubomyr MEDVID. ARTISTIC CREATIVITY AND MANIPULATION OF CONSCIOUSNESS.
(2007)........................................412
Liubomyr MEDVID. DEGRADATION OFTHE FEELING OF SACRED AND CRISIS OF HUMANITY.
(2011)...............................419
Liubomyr MEDVID. RESPONSIBILITY OF THE ARTIST. YEVHENLYSYK.
(2012)...............................................................424
Mykola SHYMCHUK. GIOTTO S DROP OF BLOOD IS HARDER THAN THE SEA OF BLOOD IN MODERN ART.
(2009-2012).... 429
Tamila PECHENIUK.THEORETICAL ASPECTS OFTHE PHENOMENON OF COLOR IN ART.
(2009).......................................434
Oleh
BODNÁR.
SYMMETRY: THE PROPERTY AND METHODS.
(2012)............................................................................443
Rostyslav SHMAHALO. WAY OF THE LVIV SCHOOL OF ART HISTORY INTO THE
21
CENTURY.
(2007)................................448
Rostyslav SHMAHALO. THEORY OF ART AS A PROCESS AND AS AN ACADEMIC DISCIPLINE.
(2012).................................457
Daryna SKRYNNYK-MYSKA. THE PROBLEM OF PERIODIZATION OF ARTISTIC PROCESSiCLASSICAL, NEOCLASSICAL AND
POSTNONCLASSICAL MODELS.
(2012)......................................................................................................................460
Victor MOSKALIUK. TOPICALITY OF
NATIONALTRADITION. (2012).............................................................................466
RomanVASYLYK.IC0N.(2012)
................................................................................................................................474
Zenovia
TKANKO.
MINIMALISM AND GEOMETRY OF CLOTHES FORMS IN UKRAINIAN FASHION IN 1960-S
. (2012).........479
AndriyBOKOTEY. ON THE MYSTERIES OF ART
(2012).................................................................................................484
Anatoliy KRYVOLAP. TIME OF NEW SUGGESTIONS: THE ARTIST S MANIFESTO
(2011)...................................................488
BorysBURIAK. REFLECTIONS
(2012)........................................................................................................................493
Prokip KOLISNYK. A WORD ON COLOUR. COLOUR IN THE OPEN AIR AS A MANIFESTATION OF IMMANENT
(2012)............497
Volodymyr ODREKHIVSKYI. SPIRITUALITY IN THE LANGUAGE OF FORM.
(2012)..........................................................502
Valeriy
BASAN
ETS.
WHEN YOUR EYES HEAR
(1980)...................................................................................................505
Valeriy BASANETS. SPIRIT OF CREATIVITY LIVES ACCORDING TO LAWS OF FREEDOM.
(1997).......................................507
Valeriy BASANETS. METAPHYSICAL SYMPTOMS OF ART.
(1999).................................................................................508
Valeriy BASANETS.
A.B.C.
(2003).............................................................................................................................509
Serhiy SAVCHENKO. VERSIONS OF MEMORIES.
(2012)..............................................................................................511
SerhiySAVCHENKO. CIRCUIT OR INFINITE STRUCTURE.
(2012)..................................................................................516
Victor MARYNIUK. THE WAY IT BEGAN
(2012)...........................................................................................................519
11
VictorMARYNlUK.
MODERNISM
AND REAQ1ON1SM.(2O12)
......................................................................................523
VictorMARYNlUK. REFLECTIONS.
(2012)
.................................................................................................................
524
Liudmyla YASTREB. SPIRITUAL STOICISM OFTHE ARTIST IN THE SOVIET SOCIETY.
(1979).............................................525
OleksandrSTQVBUR. WHERE WONDER COMES FROM.
(2012)....................................................................................529
Petro
HULYN.
F
RAGMENTS
OF CONVERSATION ABOUT ART.
2012..............................................................................531
Natalia KRUCHKEVYCH. SEVERAL THOUGHTS ON CREATIVITY.
(2012).........................................................................535
Mykhailo
SYDORENKO.
THOUGHTS ON ART.
(2012)...................................................................................................537
Olha
MYKHAILIUK. EDUCATION THROUGH ART.
(2012)..............................................................................................539
APPENDIX
CREATIVE BIOGRAPHIES: SOURCES, MOTIVATION, REFLECTIONS
Mykola BURACHEK. MYKOLA SAMOKYSH.
(1930).....................................................................................................549
Kost
SUPKO-MOSKALTSIV. MYKHAILO BOICHUK.
(1930)...........................................................................................566
Volodymyr DOROSHENKO. DEDICATEDTO PROMINENT ARTIST
ANS
SCHOLAR.
(In 20years of
Petro Kholodnyfs
decease).
(1950)...................................................................................................589
Damian
HORNIATKEVYCH.SCTERSEVERYNAPARYLLYLOSBM: MEMORIALTO A GREAT CITIZEN.
(1951)....................593
Hryhoriy SKAHAR. UKRAINIAN HOLLYWOOD.
(1955)................................................................................................596
MyMaBUTOVYCH. AUTOBIOGRAPHY.
(1956)..........................................................................................................598
B.K. MARIA DOLNYTSKA.
(1956).............................................................................................................................604
Halia MAZURENKO. CREATIVE EFFORTS. A CHAIN OF MEMORIES ABOUT UKRAINIAN ACADEMY OF ARTS IN PRAGUE
(Instead of introduction.
(1971).............................................................................................................................608
N.N.lLLYAMAKSYMOVYCHSHULHA.i^)
.............................................................................................................613
Volodymyr
POPOVÝCH.
MYKHAILO ANDRIYENKO.
(1969)..........................................................................................616
I. M. NOVOSIVSKYI. VOLODYMYR SERHIY SAS-ZALOZETSKYI.
(1965)..........................................................................633
Vasyl PEREBYINIS. LIFE AND CREATIVE WORK. MONOGRAPH (Fragments).
(1963)......................................................637
Oleksa HRYSCHENKO. YEARS OF STORM AND STRESS.
1908-1918. (1967)...................................................................667
Antin
MALIUTSA.
STEPHAN
LUTSYK.
(1973).............................................................................................................716
Stephan LUTSYK.
MY BIOGRAPHY.
(1963)................................................................................................................724
Mykhailo GOTSIY. SERHIY LYTVYNENKO.
(1956).......................................................................................................729
Hryhoriy
KRUK.
MY WAYTO CARVING.
(1983)..........................................................................................................741
YaroslavLUKAVETSKYI. DESOLATE EXPECTATIONS.
(1988).........................................................................................753
INDEX
...................................................................................................................................................................771
INDEX OF GEOGRAPHICAL NAMES
...........................................................................................................................816
12
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| id | DE-604.BV040912673 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:35:12Z |
| institution | BVB |
| isbn | 9789660265097 |
| language | Ukrainian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025891968 |
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| owner_facet | DE-255 DE-12 |
| physical | 829 Seiten Illustrationen |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Lʹvivsʹka nacionalʹna akademija mystectv |
| record_format | marc |
| spelling | Ideï, smysly, interpretaciï obrazotvorčoho mystectva ukraïnsʹka teoretyčna dumka XX stolittja : antolohija Častyna 2 uporjadnyk: R. M. Jaciv Lʹviv Lʹvivsʹka nacionalʹna akademija mystectv 2012 829 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Jaciv, Roman Myronovyč 1956- (DE-588)1015938418 edt (DE-604)BV040296978 2 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025891968&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ideï, smysly, interpretaciï obrazotvorčoho mystectva ukraïnsʹka teoretyčna dumka XX stolittja : antolohija |
| title | Ideï, smysly, interpretaciï obrazotvorčoho mystectva ukraïnsʹka teoretyčna dumka XX stolittja : antolohija |
| title_auth | Ideï, smysly, interpretaciï obrazotvorčoho mystectva ukraïnsʹka teoretyčna dumka XX stolittja : antolohija |
| title_exact_search | Ideï, smysly, interpretaciï obrazotvorčoho mystectva ukraïnsʹka teoretyčna dumka XX stolittja : antolohija |
| title_full | Ideï, smysly, interpretaciï obrazotvorčoho mystectva ukraïnsʹka teoretyčna dumka XX stolittja : antolohija Častyna 2 uporjadnyk: R. M. Jaciv |
| title_fullStr | Ideï, smysly, interpretaciï obrazotvorčoho mystectva ukraïnsʹka teoretyčna dumka XX stolittja : antolohija Častyna 2 uporjadnyk: R. M. Jaciv |
| title_full_unstemmed | Ideï, smysly, interpretaciï obrazotvorčoho mystectva ukraïnsʹka teoretyčna dumka XX stolittja : antolohija Častyna 2 uporjadnyk: R. M. Jaciv |
| title_short | Ideï, smysly, interpretaciï obrazotvorčoho mystectva |
| title_sort | idei smysly interpretacii obrazotvorcoho mystectva ukrainsʹka teoretycna dumka xx stolittja antolohija |
| title_sub | ukraïnsʹka teoretyčna dumka XX stolittja : antolohija |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025891968&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV040296978 |
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