The artistry of Afro-Cuban batá drumming: aesthetics, transmission, bonding, and creativity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
Univ. Press of Mississippi
2013
|
| Schriftenreihe: | Caribbean studies series
|
| Schlagworte: | |
| Beschreibung: | An iconic symbol and sound of the Lucumi/Santeria religion, Afro-Cuban bata are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song and by metaphorically referencing salient attributes of the deities, bata drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo. In The Artistry of Afro-Cuban Bata Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumi performance. Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucumi faith, bata drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, bata drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, bata drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively. Includes bibliographical references and index |
| Beschreibung: | XIII, 242 S. Ill., Notenbeisp. |
| ISBN: | 9781617036699 |
Internformat
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| 500 | |a An iconic symbol and sound of the Lucumi/Santeria religion, Afro-Cuban bata are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song and by metaphorically referencing salient attributes of the deities, bata drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo. In The Artistry of Afro-Cuban Bata Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumi performance. Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucumi faith, bata drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, bata drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, bata drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively. | ||
| 500 | |a Includes bibliographical references and index | ||
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Datensatz im Suchindex
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| ctrlnum | (OCoLC)844033694 (DE-599)BVBBV040792715 |
| dewey-full | 786.9/4097291 |
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| dewey-ones | 786 - Keyboard & other instruments |
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| dewey-search | 786.9/4097291 |
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| id | DE-604.BV040792715 |
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| indexdate | 2024-07-10T00:33:58Z |
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| isbn | 9781617036699 |
| language | English |
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| physical | XIII, 242 S. Ill., Notenbeisp. |
| publishDate | 2013 |
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| publisher | Univ. Press of Mississippi |
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| series2 | Caribbean studies series |
| spelling | Schweitzer, Kenneth Verfasser (DE-588)1033605867 aut The artistry of Afro-Cuban batá drumming aesthetics, transmission, bonding, and creativity Kenneth Schweitzer Jackson Univ. Press of Mississippi 2013 XIII, 242 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Caribbean studies series An iconic symbol and sound of the Lucumi/Santeria religion, Afro-Cuban bata are talking drums that express the epic mythological narratives of the West African Yoruba deities known as orisha. By imitating aspects of speech and song and by metaphorically referencing salient attributes of the deities, bata drummers facilitate the communal praising of orisha in a music ritual known as a toque de santo. In The Artistry of Afro-Cuban Bata Drumming, Kenneth Schweitzer blends musical transcription, musical analysis, interviews, ethnographic descriptions, and observations from his own experience as a ritual drummer to highlight the complex variables at work during a live Lucumi performance. Integral in enabling trance possessions by the orisha, by far the most dramatic expressions of Lucumi faith, bata drummers are also entrusted with controlling the overall ebb and flow of the four- to six-hour toque de santo. During these events, bata drummers combine their knowledge of ritual with an extensive repertoire of rhythms and songs. Musicians focus on the many thematic acts that unfold both concurrently and in quick succession. In addition to creating an emotionally charged environment, playing salute rhythms for the orisha, and supporting the playful song competitions that erupt between singers, bata drummers are equally dedicated to nurturing their own drumming community by creating a variety of opportunities for the musicians to grow artistically and creatively. Includes bibliographical references and index Musik Batá music History and criticism Music Cuba History and criticism Drum Cuba Music African influences Afrokubanische Musik (DE-588)4662621-9 gnd rswk-swf Batá-Trommel (DE-588)1033960586 gnd rswk-swf Yoruba (DE-588)4079438-6 gnd rswk-swf Kuba (DE-588)4033340-1 gnd rswk-swf Kuba (DE-588)4033340-1 g Yoruba (DE-588)4079438-6 s Batá-Trommel (DE-588)1033960586 s Afrokubanische Musik (DE-588)4662621-9 s DE-604 Erscheint auch als Online-Ausgabe 978-1-617-03670-5 |
| spellingShingle | Schweitzer, Kenneth The artistry of Afro-Cuban batá drumming aesthetics, transmission, bonding, and creativity Musik Batá music History and criticism Music Cuba History and criticism Drum Cuba Music African influences Afrokubanische Musik (DE-588)4662621-9 gnd Batá-Trommel (DE-588)1033960586 gnd Yoruba (DE-588)4079438-6 gnd |
| subject_GND | (DE-588)4662621-9 (DE-588)1033960586 (DE-588)4079438-6 (DE-588)4033340-1 |
| title | The artistry of Afro-Cuban batá drumming aesthetics, transmission, bonding, and creativity |
| title_auth | The artistry of Afro-Cuban batá drumming aesthetics, transmission, bonding, and creativity |
| title_exact_search | The artistry of Afro-Cuban batá drumming aesthetics, transmission, bonding, and creativity |
| title_full | The artistry of Afro-Cuban batá drumming aesthetics, transmission, bonding, and creativity Kenneth Schweitzer |
| title_fullStr | The artistry of Afro-Cuban batá drumming aesthetics, transmission, bonding, and creativity Kenneth Schweitzer |
| title_full_unstemmed | The artistry of Afro-Cuban batá drumming aesthetics, transmission, bonding, and creativity Kenneth Schweitzer |
| title_short | The artistry of Afro-Cuban batá drumming |
| title_sort | the artistry of afro cuban bata drumming aesthetics transmission bonding and creativity |
| title_sub | aesthetics, transmission, bonding, and creativity |
| topic | Musik Batá music History and criticism Music Cuba History and criticism Drum Cuba Music African influences Afrokubanische Musik (DE-588)4662621-9 gnd Batá-Trommel (DE-588)1033960586 gnd Yoruba (DE-588)4079438-6 gnd |
| topic_facet | Musik Batá music History and criticism Music Cuba History and criticism Drum Cuba Music African influences Afrokubanische Musik Batá-Trommel Yoruba Kuba |
| work_keys_str_mv | AT schweitzerkenneth theartistryofafrocubanbatadrummingaestheticstransmissionbondingandcreativity |