Malcolm Bradbury between modernism and postmodernism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bacău
Ed. "Alma Mater"
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 370 S. |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804150098032066560 |
|---|---|
| adam_text | CONTENTS
Introduction
....................................................................11
1.
The history man / the chronicler and his transgressing
ages
.................................................................................16
1.1.
PREmodernism/ MOdernism/ POSTmodernism
......... 18
1.2.
Socio-political context
.............................................29
1.2.1.
Marxism
.................................................29
1.2.2.
Communism
............................................31
1.2.3.
Totalitarianism
—
from history (in)to fiction
...... 32
1.2.4.
Capitalism
...............................................34
1.2.5.
Between beat and angry
.........................41
1.2.6.
Consumerism
—
the new politics for the new
ego consumans individual
......................... 42
1.3.
Postmodernism
-
simply a post- /just another
-ism ?
.........................................................48
1.3.1.
Origins and periodizations
.............................53
1.3.2.
Definitions
...............................................62
1.3.3.
Causes and effects
......................................63
1.3.4.
Features
..................................................68
1.3.5.
Theories of the postmodern
...........................75
1.3.5.1.
Hybridization and heterogeneity
.........75
1.3.5.2.
Double-coding
..............................76
1.3.5.3.
Surfiction
.................................... 80
1.3.5.4.
Simulacra and simulations
—
the leap
into hyperreality
.................................... 81
1.3.5.5.
The postmodern condition
................83
1.3.5.6.
The anti-aesthetic
..........................87
1.3.5.7.
Paracritical postmodernism
...............88
1.3.5.8.
Historiographie
metafiction
.............. 92
1.3.5.9.
Cultural logic of late capitalism
..........95
1.3.5.10.
Epistemological vs. ontological
........97
1.3.5.11.
The postmodern turn
.....................99
1.3.6.
Postmodernism and postmodernity
................. 106
1.3.7.
New Postmodernism^) @ the turn of the
millennium
—
between the realistic mode and
experiment
....................................................... 108
1.4.
Mass communication or the need to be mediagenic
...... 117
1.5.
Cultural
crossover or cross-coding
...........................127
1.5.1.
Demythicizing or (pseudo-)myths of the 20th
century
...................................................... 127
1.5.1.1.
Various approaches to myths
............ 128
1.5.1.2.
The American myth
....................... 138
1.5.1.2.1.
East vs. West and/in
history
..............................139
1.5.1.2.2.
Migrations or imports/
exports
.................................... 141
1.5.1.2.3.
The (re)inventing/(re)defining
and loss of cultural identity
......146
1.5.1.3.
The myth of consumerism
............... 149
1.5.2.
From high culture to low culture
................ 153
1.5.3.
Interpretation
............................................. 155
1.5.4.
Language games
....................................... 157
1.5.5.
From parody to pastiche as a mode of expression
157
1.5.5.1.
Parody as imitation
........................ 159
1.5.5.2.
Parody beyond imitation
..................163
1.5.5.3.
Parody vs. time
............................. 166
1.5.5.4.
Malcolm Bradbury and the use of
parody
.............................................. 169
2.
Malcolm Bradbury s work— principles, methods,
roles, art
........................................................179
2.1.
The context of the (Bradburyan) postmodern fiction/
criticism
................................................................. 179
2.2.
The novelist/ homo fabulans
............................... 182
2.2.1.
New Age, new authors, new rules/ roles
..........184
2.2.2.
The historical becoming of the artist/ author
... 185
2.2.3.
The author creating literature/ created by
literature
.............................................. 191
2.2.4.
The author in/ through/ above/ beyond his
work
.......................................................199
2.2.5.
The author vs. the other authors
................. 202
2.3.
The critic
......................................................... 205
2.4.
Between critic and novelist
................................. 214
2.5.
The scriptwriter
...............................................220
2.6.
The monographer
..................................................... 222
2.7.
The promoter of creative writing
...........................224
3.
Thematic constants
...............................................228
3.1.
The sense of history
......................................... 228
3.1.1.
History
-а
finished project
(?)..................... 228
ЗЛ
.2.
Postmodern fiction
—
history revisited
........... 232
3.1.3.
Thatcherism
.......................................... 239
3.2.
Liberalism
.....................................................243
3.3.
(The) Subjectivity)
..........................................245
4.
From travellers to meta-heroes
................................247
4.1.
The intellectual community
............................... 248
4.2.
Multiple and conflicting selves
............................ 251
4.3.
Subject, hero, meta-hero, author
—
plotters or
plotted?
..................................................................... 257
5.
Inhabiting time and space
—
cultural frames
...............261
5.1.
Time and the wind of change
............................. 261
5.2.
Nostalgia of historic past or perpetual present
.......... 263
5.3.
Travelogues or real and imagined spatial coordinates..
265
5.3.1.
The cultural journey within and across
continents
......................................... 267
5.3.2.
The city as metaphor
............................ 268
5.3.2.1.
The historical becoming of the city
269
5.3.2.1.1
Spatial fragmentation and
eclecticism
—
the
Gesellschaft
social
order
.............................................. 270
5.3.2.1.2.
Culture-capitals
............ 275
5.3.2.2.
A topography of (postmodernism..
278
5.3.2.2.1.
Promoting the local
....... 281
5.3.2.2.2.
Illusory spaces
.............. 283
5.3.2.2.3.
Networking spaces
........ 285
5.3.2.3.
Geographic/physical mapping and
mental mapping
........................ 288
5.3.2.4.
The process of metaphorization
.... 290
5.3.3.
The campus
........................................292
6.
From the style of fiction to the style of criticism
.......... 303
6.1.
Language in context
......................................... 303
6.1.1.
The language of fiction
..............................305
6.1.2.
Language as idiom
...................................308
6.1.3.
The language of writing fiction
................... 313
6.1.4.
Character as a sign and peoples as
semiotic
systems
...................................................... 319
6.2.
Technical (dis)play
........................................... 322
63.
Postmodern (re)presentations
.............................. 335
6.3.1.
The ironic mode
..................................... 335
6.3.2.
Postmodern (s)attire
—
from humour to spoof
and lampoon
......................................................... 338
Conclusions
.........................................................343
Glossary
............................................................. 349
Bibliography
.......................................................354
|
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| era | Geschichte gnd |
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| spelling | Suciu, Andreia-Irina Verfasser (DE-588)1058895753 aut Malcolm Bradbury between modernism and postmodernism Andreia Irina Suciu Bacău Ed. "Alma Mater" 2011 370 S. txt rdacontent n rdamedia nc rdacarrier Bradbury, Malcolm 1932-2000 (DE-588)118913549 gnd rswk-swf Geschichte gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Literaturkritik (DE-588)4036020-9 gnd rswk-swf Modernismus (DE-588)4133275-1 gnd rswk-swf Postmoderne (DE-588)4115604-3 gnd rswk-swf Bradbury, Malcolm 1932-2000 (DE-588)118913549 p DE-604 Literaturkritik (DE-588)4036020-9 s Geschichte z Literatur (DE-588)4035964-5 s Modernismus (DE-588)4133275-1 s Postmoderne (DE-588)4115604-3 s Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025747011&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Suciu, Andreia-Irina Malcolm Bradbury between modernism and postmodernism Bradbury, Malcolm 1932-2000 (DE-588)118913549 gnd Literatur (DE-588)4035964-5 gnd Literaturkritik (DE-588)4036020-9 gnd Modernismus (DE-588)4133275-1 gnd Postmoderne (DE-588)4115604-3 gnd |
| subject_GND | (DE-588)118913549 (DE-588)4035964-5 (DE-588)4036020-9 (DE-588)4133275-1 (DE-588)4115604-3 |
| title | Malcolm Bradbury between modernism and postmodernism |
| title_auth | Malcolm Bradbury between modernism and postmodernism |
| title_exact_search | Malcolm Bradbury between modernism and postmodernism |
| title_full | Malcolm Bradbury between modernism and postmodernism Andreia Irina Suciu |
| title_fullStr | Malcolm Bradbury between modernism and postmodernism Andreia Irina Suciu |
| title_full_unstemmed | Malcolm Bradbury between modernism and postmodernism Andreia Irina Suciu |
| title_short | Malcolm Bradbury between modernism and postmodernism |
| title_sort | malcolm bradbury between modernism and postmodernism |
| topic | Bradbury, Malcolm 1932-2000 (DE-588)118913549 gnd Literatur (DE-588)4035964-5 gnd Literaturkritik (DE-588)4036020-9 gnd Modernismus (DE-588)4133275-1 gnd Postmoderne (DE-588)4115604-3 gnd |
| topic_facet | Bradbury, Malcolm 1932-2000 Literatur Literaturkritik Modernismus Postmoderne |
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