Autour de l'extrême littéraire:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publ.
2012
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VI, 177 S. |
| ISBN: | 9781443841634 1443841633 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804150063548596224 |
|---|---|
| adam_text | Table of Contents
Acknowledgements...................................................vii
Introduction.......................................................1
Autour de l’extrême littéraire
Alastair Hemmens and Russell Williams
Chapter One.........................................................5
Bring on the Bloody Nun: Horror, Parody and Aesthetics in the Surrealist
Quest for the Extreme
Jeremy Stubbs
Chapter Two........................................................21
Sur la littérature sauvage
Denis Saint-Amand
Chapter Three......................................................33
Sodom and Gomorrah Revisited: Modem Cities, Modem Heroes,
and Baudelaire’s Le Spleen de Paris
Sven Greitschus
Chapter Four.......................................................46
L’Extrême corporel dans la trilogie des jumeaux d’Agota Kristof
Nadia Bongo
Chapter Five.......................................................61
Jorge Semprün and the Truth of Fiction
Gregory Herman
Chapter Six........................................................73
“Aux cendres d’un époux”: traumatisme et temps du désir inexprimable
dans Andromaque de Racine
Jennifer Row
VI
Table of Contents
Chapter Seven........................................................88
Cults, Crimes and Coprophilia: Subversive Communities in Richard
Morgiève’s Sex Vox Dominam and Thomas Hairmont’s Le Coprophile
Russell Williams
Chapter Eight.......................................................101
L’Extréme littéraire à V ombre du Divin Marquis : Millet, Jelinek,
Skorecki, Ellis
Liza Steiner
Chapter Nine........................................................112
The Death of Desire: Bataille, Transgression, and the Erotic Extreme
in Michel Houellebecq’s Plateforme
Zoe Roth
Chapter Ten.........................................................124
“Un Cri Écrit”: Emma Santos, Speaking from the Semiotic
Gillian Ni Chellaigh
Chapter Eleven......................................................139
Extremities of Space and Gender in La Queste del Saint Graal
Leona Archer
Chapter Twelve......................................................150
LTntime en scene. L’Obscénité du corps dans l’ecriture de Christine
Angot et Annie Emaux
Francesca Forcolin
Bibliography........................................................162
Contributors........................................................173
Index...............................................................176
The extreme is an essential aspect of contemporary experience. Thrill-seekers spend the
weekend in the search of the adrenaline rush of “extreme sports”. In the political arena, the world
has begun to rediscover the split between the “extreme” left and the “extreme” right. Through
24-hour rolling news, images of violence, torture and war are televised unremittingly into the
living room; while the Internet places hardcore pornography, snuff film and cannibalism within
easy reach of anyone with a personal computer or a smartphone. The “extreme” has even
become a quality companies seek to associate with the most banal of commodities such as ice
cream and hair gel. These different manifestations of extremity suggest a contradictory, even
paradoxical, relationship with the “extreme”.
The contributors to this book explore how writing in French, from the Middle Ages to the
present day, has interrogated extremity. Taken together, these essays demonstrate that the
quality of the extreme can be applied to a great number of texts for different reasons and from
myriad perspectives. Moreover, the extreme is revealed as a quality both distinct from, and in
tension with, the crossing of boundaries associated with transgression. It is a movement towards
and away from a centre of radiation that escapes cultural norms without necessarily reinforcing
them. This sensation of rushing and wandering outside the boundaries of what is considered safe
and normal provides the extreme with its adrenaline-charged response of excitement or horror.
The analyses contained in this volume consider a number of manifestations of the “extreme
littéraire”. The ambiguities of gender in medieval romance are explored in the context of the
Arthurian court. The 19th century is examined through the prose poems of Baudelaire and the
littérature sauvage of the Zutistes. The difficulties of writing the trauma of war and genocide in
the 20th century are discussed through the work of Jorges Semprun and Agota Kristof. The
contemporary extreme in French literature is examined in the autofiction of Christine Angot, the
work of Annie Ernaux and Catherine Millet, the controversial novels of Michel Houellebecq,
and the worldwide influence of the Marquis de Sade on writing today.
Whilst the “extreme littéraire” may have a wide variety of expressions in French literature, it is
always outside, beyond and far from the centre of our everyday experience. It shocks us, excites
us and horrifies us, often all at once. This book seeks to provide an insight into how and why the
extreme has fascinated, and continues to fascinate, the French literary imagination.
Alastair Hemmens is a doctoral student based at the University of London Institute in Paris. His research
interests include revolutionary theory and the radical history of the Northern European Avant-garde.
Russell Williams is a doctoral student at the University of London Institute in Paris. His research focuses
on the contemporary French novel, in particular the work of Michel Houellebecq. He teaches at Université
Paris-Est Marne-la-Vallée and acts as reviews editor for the international journal Transgressive Culture.
|
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| dewey-full | 840.9 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 840 - Literatures of Romance languages |
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| dewey-search | 840.9 |
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| dewey-tens | 840 - Literatures of Romance languages |
| discipline | Romanistik |
| edition | 1. publ. |
| era | Geschichte gnd |
| era_facet | Geschichte |
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