Music and levels of narration in film: steps across the border
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Bristol [u.a.]
Intellect
2013
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | X, 290 S. Ill. |
| ISBN: | 9781841506258 |
Staff View
MARC
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| 264 | 1 | |a Bristol [u.a.] |b Intellect |c 2013 | |
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Record in the Search Index
| _version_ | 1804149807830269952 |
|---|---|
| adam_text | Contents
Preface
ix
Chapter I: Introduction: Film Music Narratology
1
i. Laughing with film theory
3
ii. Film/music/narratology
6
The plan of the book
9
A note on the choice of films
10
A note on the viewer
10
iii.
Principles of pertinence
11
Chapter II: The Conceptual Toolkit: Music and Levels of Narration
17
i. Fictional worlds and the filmic universe
19
ii. The historical author : extrafictionality and the title sequence
23
iii. Extrafictional
narration and audience address
39
iv.
Nondiegetic and diegetic music
48
a. Narratology, the diegesis and music
-
some considerations
49
b. Nondiegetic music and narrative agency
64
с
Diegetic music: storyworld attachment and narrative agency
69
d. Diegetic commentary and the implied author
72
e. Diegetic music: further options
89
f. Transitions, transgressions and transcendence:
Displaced diegetic music, supradiegetic music
and other steps across the border
97
v. Music on my mind: Metadiegetic narration and focalization
119
Music and Levels of Narration in Film
Chapter III: Breaking into Song? Hollywood Musicals (and After)
135
i. Supradiegesis
137
ii. Superabundance: Top Hat and the
1930s 139
iii.
The classical style: Night and Day, An American in Paris,
Singin in the Rain
147
iv.
Transcendence lost and regained: The aftermath
of the classical style
155
v. The next-to-last song: Dancer in the Dark
(and The Sound of Music)
162
Chapter IV: Things That Go Bump in the Mind: Horror Films
171
i. Of implied authors and implicit contracts:
Six little bits of theory
174
ii.
...
and thirteen examples
182
Chapter V: Beyond the Moment: Long-range Musical Strategies
195
i. Music and memory in Once Upon a Time in America
197
a. Precursor l: For a Few Dollars More
198
b. Precursor
2:
Once Upon a Time in the West
201
с
Precursor
3:
Duck, You Sucker!
205
d. Most melancholic of films
-
Олее
Upon a Time in America
207
e. Once Upon a Time in America
-
Three musical themes
210
f.
Ί
say it here and I deny it here : Conclusions
217
ii. Life s troubled bubble broken: Musical metalepses in
ľne
Truman Show
217
a. True life or false
217
b. Pre-existing music and the world of Seahaven
223
c. Nondiegetic
music and levels of narration
224
d. Music on the level of the film (or not?)
226
iii.
Far from Heaven, Breakfast at Tiffany s, Hollywood melodrama
and the retrospective profepsis
228
a. Present film
228
b. Dancing to the music of time: Far from Heaven
231
с
Urban pastoral: Breakfast at Tiffany s
236
VI
Contents
d.
The language of melodrama: Antecedents in AH That
Heaven Allows and Imitation of Life
238
e. Singing the king: A retrospective prolepsis in
The Adventures of Robin Hood
239
Chapter VI: The Future s Not Ours to See: Outlook
243
Bibliography
247
Filmography and Index of Films
261
Index of Names
275
Index of Terms
283
VII
|
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| indexdate | 2024-07-10T00:28:54Z |
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| isbn | 9781841506258 |
| language | English |
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| physical | X, 290 S. Ill. |
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| spelling | Heldt, Guido 1965- Verfasser (DE-588)132556987 aut Music and levels of narration in film steps across the border Guido Heldt Bristol [u.a.] Intellect 2013 X, 290 S. Ill. txt rdacontent n rdamedia nc rdacarrier Filmmusik (DE-588)4017129-2 gnd rswk-swf Filmmusik (DE-588)4017129-2 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-78320-210-2 Erscheint auch als Online-Ausgabe, PDF 978-1-78320-209-6 Digitalisierung UB Bayreuth - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025503731&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Heldt, Guido 1965- Music and levels of narration in film steps across the border Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 |
| title | Music and levels of narration in film steps across the border |
| title_auth | Music and levels of narration in film steps across the border |
| title_exact_search | Music and levels of narration in film steps across the border |
| title_full | Music and levels of narration in film steps across the border Guido Heldt |
| title_fullStr | Music and levels of narration in film steps across the border Guido Heldt |
| title_full_unstemmed | Music and levels of narration in film steps across the border Guido Heldt |
| title_short | Music and levels of narration in film |
| title_sort | music and levels of narration in film steps across the border |
| title_sub | steps across the border |
| topic | Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Filmmusik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025503731&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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