The strange career of Porgy and Bess: race, culture, and America's most famous opera
Created by George Gershwin and DuBose Heyward and sung by generations of black performers, Porgy and Bess has been both embraced and reviled since its debut in 1935. In this comprehensive account, Ellen Noonan examines the opera's long history of invention and reinvention as a barometer of twen...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chapel Hill
Univ. of North Carolina Press
2012
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Created by George Gershwin and DuBose Heyward and sung by generations of black performers, Porgy and Bess has been both embraced and reviled since its debut in 1935. In this comprehensive account, Ellen Noonan examines the opera's long history of invention and reinvention as a barometer of twentieth-century American expectations about race, culture, and the struggle for equality. In its surprising endurance lies a myriad of local, national, and international stories. For black performers and commentators, Porgy and Bess was a nexus for debates about cultural representation and racial uplift. White producers, critics, and even audiences spun revealing racial narratives around the show, initially in an attempt to demonstrate its authenticity and later to keep it from becoming discredited or irrelevant. Expertly weaving together the wide-ranging debates over the original novel, Porgy , and its adaptations on stage and film with a history of its intimate ties to Charleston, The Strange Career of Porgy and Bess uncovers the complexities behind one of our nation's most long-lived cultural touchstones. |
Beschreibung: | XIII, 423 S. Ill. |
ISBN: | 9780807837160 9781469617534 |
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505 | 0 | |a A romance of Negro life : Porgy, 1925 -- Interlude : Charleston, 1680-1900 -- A chocolate-covered lithograph strip : Porgy, 1927 -- Interlude : Charleston, 1920 -1940 -- Gershwin's idea of what a Negro opera should be : Porgy and Bess, 1935 -- Neither the measure of America nor that of the Negro : Porgy and Bess, 1952-1956 -- Interlude : Charleston, 1940-1960 -- Forget any version you may have seen before : Porgy and Bess, 1959-2012 -- Epilogue : Charleston, 1970-2005. | |
520 | |a Created by George Gershwin and DuBose Heyward and sung by generations of black performers, Porgy and Bess has been both embraced and reviled since its debut in 1935. In this comprehensive account, Ellen Noonan examines the opera's long history of invention and reinvention as a barometer of twentieth-century American expectations about race, culture, and the struggle for equality. In its surprising endurance lies a myriad of local, national, and international stories. For black performers and commentators, Porgy and Bess was a nexus for debates about cultural representation and racial uplift. White producers, critics, and even audiences spun revealing racial narratives around the show, initially in an attempt to demonstrate its authenticity and later to keep it from becoming discredited or irrelevant. Expertly weaving together the wide-ranging debates over the original novel, Porgy , and its adaptations on stage and film with a history of its intimate ties to Charleston, The Strange Career of Porgy and Bess uncovers the complexities behind one of our nation's most long-lived cultural touchstones. | ||
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Datensatz im Suchindex
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adam_text | The Strange Career of
University of North Carolina Press Chapel Hill
Porgy and Bess
Race, Culture, and
America s Most
Famous Opera
ELLENNOONAN
Contents
Acknowledgments xi
Introduction i
Chapter One A Romance of Negro Life: Porgy, 1925 13
INTERLUDE Charleston, 1680-1900 53
Chapter Two A Chocolate-Covered Lithograph Strip: Porgy, 1927 73
INTERLUDE Charleston, 1920-1940 125
Chapter Three Gershwin s Idea of What a Negro Opera Should Be:
Porgy and Bess, 1935 143
Chapter Four Neither the Measure ot America nor That of the Negro:
Porgy and Bess, 1952-1956 185
INTERLUDE Charleston, 1940-1969 235 S
Chapter Five Forget Any Version You May Have Seen Before:
Porgy and Bess, 1959-2012 259
Epilogue Charleston, 1970-2005 305
Notes 313
Bibliography 399
Index 413
|
any_adam_object | 1 |
author | Noonan, Ellen |
author_facet | Noonan, Ellen |
author_role | aut |
author_sort | Noonan, Ellen |
author_variant | e n en |
building | Verbundindex |
bvnumber | BV040673058 |
callnumber-first | M - Music |
callnumber-label | ML410 |
callnumber-raw | ML410.G288 |
callnumber-search | ML410.G288 |
callnumber-sort | ML 3410 G288 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LP 92040 |
contents | A romance of Negro life : Porgy, 1925 -- Interlude : Charleston, 1680-1900 -- A chocolate-covered lithograph strip : Porgy, 1927 -- Interlude : Charleston, 1920 -1940 -- Gershwin's idea of what a Negro opera should be : Porgy and Bess, 1935 -- Neither the measure of America nor that of the Negro : Porgy and Bess, 1952-1956 -- Interlude : Charleston, 1940-1960 -- Forget any version you may have seen before : Porgy and Bess, 1959-2012 -- Epilogue : Charleston, 1970-2005. |
ctrlnum | (OCoLC)829970628 (DE-599)BVBBV040673058 |
dewey-full | 782.1 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.1 |
dewey-search | 782.1 |
dewey-sort | 3782.1 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Book |
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geographic | Charleston (S.C.) Race relations |
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id | DE-604.BV040673058 |
illustrated | Illustrated |
indexdate | 2024-07-10T00:28:48Z |
institution | BVB |
isbn | 9780807837160 9781469617534 |
language | English |
lccn | 2012016635 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025499581 |
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physical | XIII, 423 S. Ill. |
publishDate | 2012 |
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publisher | Univ. of North Carolina Press |
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spelling | Noonan, Ellen Verfasser aut The strange career of Porgy and Bess race, culture, and America's most famous opera Ellen Noonan Chapel Hill Univ. of North Carolina Press 2012 XIII, 423 S. Ill. txt rdacontent n rdamedia nc rdacarrier A romance of Negro life : Porgy, 1925 -- Interlude : Charleston, 1680-1900 -- A chocolate-covered lithograph strip : Porgy, 1927 -- Interlude : Charleston, 1920 -1940 -- Gershwin's idea of what a Negro opera should be : Porgy and Bess, 1935 -- Neither the measure of America nor that of the Negro : Porgy and Bess, 1952-1956 -- Interlude : Charleston, 1940-1960 -- Forget any version you may have seen before : Porgy and Bess, 1959-2012 -- Epilogue : Charleston, 1970-2005. Created by George Gershwin and DuBose Heyward and sung by generations of black performers, Porgy and Bess has been both embraced and reviled since its debut in 1935. In this comprehensive account, Ellen Noonan examines the opera's long history of invention and reinvention as a barometer of twentieth-century American expectations about race, culture, and the struggle for equality. In its surprising endurance lies a myriad of local, national, and international stories. For black performers and commentators, Porgy and Bess was a nexus for debates about cultural representation and racial uplift. White producers, critics, and even audiences spun revealing racial narratives around the show, initially in an attempt to demonstrate its authenticity and later to keep it from becoming discredited or irrelevant. Expertly weaving together the wide-ranging debates over the original novel, Porgy , and its adaptations on stage and film with a history of its intimate ties to Charleston, The Strange Career of Porgy and Bess uncovers the complexities behind one of our nation's most long-lived cultural touchstones. Gershwin, George 1898-1937 Porgy and Bess Heyward, DuBose 1885-1940 Porgy and Bess Gershwin, George 1898-1937 Porgy and Bess (DE-588)300057946 gnd rswk-swf Geschichte 1900-2000 Music and race Race in opera African Americans in popular culture 20th century Rassenfrage (DE-588)4176975-2 gnd rswk-swf Charleston (S.C.) Race relations Gershwin, George 1898-1937 Porgy and Bess (DE-588)300057946 u Rassenfrage (DE-588)4176975-2 s DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025499581&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Noonan, Ellen The strange career of Porgy and Bess race, culture, and America's most famous opera A romance of Negro life : Porgy, 1925 -- Interlude : Charleston, 1680-1900 -- A chocolate-covered lithograph strip : Porgy, 1927 -- Interlude : Charleston, 1920 -1940 -- Gershwin's idea of what a Negro opera should be : Porgy and Bess, 1935 -- Neither the measure of America nor that of the Negro : Porgy and Bess, 1952-1956 -- Interlude : Charleston, 1940-1960 -- Forget any version you may have seen before : Porgy and Bess, 1959-2012 -- Epilogue : Charleston, 1970-2005. Gershwin, George 1898-1937 Porgy and Bess Heyward, DuBose 1885-1940 Porgy and Bess Gershwin, George 1898-1937 Porgy and Bess (DE-588)300057946 gnd Music and race Race in opera African Americans in popular culture 20th century Rassenfrage (DE-588)4176975-2 gnd |
subject_GND | (DE-588)300057946 (DE-588)4176975-2 |
title | The strange career of Porgy and Bess race, culture, and America's most famous opera |
title_auth | The strange career of Porgy and Bess race, culture, and America's most famous opera |
title_exact_search | The strange career of Porgy and Bess race, culture, and America's most famous opera |
title_full | The strange career of Porgy and Bess race, culture, and America's most famous opera Ellen Noonan |
title_fullStr | The strange career of Porgy and Bess race, culture, and America's most famous opera Ellen Noonan |
title_full_unstemmed | The strange career of Porgy and Bess race, culture, and America's most famous opera Ellen Noonan |
title_short | The strange career of Porgy and Bess |
title_sort | the strange career of porgy and bess race culture and america s most famous opera |
title_sub | race, culture, and America's most famous opera |
topic | Gershwin, George 1898-1937 Porgy and Bess Heyward, DuBose 1885-1940 Porgy and Bess Gershwin, George 1898-1937 Porgy and Bess (DE-588)300057946 gnd Music and race Race in opera African Americans in popular culture 20th century Rassenfrage (DE-588)4176975-2 gnd |
topic_facet | Gershwin, George 1898-1937 Porgy and Bess Heyward, DuBose 1885-1940 Porgy and Bess Music and race Race in opera African Americans in popular culture 20th century Rassenfrage Charleston (S.C.) Race relations |
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