Mozart's ghosts: haunting the halls of musical culture
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2012
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIII, 310 S. Ill., Notenbeisp. |
| ISBN: | 9780195389173 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | { CONTENTS}
Preface
vii
List of Music Examples
xi
List of Tables
xv
List of Figures
xvii
ι.
Introduction
part i: Phantoms of the Opera
2.
Phantoms of the Opera
25
3.
Mozart and
L impresario
54
4.
The
Commendatore
and the Clavier (Quadrille)
75
part
11:
Holy Spirits
5.
Mozart s Twelfth Mass : Case Closed?
129
6.
Enshrining Mozart: Don Giovanni and the Viardot Circle
157
part in: Specters at the Feast
7.
Mozart in Two Worlds: The Writings on Music of Blaze
de
Bury
191
8.
Speaking with the Supernatural:
E. T.
A. Hoffmann,
George Bernard Shaw, and Die
Oper aller Opern 218
9.
The Specter at the Feast: Elvira Madigan and Its Legacy
233
10.
Conclusion: The Mozart Effect
269
Bibliography
277
Index
301
Mozart s Ghosts traces the many lives
of this great composer that emerged
following his early death in
1791.
Crossing
national boundaries and traversing two
hundred years-worth of interpretation
and reception, author Mark Everist
forges new paths to investigate how
Mozart s past status can be understood
as part of today s veneration. He
examines a number of ways in which
Western culture has absorbed the idea of
Mozart, how various cultural agents have
appropriated, deployed, and exploited
Mozart toward both authoritarian and
subversive ends, and how the figure of
Mozart and his impact illuminate the
cultural history of the last two centuries
in Europe, England, and America.
As modern reverence for the
composer is conditioned by earlier
responses to his music, Everist argues
that such earlier responses are more
complex than allowed by a simple
reception studies model. Closely
linking nine case studies in an innovative
cultural and theoretical framework,
the book approaches the developing
reputation of the composer from death
to the present day from three sides:
Phantoms of the Opera deals with
stage music, Holy Spirits addresses the
trope of the sacred, and Specters at the
Feast considers the impact of Mozart s
music in literature and film. Mozart s
Ghosts adeptly and engagingly moves
the study of Mozart reception away from
hagiography and closer to cultural and
historical criticism, and will be avidly
read by Mozart scholars and students
of eighteenth-century music history,
as well as literary critics, historians of
philosophy and aesthetics, and cultural
historians in general.
MARK EVERIST is a musicologist
whose field of study includes the music
of Western Europe,
1150-1350,
music
in France between the Restoration and
Commune, music and cultural transfer,
and Mozart reception. He is Professor
of Music and Associate Dean at the
University of Southampton and President
of the Royal Musical Association.
|
| any_adam_object | 1 |
| author | Everist, Mark 1956- |
| author_GND | (DE-588)131421085 |
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| dewey-full | 780.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.92 |
| dewey-search | 780.92 |
| dewey-sort | 3780.92 |
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| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| isbn | 9780195389173 |
| language | English |
| lccn | 2012015749 |
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| spelling | Everist, Mark 1956- Verfasser (DE-588)131421085 aut Mozart's ghosts haunting the halls of musical culture Mark Everist Oxford [u.a.] Oxford Univ. Press 2012 XIII, 310 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Geschichte gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025493627&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025493627&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Everist, Mark 1956- Mozart's ghosts haunting the halls of musical culture Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118584596 (DE-588)4049716-1 |
| title | Mozart's ghosts haunting the halls of musical culture |
| title_auth | Mozart's ghosts haunting the halls of musical culture |
| title_exact_search | Mozart's ghosts haunting the halls of musical culture |
| title_full | Mozart's ghosts haunting the halls of musical culture Mark Everist |
| title_fullStr | Mozart's ghosts haunting the halls of musical culture Mark Everist |
| title_full_unstemmed | Mozart's ghosts haunting the halls of musical culture Mark Everist |
| title_short | Mozart's ghosts |
| title_sort | mozart s ghosts haunting the halls of musical culture |
| title_sub | haunting the halls of musical culture |
| topic | Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 Rezeption |
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