Liveness in modern music: musicians, technology, and the perception of performance
This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Routledge
2013
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Routledge research in music
5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies |
| Beschreibung: | XIV, 224 S. graph. Darst. |
| ISBN: | 9780415895408 9780203078518 |
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| 520 | |a This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies | ||
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Datensatz im Suchindex
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| adam_text | LIVENESS IN MODERN MUSIC
/ SANDEN, PAUL
: 2012
TABLE OF CONTENTS / INHALTSVERZEICHNIS
A THEORY OF LIVENESS IN MEDIATIZED MUSIC
HEARING GLENN GOULD S BODY : CORPOREAL LIVENESS IN RECORDED MUSIC
RECONSIDERING FIDELITY : AUTHENTICITY, HISTORICISM, AND LIVENESS IN THE
MUSIC OF THE WHITE STRIPES
INTERACTIVE LIVENESS IN LIVE ELECTRONIC MUSIC
VIRTUAL LIVENESS AND SOUNDING CYBORGS : JOHN OSWALD S VANE
PERFORMING CYBORGS : THE FLAYING OF MARSYAS AND TURNTABLISM.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Sanden, Paul |
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| building | Verbundindex |
| bvnumber | BV040666186 |
| callnumber-first | M - Music |
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| callnumber-raw | ML457 |
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| callnumber-subject | ML - Literature on Music |
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| ctrlnum | (OCoLC)835282078 (DE-599)BVBBV040666186 |
| dewey-full | 781.1/1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/1 |
| dewey-search | 781.1/1 |
| dewey-sort | 3781.1 11 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV040666186 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:28:39Z |
| institution | BVB |
| isbn | 9780415895408 9780203078518 |
| language | English |
| lccn | 2012031561 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025492842 |
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| physical | XIV, 224 S. graph. Darst. |
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| spelling | Sanden, Paul Verfasser aut Liveness in modern music musicians, technology, and the perception of performance Paul Sanden 1. publ. New York, NY [u.a.] Routledge 2013 XIV, 224 S. graph. Darst. txt rdacontent n rdamedia nc rdacarrier Routledge research in music 5 This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies Geschichte Musik Psychologie Music Performance History Musical perception Music Psychological aspects Musik (DE-588)4040802-4 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Musik (DE-588)4040802-4 s Wahrnehmung (DE-588)4064317-7 s Musikalische Aufführungspraxis (DE-588)4170800-3 s DE-604 Routledge research in music 5 (DE-604)BV040133408 5 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025492842&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sanden, Paul Liveness in modern music musicians, technology, and the perception of performance Routledge research in music Geschichte Musik Psychologie Music Performance History Musical perception Music Psychological aspects Musik (DE-588)4040802-4 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Wahrnehmung (DE-588)4064317-7 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4170800-3 (DE-588)4064317-7 |
| title | Liveness in modern music musicians, technology, and the perception of performance |
| title_auth | Liveness in modern music musicians, technology, and the perception of performance |
| title_exact_search | Liveness in modern music musicians, technology, and the perception of performance |
| title_full | Liveness in modern music musicians, technology, and the perception of performance Paul Sanden |
| title_fullStr | Liveness in modern music musicians, technology, and the perception of performance Paul Sanden |
| title_full_unstemmed | Liveness in modern music musicians, technology, and the perception of performance Paul Sanden |
| title_short | Liveness in modern music |
| title_sort | liveness in modern music musicians technology and the perception of performance |
| title_sub | musicians, technology, and the perception of performance |
| topic | Geschichte Musik Psychologie Music Performance History Musical perception Music Psychological aspects Musik (DE-588)4040802-4 gnd Musikalische Aufführungspraxis (DE-588)4170800-3 gnd Wahrnehmung (DE-588)4064317-7 gnd |
| topic_facet | Geschichte Musik Psychologie Music Performance History Musical perception Music Psychological aspects Musikalische Aufführungspraxis Wahrnehmung |
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