Phenomenology and the future of film: rethinking subjectivity beyond French cinema
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| Format: | Buch |
| Sprache: | English |
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Palgrave Macmillan
2012
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| Ausgabe: | 1. publ. |
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| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references -- Includes filmography |
| Beschreibung: | IX, 271 S. Ill. |
| ISBN: | 9780230299535 |
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Datensatz im Suchindex
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| adam_text | Phenomenology and the
Future of Film
Rethinking Subjectivity beyond French
Cinema
Jenny Chamarette
Lecturer in Film Studies, Queen Mary, University of London
macmilian
Contents
List of Illustrations vi
Acknowledgements vii
Preface viii
Introduction 1
1 Time and Matter: Temporality, Embodied Subjectivity and
Film Phenomenology 21
2 Knowing and Nothing: Chris Marker, Subjective
Temporalities and Vocalic Bodies in the Future Tense 68
3 Agnes Varda s Trinket Box: Subjective Relationality, Affect
and Temporalised Space 107
4 Burlesque Gestures and Bodily Attention: Phenomenologies
of the Ephemeral in Chantal Akerman 143
5 Threatened Corporealities: Thinking with the Films of
Philippe Grandrieux 187
Conclusion: Rethinking Cinematic Subjectivity and Beyond 231
Installations Cited 245
Filmography 247
Notes 249
Bibliography 252
Index 263
Illustrations
2 1 Face of the past (Helene Chatelain), La Jetee 81
2 2 Face of the present (Jacques Ledoux), La jetee 81
2 3 Faces of the future (from left: Janine Klein, William Klein,
Ligia Borowczyk), La Jetee 82
24M Chat, Chats perches 101
2 5 Brute digital technologies, Chats perches 102
3 1 Still photograph from Zgougou s Grave (Le Tombeau de
Zgougou, 2006) 134
3 2 Installation view, The Widows of Noirmoutier (Les Veuves de
Noirmoutier, 2005) 138
4 1 To Walk beside One s Shoelaces in an Empty Fridge (Chantal
Akerman, 2004), installation view 1 171
4 2 To Walk beside One s Shoelaces in an Empty Fridge (Chantal
Akerman, 2004), installation view 2 173
4 3 Sylvie Testud (Charlotte) and Aurore Clement
(Catherine), Tomorrow We Move (Chantal Akerman, 2004) 174
4 4 To Walk beside One s Shoelaces in an Empty Fridge {Marcher
a cote de ses lacets dans un frigidaire vide; Chantal Akerman,
2004) Second part of the installation: One video
projection (double image) on the wall and one video
projection on a hung tulle netting fabric screen; variable
dimensions 175
5 1 Hair cutting Scene: Zsolt Nagy and Anna Mouglalis, La
Vie Nouvelle 198
5 2 Thermic camera scene, La Vie nouvelle 209
5 3 Three final scenes: Claire (Elina Lowensohn), Sombre 226
5 4 Three final scenes: Jean (Marc Barbe), Sombre 227
5 5 Three final scenes: Tour de France scene, Sombre 227
VI
Index
acousmatic, 91, 94-5, 100
see also space, vocalic; Chion,
Michel
acousmetre, 95, 99, 104
Adorno, Theodor, 47, 228-9
Adorno, Theodor and Max
Horkheimer, 47
aesthetics, radical, 243
aesthetics of sensation, 200
see also Beugnet, Martine
affect
embodied, see embodiment, and
affect
humour, see humour
and objects, 107-9, 112-19, 127
passim, 128-34
shared or communal, 15, 17, 33,
108, 122-4, 128-33, 136, 138-9,
spatialised, 100, 124, 128-32,
136-40, 141-2, 144
theories of, 5, 15, 17-18, 22-3, 3 5,
45, 63-4, 80-3, 84-5, 208-9,
238-9; see also Deleuze, Gilles;
nostalgia
voice and, 94, 97-8
affection image, 239
see also under Deleuze, Gilles
Agamben, Giorgio, 18, 189 passim,
193-4, 220-2, 225-9
agency, 9, 34, 41, 44, 60-1, 64, 89,
115-22, 211-13, 219-22, 242
see also subjectivity; voice;
auteurism and authorship;
body, -subject
Akerman, Chantal, 5, 10-11, 14,
17-18, 20, 33, 37, 46, 52, 143-86,
188, 235-6, 237, 242
Althusser, Louis, 46, 47, 49, 51
analogues and analogy, 6, 22, 25, 27,
28, 31, 34-6, 61
archetype, 5, 61, 189, 213, 215,
218-19, 220, 222-3, 226, 229
architecture nostalgique, 134-5, 136,
Arendt, Hannah, 220, 221
Artaud, Antonin, 66 passim, 194, 195
passim, 207 passim
attention
as affect, 18, 115, 181-3, 213
bodily, 17, 146, 167-8, 170, 175-81,
and distraction, 17-18, 145-6, 154,
167, 168, 176-8, 180, 182
and inattention, 146, 155, 165, 172,
176-7, 181, 182-3, 185-6
auteur
figure of, 13, 70, 92, 98, 108,
109-12, 116, 119, 123, 144,
148-9, 151, 160, 170, 183-4,
engage, 14, 110
theory, 16, 70, 98, 105, 109-12, 123,
148-9, 169, 183-4, 199
auteurism and authorship, 15, 105,
autobiography, 145, 147, 150, 153,
169, 172, 183-4
see also self-representation;
self-portraiture
Bal, Mieke, 130-1, 133, 134
bare life, 193, 202, 220-1, 225, 226,
baroque, aesthetic of the, 18, 155,
Barthes, Roland, 5, 76, 77, 82, 127,
Baudry, Jean-Louis, 41, 46
Bazin, Andre, 5-6, 15, 34, 41,
becoming, see under Deleuze, Gilles
Bellour, Raymond, 68, 77, 191, 199
264 Index
Benjamin, Walter, 34, 46, 76, 77, 86,
Bergson, Henri, 1, 15, 21, 24-6, 29, 31,
Bergstrom, Janet, 149, 159, 164-5
betweenness, 3, 9, 10, 12, 19-20, 28,
108-9, 111, 114, 119, 121-2, 175,
233, 235-6, 242
in-betweenness see betweenness
Beugnet, Martine, 110, 188, 189-92,
196, 200-1, 205, 214, 215,
218-19, 225
Blow Up My Town, 143, 151, 158-60
bodiliness, 1, 9, 19, 37, 49, 53, 118,
145, 154-5, 175, 181, 194, 199,
body
ageing, 118-20
cinematic, 8, 195
film, 99, 106, 111, 146, 229, 235,
filmmaker s, 69, 92, 99, 104, 118,
120, 144, 146; see also auteur,
figure of
fortuitous, 18, 194, 204-6, 211, 214,
lived, 43, 56, 108, 244
as object, 37, 39, 103, 106, 119,
187-8, 193, 202, 210, 215, 229
proper, 206, 210, 230
-subject, 19, 54, 61, 62, 64, 129,
193, 195, 198, 202, 234-5, 237,
239-40, 242, 243
subjugated, 33, 222, 226, 229
vocalic, 104; see also space, vocalic;
Chion, Michel
Bourriaud, Nicolas, 241
Boym, Svetlana, 128-9
Brenez, Nicole, 191, 199, 207-8, 228
Breton, Jules, 117-18
burlesque, 18, 144-5, 150, 155-62,
Butler, Judith, 8
Butler, Kristine, 153, 176, 177
carnival, concept of, 150-1, 155, 156
Carroll, Noel, 160-2
Cavell, Stanley, 8, 52
Chaplin, Charlie, 155, 158-9, 160, 235
Chat, M , 69, 101, 104
Chats perches, 16, 69, 92, 94, 100,
101-5, 106, 242
chiasm see Merleau-Ponty, Maurice,
and chiasm
Chion, Michel, 93-5, 98
see also acousmetre; acousmatic;
space, vocalic; body, vocalic
choreography, 135, 154, 155, 158,
Christie, Ian, 182-3
cine-essai, 33, 69, 92, 94, 103
cinema
analogue, 35mm see film, analogue
avant-garde, 10, 34, 52, 70, 144,
146, 148, 149-51, 156, 165,
experimental, 10, 16, 18, 28, 52, 71,
144-6, 148, 150, 154, 160, 169,
French (resisting), 9-12, 144, 146,
147-8, 191-2, 230
cinema burlesque, 155
Clement, Aurore, 148, 153, 156, 158,
Cleo from 5 to 7, 109, 123
coevalness, 111, 115, 120, 121
comedy, 10, 18, 154, 155, 156-7,
160-1, 162, 164, 185
Conrad, Joseph, 220
consanguinity, 121
see also Renov, Michael
consciousness, 29, 37-8, 53, 58-9, 63,
88, 89, 169, 195, 205-7, 218
consubstantiality, 121
see also Renov, Michael
Cooper, Sarah, 116-19, 122, 241
corporeality, 1, 57, 161, 189, 191-5,
198, 199, 201, 204-5, 211, 214,
corpo-reality, 196, 213, 243
corps fortuit see body, fortuitous
corps proper, see body, proper
cultural materialism, 46-52
cultural memory, see memory, cultural
dance, 97, 156-7, 159
Daney, Serge, 66, 94
Index 265
Dean, Tacita, 12
De I Autre cote, see From the Other Side
Deleuze, Gilles, 1-2, 9, 18, 26-7, 35,
45, 49, 54, 66, 72, 75, 80-1, 84,
91, 189, 194-5, 199, 203-11, 219,
220, 221 passim, 223, 239
Anti-Oedipus, 204, 207
Cinema 1: The Movement Image, 2,
Cinema 2: The Time Image, 1, 26, 45,
concept of becoming, 25, 36, 90,
concept of burlesque, 250
concept of geste, 207, 223, 251
The Fold, 18
Francis Bacon: The Logic of Sensation,
A Thousand Plateaus, 80, 204
Demain on demenage see Tomorrow 1 Ve
Move
Demy, Jacques, 125-6, 135, 140, 142
Derrida, Jacques, 2, 54, 63, 136-7
concept of the spectre, 107-8, 137,
concept of the trace, 137
Echographies of Television, 136-7
D Est see From the East
digital technologies, 7, 10, 33, 35, 69,
73, 101-2, 103-4, 106, 117, 233,
235, 236-8
dispositif, 49
Doane, Mary Ann, 22, 24, 26, 34, 5 1,
documentary film, 10, 14, 17, 27, 65,
69, 83, 91-106, 108-12, 116-22,
141, 146-7, 153, 169, 189, 236
Dubois, Philippe, 72-3, 77-8, 79
duration, see temporality, and
duration
Echographies de la television, see under
Derrida, Jacques
economies, 22, 24, 47, 51, 64, 96, 1 15,
Eighties, The, 150, 154, 158
embodied spectatorship, 33, 38, 67,
133, 141, 177, 182, 192-3
embodied subjectivity, see subjectivity,
embodied
embodiment, 1, 5, 9, 16, 20, 36-41,
53-67, 211
and affect, 10
and attention, see attention, bodily
cinematic or filmic, 2, 7, 16, 18, 19,
33, 37-8, 46, 49, 53-4, 63, 65,
and disembodiment, 5, 16, 33, 37,
39, 41-6, 80, 93, 101, 104,
105-6, 107, 204, 231
and gesture, 161-2, 165
and materiality, 7-8, 18, 51-2, 55-7,
59, 65-7, 105, 107, 192-3
and presence, 4, 7, 16-17, 22, 30,
36-41, 91-2, 94-5, 105, 106,
111, 120, 126, 182, 192, 205-6,
and sense theory, 10, 18, 19, 30,
37-8, 40, 46, 49, 55-62, 63,
66-7, 91, 98, 100, 234
and sexuality, 8, 55, 162
and temporality, 16, 23, 67, 111-12,
and thought, 4, 9, 23, 30, 35-6,
36-41, 49, 51, 53-67, 94, 121,
enfoldment, 3, 15, 19, 27, 53, 55-7,
62-3, 81, 84, 105, 129, 155, 167,
enworld, 62, 67, 129, 195, 234, 238,
240, 242-3
ephemerality, 5, 7, 13, 33, 35, 65, 100,
104, 112, 135, 145-6, 155, 167,
170, 180-6, 213, 237, 242
ethics
Levinasian, 2, 80, 122, 137, 241
of the image, 14, 64-5, 81, 104,
112-13, 119, 120, 122-4, 127,
136, 140-1, 189-90, 208-9, 216,
229-30, 241, 243
and relationships, 61, 64, 65, 107,
108-10, 123, 136-7, 141-2, 230,
and the spectre, see Derrida, Jacques,
concept of the spectre
266 Index
ethnography, 2, 3, 37, 45, 62, 121, 241
domestic, 121
everyday
experience, 2-3, 25, 123, 149, 157,
poetics of the, 123
face, the, 80-3
fairy tales, 196, 215, 217, 219, 222
feminist
filmmaking, 14, 144, 147, 148,
169-70
theory, 8, 9-10, 32, 43, 48, 144,
film
analogue, 9, 27, 33, 35, 69, 100-2,
continuity and discontinuity, 25,
33, 34-5, 70, 72, 75, 83, 85,
177-8
digital, 7, 10, 33, 35, 69, 73, 101-4,
106, 117, 233, 235-8
and dynamism, 33, 69, 70, 73-7,
88-90,92,99, 114, 153
and immateriality, 7, 70, 107, 144,
language, 44, 110, 114, 123, 197; see
also language
materiality of, 5, 6, 11, 19, 28, 31,
33, 36-7, 51, 66, 77, 100, 103,
146, 158, 189, 191-4, 201, 216,
237, 239-40
ontology of, 6-9, 38-9, 52, 68, 106,
110, 114,233-4,236
and painting, 11, 30, 38, 60-1,
117-18, 138, 181, 191, 199,
phenomenology, 2, 20, 38, 45, 53-4,
and photography, 5, 7, 11, 27, 70-1,
72, 76, 77-8, 82, 83-4, 86-8,
106, 117-18, 127, 132, 136,
projection as device, 7, 25, 37, 73,
75, 126, 141, 154, 171-2, 175,
178-9, 181, 199,235,
and rhythm, 33, 72-4, 76-7, 83-4,
89-90, 96-8, 157, 159, 167,
177-8, 191, 212
and stillness, 7, 25, 27-8, 33, 69-71,
73-7, 78, 84, 87-91, 133, 163,
168, 179-80
film-body, 99, 111
filmosophy, 8, 210
flesh, see Merleau-Ponty, Maurice
Foucault, Michel, 21, 49-50, 207, 221
Freud, Sigmund, 21, 26, 31, 40-3, 207
From the East, 14, 146, 153, 160
From the Other Side, 14, 146, 153, 169
Geertz, Clifford, 62
gender, 8, 19, 48, 145-6, 159, 161,
genre, 130-1, 145-6, 153-4, 156, 157,
gesture
and bodily performance, 1, 5, 37,
105-6, 144-6, 153, 154-9,
161-3, 165-7, 174, 218, 223,
cinematic, 66, 75, 87, 103, 110, 141,
142, 154-9, 165-7, 168, 170,
174, 184-5, 191, 202, 207, 235,
and the everyday, 2, 123, 159
and gender, 165-7
Gleaners and I, The, 17, 109, 115-23,
Godard, Jean-Luc, 6, 10, 109, 237
Gois Causeway, The, 126, 132-3
Golden Eighties/Window Shopping, 150,
Grandrieux, Philippe, 10-12, 14, 18,
19-20, 28, 33, 37, 63, 187-230,
Grin Without A Cat, A, 14
Hainge, Greg, 191, 201, 214-17,
Hall, Stuart, 47-8
haptic visuality, 35, 45, 62, 167, 193,
Heidegger, Martin, 2, 13, 55, 144
Histoires d Amerique, 150, 158
Homage a Zgougou see Zgougou s Grave
Index 267
home, 113, 114, 115, 128-9, 131, 135,
146-7, 160
homesickness, 128-9
see also nostalgia
Homo Sacer, 18, 193, 221-2, 225, 227,
humour, 156, 158, 159
Husserl, Edmund, 2, 13, 55, 62, 144,
Huyghe, Pierre, 11
Huyssen, Andreas, 78-9
ideology and film criticism, 9, 13,
46-50, 103, 150
index, the, 5, 26-7, 35, 59, 75, 127,
indexicality, 27, 66, 87
installation art, 5, 6, 7, 11, 126, 145,
and curation, 125, 180
moving image, 10, 18, 108, 109,
125-40, 146, 169, 176-83, 185,
intentional arc, 57-8, 61
intentionality, 12, 19, 29, 30, 59-60,
intersubjectivity, 8-9, 19, 52, 146,
Jacquot de Nantes, 126, 135
Jameson, Fredric, 129-31
Jean-Francois Millet, 118
Jeanne Dielman, 23 Quai du Commerce,
1080 Bruxelles, 143, 145, 149, 151,
Jetee, La, 10, 14, 28, 31, 33, 68-92, 99,
105-6, 133, 188, 235, 242
Kant, Immanuel, 22-4, 26, 30, 176-7
Keaton, Buster, 155, 158-62, 235
Klossowski, Pierre, 2, 18, 64, 189,
194-5, 199, 203-12, 214, 238
Kracauer, Siegfried, 46, 66, 76, 86
Kuntzel, Thierry, 11, 190
La-bas see Over There
Lacan, Jacques, 21, 41-4, 46, 47, 51,
54-5, 136,200,211
language, 11, 19, 23, 44, 48-9, 54-7,
59-61, 110, 114, 116, 123, 143,
Laplanche, Jean, 116
Les Glaneurs et la glaneuse see Gleaners
and I, The
Levd Five, 248
Levinas, Emmanuel, 2, 80, 122, 137,
L lle etElle, 17, 46, 109, 123, 124-36 :
looking
ethics of, 82, 136
productive, 44, 144, 148, 159, 168,
and the senses, 45, 168
Lupton, Catherine, 85-8, 103
Lyotard, Jean-Francois, 206, 208-9,
Marcher a cote de ses lacets dans un
frigidaire vide, see To Walk Next to
One s Shoelaces in an Empty Fridge
Marker, Chris, 5, 10, 13, 14, 16, 19-20,
28, 31, 37, 52, 68-106, 107-8,
235-6, 237, 240-2
Marks, Laura U , 52, 65, 165, 220, 243
materiality of film, see film,
materiality of
Matisse, Henri, 11,60, 191
media
ephemeral, 181-3
moving image, 181-3, 185, 186
melancholia, 107,124,128,135-6,157
memory, 15, 23, 26-9, 33-5, 72,
77-81, 87, 100, 103-4, 129
affective, 33, 77-81, 100, 112, 124,
cultural, 4, 33, 100, 124
and technology, 34, 87, 100, 102-4
Merleau-Ponty, Maurice, 3, 8, 13, 21,
23-30, 40, 53-63, 137, 160
and the body, 8, 11, 56-8, 61-2,
119, 160, 194-5, 253-4
and chiasm, 3, 56-7, 119
and film, 21, 239, 243, 244
and flesh, 3, 56-7, 63-4, 106, 187,
194-5, 201-2, 230, 235, 243
268 Index
Merleau-Ponty, Maurice - continued
and intentionality, 11, 29-30,
59-60, 160, 211-12, 238, 242
and language, 11, 30, 53, 54, 55, 57,
59-61, 191-2
and painting, 11, 57, 60-1, 191
and visibility, 56-8, 60, 62, 137,
Metz, Christian, 9, 34, 41, 44
mimesis, 42, 65-6
Mondloch, Kate, 178-9
morality, 215-17, 219, 222, 228, 229,
mourning, 124, 128, 131, 133, 135,
movement
bodily, 59, 88, 146, 152, 154-5, 157,
160, 162-8, 179, 185, 192, 212,
camera, 135, 164, 184-5, 192,
and dynamism, 28, 33, 35-6, 68, 70,
73-5, 82, 85, 88-9, 132, 143-4,
spectatorial, 145, 169, 170-2, 176-7,
179-80
Movement-Image, The see Deleuze,
Gilles
movements in film theory, 2, 9, 32,
Mulvey, Laura, 6, 9, 12, 27, 32, 42,
73-4
Nancy, Jean-Luc, 2, 54, 64, 210
narrative
archetypal, 19, 63, 193, 196,
218-19, 222, 225
canonical, 11, 52, 150-1, 156,
169-70, 179-80, 183-4, 210
cinema, 10, 74, 86, ISO, 165, 240,
cyclical, 70, 82, 83-4, 89, 127
flows of, 164,217,219
linear, 72-3, 72, 85, 150, 154, 180,
structures of, 151, 154, 208, 218
Negative Dialectics, 228-9
see also Adorno, Theodor
News From Home, 146, 147, 160
Nietzsche, Friedrich, 2, 194, 203-4,
205-7, 211, 220
nostalgia, 5, 17, 38, 107, 109,
124, 128-32, 133, 134,
architecture of see architecture
nostalgique
productive, 109, 128-30, 136, 142
objectivity, 17, 66, 97-8, 111, 140-2,
objects
and affect, 17, 20, 52, 63-4, 107-9,
112-18, 124, 127, 128-30,
132-3, 136-40
of art, 48-50, 53, 60, 126, 241
bodies as, 207, 215, 220, 222,
everyday, 111, 139, 163-7; see also
under everyday
filmic and filmed, 3, 4, 6, 7, 19, 20,
32, 34, 37-9, 42, 44, 45, 46,
51-2, 53, 69, 71, 76, 80, 107-8,
110-11, 121, 122-4, 136, 140-1,
163-5, 189, 202,237, 240,
relational, 3, 17, 112-18, 122, 124,
140-2
as screens, 17, 42, 124, 126-7, 136,
as sites of memory, 20, 26-8, 29, 80,
87, 136-9
and subjectivity, 5, 7, 9, 13, 16, 17,
19, 53-9, 64-6, 97-8, 108, 111,
112-22, 136-8, 140-2, 206-8,
215-16, 240-3
observer-participants, 168, 171-2, 175,
177, 179-81, 188
see also spectators
ontology, 6, 9, 19, 51, 114, 191
Open, The, 222
Opera mouffe, V, 14, 120
Osborne, Peter, 177-8, 184
Over There, 14
Panofsky, Erwin, 34, 41
Passage du Gois, Le see Gois Causeway,
The
Index 269
Peirce/Charles Sanders, 24, 26-7,
performance
bodily, 5, 18, 37, 146, 150, 156,
157-62, 164-5, 185
as performativity, 42, 83, 145,
157-8
theatrical, 146, 150, 154, 155-6,
162-3
theory, 182, 184-5
Petit Soldat, Le, 6
phenomenology, definition of, 2-3
Phenomenology of Perception, 8, 28-9,
see also under Merleau-Ponty,
Maurice
photogramme, 14, 28, 69, 71, 73-90,
photographs, 5, 11, 27, 70-2, 77-8,
82-4,86-8,93, 106, 118, 127,
photo-roman, 69, 72, 74, 77, 78
place and space, 117, 130, 132-3, 135,
146-7, 196, 237
postmemory, 148, 250
presence
authorial, 16, 37, 69, 101, 104, 105,
bodily or embodied, 17, 23, 37, 69,
and temporality, 22-4, 26, 28-41,
66, 229; see also temporality
psychoanalysis, 39, 41, 43-4, 54, 116
psychoanalytic film criticism, 15, 17,
28, 32, 38-9, 41-6, 47-52, 55, 61,
67, 128-9, 131, 149, 200, 201-2,
psycho-geography, 127
Ranciere, Jacques, 15, 54, 63, 185,
Relational Aesthetics, 241
relationality, 2, 59, 90, 99, 107-8,
112-22, 124-5, 137,231-4
see also subjectivity; objects,
relational
Renov, Michael, 121
representation
arguments against, 10, 27-8, 34-5,
121-2, 127, 168, 187, 193,
202-3, 208, 238-40, 243
and memory, 23-8
Riegl, Alois, 45, 62
Rodowick, DN, 9, 38-9, 72, 89, 106,
233-4, 236, 240
Rosello, Mireille, 116, 118, 120, 249
sacred, concept of the, 63, 95, 106,
see also Homo Sacer
Sans Soleil see Sunless
Saute ma ville see Blow Up
My Town
Schechner, Richard, 182, 184
Schmid, Marion, 146-8, 154, 156-9
Schwenger, Peter, 107
Secondness, qualities of, 26
selective inattention, 182
see also under attention
self-documentary, 120, 141
see also Gleaners and I, The
self-portraiture, 118, 122, 169
self-representation, 118, 143
see also Gleaners and I, The; To Walk
Next to One s Shoelaces in an
Empty Fridge; Tomorrow We
Move; L lle et Elle
serial repetition, 85-6, 154
sexual violence, 63, 190-1, 192, 193,
silence, 54, 59, 60-1, 93-4, 96, 97-8,
99, 104, 105, 115, 127, 138-40,
160-1, 163, 171-2, 174, 191, 199,
Silverman, Kaja, 42, 44, 241-2, 243
skin, 119-20, 122, 167, 173, 197, 218,
smoking, gesture of, 157, 162, 166
Sobchack, Vivian, 7, 10, 30-1, 43,
61-5, 100, 105, 201, 205, 213,
232, 234, 240-1, 243-4
Sombre, 18, 33, 189-92, 193-4, 199,
213-28, 229-30
270 Index
sound
acousmatic see acousmatic; Chion,
Michel
non-vocalic, see space, vocalic;
Chion, Michel
space
temporalised, 5, 17, 107, 124, 129,
133, 136, 141-2, 184, 238
virtual, 84, 108, 133, 140
vocalic, 91, 94-5, 100, 104, 105; see
also acousmatic; Chion, Michel
spectators, 30, 38, 41-2, 44-5, 63, 76,
85, 94, 98, 122-3, 131, 132,
137-9, 141, 144-5, 153-4, 156,
168, 176-8, 181-2, 188, 198, 199,
spectatorship, 9, 44-5, 73, 130, 139,
see also spectators;
observer-participants
spectre, see Derrida, Jacques, concept
of the spectre
split screen, 152, 172, 174
Stiegler, Bernard, 136-7, 178
Stilwell, Robynn, 97-8
subjective
embodiment, see subjectivity,
embodied
relationality see subjectivity,
relational
temporality, 6, 22-3, 32, 72-3, 84,
subjectivity
auteurial, 70, 121, 204; see also
auteur, figure of; auteur, auteur
theory
cinematic, 3-9, 10, 12, 16, 18, 20,
23, 31-3, 35-6, 38-9, 45-6, 52,
62-6, 67, 77, 92, 100-1, 104-8,
111-12
embodied, 7, 31, 53-67, 94, 195
female, 89, 113, 143, 146, 158, 162,
and intersubjectivity, 8, 9, 19, 52,
problem of definition of, 18-19,
234-5
relational, 17, 19, 90, 118, 120, 122,
subject-object relations, 44, 66, 144,
231; see also objects, relational;
relationality; subjectivity,
relational
Sunless, 16, 69, 92-100, 104, 105-6,
synthesiser
MOOG sound, 99-100
Spectron image, 99-100
temporalised space, 5, 107, 124-42
see also virtual and actual spaces,
concept of
temporality, 2, 4-7, 16, 20, 21-67,
70-3, 84-90, 105-6, 107-9, 126-7,
130-3, 136, 167, 183-4, 188, 213,
229, 231-2
cinematic, 6, 16, 23, 28, 30-6, 86,
and duration, 5, 22, 24-6, 28-36,
73-4, 84-8, 91, 97, 175-81, 183,
and movement, see movement; film,
and dynamism
and presence, see presence, and
temporality
see also duration; subjective,
temporality
Testud, Sylvie, 148, 153, 158-63,
165-7, 174,236
texture, 52, 57-8, 86, 119, 163, 173,
thick description, 17, 33, 45, 61-2,
thinking with, 3-5, 15, 19, 33, 38, 67,
93, 106, 108, 114, 122, 151-2,
169, 187-9, 232, 235
thinking through, 3-5, 23-4, 35, 38,
46, 66-7, 108, 168, 203, 211, 219,
time, cinematic, 5, 22, 74, 83-5
Time-Image, The see under Deleuze,
Gilles
Tombeau de Zgougou see Zgougou s
Grave
Tomorrow We Move, 10, 17-18, 46,
144-5, 147, 150, 152-68,
Index 271
To Walk Next to One s Shoelaces in an
Empty Fridge, 18, 46, 145, 152-5,
168-75, 183-6
trace, concept of the, 5, 16, 29, 35,
37, 48, 59-61, 69, 82, 92, 94,
104, 136-7, 192, 212,
Une chante, I autre pas, L , 14
unknowability, 113-16, 119,
120, 141, 188, 236, 241-2,
Un Lac, 189-90, 193
Unthinking Eurocentrism,
Usai, Paolo Cherchi, 12
Utopia, critical, 109, 131, 133-4, 136,
Vagabond, 109, 113-16, 123
Varda, Agnes, 5, 14, 17, 33, 37, 38, 46,
52, 64, 72-3, 107-42, 144, 146,
188, 235-7, 240-1
Vaudeville, 155
Ve»ves de Noirmoutier, Les see Widows
of Noirmoutier, The
video, 10, 11, 51, 65, 99, 145, 177- ),
video, analogue, 100-1
see also Sunless
video, digital, 7, 10, 69, 101, 117,
124-7, 132-50
see also Gleaners and I, The; Zgougou s
Grave; Gois Causeway, The;
Widows of Noirmoutier, The; To
Walk Next to One s Shoelaces in
an Empty Fridge
Vie nouvelle, La, 18, 33, 187-216, 222,
227, 228-30
virtual and actual spaces, concept of,
15-17, 27-8, 80, 82-3, 91, 104,
107, 128-32, 133, 136, 140-2,
177, 184, 188, 195,234-9
visibility, 1, 30-1, 42, 56-8, 62, 100,
and invisibility, 1, 56-8, 60, 62,
94-5, 99, 100, 137, 163, 191,
Visible and the Invisible, The, 56-8, 62,
see also under Merleau-Ponty,
Maurice
vococentrism, 98
see also Chion, Michel; acousmatic;
space, vocalic
voice, 5, 7, 16, 44, 59, 69-71,
91-9, 100-6, 107, 111, 113,
115, 116-17, 140, 163, 165, 172,
authorial, 69, 91-9, 104-6, 111, 113,
cinematic, 91
narrative, 76, 82, 84, 88,
voiceover, 16, 37, 74, 76, 82, 83,
85,87,92-105, 116-17,
wargus, 222, 225, 228
see also wolf-man
widows, 125-7, 136-40, 156
Widows of Noirmoutier, The, 125-7,
136-40
wolf-man, 220, 222-3,
225-6
Zgougou s Grave, 131, 133-6, 137
zoe, 111
|
| any_adam_object | 1 |
| author | Chamarette, Jenny 1981- |
| author_GND | (DE-588)144047985 |
| author_facet | Chamarette, Jenny 1981- |
| author_role | aut |
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| building | Verbundindex |
| bvnumber | BV040495179 |
| callnumber-first | P - Language and Literature |
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| callnumber-raw | PN1995.9.P42 |
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| dewey-full | 791.4301 |
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| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1. publ. |
| era | Geschichte 1950- gnd |
| era_facet | Geschichte 1950- |
| format | Book |
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| id | DE-604.BV040495179 |
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| indexdate | 2024-07-10T00:24:58Z |
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| isbn | 9780230299535 |
| language | English |
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| spelling | Chamarette, Jenny 1981- Verfasser (DE-588)144047985 aut Phenomenology and the future of film rethinking subjectivity beyond French cinema Jenny Chamarette 1. publ. New York Palgrave Macmillan 2012 IX, 271 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references -- Includes filmography Geschichte 1950- gnd rswk-swf Film Philosophie Psychologie Motion pictures Philosophy Motion pictures Psychological aspects Subjectivity in motion pictures Experimental films History and criticism Phenomenology Film (DE-588)4017102-4 gnd rswk-swf Phänomenologie (DE-588)4045660-2 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Film (DE-588)4017102-4 s Phänomenologie (DE-588)4045660-2 s Geschichte 1950- z DE-604 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025342085&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Chamarette, Jenny 1981- Phenomenology and the future of film rethinking subjectivity beyond French cinema Film Philosophie Psychologie Motion pictures Philosophy Motion pictures Psychological aspects Subjectivity in motion pictures Experimental films History and criticism Phenomenology Film (DE-588)4017102-4 gnd Phänomenologie (DE-588)4045660-2 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4045660-2 (DE-588)4018145-5 |
| title | Phenomenology and the future of film rethinking subjectivity beyond French cinema |
| title_auth | Phenomenology and the future of film rethinking subjectivity beyond French cinema |
| title_exact_search | Phenomenology and the future of film rethinking subjectivity beyond French cinema |
| title_full | Phenomenology and the future of film rethinking subjectivity beyond French cinema Jenny Chamarette |
| title_fullStr | Phenomenology and the future of film rethinking subjectivity beyond French cinema Jenny Chamarette |
| title_full_unstemmed | Phenomenology and the future of film rethinking subjectivity beyond French cinema Jenny Chamarette |
| title_short | Phenomenology and the future of film |
| title_sort | phenomenology and the future of film rethinking subjectivity beyond french cinema |
| title_sub | rethinking subjectivity beyond French cinema |
| topic | Film Philosophie Psychologie Motion pictures Philosophy Motion pictures Psychological aspects Subjectivity in motion pictures Experimental films History and criticism Phenomenology Film (DE-588)4017102-4 gnd Phänomenologie (DE-588)4045660-2 gnd |
| topic_facet | Film Philosophie Psychologie Motion pictures Philosophy Motion pictures Psychological aspects Subjectivity in motion pictures Experimental films History and criticism Phenomenology Phänomenologie Frankreich |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025342085&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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