Holdings: Proceedings of the 2006 International Computer Music Conference

Proceedings of the 2006 International Computer Music Conference: November 6-11, 2006, New Orleans, USA

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Bibliographic Details
Corporate Author:	International Computer Music Conference New Orleans, La (Author)
Format:	Conference Proceeding Book
Language:	English
Published:	San Francisco International Computer Music Assoc. 2006
Subjects:	Computer music Computer music / Congresses Computermusik Konferenzschrift > 2006 > New Orleans
Online Access:	Inhaltsverzeichnis
Item Description:	Includes bibliographical references and index
Physical Description:	XXIV, 731 S. Ill., graph. Darst.
ISBN:	0971319243

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adam_text	Table of Contents Monday, November 06th, 2006 Paper Session 1 A: Composition Systems and Techniques GENERATION OF COMPLEX SOUND SEQUENCES USING PHYSICAL MODELS WITH DYNAMICAL STRUCTURES ............................................................................................... J Olivier Tache, ICA Laboratory, France; and Claude Cadoz, ACROE, France AN INTRODUCTION TO ECO-STRUCTURALISM ............................................................ 9 Timothy Opie and Andrew Brown, Queensland University of Technology, Australia ENMESHED: LIVE IN 3D FOG ............................................................................... 13 Michael Clarke, University of Huddersfield, United Kingdom TIME SLICES, GRAPHIC SCORES AND MUSIC COMPOSITION .............................................. 17 Brian Evans, University of Alabama, United States Paper Session 1 B: Sound Synthesis and Analysis WAVEGUIDE-BASED ROOM ACOUSTICS THROUGH GRAPHICS HARDWARE ............................... 21 Niklas Roeber, Martin Spinaler and Maic Masuch, University of Magdeburg, Germany FROM SCORE-BASED APPROACH TOWARDS REAL-TIME CONTROL IN PWGLSYNTH ...................... 29 Mikael Laurson, Vesa Norilo, Sibelius Academy, Finland; and Henri Penttinen, Helsinki University of Technology, Finland FANTASY BIRDS IN YAZI S DREAM ......................................................................... 33 Lydia Ay ers, Hong Kong University of Science and Technology, Hong-Kong RASTER SCANNING: A NEW APPROACH TO IMAGE SONIFICATION, SOUND VISUALIZATION, SOUND ANALYSIS AND SYNTHESIS ................................................................................ 34 Woon Seung Yeo and Jonathan Berger, Stanford University,-United States Demo Session 1 THE IXI INSTRUMENTS AS SEMIOTIC MACHINES .......................................................... 42 Thor Magnusson, Creative Systems Lab - University of Sussex, United Kingdom POCKET GAMELAN: MOBILE MEDIA FOR MICROTONAL PERFORMANCE ................................. 43 Greg Schiemer and Mark Havryliv, Sonic Arts Research Network, Australia SHIFTY LOOPING: METER-AWARE, NON-REPEATING RHYTHMIC LOOPS .................................. 44 Matthew Wright, CCRMA/Stanford and CNMAT/UCB, United States SOUND SYNTHESIS AFFECTED BY PHYSICAL GESTURES IN REAL-TIME ................................. 45 Lars Graugaard, Aalborg University Esbjerg, Denmark MOOD MAPPING TECHNOLOGIES WITHIN HYBRID AUDIO DESIGN ....................................... 46 Lars Graugaard and Jens Arnspang, Aalborg University Esbjerg, Denmark XIII Paper Session 2 A: Languages for Computer Music/Software and Hardware Systems MITAMODHLS AND DESIGN PATTERNS IN CSL4 ........................................................... 47 Stephen Pope. Xavier Ämat riain. Lance Putnam, Jorge Castellanos and Ryan Avery, CREATE Lab, UCSB, United States CiRANCLOUD - A NEW SUPERCOLLIDER CLASS FOR REAL-TIME GRANULAR SYNTHESIS ................ 55 Terry Lee, University of North Texas, United States MINIAUDICLE AND CHUCK SHELL: NEW INTERFACES FOR CHUCK DEVELOPMENT AND PERFORMANCE 63 Spencer Salazar. Ge Wang, Princeton University, Department of Computer Science, United States; and Perry Cook, Princeton University, Department of Computer Science (also Music), United States DESIGN AND IMPLEMENTATION OF A REAL-TIME FINGERING DETECTION SYSTEM FOR PIANO PERFORMANCE ............................................................................................. 67 Takegawa Yoshinari, Terada Tsutomu and Nishio Shojiro, Osaka University, Japan FOMUS, A MUSIC NOTATION SOFTWARE PACKAGE FOR COMPUTER MUSIC COMPOSERS ................ 75 David Psenicka, University of Illinois, United States FLEXIBLE SCHEDULING FOR DATAFLOW AUDIO PROCESSING ............................................ 79 George Tzanetakis, Neil Burroughs and Adam Parkin, University of Victoria, Canada Paper Session 2 B: Mathematical Music Theory FUNCTORS FOR MUSIC: THE RUBATO COMPOSER SYSTEM ............................................... 83 Guerino Mazzola and Gerard Milmeister, University of Zurich, Switzerland ON MUSICAL SCALE RATIONALIZATION ................................................................... 91 Albert Graf Johannes Gutenberg University Mainz, Germany FOURIER ORACLES FOR COMPUTER-AIDED IMPROVISATION ............................................. 99 Fmmanuel Amiot, CPGE Perpignan, France; Thomas Noll, Esmuc Barcelona, Spain; Moreno Andreatta and Carlos Agon, IRCAM/CNRS, France MELODIC CLUSTERING WITHIN TOPOLOGICAL SPACES OF SCHUMANN S TRAUMEREI.................. 104 Chantal Buteau, Brock University, Canada MELODIC TOPOLOGIES ..................................................................................... Ill Kamil Adiloglu and Klaus Obermayer, Berlin University of Technology, Germany Poster Session 1 INTEGRATED SYSTEM FOR CROSS-PLATFORM/CROSS-APPLICATION EDUCATION ON SOUND SYNTHESIS AND SIGNAL PROCESSING ................................................................................. 115 Alessandro Cipriani, Scuola di Musica e Nuove Tecnologie - Conservatorio Frosinone, Italy; and Maurizio Giri, Institut Jean Nicod CNRS EHESS ENS, France EXPLORING COGNITIVE PROCESS THROUGH MUSIC COMPOSITION ...................................... 119 Adam Lockhart, University of North Texas, United States THIRD ORDER AMBISONIC EXTENSIONS FOR MAX/MSP WITH MUSICAL APPLICATIONS ................ 123 Graham Wakefietd, UCSB, United States XIV AMBER: A GRANULAR SAMPLING APPLICATION FOR MAC OS X. ......................................... 127 Jennifer Bernard, University of Cincinnati, United States; Matthew McCabe, University of Florida, Gainesville, United States; and Kenneth Hoffmann, Waveform Software, United States DIGITAL AUTONOMY IN ELECTROACOUSTIC MUSIC PERFORMANCE: RE-FORGING STOCKHAUSEN..... 131 Robert Esler, UC, San Diego, United States COOPERATIVE MULTIMEDIA ENVIRONMENTS FOR TECHNOLOGY ENHANCED MUSIC PLAYING AND LEARNING WITH 3D POSTURE AND GESTURE SUPPORTS ................................................. 135 Bee Ong, Ali Khan, Kia Ng, ICSRiM - University of Leeds, United Kingdom; Pierfrancesco Bellini, Nicola Mitolo and Paolo Nesi, DISIT-DSI - University of Florence, Italy SPECTRAL AND GRANULAR SPATIALIZATION WITH BOIDS ............................................... 139 David Kim-Boyle, University of Maryland, Baltimore County, United States Tuesday, November 07th, 2006 Paper Session 3 A: Interactive Performance Systems JAMOMA: A MODULAR STANDARD FOR STRUCTURING PATCHES IN MAX ................................ 143 Tim Place, Cycling 74, Electrotap, LLC, University of Missouri Kansas City, United States; and Trond Lossius, Bergen National Academy of the Arts, Norway PROVIDING RHYTHM PATTERNS IN SOUND SYNTHESIS ................................................... 147 Lars Graugaard, Aalborg University Esbjerg, Denmark THE TABLE IS THE SCORE: AN AUGMENTED-REALITY INTERFACE FOR REAL-TIME, TANGIBLE, SPECTROGRAPHIC PERFORMANCE ........................................................................ 151 Golan Levin, Carnegie Mellon University, United States SOUND SCOPE HEADPHONES: CONTROLLING AN AUDIO MIXER THROUGH NATURAL MOVEMENT ..... 155 Masatoshi Hamanaka, Japan Science and Technology Agency, Japan; and Seunghee Lee, University of Tsukuba, Japan AGENTS IN CHUCK: A TIMELY PROGRAMMING EXPERIENCE ............................................. 159 Michael Spicer, Singapore Polytechnic, Singapore Paper Session 3 B: Sound Synthesis and Analysis USING CONCATENATIVE SYNTHESIS FOR EXPRESSIVE PERFORMANCE IN JAZZ SAXOPHONE ........... 163 Esteban Maestre, Amaury Hazon, Rafael Ramirez and Alfonso Perez, Music Technology Group - Universität Pompeu Fabra, Spain ESTIMATION OF PARTIAL PARAMETERS FOR NON STATIONARY SINUSOIDS .............................. 167 Axel Roebel, IRCAM-CNRS, France YASAS - YET ANOTHER SOUND ANALYSIS-SYNTHESIS METHOD ......................................... 171 Shlomo Dubnov, UCSD, United States TIMBRAL, PERCEPTUAL, AND STATISTICAL ATTRIBUTES FOR SYNTHESIZED SOUND .................... 179 James McDermott, Niall J.L. Grijfith, University of Limerick, Ireland; and Michael O Neill, University College Dublin, Ireland XV 1 К ANSn 1 1 .................................................................................................. 323 Ka. unkt Stuoia. College-Conserwitory of Music, Univeristy of Cincinnati, United States Ì XAENDED APPLICATIONS OF THE WIRELESS SENSOR ARRAY (WISEAR) ................................ 324 Ιλινίιί Topper. University of Virginia, United States Till·: CASE STUDY OF AN APPLICATION OF THE SYSTEM, BODYSUIT AND ROBOTICMUSIC - ITS INTRODUCTION AND AESTHETICS ......................................................................... 326 Sug unt Goto, IRC AM. France Paper Session 6 A: Sound Synthesis and Analysis VISUALIZING SOUND ENVIRONMENT DURING ORCHESTRA PERFORMANCE BASED ON TIME FREQUENCY ANALYSIS .................................................................................... 327 Šatoru Monta and Sayaka Tokunou, Yamaguchi University, Japan MUSICAL TAPESTRY: RE-COMPOSING NATURAL SOUNDS ................................................. 333 Анапу a Misra, Perry Cook and G e Wang, Princeton University, Department of Computer Science, United States FUZZY LOGIC CONTROL TOOL KIT: REAL-TIME FUZZY CONTROL FOR МАХ /MSP AND PD ............... 341 R drieo Cadiz, Pontificia Universidad Catolica de Chile, Chile; and Gary Kendall, Northwestern University, United States SCALABLE WAVETABLE MATCHING FOR REAL-TIME POLYPHONIC SYNTHESIS .......................... 347 Simon Wun, Institute for Inf ocomm Research Singapore; and Andrew Homer, Hong Kong University of Science and Technology, Hong Kong CONCATENATTVE SYNTHESIS USING SCORE-ALIGNED TRANSCRIPTIONS ................................ 352 Roger Dannenberg, Carnegie Mellon University, United States CIRCLE MAPS AS SIMPLE OSCILLATORS FOR COMPLEX BEHAVIOR: I. BASICS ........................... 356 Georg Essi, Deutsche Telekom Laboratories, Germany Paper Session 6 B: Interactive Performance Systems ON THE DEVELOPMENT OF A SYSTEM FOR GESTURE CONTROL OF SPATIALIZATION .................... 360 M rk Marshall, Nils Peters, McGill University, Canada; Alexander Rej sum Jensenius, University of Oslo, Norway; Julien R issinot, Marcelo Wanderley, McGill University, Canada; and Jonas Braasch, RPI, United States DEVELOPMENT OF A VERSATILE INTERACTIVE PERFORMANCE SYSTEM ................................ 367 Douglas Geers, University of Minnesota, United States; and Maja Cerar, Columbia University, United States RADIO DRUM GESTURE DETECTION SYSTEM USING ONLY STICKS, ANTENNA AND COMPUTER WITH AUDIO INTERFACE ......................................................................................... 372 ßenNevile, University of Victoria / Cycling 74, Canada; Peter Driessen and W. Andrew Schloss, University of Victoria, Canada PERFORMER ADAPTIVE SCORES: AN INTRODUCTION ..................................................... 380 Robert Frank, Southern Methodist University, United States XVIII THE ARTSSYNC PROJECT: METHODS AND ARCHITECTURES FOR MAPPING FOREGROUND, MIDDLE-GROUND AND BACKGROUND MUSICAL STRUCTURES TO VISUAL IMAGES ..................... 388 Christopher Key es, H KB U, Hong Kong; and Marcel Wierckx, Utrecht School of Music and Technology, Netherlands Poster Session 3 SPECTRAL SIGNAL PROCESSING IN CSOUND 5............................................................ 392 Victor Lazzarini, Thomas Lysaght and Joseph Ћтопеу, National University of Ireland, Maynooth, Ireland MAXLENK: A NEW TOOL FOR NETWORKED PERFORMANCE .............................................. 3% Jesse Kriss, IBM Research, United States THE LOM MAPPING TOOLBOX FOR MAX/MSP/JITTER ..................................................... 397 Doug Van Nort and Marcelo Wanderley, Music Technology, McGill University, Canada A COLLABORATIVE COMPOSITION SYSTEM BASED ON A SERVICE ORIENTED ARCHITECTURE ......... 401 Matthew Dovey, University of Oxford, United Kingdom; and ¡an Gibson, Leeds Metropolitan Univerisity, United Kingdom MOTION AS THE CONNECTION BETWEEN AUDIO AND VISUALS .......................................... 405 Niall Moody, Nick Fells and Nicholas Bailey, University of Glasgow, United Kingdom THE KIOM: A PARADIGM FOR COLLABORATIVE CONTROLLER DESIGN .................................. 409 Ajay Kapur, Adam R. Tindale, Manjinder S. Benning and Peter Driessen, University of Victoria, Canada Thursday, November 09th, 2006 Paper Session 7 A: Studio Reports GEORGIA TECH MUSIC TECHNOLOGY GROUP STUDIO REPORT ........................................... 413 Gil Weinberg, Jason Freeman, Parag Chordia, Frank Clark, Chris Moore, Scott Driscoll and Travis Thatcher, Georgia Institute of Technology, United States THE UNrVERSITY MUSIC TECHNOLOGY LAB .............................................................. 417 Sanford Hinderlie, Loyola University, United States TULANEMUSIC TECHNOLOGY STUDIO REPORT .......................................................... 421 Conner Richardson, James Cook and Tae Hong Park, Tulane University, United States Paper Session 7 B: Computer Systems in Music Education MUSICAL INTERACTION DESIGN WITH THE CREATE USB INTERFACE: TEACHING HCI WITH CUIS INSTEAD OF GUIS .......................................................................................... 425 Dan Overholt, U.C. Santa Barbara, United States SOUND AND INTERACTION FOR K-12 MEDIATED EDUCATION ............................................ 431 David Birchfield, Thomas Ciufo, Harvey Thomburg and Wilhelmina Savenye, Arizona State University, United States XIX Paper Session 8 A: Interactive Performance Systems MUSICAL PERFORMANCE OVER INTERNET2 USING THE ACCESSGRID ................................... 437 Charles Nichols, University of Montana, United States; Scott Deal, University of Alaska Fairbanks, United States; Ћт- othy Rogers, Purdue University, United States; Jimmy Miklavcic, University of Utah, United States; Beth Miklavcic, Another Language Performing Arts Company, United States; and Many Ayromlou, Ryerson University, Canada PLORK: THE PRINCETON LAPTOP ORCHESTRA, YEAR I ................................................... 443 Daniel Trueman, Perry Cook, Scott Smallwood and Ge Wang, Princeton University, United States REAL-TIME SYNCHRONIZATION OF INDEPENDENTLY CONTROLLED PHASORS .......................... 451 Lonce Wyse, Institute for Infocomm Research, Singapore A PARADIGM FOR PHYSICAL INTERACTION WITH SOUND IN 3-D AUDIO SPACE .......................... 456 Mike Wozniewski, Zack Settel, La Société des arts technologiques [SAT], Canada; and Jeremy Cooperstock, McGill University Centre For Intelligent Machines, Canada JAM AA - A MIDDLE EASTERN PERCUSSION ENSEMBLE FOR HUMAN AND ROBOTIC PLAYERS .......... 464 Gil Weinberg, Scott Driscoll and Travis Thatcher. Georgia institute of Technology, United States Paper Session 8 B: Music Analysis RECORDING QUALITY RATINGS BY MUSIC PROFESSIONALS .............................................. 468 Richard Repp, Georgia Southern University, United States DATA ASSOCIATION TECHNIQUES FOR A ROBUST PARTIAL TRACKER OF MUSIC SIGNALS ............... 475 Hamid Satar-Boroujeni, Bahram Shafai, Northeastern University, United States; and Patrick J . Wolfe, Harvard University, United States MUSICAL TENSION CURVES AND ITS APPLICATIONS ...................................................... 482 Min-Joon Yoo and ¡n-Kwon Lee, Dept. of Computer Science, Yonset University, South Korea DETECTING MOTIVES AND RECURRING PATTERNS IN POLYPHONIC MUSIC .............................. 487 Paul Utgqff and Phillip Kirlin, University of Massachusetts, United States MELODIC MODELING: A COMPARISON OF SCALE DEGREE AND INTERVAL ............................... 495 Yipeng Li and David Huron, The Ohio State University, United States Poster Session 4 USING MOTIONGRAMS IN THE STUDY OF MUSICAL GESTURES ........................................... 499 Alexander Ref sum J ensenius, University of Oslo, Norway REAL-TIME SPECTRAL ATTENUATION BASED ANALYSIS AND RESYNTHESIS, SPECTRAL MODIFICATION, SPECTRAL ACCUMULATION, AND SPECTRAL EVAPORATION; THEORY, IMPLEMENTATION, AND COMPOSITIONAL IMPLICATIONS ........................................................................... 503 Ronald Parks, Winthrop University, United States PHASE-BASHED PACKET SYNTHESIS: A MUSICAL TEST ................................................... 507 Miller Puckette, UCSD, United States XX A MUSIC INFORMATION RETRIEVAL SYSTEM FOR STRUCTURAL QUERIES ............................... 511 Alberto Pinto, Università degli Studi di Milano, Italy MORPHOPOIESIS: AN ANALYTICAL MODEL FOR ELECTROACOUSTIC MUSIC ............................. 515 Panayiotis Kokoras, Aristotle University of Thessaloniki, Greece STUDIO REPORT: AUDIO TECHNOLOGY AT AMERICAN UNIVERSITY IMPROVING CURRICULUM THROUGH UPGRADING FACILITIES ........................................................................ 519 Paul Oehlers, Teresa Larkin, Fred Katz, Matt Boerum and Matt Weiner, American University, United States SSYNTH: A REAL TIME ADDITIVE SYNTHESIZER WITH FLEXIBLE CONTROL ............................. 523 Vincent Verfaule, Julien Boissinot, Philippe Depalle and Marcelo Wanderley, McGill University, Canada Friday, November IO*11, 2006 Paper Session 9 A: Composition Systems and Techniques PRAGMATIC CONSIDERATIONS IN MIXED MUSIC: A CASE STUDY OF LA RAGE ........................... 527 Pierre Alexandre Tremblay, University of Huddersfield, United Kingdom COMPUTER MUSIC ENACTION ............................................................................. 531 Kevin Dahan, C1CM - Université de Paris 8, France Paper Session 9 B: Sound Synthesis and Analysis FEATURE-BASED SYNTHESIS: MAPPING FROM ACOUSTIC AND PERCEPTUAL FEATURES TO SYNTHESIS PARAMETERS ............................................................................................... 536 Matt Hoffman and Perry Cook, Department of Computer Science, Princeton University, United States THE FUJARA: A PHYSICAL MODEL OF THE BASS PIPE INSTRUMENT IN AN INTERACTIVE COMPOSITION 540 Juraj Kojs, University of Virginia, United States Demo Session 3 MOBILE NETWORKED MUSIC DEMONSTRATION: SEQUENCER404 ........................................ 544 Travis Thatcher, David Jimison, John Goetzinger, Jason Freeman and Gil Weinberg, Georgia institute of Technology, United States Paper Session 10 A: Artificial Intelligence and Music A COMPARISON OF STATISTICAL APPROACHES TO SYMBOLIC GENRE RECOGNITION ................... 545 Carlos Pérez-Sancho, Pedro J. Ponce de León and José M. Iñesta, Universidad de Alicante, Spain A NOVEL APPROACH TO AUTOMATIC MUSIC COMPOSING: USING GENETIC ALGORITHM ................ 551 Damon Daylamani Zad, Brunei University, United Kingdom; Babak Araabi and Caru Lucas, University of Tehran, ¡ran FACTORED LANGUAGE MODEL OF QUANTIZED PITCH AND DURATION ................................ 556 liao Li, Gang Ji and Jeff Biltnes, University of Washington, Seattle, United States XXI AURALIZATION OF A CONSTRAINT SOLVER .............................................................. 564 Arnaud Lallouet and Jeremie Vautard, University of Orleans, France TOWARDS MACHINE LEARNING OF EXPRESSIVE MICROTIMING IN BRAZILIAN DRUMMING ............. 572 Matthew Wright, CCRMA/Stanford and CNMAT/UCB, United States; and Edgar Berdahl, Department of Electrical En¬ gineering, Stanford University; United States AN EVOLVED NEURAL NETWORK/HC HYBRID FOR TABLATURE CREATION IN GA-BASED GUITAR ARRANGING ................................................................................................ 576 Daniel R. Tuohy and W.D. Potter, University of Georgia Artificial Intelligence Center, United States Paper Session 10 B: Composition Systems and Techniques AN ACOUSMATIC COMPOSITION ENVIRONMENT ........................................................... 580 Morten Breinbjerg, Aarhus University, Denmark WE DON T WRITE SONGS. WE WRITE RECORDS: A COMPOSITIONAL METHODOLOGY BASED ON LATE 20th CENTURY POPULAR MUSIC ............................................................................ 585 Simon Zagorski-Thomas, London College of Music, United Kingdom SCORE GENERATION IN VOICE-LEADING AND CHORD SPACES ........................................... 593 Michael Gogins, Irreducible Productions, United States BIOINFORMATIC RESPONSE DATA AS A COMPOSITIONAL DRIVER ........................................ 601 Robert Hamilton, CCRMA, Stanford University, United States A SAMPLE ACCURATE TRIGGERING SYSTEM FOR PD AND MAX/MSP ..................................... 606 Eric Lyon, The University of Manchester, United Kingdom Poster Session 5 A BOTTOM-UP APPROACH TO CHORD DETECTION ........................................................ 612 Christian Sailer and Katja Rosenbauer, Fraunhofer IDMT, Germany A BRIEF SURVEY OF THE CURRENT APPLICATIONS OF ENP ............................................... 616 Mika Kuuskankare and Mikael Laurson, Sibelius Academy, Finland JAVA MUSIC SPECIFICATION LANGUAGE AND MAX/MSP .................................................. 62° Nick Didkovsky, Algomusic, United States; and Langdon Crawford, New York University, United States SCORE FOLLOWING OF ORCHESTRAI. MUSIC USING ACOUSTIC PRESSURE PEAK-TRACKING AND LINEAR STRETCH MATCHING ................................................................; ·............ 624 Takefumi Miura, Ayumu Akabane, MakotoSato, Tokyo institute of Technology, Japan; Takao Ts uda and Seiki 1 noue, Japan Broadcasting Corporation, Japan MONDRIAN MUSIC DESCRIFriON LANGUAGE AND SEQUENCER ......................................... 628 Peter Brinkmann, The City College of New York, United States MSC: A COMPUTER ASSISTED SYSTEM INTEGRATING MUSIC AND VIDEO THROUGH MAGIC SQUARES AS COMPOSITIONAL MODELS .............................................................................. PaulOehlers, American University, United States; and Christopher Mich, QVC, United States XXII Saturday, November 11th, 2006 Paper Session 11 A: Interactive Performance Systems COMPARING MUSICAL CONTROL STRUCTURES AND SIGNAL PROCESSING STRATEGIES FOR THE AUGMENTED CELLO AND GUITAR ......................................................................... 636 Adrian Freed, CNMAT, UC Berkeley, United States; Ahm Lee, John Schott, Freelancer, United States; Matthew Wright, Michael Zbyszynski, CNMAT, UC Berkeley, United States; and Frances Marie Uitti, Freelancer, Netherlands LAPTOP PERFORMANCE: TECHNIQUES, TOOLS, AND A NEW INTERFACE DESIGN ........................ 643 Mark Zadel and Gary Scavone, McGill University, Canada THE IMMERSIVE COMPUTER-CONTROLLED AUDIO SOUND THEATER: EXPERIMENTS IN MULTI MODE SOUND DIFFUSION SYSTEMS FOR ELECTROACOUSTIC MUSIC PERFORMANCE .......................... 649 Stephen David Beck, Joseph Patrick, Brian Willkie and Kenley Malveaux, Louisiana State University, United States THE AIMS PROJECT: CREATIVE EXPERIMENTS IN MUSICAL SONIFICATION .............................. 656 Reginald Bain, University of South Carolina, United States Paper Session 11 B: Miscalleneous THE SOUND RECORDIST AS COMPOSER: AESTHESTIC AND PRACTICAL CONCERNS ..................... 66 1 Colby Leider, University of Miami, United States; and Kristine H. Burns, Florida International University, United States Paper Session 12 A: Psychoacoustics, Music Perception and Cognition/Miscellaneous AN INTELLIGENT SP-MIDI POLYPHONIC REDUCTION ALGORITHM ....................................... 666 Siu Hang Lui, Andrew Homer and Lydia Ayers, Hong Kong University of Science and Technology, Hong Kong MUSICAL PATTERN DESIGN USING CONTOUR ICONS ...................................................... 674 Charlie Cullen, Digital Media Centre, Dublin Institute of Technology, Ireland; and Eugene Coyle, Dublin Institute of Technology, Ireland THE THING ABOUT THE QUOTES: MUSIC TECHNOLOGY DEGREES IN BRITAIN ........................... 682 Carola Boehm, Centre for Music Technology, University of Glasgow, United Kingdom EVALUATING AND EXTENDING COMPUTATIONAL MODELS OF RHYTHMIC SYNCOPATION IN MUSIC .... 688 Leigh Smith and Henkjan Honing, Music Cognition Group, Universiteit van Amsterdam, Netherlands Paper Session 12 В : Digital Audio Signal Processing DSP PROGRAMMING WITH FAUST, Q AND SUPERCOLLIDER ............................................... 692 Yann Orlarey, Grame, Centre National de Creation Musicale, France; Albert Graf, Johannes Gutenberg University Mainz, Germany; and Stefan Kersten, Technical University Berlin, Germany AUTUMN: A GENERAL PITCH-EXTRACTION WAVE-TO-MIDI TRANSCRIPTION SYSTEM ................... 700 Kevin Di Filippo, Andrew Homer, Eric Fung, Jenny Lim and Lydia Ayers, Hong Kong University of Science and Technol¬ ogy, Hong Kong PHAVORIT: A PHASE VOCODER FOR REAL TIME INTERACTIVE TIME-STRETCHING ...................... 708 Thorsten Karrer, Eric Lee and Jan Borchers, RWTH Aachen University, Germany XXIII DART: DISTRIBUTED AUDIO RENDERING & RETRIEVAL USING TRIANA - EXPERIMENTS IN APPLYING GRID COMPUTING TECHNOLOGIES FOR AUDIO PROCESSING ............................................. 716 ¡an Taylor, Cardiff University. United Kingdom: Stephen David Beck, Louisiana State University, United States: and Eddie Al-Shakarchi. Cardiff University, United Kingdom SQUAWK: A GRAPHICAL SOFTWARE FOR SPECTRAL AUDIO PROCESSING ................................ 724 Rxoho Kobaxashi. Keio University Graduate School of Media and Governance, Japan Author Index ................................................................................................ 729 XXIV
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genre	(DE-588)1071861417 Konferenzschrift 2006 New Orleans gnd-content
genre_facet	Konferenzschrift 2006 New Orleans
id	DE-604.BV040384485
illustrated	Illustrated
indexdate	2024-07-10T00:22:52Z
institution	BVB
institution_GND	(DE-588)1025373200
isbn	0971319243
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-025237945
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physical	XXIV, 731 S. Ill., graph. Darst.
publishDate	2006
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publisher	International Computer Music Assoc.
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spelling	International Computer Music Conference 2006 New Orleans, La. Verfasser (DE-588)1025373200 aut Proceedings of the 2006 International Computer Music Conference November 6-11, 2006, New Orleans, USA Georg Essl ... San Francisco International Computer Music Assoc. 2006 XXIV, 731 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Computer music Computer music / Congresses Computermusik (DE-588)4113239-7 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2006 New Orleans gnd-content Computermusik (DE-588)4113239-7 s DE-604 Essl, Georg Sonstige oth Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025237945&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Proceedings of the 2006 International Computer Music Conference November 6-11, 2006, New Orleans, USA Computer music Computer music / Congresses Computermusik (DE-588)4113239-7 gnd
subject_GND	(DE-588)4113239-7 (DE-588)1071861417
title	Proceedings of the 2006 International Computer Music Conference November 6-11, 2006, New Orleans, USA
title_auth	Proceedings of the 2006 International Computer Music Conference November 6-11, 2006, New Orleans, USA
title_exact_search	Proceedings of the 2006 International Computer Music Conference November 6-11, 2006, New Orleans, USA
title_full	Proceedings of the 2006 International Computer Music Conference November 6-11, 2006, New Orleans, USA Georg Essl ...
title_fullStr	Proceedings of the 2006 International Computer Music Conference November 6-11, 2006, New Orleans, USA Georg Essl ...
title_full_unstemmed	Proceedings of the 2006 International Computer Music Conference November 6-11, 2006, New Orleans, USA Georg Essl ...
title_short	Proceedings of the 2006 International Computer Music Conference
title_sort	proceedings of the 2006 international computer music conference november 6 11 2006 new orleans usa
title_sub	November 6-11, 2006, New Orleans, USA
topic	Computer music Computer music / Congresses Computermusik (DE-588)4113239-7 gnd
topic_facet	Computer music Computer music / Congresses Computermusik Konferenzschrift 2006 New Orleans
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025237945&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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