Music, sound, and technology in America: a documentary history of early phonograph, cinema, and radio
This anthology assembles primary documents chronicling the development of the phonograph, talking pictures, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time they were thoroughl...
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| Other Authors: | , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Durham [u.a.]
Duke Univ. Press
2012
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | This anthology assembles primary documents chronicling the development of the phonograph, talking pictures, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time they were thoroughly integrated into Americans' everyday lives. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column published in 1945, advising listeners "desirous of gaining more from music as presented by the radio." Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry |
| Physical Description: | 410 S. Ill., Notenbeisp. |
| ISBN: | 9780822349273 9780822349464 |
Staff View
MARC
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| 245 | 1 | 0 | |a Music, sound, and technology in America |b a documentary history of early phonograph, cinema, and radio |c ed. by Timothy D. Taylor, Mark Katz and Tony Grajeda |
| 264 | 1 | |a Durham [u.a.] |b Duke Univ. Press |c 2012 | |
| 300 | |a 410 S. |b Ill., Notenbeisp. | ||
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| 520 | |a This anthology assembles primary documents chronicling the development of the phonograph, talking pictures, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time they were thoroughly integrated into Americans' everyday lives. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column published in 1945, advising listeners "desirous of gaining more from music as presented by the radio." Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Sozialgeschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Popular music / Social aspects / United States / 20th century | |
| 650 | 4 | |a Popular culture / United States / History / 20th century | |
| 650 | 4 | |a Phonograph / United States / History / 20th century | |
| 650 | 4 | |a Radio broadcasting / United States / History / 20th century | |
| 650 | 4 | |a Motion picture music / United States / History / 20th century | |
| 650 | 4 | |a Mass media / Technological innovations / United States / History / 20th century | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Massenmedien | |
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| 700 | 1 | |a Katz, Mark |d 1970- |0 (DE-588)136874924 |4 edt | |
| 700 | 1 | |a Grajeda, Tony |4 edt | |
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Record in the Search Index
| _version_ | 1804149328027058176 |
|---|---|
| adam_text | Contents
General
Introduction:
Music
Technologies
in
Everyday Life
· Timothy D. Taylor
ι
Part I. Sound Recording
Introduction
· MarkKatz
и
Sound
Recording: Readings
29
Predictions
1.
Thomas A. Edison, The Phonograph and Its Future
(1878) 29
2.
The Phonograph, New York Times
(7
November
1877) 37
3.
Philip G. Hubert Jr., What the Phonograph Will Do for Music and
Music-Lovers (May
1893) 39
The Listener and the Phonograph
Learning to Listen
4.
Edison Realism Test, Broadside (c.
1916) 44
5.
Illustrated Song Machine, Talking Machine World (October
1905);
Illustrated Song Machine, Talking Machine World (November
1905) 45
6.
Orlo
Williams, Times and Seasons, Gramophone (June
1923) 45
The Phonograph in Everyday Life
7.
How We Gave a Phonograph Party
(1899) 48
8.
Jas. O Dea,
Arthur Gillespie, and Herbert Dillea, Susan, Dear Sue
(The Phonograph Song)
(1901) 52
9.
Pauline
Partridge, The Home Set to Music (November
1924) 53
10.
Thomas A. Edison, Inc., questionnaire and responses
(1921) 56
The Phonograph and Music Appreciation
11.
Annie Pike Greenwood, The Victor in the Rural School
(26
February
1914) 65
12.
Organize a Music Memory Contest, Talking Machine Journal
(March
1919) 67
Men, Women, and Phonographs
13.
Victrola advertisement, Colliers
(4
October
1913) 70
14.
Aeolian-Vocalion advertisement, Vanity Fair (May
1916) 70
15.
Gladys L.
Kimmel,
Having Different Types of Women Customers
(June
1920) 71
16.
Scrutator, Where Are the Ladies? (June
1925) 75
17.
T.A.F., Ladies and Gramophone (August
1925) 75
18.
Gladys M. Collin, Women and the Gramophone (October
1925) 76
19.
Dorothy B. Fisher, Women and the Phonograph (October
1926) 77
Music and the Great War
20.
Talking Machines Are Essentials (December
1917) 78
21.
Vivian Burnett, When I Hear That Phonograph Play
(1918) 80
22.
Phonographs on the Firing Line
(19
October
1919) 81
Performers and the Phonograph
In the Recording Studio
23.
How Talking Machine Orchestras Operate (September
1910) 84
24.
Yvonne
de Treville,
Making a Phonograph Record (November
1916) 85
25.
Baby Dodds, The Baby Dodds Story
(1992) 88
26.
Edwin McArthur, Conducting for Record (March
1941) 92
The Phonograph and Music Pedagogy
27.
The Effect of Mechanical Instruments upon Musical Education
(July
1916) 94
28.
Oscar Saenger, The Oscar Saenger Course in Vocal Training
(1916) 103
The Phonograph and the Composer
The Composer in the Machine Age
29.
Henry Cowell, Music of and for the Records (March-April
1931) 104
30.
Igor Stravinsky, An Autobiography
(1936) 107
The Phonograph as a Compositional Tool
31.
Carol-Bérard,
Recorded Noises—Tomorrow s Instrumentation
(January-February
1929) 110
32.
Igor Stravinsky,
Meine Stellung zur Schallplatte
(March
1930) 113
Phonograph
Debates
Con
33.
John Philip
Sousa,
The Menace of Mechanical Music
(1906) 113
34.
Portland (Oregon) City Council, An Ordinance Regulating the Use of
Phonographs
(14
August
1907);
Minutes of the Portland City Council
(27
November
1907) 122
35.
Joseph
N.
Weber, Canned Music—Is It Taking the Romance from Our
Lives? (November
1930) 123
Pro
36.
Paul H. Cromelin, The Menace of Mechanical Music
(1906) 126
37.
Anne Shaw Faulkner, Phonographs and Player Instruments (August
1917) 129
Part II. Cinema
Introduction
·
Tony
Graj
eda
137
Cinema: Readings
145
Technologies of Sight and Sound
38.
The Kineto-Phonograph
(16
June
1894) 145
39.
The Perfection of the Phono-Cinematograph
(14
September
1907) 148
40.
Advertisement for Picturephone, Singing and Talking Moving Pictures
(11
January
1908) 149
41.
The Singing and Talking Picture—What Is Its Future?
(7
May
1910) 14g
42.
Talking Movies
(8
March
1913) 152
Sounds of the Cinema:
Illustrated Song Slides; The Role of the Voice
(lecturers, actors); Incidental Musics, Special
Effects, Ballyhoo, and Noise of the Audience
43.
Chas.
К.
Harris, Illustrating Song Slides
(9
March
1907) 153
44.
Chas.
К.
Harris, Song Slide Review
(16
March
1907) 156
45.
H. F. Hoffman, The Singer and the Song
(4
June
1910) 158
46.
Van
С
Lee, The Value of a Lecture
(8
February
1908) 161
47·
E.
Esther
Owen and
W.
M. Rhoads, The Value
of
a Lecture
with the
Show
(22
February
1908) 163
48.
Sydney Wire, How Talking Pictures Are Made; Scarcity of Picture
Actors
(22
August
1908) 164
49.
W. Stephen Bush, The Human Voice as a Factor in the Moving Picture
Show
(23
January
1909) 166
50.
James Clancy, The Human Voice as a Factor in the Moving Picture
Show
(30
January
1909) 169
51.
Trade Notes, When Music Is a Nuisance
(28
December
1907) 171
52.
Sound Effects: Good, Bad, and Indifferent
(2
October
1909) 172
Playing to the Pictures
Performative Accompaniment
53.
Clarence E. Sinn, Music for the Picture
(23
April
1910) 173
54.
Louis Reeves Harrison, Jackass Music
(21
January
1911) 176
55.
Wm. H. McCracken, Jackass Music
(28
January
1911) 180
56.
Mrs. Buttery, Jackass Music
(4
February
1911) 181
57.
W. Stephen Bush, Music and Sound Effects for Dante s Inferno
(27
January
1912) 182
58.
L. Szeminanyi, Playing to Pictures (February
1921) 189
59.
A Cinema Musician, Atmosphere (March
1926) 190
The Organist of the Picture Palace
60.
Ernest M. Skinner, Cinema Music (August
1918) 192
61.
J. van Cleft Cooper, Creation of Atmosphere (June
1922) 196
Conducting and Scoring to the Movies
62.
How Music Is Made to Fit the Films
(26
January
1918) 200
63.
Doron K. Antrim, Possibilities of Movie Music—Present and Future
(15
February
1926) 202
64.
Victor Wagner, Scoring a Motion Picture (September
1926) 205
65.
Josephine Vila, Hugo
Riesenfeld
Tells How He Scores a Film
(17
February
1927) 209
Taste, Culture, and Educating the Public
66.
Frank
A. Edson,
A Word about Suitable and Unsuitable Music in
Moving Picture Productions (March
1918) 212
67.
Choosing Picture Music That Pleases the Patrons: An Interview with
Edward L. Hyman
(1
February
1926) 215
68.
Dr.
Sigmund
Spaeth, Why Music Is Becoming the Important Element
in Picture Presentation
(15
March
1926) 217
69.
Josephine Vila, Opera Singer Gets Thrill out of Screen Debut
(20
January
1927) 221
70.
L. K. Sidney, What Modern Music Has Done to the Motion Picture
Theaters (January
1928) 223
Responding to the Talkies
71.
An Interview with Joseph
N.
Weber, Will Machine-Made Music
Displace Real Music in Our Theaters? (September
1928) 226
72.
Warren Nolan, Talking Pictures and the Public
(1929) 22p
73.
What the Fans Think : Talkie Gets a Guffaw (March
1929);
Voice Censor Suggested (March
1929);
Another Fan Deserts!
(April
1929);
Real Singers Would Go Over (February
1932);
Carrying
English to England (February
1932);
Adores Yankee Talk (November
1932);
Our Rural Accents (November
1932) 233
Part III. Radio
Introduction
·
Timothy D. Taylor
239
Radio: Readings
255
Radio as Dream, Radio as Technology
74.
Distributing Music over Telephone Lines
(18
December
1909) 255
75.
Radio Telephone Experiments (May
1910) 258
76.
David Sarnoff, Radio Music Box (c.
1916-1920) 259
77.
Bruce
Bliven,
The Ether Will Now Oblige
(15
February
1922) 260
78.
Joseph Riley, Five Minutes of Radio for a Nickel (April
1926) 265
Early Broadcasts: Performer and Listener Impressions
79.
Leon Lichtenfeld, interview by Layne
R. Beaty
(29
May
1988) 266
80.
Leon Alfred Duthernoy, Singing to Tens of Thousands; Impressions of
an Artist during His First Radio Concert (November
1922) 267
81.
Helen Keller, letter to the Symphony Society of New York
(10
February
1924) 271
82.
George McClelland, memorandum for Mr. J. A.
Holman
(March
1924)
272
Radio in Everyday Life
83.
Wireless Music and News for the Roller Chair Passenger
(7
August
1920) 275
84.
Very Latest in Wireless; Union College Students Find a Universal
Lullaby for Babies
(11
May
1921) 276
85.
Radio
Now Heard on Buses in New York City
(27
May
1922) 276
86.
Advance Seat Sale for Radio Concerts (October
1923) 277
87.
Bess B. Harris, letter to the editor (April
1924) 277
88.
Sing Down the Cattle by Radio (October
1926) 279
89.
Wedding Has Radio Music
(1
January
1927) 279
Healing
90.
Maimed and Sick Forget Pain in Model Radio-Equipped Ambulance
(3
June
1922) 279
91.
Ward Seeley, Radio Relief for the Ailing (August
1922) 280
92.
Jazzing the Deaf by Radio (March
1926) 285
Economics of Radio Broadcasting
93.
Laurence Blackhurst, Radio Music Fund Committee Appeals to
Listeners-In for Contributions
(1
March
1924) 285
94.
How Much Should Good Radio Program Cost? (January
1930) 287
Advertising
95.
Radio Broadcast Advertisements; Airphone Advertising Will Kill Fan
Interest
(24
June
1922) 288
96.
Davey Tree Hour
(5
January
1930) 289
97.
J. Walter Thompson Company, staff meeting minutes
(14
January
1930)
295
98.
Martin L. Davey, letter to E. P. H. James
(1
September
1931) 296
99.
Martin L. Davey, Secrets of a Successful Radio Program
(1
July
1932) 297
100.
Justine Magee, undated fan letter to Martin L. Davey (c.
1930-32) 300
Music on the Radio
Con
101.
A. J. M. Radio Just Another Blight
(31
December
1925) 301
102.
Paul Kempf, Thomas A. Edison Sees a Menace for Music in the Radio
(January
1927) 302
Pro
103.
John
С
Freund,
excerpts from an address broadcast from WJZ (May
1922) 305
104. Lee de
Forest, Opera Audiences of Tomorrow
(5
August
1922) 307
105.
Programs Lauded by Bandmasters
(12
September
1926) 309
What Do Listeners Want?
106.
E. E
McDonald Jr., What We Think the Public Wants (March
1924) 311
Crooning
107.
Floyd Gibbons School of Broadcasting, How to Train a Singing Voice
for Broadcasting
(1932) 316
108.
Martha Gellhorn, Rudy
Vallée:
Goďs
Gift to Us Girls
(7
August
1929)
316
109.
Cardinal Denounces Crooners as Whiners Defiling the Air
(11
January
1932) 319
110.
Whitney
Bolton,
Mr.
Bolton
Queries When Was a Crooner a Man in
Love?
(12
January
1932) 320
111.
Crooners Cover Up; Pass Well Known Buck
(13
January
1932) 322
112.
Crooning Comes by Nature
(24
February
1932) 323
Radio behind the Scenes
Getting on the Air
113.
James H. Collins, How to Get on a Radio Program (February
1925) 324
114.
Audition form, National Broadcasting Company (c.
1930) 331
115.
Olive Palmer, Requirements of the Radio Singer (December
1931) 332
116.
Myda Adams, letter to John Royal
(11
January
1932)
33g
117.
Have You a Radio Voice?
(28
January
1932) 339
Talent
118.
Harvey B. Gaul, The Vicissitudes of a Radio Impresario (September
1922) 340
Production behind the Scenes
119.
Gustav
Klemm,
Putting a Program on the Air (March
1933) 344
120.
Herbert
Devins, A
Glimpse behind the Mike during the
Palmolive
Hour (December
1929) 351
Composing for the Radio
121. Viva Liebling,
Creating Scores for Radio
(20
January
1944) 354
122.
Rose Heylbut, The Background of Background Music (September
1945) 358
How to Listen to Music on the Radio
123.
Peter W. Dykema, Music as Presented by the Radio
(1935) 361
Notes
367
References
387
Index
399
|
| any_adam_object | 1 |
| author2 | Taylor, Timothy Dean 1961- Katz, Mark 1970- Grajeda, Tony |
| author2_role | edt edt edt |
| author2_variant | t d t td tdt m k mk t g tg |
| author_GND | (DE-588)1026973899 (DE-588)136874924 |
| author_facet | Taylor, Timothy Dean 1961- Katz, Mark 1970- Grajeda, Tony |
| building | Verbundindex |
| bvnumber | BV040307551 |
| classification_rvk | AP 14900 LQ 89306 LR 57790 |
| ctrlnum | (OCoLC)802633995 (DE-599)BVBBV040307551 |
| dewey-full | 781.49 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.49 |
| dewey-search | 781.49 |
| dewey-sort | 3781.49 |
| dewey-tens | 780 - Music |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1900-2000 Sozialgeschichte gnd |
| era_facet | Geschichte 1900-2000 Sozialgeschichte |
| format | Book |
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| genre | (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Quelle |
| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV040307551 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:21:16Z |
| institution | BVB |
| isbn | 9780822349273 9780822349464 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-025162429 |
| oclc_num | 802633995 |
| open_access_boolean | |
| owner | DE-12 DE-188 DE-703 DE-11 DE-B170 DE-20 DE-M472 DE-83 |
| owner_facet | DE-12 DE-188 DE-703 DE-11 DE-B170 DE-20 DE-M472 DE-83 |
| physical | 410 S. Ill., Notenbeisp. |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Duke Univ. Press |
| record_format | marc |
| spelling | Music, sound, and technology in America a documentary history of early phonograph, cinema, and radio ed. by Timothy D. Taylor, Mark Katz and Tony Grajeda Durham [u.a.] Duke Univ. Press 2012 410 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier This anthology assembles primary documents chronicling the development of the phonograph, talking pictures, and the radio. These three sound technologies shaped Americans' relation to music from the late nineteenth century until the end of the Second World War, by which time they were thoroughly integrated into Americans' everyday lives. There are more than 120 selections between the collection's first piece, an article on the phonograph written by Thomas Edison in 1878, and its last, a column published in 1945, advising listeners "desirous of gaining more from music as presented by the radio." Among the selections are articles from popular and trade publications, advertisements, fan letters, corporate records, fiction, and sheet music. Taken together, the selections capture how the new sound technologies were shaped by developments such as urbanization, the increasing value placed on leisure time, and the rise of the advertising industry Geschichte 1900-2000 Sozialgeschichte gnd rswk-swf Popular music / Social aspects / United States / 20th century Popular culture / United States / History / 20th century Phonograph / United States / History / 20th century Radio broadcasting / United States / History / 20th century Motion picture music / United States / History / 20th century Mass media / Technological innovations / United States / History / 20th century Geschichte Gesellschaft Massenmedien Phonograph (DE-588)4174318-0 gnd rswk-swf Hörfunk (DE-588)4025408-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4135952-5 Quelle gnd-content USA (DE-588)4078704-7 g Phonograph (DE-588)4174318-0 s Schallaufzeichnung (DE-588)4052020-1 s Film (DE-588)4017102-4 s Hörfunk (DE-588)4025408-2 s Sozialgeschichte z DE-604 Taylor, Timothy Dean 1961- (DE-588)1026973899 edt Katz, Mark 1970- (DE-588)136874924 edt Grajeda, Tony edt Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025162429&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music, sound, and technology in America a documentary history of early phonograph, cinema, and radio Popular music / Social aspects / United States / 20th century Popular culture / United States / History / 20th century Phonograph / United States / History / 20th century Radio broadcasting / United States / History / 20th century Motion picture music / United States / History / 20th century Mass media / Technological innovations / United States / History / 20th century Geschichte Gesellschaft Massenmedien Phonograph (DE-588)4174318-0 gnd Hörfunk (DE-588)4025408-2 gnd Film (DE-588)4017102-4 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
| subject_GND | (DE-588)4174318-0 (DE-588)4025408-2 (DE-588)4017102-4 (DE-588)4052020-1 (DE-588)4078704-7 (DE-588)4135952-5 |
| title | Music, sound, and technology in America a documentary history of early phonograph, cinema, and radio |
| title_auth | Music, sound, and technology in America a documentary history of early phonograph, cinema, and radio |
| title_exact_search | Music, sound, and technology in America a documentary history of early phonograph, cinema, and radio |
| title_full | Music, sound, and technology in America a documentary history of early phonograph, cinema, and radio ed. by Timothy D. Taylor, Mark Katz and Tony Grajeda |
| title_fullStr | Music, sound, and technology in America a documentary history of early phonograph, cinema, and radio ed. by Timothy D. Taylor, Mark Katz and Tony Grajeda |
| title_full_unstemmed | Music, sound, and technology in America a documentary history of early phonograph, cinema, and radio ed. by Timothy D. Taylor, Mark Katz and Tony Grajeda |
| title_short | Music, sound, and technology in America |
| title_sort | music sound and technology in america a documentary history of early phonograph cinema and radio |
| title_sub | a documentary history of early phonograph, cinema, and radio |
| topic | Popular music / Social aspects / United States / 20th century Popular culture / United States / History / 20th century Phonograph / United States / History / 20th century Radio broadcasting / United States / History / 20th century Motion picture music / United States / History / 20th century Mass media / Technological innovations / United States / History / 20th century Geschichte Gesellschaft Massenmedien Phonograph (DE-588)4174318-0 gnd Hörfunk (DE-588)4025408-2 gnd Film (DE-588)4017102-4 gnd Schallaufzeichnung (DE-588)4052020-1 gnd |
| topic_facet | Popular music / Social aspects / United States / 20th century Popular culture / United States / History / 20th century Phonograph / United States / History / 20th century Radio broadcasting / United States / History / 20th century Motion picture music / United States / History / 20th century Mass media / Technological innovations / United States / History / 20th century Geschichte Gesellschaft Massenmedien Phonograph Hörfunk Film Schallaufzeichnung USA Quelle |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=025162429&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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