Zapisano se duže pamti:
Gespeichert in:
| Format: | Buch |
|---|---|
| Veröffentlicht: |
Novi Sad
Muzej Grada Novog Sada
2010
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | In kyrill. Schr., serb. - Zsfassung in engl. Sprache |
| Beschreibung: | 71 S. Ill. |
| ISBN: | 9788676370481 |
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Datensatz im Suchindex
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|---|---|
| adam_text | ЛИТЕРАТУРА
Art in The Frick Collection: Paintings, Sculpture, Decorative Arts, New York
1996.
Б.
Илић,
Декоративна
писма, Нови
Сад
1955.
Група аутора,
О писменима, Нови Сад
1928.
D.
Furunović, Enciklopedija štamparstva, I-III, Beograd
1996.
Д. Фуруновић,
Енциклопедії]
а српске
књиге,
I-IV,
Београд
2005.
Д.
Бараћ,
Општа
историја
писма,
Београд
2004.
Д. Давидов, Српска уметничка пирилща, Београд
1994.
Д.
Живковић,
Речник
књижевних
термина, Београд
1992.
Ж.
Димић, Карловачка
цртачка школа
1809-1866.
Сремски
Карловци
2007.
J. Fleming, H.
Honour, The Penguin Dictionary of Decorative Arts, Hannondsworth
1979.
M.
Грозданић,
Пут до
књиге,
Београд
2007.
M.
Шипка, Приче оречима, Нови
Сад
2007.
Пєдагошки
музеј,
Поклони и откупи, Београд
1996.
Пєдагошки
музеј,
Школство и просвета код Србау
средњем
веку, Београд
1965.
70
САДРЖАЈ
УВОДНА РЕЧ
...................................................................................................................................... 1
ЗНАЧАЈ ПОЈАВЕ
ПИСМА
ЗА ЧОВЕЧАНСТВО
............................................................................3
KPATAK
ПРЕГЛЕД
PA3BOJA
ПИСМА
.............................................................................................4
ПОЧЕЦИ
ПИСМЕНОСТИ
.................................................................................................................5
ПРИЧА О ПАПИРУСУ СЕ
НАСТАВЉА
.........................................................................................7
КАКО
JE
И ГДЕ НАСТАО ПЕРГАМЕНТ
.........................................................................................7
ЊЕГОВО
ВЕЛИЧАНСТВО ПАПИР
............................................................................................... 10
ПАПИР И
МАСТИЛО
......................................................................................................................
И
ПРИБОР ЗА
ПИСАЊЕ
...................................................................................................................... 13
ПЕНКАЛА
ПИШЕ МАСТИЛОМ,
А ОЛОВКА СРЦЕМ
..............................................................21
КЊИГЕ, БРАЋО
MOJA,
КЊИГЕ,
А НЕ ЗВОНА И ПРАПОРЦЕ
.................................................23
ДОДАТАК
..........................................................................................................................................29
АЛАТИДУХА
...................................................................................................................................31
КАТАЛОГ
...........................................................................................................................................44
RESUME
..............................................................................................................................................68
ЛИТЕРАТУРА
.......... ................................................70
71
RESUME
The decorating of writing tools had been thought about since the Renaissance. That is why the style
of the inkstand started matching the trends of the main Artistic periods only
500
years ago. In the 15th
and
1
6th century there were especially skillful workshops in the North of Italy which made artistic
things and the inkstands. They made things of metal and ceramics.
Unlike the elegant and classic forms of Renaissance, in the 17th and
18*
century, the prevailing ele¬
ments were the ones with restless and passionate elements of Baroque and Rococo style. Except
the valuable metals, the great popularity had the porcelain which was used for the non-portable ink
stands. At the beginning of
1
9th century the elements of the Antique art started to influence the writing
tools so they became more elegant, more definite in colours and shapes. Until the end of the century
the progress in industry enabled the production of wide range of products, so the serial production
became more common.
The great variety in materials, shapes and sizes of ink holders started in the second half of the 19th
century i.e. in the period of historicism. Combining different styles of elements resulted in interest¬
ing items. However, their look varied from a very successful designs and items copied from earlier
centuries till the items with no artistic values at all. The golden age of the writing tools started in
1870
and continued in the beginning of 20th century when secession form became popular and wanted.
Ar deco,
the predominant style in the
1920s
and
1930s,
supported geometric and simple shapes in
accordance to the popular style of that period. The contemporary writing tool invention put ink and
inkstand aside. In the middle of 20th century they became material proofs of the development of lit¬
eracy in the previous centuries.
68
The Museum of
Novi Sad
has more than
100
items, found in
Novi Sad,originating
from vari¬
ous styles proving how much people in
Novi Sad
cared for decorating their working place
with writing tools. They can be seen in the Department of Cultural History-The Collection of
Art in 19th and 20 1 century of School and Education.
The items were collected by buying from people and some were given to the Museum. The
rich inkstand collection is especially interesting and its simplicity makes it even more special
with
13
inkstand sets, some sand tables, pens and inkwells, ink, feathers and knives.
One part of this collection is the students tools for writing: multiplication tables, pencil case,
pencils, rulers...
The items are made of glass, porcelain, marble, wood and metal first in the west-European
workshops, later in factories while the craftsmen workshops started producing them in
Novi
Sad later in the beginning of 20th centuries.
The Museum of
Novi Sad
is going to present its visitors, one more time, the rich heritage of
Novi Sad
and perhaps remind them to the fact that what is written is remembered longer.
69
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