Jazz composition and arranging in the digital age:
Saved in:
| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York [u.a.]
Oxford Univ. Press
2012
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XXVI, 505 S. zahlr. Notenbeisp. |
| ISBN: | 9780195380996 9780195381009 |
Staff View
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| 100 | 1 | |a Sussman, Richard |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Jazz composition and arranging in the digital age |c Richard Sussman and Michael Abene |
| 264 | 1 | |a New York [u.a.] |b Oxford Univ. Press |c 2012 | |
| 300 | |a XXVI, 505 S. |b zahlr. Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Arrangement (Music) | |
| 650 | 4 | |a Composition (Music) | |
| 650 | 4 | |a Jazz |x Instruction and study | |
| 650 | 4 | |a Instrumentation and orchestration (Band) | |
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Record in the Search Index
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| adam_text | Contents
Preface
and Acknowledgments by Richard Sussman
· xiii
Preface by Michael
Abene
· xv
Music Examples
—
Recording Credits
· xvii
Companion Website Audio Examples: Track List
· xix
How to Use This Book and the Companion Website
· xxiii
SECTION ONE: OVERVIEW AND BASIC INFORMATION
1
Introduction: Philosophical and Aesthetic Considerations
· 3
2
Music in the Digital Age: A Brief Overview of MIDI and
Music Software
· 5
2-1
Overview of MIDI
· 6
2-2
MIDI
101 · 7
2-3
MIDI Messages
· 8
2-4
An Overview of Music Software
· 9
Chapter Summary
·
1
3
3
Basic Information on Instrument Ranges and Transpositions
·
1
5
3-1
The Brass Section
·
1
6
3-2
The Woodwind Section
· 22
3-3
The Rhythm Section
· 27
4
Fundamental Musical Considerations
· 33
4-1
Balance
· 33
4-2
Economy
· 34
4-3
Focus
· 34
4-4
Contrast and Variety
· 34
4-5
Tension and Release
· 34
4-6
Unity
· 35
5
Introduction to Music Notation Software
· 37
5-1
A Brief Historical Overview
· 37
5-2
Finale and Sibelius
· 39
5-3
Music Notation Software Basics
· 40
5-4
MIDI Playback and Editing
· 47
5-5
Music Preparation Basics
· 50
Chapter Summary
· 53
JAZZ COMPOSITION
AND ARRANGING IN THE DIGITAL AGE
SECTION TWO: ARRANGING FOR SMALL ENSEMBLE
(3-6
HORNS
+
RHYTHM SECTION)
6
Overview of Small Ensemble Writing: Rhythm and Rhythmic
Notation/Preparing the Score
· 57
6-1
Jazz Rhythm Basics
· 57
6-2
Rhythmic Pulse and Style
· 58
6-3
Jazz Syncopation and Notation (Melodic Rhythm)
· 59
6-4
Swing Feel (Melodic Rhythm)
· 62
6-5
Harmonic Rhythm
· 63
6-6
Score Preparation
· 63
Chapter Summary
· 64
Exercises
· 64
7
Melody and Motivic Development
(3-4
Horns)
· 67
7-1
Basic Melodic Considerations: Melodic Shape and Motion
· 67
7-2
Melodic Motives and Phrase Structure
· 69
7-3
Techniques of Motivic Development
· 7
1
7-4
Basic Types of Musical Texture
· 74
7-5
Applying the Techniques of Melodic Development to an
Arrangement
· 76
Chapter Summary
· 79
Exercises
· 79
8
Basic Harmonic Concepts
(3-4
Horns)
· 8
1
8-1
Chords Built by Thirds and Chord Scales
· 82
8-2
Vertical Harmony: Basic Principles of Jazz Chord Voicings
· 86
8-3
Horizontal Harmony
· 87
8-4
Standard Jazz Voicing Positions
· 90
8-5
Modal Concepts of Jazz Chord Voicings
· 96
8-6
Melodic Motion and Voice Leading
· 98
Chapter Summary
· 100
Exercises
· 100
9
Reharmonization of Approach Tones
(3-4
Horns)
· 105
9-1
Reharmonization of Approach Tones
· 105
9-2
Repeated Notes, Static Harmony, and Voice Leading III
Chapter Summary
· 116
Exercises
· 116
10
Melodic Reharmonization and Counterpoint
(3-4
Horns)
-119
10-1
Techniques of Melodic Reharmonization
·
I 1
9
10-2
Independent Counter-melodies and Polyphony
·
1
26
Chapter Summary
· 129
Exercises
· 129
CONTENTS
11 Form and
Planning
the
Arrangement/Instrumentation
· 131
11-1
Concept and Direction
· 131
11-2
Improvisation
and Form
·
1
33
11-3
Basic
Elements of Form
· 133
11-4
Outlining and Graphing the Form
·
1
37
11-5
Instrumentation and Outlining the Form
·
1
38
11-6
Intros
· 140
11-7
Transitions/Kickers
· 142
11-8
Background Parts
· 144
11-9
Codas/Endings
· 146
Chapter Summary
·
1
47
Exercises
· 147
12
Dynamics and Articulation/Brass Mutes
·
1
49
12-1
Dynamics
· 149
12-2
Brass and Woodwind Articulations and Phrasing
·
1
50
12-3
Muted Brass
· 155
Chapter Summary
·
1
58
Exercises
· 159
13
The Rhythm Section
· 161
13-1
Piano/Guitar
· 161
13-2
Bass
· 163
13-3
Chord Symbols and Abbreviations
·
1
64
13-4
Drums
· 165
13-5
General Considerations
·
1
66
13-6
Rhythm Section Styles
· 169
Chapter Summary
·
1
70
Exercises
· 170
14
Completing the
3-
to 4-Horn Arrangement
· 171
14-1
Adding a Recap and Ending
· 171
14-2
Score and Part Layouts and Music Spacing
·
1
72
14-3
Proofreading and Part Transpositions
·
1
72
14-4
Printing the Parts and the Score
·
1
73
14-5
Sample 4-Horn Arrangement and Analysis:
Bill
Bossa
(Richard Sussman)
· 174
Chapter Summary
· 185
Exercises
· 185
15
Notation Software: Generating Parts, Page Layout,
and Printing
· 187
15-1
Finale
· 189
15-2
Sibelius
· 193
15-3
Printing the Parts and the Score
· 195
JAZZ COMPOSITION
AND ARRANGING IN THE DIGITAL AGE
Chapter Summary
·
1
95
Exercises
· 196
16
Arranging for
5-6
Horns: Harmony and Chord
Voicings
· 197
16-1
Standard Chord Voidngs for
5-6
Horns
· 198
16-2
Reharmonization of Approach Tones for
5-6
Horns
· 204
16-3
Repeated Notes, Static Harmony, and Voice Leading for
5-6
Horns
· 206
16-4
Five and Six Note Close Position Voicings and Use of the
Sus
4
and
Natural or Augmented Eleventh
· 206
Chapter Summary
· 208
Exercises
· 209
17
Form and Planning the Arrangement
(5-6
Horns)
«213
17-1
Elements of Form
(5-6
Horns)
-213
17-2
Woodwind and Brass Doubles and Muted Brass
«213
17-3
Instrumentation and Outlining the Form
(5-6
Horns)
«214
17-4
Intros,
Transitions/Kickers, Background Parts,
Codas/Endings
· 216
17-5
Laying Out the Score: Workflow Concepts
· 222
Chapter Summary
· 222
Exercises
· 223
18
The Soli and the Shout Chorus
· 225
18-1
The Soli Section
· 225
18-2
Analysis of Soli Examples 18-1A and 18-1B
· 230
18-3
The Shout Chorus
· 230
18-4
Analysis of Shout Chorus Example
18-2 · 233
18-5
Recorded Examples of
Solis
and Shout Choruses
for
5-7
Horns
· 233
Chapter Summary
· 234
Exercises
· 235
19
Completing the 6-Horn Arrangement
· 237
19-1
Adding a Recap and an Ending
· 237
19-2
Score and Part Layouts/Transpositions/Proofreading/
Printing
· 238
19-3
Six-Horn Arrangement and Analysis: On a Misty Night
(Tadd Dameron/arr. Willie Smith)
· 238
19-4
Six-Horn Arrangement and Analysis: Minor Infraction
(Michael
Abene)
· 247
Chapter Summary
· 259
Exercises
· 260
CONTENTS
SECTION
THREE: ARRANGING FOR LARGE JAZZ ENSEMBLE
(8
BRASS,
5
REEDS, AND RHYTHM)
20
Overview of Large Ensemble Writing
· 263
20-1
Overview and Historical Perspective
· 263
20-2
Basic Principles and Considerations
· 265
20-3
The Expanded Sound Palette
· 265
20-4
Laying Out the Score
· 266
20-5
Selecting a Tune for a Big Band Arrangement
· 267
20-6
Recommended Listening
· 268
Chapter Summary
· 269
Exercises
· 270
21
Unison and Octave Writing/Monophonic Texture
· 27
1
21-1
Melodic Considerations
· 27
1
21-2
Combining the Instruments: Considerations of Timbre, Register,
and Tessitura
· 272
21-3
Melodic Phrase Structure
· 274
Chapter Summary
· 278
Exercises
· 281
22
Concerted Writing for Brass
· 283
22-1
Overview of Concerted Writing for Brass
· 283
22-2
Review of Basic Harmonic and Voicing Principles
(Vertical Harmony)
· 284
22-3
Application of Basic Voicing Principles to
8
Brass
· 284
22-4
Reharmonization of Approach Tones, Repeated Notes, and Voice
Leading for
8
Brass
· 286
22-5
Voicing Considerations If the Melody Is in the Low
Mid-Register
(8
Brass)
· 286
22-6
Voicing Considerations If the Melody Is in the Mid-Upper Register
(8
Brass): The
Basie
Sound
· 288
22-7
When To Use Open Position Voicings
· 294
22-8
Software Considerations
· 295
Chapter Summary
· 297
Exercises
· 297
23
Concerted Writing for Saxes/Combining Brass and Saxes
· 299
23-1
Standard Voicing Techniques for Saxes
· 299
23-2
Combining Brass and Saxes: Constant and Variable Coupling
· 30
1
23-3
Summary of Basic Principles of Combining Brass and Saxes:
The
Basie
Sound
· 310
23-4
Reharmonization of Approach Tones, Repeated Notes, and Voice
Leading for
5
Saxes
«311
JAZZ COMPOSITION
AND ARRANGING IN THE DIGITAL AGE
Chapter Summary
311
Exercises
«312
24
Big Band Instrumental Subdivisions
»315
24-1
Contrasting the Brass and Sax Sections
«315
24-2
Cross-Sectional Instrumental Subdivisions
· 320
Chapter Summary
· 324
Exercises
· 324
25
Form and Planning the Arrangement
· 327
25-1
Elements of Form
· 327
25-2
Instrumentation and Outlining the Form (Big Band)
· 328
25-3
Laving Out the Score and Workflow Concepts
· 330
25-4
Observations on the Creative Process
· 331
25-5
Workflow Analysis of Cross Section
· 332
Chapter Summary
· 337
Exercises
· 337
26
Modern Harmonic Concepts and Voicing Techniques
· 339
26-1
Chords by Fourths
· 340
26-2
Upper-Structure Triads
· 345
26-3
Polytonal Sounds
· 348
26-4
Other Types of Modern Chord Structures
· 348
26-5
Clusters and Spread Voicings
· 349
Chapter Summary
· 352
Exercises
· 352
27
More on Modern Harmony and Melodic Reharmonization
· 355
27-1
Constant Structures
· 356
27-2
Parallel Five-Voice Structures
· 357
27-3
Modern Techniques of Melodic Reharmonization
· 358
27-4
Independent Countermelodies and Polyphony with
Modern Harmonies
· 36
1
Chapter Summary
· 362
Exercises
· 363
28
Woodwind and Brass Doubles and Mutes
· 365
28-1
Woodwind and Brass Doubles
· 365
28-2
Woodwind Doubles, Dynamics, and Balance
· 367
28-3
Woodwind and Brass Doubles and Mutes: Homogeneous
Combinations
· 368
28-4
Woodwind and Brass Doubles and Mutes: Mixed Combinations
· 372
28-5
Orchestral Colors Within the Big Band
· 379
28-6
More Instrumental Subdivisions and Color Combinations
· 379
Chapter Summary
· 381
Exercises
· 382
CONTENTS
29 Line
Writing and Polyphony
· 383
29-1
Basic Principles of Line Writing
· 383
29-2
Line-Writing Procedure
· 384
29-3
Increasing or Decreasing the Number of
Harmonized Voices: Lineaology
· 393
29-4
Additional Examples of Polyphonic Big Band Writing
· 396
Chapter Summary
· 402
Exercises
· 402
30
The Soli Section (Big Band)
· 405
30-1
Basic Principles and Method for Creating the
Soli Section
· 406
30-2
Analysis of Analycity Soli by Richard Sussman
Examples 30-1A, B, and
С
«410
30-3
Analysis of Swangalang Sax Soli by Bob Mintzer
«4M
30-4
Analysis of Memories of Lives Past Mixed-Section Soli
by Michael
Abene
· 4
1
3
Chapter Summary
«416
Exercises
»416
31
The Shout Chorus (Big Band)
· 417
31-1
Basic Characteristics of the Shout Chorus
»417
31-2
Analysis of Unithology Shout Chorus by Richard Sussman
«418
31-3
Analysis of Get a Handel on It Shout Chorus by
Richard Sussman
· 423
31-4
Analysis of Uncertainty Shout Chorus by Michael
Abene
· 426
Chapter Summary
· 43
1
Exercises
· 432
32
Arranging for Vocalists and Instrumental Soloists
· 433
32-1
Basic Principles for Accompanying a Soloist
· 433
32-2
Principles Specific to Vocalists/The Importance
of the Lyric
· 435
32-3
Analysis of Who Cares? by Michael
Abene
· 438
Chapter Summary
· 45
1
Exercises
· 45
1
33
Completing the Big Band Arrangement
· 453
33-1
Adding a Recap and an Ending
· 453
33-2
Score and Part Layouts/Transpositions/Proofreading/
Printing
· 454
33-3
Analysis of Fletcher by Richard Sussman
· 454
33-4
Analysis of Uncertainty by Michael
Abene
· 463
33-5
Analysis of Art of the Big Band by Bob Mintzer
· 472
Chapter Summary
· 482
Exercises
· 483
JAZZ COMPOSITION
AND ARRANGING IN THE DIGITAL AGE
34
Summary of Music Notation Software Techniques
· 485
34-1
Summary of Music Notation Techniques and Features
· 485
34-2
Comparison of Finale and Sibelius
· 487
34-3
Additional Software Tips
· 488
34-4
Using a Sequencer in Conjunction with Notation Software
· 488
34-5
Where Do We Go from Here?
· 490
Chapter Summary
· 491
Appendices (on the Companion Website)
A. Summary of Basic Arranging and Voicing Principles
B. Recommended Recordings for Further Study
C. Recommended Reading for Further Study
Index
. 493
|
| any_adam_object | 1 |
| author | Sussman, Richard Abene, Mike 1942- |
| author_GND | (DE-588)134742184 |
| author_facet | Sussman, Richard Abene, Mike 1942- |
| author_role | aut aut |
| author_sort | Sussman, Richard |
| author_variant | r s rs m a ma |
| building | Verbundindex |
| bvnumber | BV039925262 |
| callnumber-first | M - Music |
| callnumber-label | MT73 |
| callnumber-raw | MT73.5 |
| callnumber-search | MT73.5 |
| callnumber-sort | MT 273.5 |
| callnumber-subject | MT - Instruction and Study |
| classification_rvk | LS 48200 |
| ctrlnum | (OCoLC)785830758 (DE-599)BVBBV039925262 |
| dewey-full | 781.65/13 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.65/13 |
| dewey-search | 781.65/13 |
| dewey-sort | 3781.65 213 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
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| id | DE-604.BV039925262 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:14:16Z |
| institution | BVB |
| isbn | 9780195380996 9780195381009 |
| language | English |
| lccn | 2010053107 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024783660 |
| oclc_num | 785830758 |
| open_access_boolean | |
| owner | DE-12 DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-355 DE-BY-UBR |
| physical | XXVI, 505 S. zahlr. Notenbeisp. |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Sussman, Richard Verfasser aut Jazz composition and arranging in the digital age Richard Sussman and Michael Abene New York [u.a.] Oxford Univ. Press 2012 XXVI, 505 S. zahlr. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Arrangement (Music) Composition (Music) Jazz Instruction and study Instrumentation and orchestration (Band) Musical notation Computer programs Computerunterstütztes Verfahren (DE-588)4139030-1 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Partitur (DE-588)4173447-6 gnd rswk-swf Arrangement (DE-588)4285138-5 gnd rswk-swf Jazz (DE-588)4028532-7 s Komposition Musik (DE-588)4133320-2 s Arrangement (DE-588)4285138-5 s Partitur (DE-588)4173447-6 s Computerunterstütztes Verfahren (DE-588)4139030-1 s DE-604 Abene, Mike 1942- Verfasser (DE-588)134742184 aut Digitalisierung BSB Muenchen 3 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024783660&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sussman, Richard Abene, Mike 1942- Jazz composition and arranging in the digital age Arrangement (Music) Composition (Music) Jazz Instruction and study Instrumentation and orchestration (Band) Musical notation Computer programs Computerunterstütztes Verfahren (DE-588)4139030-1 gnd Komposition Musik (DE-588)4133320-2 gnd Jazz (DE-588)4028532-7 gnd Partitur (DE-588)4173447-6 gnd Arrangement (DE-588)4285138-5 gnd |
| subject_GND | (DE-588)4139030-1 (DE-588)4133320-2 (DE-588)4028532-7 (DE-588)4173447-6 (DE-588)4285138-5 |
| title | Jazz composition and arranging in the digital age |
| title_auth | Jazz composition and arranging in the digital age |
| title_exact_search | Jazz composition and arranging in the digital age |
| title_full | Jazz composition and arranging in the digital age Richard Sussman and Michael Abene |
| title_fullStr | Jazz composition and arranging in the digital age Richard Sussman and Michael Abene |
| title_full_unstemmed | Jazz composition and arranging in the digital age Richard Sussman and Michael Abene |
| title_short | Jazz composition and arranging in the digital age |
| title_sort | jazz composition and arranging in the digital age |
| topic | Arrangement (Music) Composition (Music) Jazz Instruction and study Instrumentation and orchestration (Band) Musical notation Computer programs Computerunterstütztes Verfahren (DE-588)4139030-1 gnd Komposition Musik (DE-588)4133320-2 gnd Jazz (DE-588)4028532-7 gnd Partitur (DE-588)4173447-6 gnd Arrangement (DE-588)4285138-5 gnd |
| topic_facet | Arrangement (Music) Composition (Music) Jazz Instruction and study Instrumentation and orchestration (Band) Musical notation Computer programs Computerunterstütztes Verfahren Komposition Musik Jazz Partitur Arrangement |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024783660&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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