Double bass: transcribed and contemporary repertoire
This dissertation examines transcribed and contemporary repertoire in the double bass performance literature. In the first chapter, I focus on how transcription works and can enrich double bass repertoire. For me, the transcriptions are the best vehicle with which to examine virtuosity and creativit...
Saved in:
| Main Author: | |
|---|---|
| Format: | Thesis Microfilm Book |
| Language: | English |
| Published: |
2010
|
| Edition: | [Mikrofiche-Ausg.] |
| Subjects: | |
| Summary: | This dissertation examines transcribed and contemporary repertoire in the double bass performance literature. In the first chapter, I focus on how transcription works and can enrich double bass repertoire. For me, the transcriptions are the best vehicle with which to examine virtuosity and creativity along with creative contemporary works for the instrument. In the second chapter, I discuss and analyze works of the Italian composer Franco Donatoni and his non-metric notated solo bass piece, Lem. Lem requires a method of analyzing and absorbing the music that demands a new kind of commitment and interpretive translation. In this chapter, I share my interpretation of various metrical variations, and give practice suggestions for preparing to perform this work. For a double bass player, he/she would endeavor to develop recitals which embrace repertoire of all dimensions |
| Item Description: | Includes bibliographical references: Leaf 109-110 |
| Physical Description: | XV, 110 S. Noten |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV039800640 | ||
| 003 | DE-604 | ||
| 005 | 20130122 | ||
| 007 | he|uuuuuuuucu | ||
| 008 | 120112s2010 g||| bm||| 00||| eng d | ||
| 020 | |z 9781124147826 |9 9781124147826 | ||
| 020 | |z 1124147829 |9 1124147829 | ||
| 035 | |a (OCoLC)775085475 | ||
| 035 | |a (DE-599)BVBBV039800640 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Cho, Han Han |e Verfasser |0 (DE-588)1020641940 |4 aut | |
| 245 | 1 | 0 | |a Double bass |b transcribed and contemporary repertoire |c by Han Han Cho |
| 250 | |a [Mikrofiche-Ausg.] | ||
| 264 | 1 | |c 2010 | |
| 300 | |a XV, 110 S. |b Noten | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b h |2 rdamedia | ||
| 338 | |b he |2 rdacarrier | ||
| 500 | |a Includes bibliographical references: Leaf 109-110 | ||
| 502 | |a San Diego, Univ. Diss., 2010 | ||
| 520 | |a This dissertation examines transcribed and contemporary repertoire in the double bass performance literature. In the first chapter, I focus on how transcription works and can enrich double bass repertoire. For me, the transcriptions are the best vehicle with which to examine virtuosity and creativity along with creative contemporary works for the instrument. In the second chapter, I discuss and analyze works of the Italian composer Franco Donatoni and his non-metric notated solo bass piece, Lem. Lem requires a method of analyzing and absorbing the music that demands a new kind of commitment and interpretive translation. In this chapter, I share my interpretation of various metrical variations, and give practice suggestions for preparing to perform this work. For a double bass player, he/she would endeavor to develop recitals which embrace repertoire of all dimensions | ||
| 533 | |a Mikroform-Ausgabe |b Ann Arbor, MI |c UMI [u.a.] |d 2010 |e 2 Mikrofiches : 24x |n Mikrofiche-Ausg.: |7 s2010 | ||
| 600 | 1 | 4 | |a Donatoni, Franco / 1927-2000 / Lem / no. 1 |
| 600 | 1 | 7 | |a Donatoni, Franco |d 1927-2000 |t Lem |0 (DE-588)1029607427 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Double bass music / 20th century / History and criticism | |
| 650 | 4 | |a Double bass music, Arranged / History and criticism | |
| 650 | 0 | 7 | |a Kontrabassmusik |0 (DE-588)4391578-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Kontrabassmusik |0 (DE-588)4391578-4 |D s |
| 689 | 0 | 1 | |a Geschichte 1900-2000 |A z |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Donatoni, Franco |d 1927-2000 |t Lem |0 (DE-588)1029607427 |D u |
| 689 | 1 | |5 DE-604 | |
| 776 | 0 | 8 | |i Reproduktion von |a Cho, Han Han |t Double bass |d 2010 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-024661120 | ||
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09048 |g 45 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |
Record in the Search Index
| _version_ | 1804148728478564352 |
|---|---|
| any_adam_object | |
| author | Cho, Han Han |
| author_GND | (DE-588)1020641940 |
| author_facet | Cho, Han Han |
| author_role | aut |
| author_sort | Cho, Han Han |
| author_variant | h h c hh hhc |
| building | Verbundindex |
| bvnumber | BV039800640 |
| ctrlnum | (OCoLC)775085475 (DE-599)BVBBV039800640 |
| edition | [Mikrofiche-Ausg.] |
| era | Geschichte 1900-2000 Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Thesis Microfilm Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02800nam a2200529 c 4500</leader><controlfield tag="001">BV039800640</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20130122 </controlfield><controlfield tag="007">he|uuuuuuuucu</controlfield><controlfield tag="008">120112s2010 g||| bm||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9781124147826</subfield><subfield code="9">9781124147826</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">1124147829</subfield><subfield code="9">1124147829</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)775085475</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV039800640</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cho, Han Han</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1020641940</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Double bass</subfield><subfield code="b">transcribed and contemporary repertoire</subfield><subfield code="c">by Han Han Cho</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">[Mikrofiche-Ausg.]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XV, 110 S.</subfield><subfield code="b">Noten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">h</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">he</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references: Leaf 109-110</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="a">San Diego, Univ. Diss., 2010</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This dissertation examines transcribed and contemporary repertoire in the double bass performance literature. In the first chapter, I focus on how transcription works and can enrich double bass repertoire. For me, the transcriptions are the best vehicle with which to examine virtuosity and creativity along with creative contemporary works for the instrument. In the second chapter, I discuss and analyze works of the Italian composer Franco Donatoni and his non-metric notated solo bass piece, Lem. Lem requires a method of analyzing and absorbing the music that demands a new kind of commitment and interpretive translation. In this chapter, I share my interpretation of various metrical variations, and give practice suggestions for preparing to perform this work. For a double bass player, he/she would endeavor to develop recitals which embrace repertoire of all dimensions</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">Mikroform-Ausgabe</subfield><subfield code="b">Ann Arbor, MI</subfield><subfield code="c">UMI [u.a.]</subfield><subfield code="d">2010</subfield><subfield code="e">2 Mikrofiches : 24x</subfield><subfield code="n">Mikrofiche-Ausg.:</subfield><subfield code="7">s2010</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Donatoni, Franco / 1927-2000 / Lem / no. 1</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Donatoni, Franco</subfield><subfield code="d">1927-2000</subfield><subfield code="t">Lem</subfield><subfield code="0">(DE-588)1029607427</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Double bass music / 20th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Double bass music, Arranged / History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kontrabassmusik</subfield><subfield code="0">(DE-588)4391578-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kontrabassmusik</subfield><subfield code="0">(DE-588)4391578-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Donatoni, Franco</subfield><subfield code="d">1927-2000</subfield><subfield code="t">Lem</subfield><subfield code="0">(DE-588)1029607427</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Reproduktion von</subfield><subfield code="a">Cho, Han Han</subfield><subfield code="t">Double bass</subfield><subfield code="d">2010</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-024661120</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09048</subfield><subfield code="g">45</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV039800640 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:11:45Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024661120 |
| oclc_num | 775085475 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XV, 110 S. Noten |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| record_format | marc |
| spelling | Cho, Han Han Verfasser (DE-588)1020641940 aut Double bass transcribed and contemporary repertoire by Han Han Cho [Mikrofiche-Ausg.] 2010 XV, 110 S. Noten txt rdacontent h rdamedia he rdacarrier Includes bibliographical references: Leaf 109-110 San Diego, Univ. Diss., 2010 This dissertation examines transcribed and contemporary repertoire in the double bass performance literature. In the first chapter, I focus on how transcription works and can enrich double bass repertoire. For me, the transcriptions are the best vehicle with which to examine virtuosity and creativity along with creative contemporary works for the instrument. In the second chapter, I discuss and analyze works of the Italian composer Franco Donatoni and his non-metric notated solo bass piece, Lem. Lem requires a method of analyzing and absorbing the music that demands a new kind of commitment and interpretive translation. In this chapter, I share my interpretation of various metrical variations, and give practice suggestions for preparing to perform this work. For a double bass player, he/she would endeavor to develop recitals which embrace repertoire of all dimensions Mikroform-Ausgabe Ann Arbor, MI UMI [u.a.] 2010 2 Mikrofiches : 24x Mikrofiche-Ausg.: s2010 Donatoni, Franco / 1927-2000 / Lem / no. 1 Donatoni, Franco 1927-2000 Lem (DE-588)1029607427 gnd rswk-swf Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Double bass music / 20th century / History and criticism Double bass music, Arranged / History and criticism Kontrabassmusik (DE-588)4391578-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Kontrabassmusik (DE-588)4391578-4 s Geschichte 1900-2000 z DE-604 Donatoni, Franco 1927-2000 Lem (DE-588)1029607427 u Reproduktion von Cho, Han Han Double bass 2010 |
| spellingShingle | Cho, Han Han Double bass transcribed and contemporary repertoire Donatoni, Franco / 1927-2000 / Lem / no. 1 Donatoni, Franco 1927-2000 Lem (DE-588)1029607427 gnd Double bass music / 20th century / History and criticism Double bass music, Arranged / History and criticism Kontrabassmusik (DE-588)4391578-4 gnd |
| subject_GND | (DE-588)1029607427 (DE-588)4391578-4 (DE-588)4113937-9 |
| title | Double bass transcribed and contemporary repertoire |
| title_auth | Double bass transcribed and contemporary repertoire |
| title_exact_search | Double bass transcribed and contemporary repertoire |
| title_full | Double bass transcribed and contemporary repertoire by Han Han Cho |
| title_fullStr | Double bass transcribed and contemporary repertoire by Han Han Cho |
| title_full_unstemmed | Double bass transcribed and contemporary repertoire by Han Han Cho |
| title_short | Double bass |
| title_sort | double bass transcribed and contemporary repertoire |
| title_sub | transcribed and contemporary repertoire |
| topic | Donatoni, Franco / 1927-2000 / Lem / no. 1 Donatoni, Franco 1927-2000 Lem (DE-588)1029607427 gnd Double bass music / 20th century / History and criticism Double bass music, Arranged / History and criticism Kontrabassmusik (DE-588)4391578-4 gnd |
| topic_facet | Donatoni, Franco / 1927-2000 / Lem / no. 1 Donatoni, Franco 1927-2000 Lem Double bass music / 20th century / History and criticism Double bass music, Arranged / History and criticism Kontrabassmusik Hochschulschrift |
| work_keys_str_mv | AT chohanhan doublebasstranscribedandcontemporaryrepertoire |