Seeing fictions in film: the epistemology of movies
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Oxford [u.a.]
Oxford Univ. Press
2011
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| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Hier auch spätere unveränderte Nachdrucke |
| Physical Description: | VIII, 220 S. Ill. |
| ISBN: | 9780199594894 9780199686780 |
Staff View
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Record in the Search Index
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| adam_text | Seeing Fictions in Film
The Epistemology of Movies
George M Wilson
OXFORD
UNIVERSITY PRESS
Contents
List of Figures vi
Acknowledgments vii
Part I Introductory Chapters
General Introduction 3
1 Narrative and Narration: Some Rudiments 12
Part II Narratives and Narration
2 Le Grand Imagier Steps Out: On the Primitive Basis of Film Narration 29
3 The Imagined Seeing Thesis 52
4 Le Grand Imagier in Review 78
Part III Narrators: In Literature and Film
5 Elusive Narrators in Literature 109
6 Elusive Narrators in Film 126
Part IV Some Strategies of Film Narration: Point of View
7 Transparency and Twist in Narrative Fiction Film 143
8 Transfiguration and Self-Conscious Narration: On Von
Steinberg s Last Films with Dietrich 166
9 Love and Bullshit in Santa Rosa: Pastiche in The Man Wlw Wasn t There 194
Bibliography 215
Index 219
List of Figures
1 The Wicked Witch summons her winged monkeys 5
2 Ana s reflection in the river changes into an image of the monster 37
3 Ming s minion looks on the Space-o-scope 49
4 He sees strange goings-on at the pagan statue 49
5 The murderer meets Elsie Bechmann by a kiosk 58
6 He buys her a balloon as a present 58
7 The balloon is tangled in telephone wires 59
8 Humphrey Bogart in The Big Sleep 64
9 Robert Montgomery in The Lady in the Lake 65
10 Dick Powell in Murder, My Sweet 65
11 Opening of Psycho—the Phoenix skyline 93
12 Opening of Psycho—the hotel room window 93
13 Balthassar wanders among the sheep 133
14 Balthassar lies down beside the sheep to die 133
15 Professor Wanley is dying of poison 157
16 Professor Wanley awakens in his club 158
17 Jack and Tyler Durden at home on Paper Street 160
18 Tyler erupts into Jack s subliminal consciousness 162
19 Lionel Atwill (surrogate for von Stemberg) bursts into the room 175
20 A veiled Catherine contemplates her medal 182
21 Sophia is inspected as she first appears in court 187
22 Peter is strangled in front of a cross 190
23 Freddy Riedenschneider orates in a cone of light 199
24 Ed and Doris at peace at home 207
25 Ed sees a spacecraft hovering above the prison 210
|
| any_adam_object | 1 |
| author | Wilson, George M. |
| author_GND | (DE-588)1041707355 |
| author_facet | Wilson, George M. |
| author_role | aut |
| author_sort | Wilson, George M. |
| author_variant | g m w gm gmw |
| building | Verbundindex |
| bvnumber | BV039762695 |
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| dewey-full | 791.43013 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43013 |
| dewey-search | 791.43013 |
| dewey-sort | 3791.43013 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1. publ. |
| format | Book |
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| isbn | 9780199594894 9780199686780 |
| language | English |
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| spelling | Wilson, George M. Verfasser (DE-588)1041707355 aut Seeing fictions in film the epistemology of movies George M. Wilson 1. publ. Oxford [u.a.] Oxford Univ. Press 2011 VIII, 220 S. Ill. txt rdacontent n rdamedia nc rdacarrier Hier auch spätere unveränderte Nachdrucke Motion pictures / Philosophy Motion pictures / Aesthetics Motion picture audiences Narration (Rhetoric) Film Philosophie Ästhetik Erkenntnistheorie (DE-588)4070914-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Erzähltechnik (DE-588)4124854-5 gnd rswk-swf Wahrnehmung (DE-588)4064317-7 gnd rswk-swf Film (DE-588)4017102-4 s Erkenntnistheorie (DE-588)4070914-0 s DE-604 Erzähltechnik (DE-588)4124854-5 s Wahrnehmung (DE-588)4064317-7 s HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024623847&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Wilson, George M. Seeing fictions in film the epistemology of movies Motion pictures / Philosophy Motion pictures / Aesthetics Motion picture audiences Narration (Rhetoric) Film Philosophie Ästhetik Erkenntnistheorie (DE-588)4070914-0 gnd Film (DE-588)4017102-4 gnd Erzähltechnik (DE-588)4124854-5 gnd Wahrnehmung (DE-588)4064317-7 gnd |
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| title | Seeing fictions in film the epistemology of movies |
| title_auth | Seeing fictions in film the epistemology of movies |
| title_exact_search | Seeing fictions in film the epistemology of movies |
| title_full | Seeing fictions in film the epistemology of movies George M. Wilson |
| title_fullStr | Seeing fictions in film the epistemology of movies George M. Wilson |
| title_full_unstemmed | Seeing fictions in film the epistemology of movies George M. Wilson |
| title_short | Seeing fictions in film |
| title_sort | seeing fictions in film the epistemology of movies |
| title_sub | the epistemology of movies |
| topic | Motion pictures / Philosophy Motion pictures / Aesthetics Motion picture audiences Narration (Rhetoric) Film Philosophie Ästhetik Erkenntnistheorie (DE-588)4070914-0 gnd Film (DE-588)4017102-4 gnd Erzähltechnik (DE-588)4124854-5 gnd Wahrnehmung (DE-588)4064317-7 gnd |
| topic_facet | Motion pictures / Philosophy Motion pictures / Aesthetics Motion picture audiences Narration (Rhetoric) Film Philosophie Ästhetik Erkenntnistheorie Erzähltechnik Wahrnehmung |
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