Music and Space: a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bern [u.a.]
Lang
2011
|
| Schriftenreihe: | Natur, Wissenschaft und die Künste
7 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXIII, 417 S. Ill., graph. Darst., Kt., Notenbeisp. 1 CD (12 cm) |
| ISBN: | 9783034306157 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV039693198 | ||
| 003 | DE-604 | ||
| 005 | 20131212 | ||
| 007 | t | ||
| 008 | 111110s2011 abdg |||| 00||| eng d | ||
| 016 | 7 | |a 1015953999 |2 DE-101 | |
| 020 | |a 9783034306157 |9 978-3-0343-0615-7 | ||
| 035 | |a (OCoLC)774097163 | ||
| 035 | |a (DE-599)DNB1015953999 | ||
| 040 | |a DE-604 |b ger |e rakddb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 |a DE-83 |a DE-12 |a DE-Y7 |a DE-703 |a DE-824 | ||
| 082 | 0 | |a 781.2 | |
| 084 | |a LP 39127 |0 (DE-625)106558: |2 rvk | ||
| 084 | |a LR 57220 |0 (DE-625)109858: |2 rvk | ||
| 084 | |a LR 57600 |0 (DE-625)109876:13528 |2 rvk | ||
| 084 | |a 780 |2 sdnb | ||
| 084 | |a 720 |2 sdnb | ||
| 084 | |a 9,2 |2 ssgn | ||
| 084 | |a 530 |2 sdnb | ||
| 100 | 1 | |a Baumann, Dorothea |d 1946-2022 |e Verfasser |0 (DE-588)109531485 |4 aut | |
| 245 | 1 | 0 | |a Music and Space |b a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah |c Dorothea Baumann |
| 264 | 1 | |a Bern [u.a.] |b Lang |c 2011 | |
| 300 | |a XXIII, 417 S. |b Ill., graph. Darst., Kt., Notenbeisp. |e 1 CD (12 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Natur, Wissenschaft und die Künste |v 7 | |
| 600 | 1 | 7 | |a Händel, Georg Friedrich |d 1685-1759 |t Messiah |0 (DE-588)300065175 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Aufführung |0 (DE-588)4143388-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Raumakustik |0 (DE-588)4048567-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Konzert |g Veranstaltung |0 (DE-588)4317474-7 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Raumakustik |0 (DE-588)4048567-5 |D s |
| 689 | 0 | 1 | |a Konzert |g Veranstaltung |0 (DE-588)4317474-7 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Händel, Georg Friedrich |d 1685-1759 |t Messiah |0 (DE-588)300065175 |D u |
| 689 | 1 | 1 | |a Aufführung |0 (DE-588)4143388-9 |D s |
| 689 | 1 | 2 | |a Raumakustik |0 (DE-588)4048567-5 |D s |
| 689 | 1 | 3 | |a Geschichte |A z |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Händel, Georg Friedrich |d 1685-1759 |t Messiah |0 (DE-588)300065175 |D u |
| 689 | 2 | |5 DE-604 | |
| 830 | 0 | |a Natur, Wissenschaft und die Künste |v 7 |w (DE-604)BV042177844 |9 7 | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024541911&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n DHB | |
| 940 | 1 | |q DHB_JDG_ISBN_1 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-024541911 | ||
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09033 |g 41 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09033 |g 43 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 09033 |g 41 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09033 |g 41 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 09033 |g 43 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09033 |g 43 |
Datensatz im Suchindex
| _version_ | 1804148563339378688 |
|---|---|
| adam_text | Contents
List of figures
.....................................................................................................xi
List of music examples
....................................................................................xvi
List of tables
....................................................................................................xvii
Abbreviations
.................................................................................................xviii
Preface
.............................................................................................................xxi
Part
1 :
Music performance and architectural space:
THEORETICAL AND HISTORICAL FUNDAMENTALS
1.1
Introduction
..................................................................................................3
1.1.1
Room acoustics and related disciplines
...............................................3
1.1.2
Architectural space, room acoustics and music performance
..............6
1.1.3
Music for rooms and rooms for music: two points of view and
three levels of approach
.......................................................................8
1.1.4
Methodology: the study s two parts
.................................................13
1.2
Acoustic knowledge applied to the construction and use of rooms
............19
1.2.1
Acoustic knowledge in ancient Greece and Rome
............................19
1.2.2
Pragmatic room acoustics in the Middle Ages and the Renaissance..
..23
1.2.3
Rediscovery of the ancient theater
....................................................27
1.2.4
Debates on acoustics in the seventeenth century
...............................31
1.2.5
The development of acoustics as a science from the seventeenth
to the twentieth century
.....................................................................33
1.2.6
Acoustic knowledge available to architects since the seventeenth
century
...............................................................................................36
1.2.7
Old and new rooms
............................................................................41
1.2.8
Festival halls
......................................................................................44
1.3
Room acoustics and music: changing relations
..........................................45
1.3.1
The function of the performance site and its significance for
room acoustics
...................................................................................45
1.3.2
Public concerts and the change of performance practice
...................48
1.3.3
New definition of chamber music around
1800
in relation to hall
size
.....................................................................................................51
1.3.4
Architectural space as part of the work s performance
.....................52
1.3.5
Electro-acoustical reproduction of space
...........................................59
1.4
Music and space: conditions for perception
...............................................61
1.4.1
The musician s situation
....................................................................61
1.4.2
The composer s situation: interior and exterior spatiality of
music
................................................................................................64
1.4.3
The listener s situation: aim of perception and perceptual
constancy
...........................................................................................66
1.5
Sound and sensation: physical, physiological and psychological
principles
....................................................................................................69
1.5.1
Sound and sound propagation
...........................................................69
1.5.2
The physiology of hearing and characteristics of auditory
perception
..........................................................................................70
1.5.2.1
The function of the middle ear muscles
................................75
1.5.2.2
Directional hearing
...............................................................77
1.5.2.3
Masking
................................................................................78
1.5.2.4
Temporal aspects: blurring, blending, summation
...............78
1.5.2.5
Summary of physiological sound perception
.......................79
1.5.3 Neuronal
sound processing
................................................................80
1.5.3.1
The auditory pathways
..........................................................80
1.5.3.2
Active perception
..................................................................84
1.5.3.3
Experience and memory
.......................................................86
1.5.3.4
Music and the brain
..............................................................88
1.5.4
Hearing and measuring: perspectives from the psychology of
perception
..........................................................................................89
1.6
Room acoustics: fundamental concepts in physics
.....................................91
1.6.1
Geometrical room acoustics
..............................................................92
1.6.2
Wave theoretical room acoustics
.......................................................98
1.6.3
Reverberation time and absorption
..................................................
W2
1.6.4
Quantification of quality in room acoustics
....................................
Ю6
1.6.5
General acoustic impression and acoustics at a certain place
..........113
1.6.6
Principles for the analysis of a room s acoustic quality
..................118
Seven basic rules
.......................................................................................118
1.7
Spatial impression in sound recording
......................................................121
1.7.1
Technical limits of recording
...........................................................121
1.7.2
Space in sound recording and reproduction
....................................125
1.7.2.1
Artificial head recording
.....................................................125
1.7.2.2
Monoaural
recording
..........................................................126
1.7.2.3
Stereophonic recording
.......................................................127
1.7.2.4
Quadraphonic and multichannel recordings
.......................129
1.7.3
Conclusions
.....................................................................................
^
vi
1.8
Architecture
related quality factors in room acoustics
.............................133
1.8.1
Room proportions; relation of room height to width
.......................134
1.8.1.1
Halls with low ceilings
.......................................................135
1.8.1.2
Festival halls
.......................................................................136
1.8.2
Acoustic similarity of rooms
...........................................................137
1.8.3
Critical volume of space
..................................................................141
1.8.4
Critical room width
.........................................................................142
1.8.5
Architectural quality factors and type of space
...............................146
1.8.5.1
Music rooms and concert halls
...........................................146
1.8.5.2
Theatres
..............................................................................148
1.8.5.3
Churches
.............................................................................154
1.8.6
The number of attendants
................................................................161
1.9
Music related the quality factors in room acoustics
..................................165
1.9.1
Assessment of quality factors
..........................................................165
1.9.2
Types of space
.................................................................................166
1.9.2.1
Music rooms and concert halls
...........................................166
1.9.2.2
Theaters and opera houses
..................................................170
1.9.2.3
Churches
.............................................................................173
1.9.3
Music genres and program types
.....................................................174
1.9.4
Use of space types by period
...........................................................175
1.9.5
Relations between space type, program type and size of the
ensemble (numbers per part)
...........................................................176
1.9.6
Music and space: ideal and reality
...................................................185
1.9.7
Room acoustic quality norms and their practical importance
.........187
Part
2:
Handel s Messiah
2.1
The change of performance practice and room acoustics
.........................193
2.1.1
Handel
s
Messiah: an uninterrupted performance tradition
............193
2.1.2
Important performances
...................................................................194
2.1.3
Aim of research
...............................................................................199
2.1.4
The transformation of performance practice
...................................200
2.1.5
Handel s own performance practice of Messiah and other works...
203
2.2
Handel, the oratorio
volgare,
and
Arcangelo Corelli
................................205
2.2.1
La Resurrezione,
oratorio for Rome
(1708)....................................205
2.2.2
The halls at Palazzo Bonelli
............................................................208
2.2.2.1
The
Salone grande..............................................................
208
2.2.2.2
The Stanzione
delle Accademie..........................................
210
2.2.2.3
Decoration, seating, number of listeners
............................211
vn
2.2.3
Other concerts under Corelli in Rome
.............................................212
2.2.3.1
Scarlatti s oratorio
La Passione
at the Palazzo
della
Cancelleria.........................................................................
212
2.2.3.2
Orchestras size under Corelli
............................................215
2.2.4
Handel s
Resurrezione:
size of the orchestra and hall
.....................216
2.3
The performance practice of the early English oratorio
...........................219
2.3.1
Two forerunners from
1718: Äcis
and Galathea and Esther
...........219
2.3.2
The singers of the Chapel Royal and the
1732
version ofEsther
...220
2.3.3
Further oratorio performances in London
.......................................225
2.3.4
Handel s
1733
oratorio performances in Oxford, the building of
Holywell Music Room in
1748
and the beginning of a Handel
tradition
...........................................................................................226
2.3.5
Handel s oratorio performances in London until
1739...................229
2.4
The oratorio Messiah
................................................................................233
2.4.1
Introductory note
.............................................................................233
2.4.2
The
1741^2
Handel-Season in Dublin
...........................................234
2.4.3
The performance of Messiah
...........................................................236
2.4.4
The first performance: ensemble size and hall size
.........................237
2.5
Handel s performances of Messiah in London
.........................................243
2.5.1
Handel s concerts at the Foundling Hospital
..................................243
2.5.1.1
Messiah at the Foundling Hospital
.....................................244
2.5.1.2
Messiah after Handel s blindness
.......................................245
2.5.1.3
Size of orchestra and room at the Foundling Hospital
.......245
2.5.2
Handel s performances of Messiah at the theater
............................248
2.5.3
Theaters used by Handel
.................................................................249
2.5.3.1
1Ы
King s Theater
опШуткШ
.....................................249
2.5.3.2
The Covent Garden Theater
...............................................252
2.5.4
Documents on the acoustics of the London theaters
.......................256
2.6
The impact of room acoustics on Handel s compositions
........................263
2.6.1
Room acoustics and the process of composition
.............................263
2.6.2
Handel s performances with large ensembles
.................................265
2.6.3
Virtual and actual space in Handel s compositions
.........................267
2.6.3.1
Virtual space
.......................................................................267
2.6.3.2
Exterior acoustic conditions
...............................................270
2.6.4
Space, genre and structure of music
................................................273
2.6.4.1
From chamber duet to oratorio choir
..................................273
2.6.4.2
From oratorio choir to anthem choir
...................................276
2.6.4.3
Limits in music structure for larger space
..........................278
2.6.4.4
Is Handel s Messiah a chamber oratorio ?
.......................279
via
2.6.5
Size of orchestra in relation to the size of architectural space
.........280
2.6.5.1
Size of architectural space
..................................................280
2.6.5.2
Orchestra size and volume of space
....................................282
2.6.5.3
Conclusions
........................................................................284
2.7
The enlargement of the musical ensemble after Handel s death
..............285
2.7.1
The
1784
Handel Commemoration in Westminster Abbey
.............285
2.7.1.1
The acoustic conditions in the main nave of Westminster
....292
2.7.1.2
The reconstruction of the Commemoration in
Washington Cathedral
1984...............................................294
2.7.2
The large choir festivals in England until the
Handel Centennial in
1859..............................................................296
2.7.3
The Handel Centennial m Crystal Palace at Sydenham
.................299
2.7.4
Documents on the acoustics in Crystal Palace
...............................302
2.7.5
Size of the orchestra and the concert halls in nineteenth-century
London
.............................................................................................306
2.7.5.1
Size of the concert halls
......................................................306
2.7.5.2
Seeing and listening
...........................................................310
2.7.5.3
Enlargement of the ensemble and the
Additional Accompaniments
...........................................312
2.7.6
Back to the original size of the ensemble
....................................317
2.8
Sound recordings
......................................................................................319
2.8.1
Some general remarks on recording techniques and musical
analysis
............................................................................................322
2.8.2
Some remarks on ensemble size and sound balance
.......................323
2.8.3
Comparative analyses of sound recordings
.....................................324
2.8.3.1
Series I: Symphony (Grave, Allegro
moderato)
.............324
2.8.3.2
Series II: For behold, darkness shall cover the earth ,
bass recitative
.....................................................................328
2.8.3.3
Series III: Thou shalt break them , aria for tenor
(Andante)
...........................................................................329
2.8.3.4
Series IV: Hallelujah, chorus (Allegro)
..............................332
2.8.3.5
Series V: Lift up your heads , chorus (a tempo ordinario)....333
2.8.3.6
Series VI: chamber duet
Quel
fior
che all alba ride
(Andante larghetto)
and choir His yoke is easy
(Allegro)
............................................................................333
2.8.3.7
Series
VII:
Glory to God , chorus (Allegro)
and Glory from the Coronation Anthem HWV
246
The King Shall Rejoice
...................................................334
ix
Part
3 :
Appendix
3.1
Bibliography
.............................................................................................337
3.1.1
Georg Friedrich
Handel s Messiah: main sources
...........................337
3.1.2
Editions of Handel s works
.............................................................339
3.1.3
Editions of works by other composers
............................................339
3.1.4
General bibliography
.......................................................................340
3.2
Discography
..............................................................................................368
3.3
Tables
........................................................................................................369
Table A: Orchestra size, chronological list
.............................................369
Table B: Oratorios, orchestral and choir compositions,
chronological list of cited examples
........................................377
Table C: Rooms, alphabetical list
...........................................................395
Index
...............................................................................................................403
|
| any_adam_object | 1 |
| author | Baumann, Dorothea 1946-2022 |
| author_GND | (DE-588)109531485 |
| author_facet | Baumann, Dorothea 1946-2022 |
| author_role | aut |
| author_sort | Baumann, Dorothea 1946-2022 |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | BV039693198 |
| classification_rvk | LP 39127 LR 57220 LR 57600 |
| ctrlnum | (OCoLC)774097163 (DE-599)DNB1015953999 |
| dewey-full | 781.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.2 |
| dewey-search | 781.2 |
| dewey-sort | 3781.2 |
| dewey-tens | 780 - Music |
| discipline | Physik Architektur Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02780nam a2200685 cb4500</leader><controlfield tag="001">BV039693198</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20131212 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">111110s2011 abdg |||| 00||| eng d</controlfield><datafield tag="016" ind1="7" ind2=" "><subfield code="a">1015953999</subfield><subfield code="2">DE-101</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783034306157</subfield><subfield code="9">978-3-0343-0615-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)774097163</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DNB1015953999</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakddb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield><subfield code="a">DE-83</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-824</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.2</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 39127</subfield><subfield code="0">(DE-625)106558:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57220</subfield><subfield code="0">(DE-625)109858:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57600</subfield><subfield code="0">(DE-625)109876:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">780</subfield><subfield code="2">sdnb</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">720</subfield><subfield code="2">sdnb</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">530</subfield><subfield code="2">sdnb</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Baumann, Dorothea</subfield><subfield code="d">1946-2022</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)109531485</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music and Space</subfield><subfield code="b">a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah</subfield><subfield code="c">Dorothea Baumann</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bern [u.a.]</subfield><subfield code="b">Lang</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XXIII, 417 S.</subfield><subfield code="b">Ill., graph. Darst., Kt., Notenbeisp.</subfield><subfield code="e">1 CD (12 cm)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Natur, Wissenschaft und die Künste</subfield><subfield code="v">7</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Händel, Georg Friedrich</subfield><subfield code="d">1685-1759</subfield><subfield code="t">Messiah</subfield><subfield code="0">(DE-588)300065175</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Raumakustik</subfield><subfield code="0">(DE-588)4048567-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Konzert</subfield><subfield code="g">Veranstaltung</subfield><subfield code="0">(DE-588)4317474-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Raumakustik</subfield><subfield code="0">(DE-588)4048567-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Konzert</subfield><subfield code="g">Veranstaltung</subfield><subfield code="0">(DE-588)4317474-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Händel, Georg Friedrich</subfield><subfield code="d">1685-1759</subfield><subfield code="t">Messiah</subfield><subfield code="0">(DE-588)300065175</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Aufführung</subfield><subfield code="0">(DE-588)4143388-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Raumakustik</subfield><subfield code="0">(DE-588)4048567-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Händel, Georg Friedrich</subfield><subfield code="d">1685-1759</subfield><subfield code="t">Messiah</subfield><subfield code="0">(DE-588)300065175</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Natur, Wissenschaft und die Künste</subfield><subfield code="v">7</subfield><subfield code="w">(DE-604)BV042177844</subfield><subfield code="9">7</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024541911&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">DHB</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">DHB_JDG_ISBN_1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-024541911</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">41</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">43</subfield></datafield></record></collection> |
| id | DE-604.BV039693198 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:09:07Z |
| institution | BVB |
| isbn | 9783034306157 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024541911 |
| oclc_num | 774097163 |
| open_access_boolean | |
| owner | DE-11 DE-83 DE-12 DE-Y7 DE-703 DE-824 |
| owner_facet | DE-11 DE-83 DE-12 DE-Y7 DE-703 DE-824 |
| physical | XXIII, 417 S. Ill., graph. Darst., Kt., Notenbeisp. 1 CD (12 cm) |
| psigel | DHB_JDG_ISBN_1 |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Lang |
| record_format | marc |
| series | Natur, Wissenschaft und die Künste |
| series2 | Natur, Wissenschaft und die Künste |
| spelling | Baumann, Dorothea 1946-2022 Verfasser (DE-588)109531485 aut Music and Space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah Dorothea Baumann Bern [u.a.] Lang 2011 XXIII, 417 S. Ill., graph. Darst., Kt., Notenbeisp. 1 CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Natur, Wissenschaft und die Künste 7 Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd rswk-swf Geschichte gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Raumakustik (DE-588)4048567-5 gnd rswk-swf Konzert Veranstaltung (DE-588)4317474-7 gnd rswk-swf Raumakustik (DE-588)4048567-5 s Konzert Veranstaltung (DE-588)4317474-7 s DE-604 Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 u Aufführung (DE-588)4143388-9 s Geschichte z Natur, Wissenschaft und die Künste 7 (DE-604)BV042177844 7 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024541911&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Baumann, Dorothea 1946-2022 Music and Space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah Natur, Wissenschaft und die Künste Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd Aufführung (DE-588)4143388-9 gnd Raumakustik (DE-588)4048567-5 gnd Konzert Veranstaltung (DE-588)4317474-7 gnd |
| subject_GND | (DE-588)300065175 (DE-588)4143388-9 (DE-588)4048567-5 (DE-588)4317474-7 |
| title | Music and Space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah |
| title_auth | Music and Space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah |
| title_exact_search | Music and Space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah |
| title_full | Music and Space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah Dorothea Baumann |
| title_fullStr | Music and Space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah Dorothea Baumann |
| title_full_unstemmed | Music and Space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah Dorothea Baumann |
| title_short | Music and Space |
| title_sort | music and space a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of handel s messiah |
| title_sub | a systematic and historical investigation into the impact of architectural acoustics on performance practice followed by a study of Handel's Messiah |
| topic | Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd Aufführung (DE-588)4143388-9 gnd Raumakustik (DE-588)4048567-5 gnd Konzert Veranstaltung (DE-588)4317474-7 gnd |
| topic_facet | Händel, Georg Friedrich 1685-1759 Messiah Aufführung Raumakustik Konzert Veranstaltung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024541911&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV042177844 |
| work_keys_str_mv | AT baumanndorothea musicandspaceasystematicandhistoricalinvestigationintotheimpactofarchitecturalacousticsonperformancepracticefollowedbyastudyofhandelsmessiah |