Holdings: Western music listening today

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Bibliographic Details
Main Author:	Hoffer, Charles R. 1929- (Author)
Format:	Book
Language:	English
Published:	Boston, Mass. Schirmer Cengage Learning 2010
Edition:	4. ed.
Subjects:	Geschichte Music appreciation Musik Führer
Online Access:	Inhaltsverzeichnis
Item Description:	Includes index
Physical Description:	XVIII, 324 S. Ill., Notenbeisp. 28 cm. 2 CDs (12 cm)
ISBN:	9780495571995

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MARC


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adam_text	Contents Preface xv PART í The Nature of Music 1 1 · Music Listening and You 2 Different Types of Music 2 Classical Music: Music for Listening 2 Ordinary Music and Extraordinary Music 3 I Know What I Like 3 Learning to Listen 4 Listening and Studying 7 Connecting the Dots 7 Getting Started with Copland s Hoe-Down from Rodeo 8 LISTENING GUIDE Copland: Hoe-Down from Rodeo 8 Aaron Copland 9 Main Points of This Chapter 9 Features to Listen for 9 2 .Rhythm 10 Beat: The Music s Pulse 10 Meter: The Patterns of Beats 10 The Notation of Rhythm 11 Syncopation 1 2 Tempo: The Speed of Beats 12 Rhythm in Bizet s Farandole / 3 Georges Bizet 13 LISTENING GUIDE Bizet: [-arandole from ĽArlésienne, Suite No. 2 14 Polyrhythm 14 LISTENING GUIDE Africa Music: Mitamba Yalagala Kumchuzi 15 Main Points of This Chapter 16 Features to Listen for 16 3 · Melody and Harmony 17 Pitch: The High and Low of Sounds 17 Melody: Pitches in a Cohesive Series 17 Pitches in Music Notation 18 Features of Melodies 18 LISTENING GUIDE Copland: Simple Gifts 19 What Affects the Impression of a Melody? 20 Counterpoint: Melodies Sounded Together 21 Harmony: Pitches Sounded Together 21 Texture and the Ways Pitches Are Used 22 LISTENING GUIDE Bizet: ľammiok from L Artésienne, Suite No. 2 23 Main Points of This Chapter 24 Features to Listen for 24 4 · Dynamics, Timbre, and Organization 26 Dynamics: The Loud and Soft of Music 26 Timbre: Color in Music 26 Organization: Organized Sounds = Music 28 Form: Planning in Music 28 Genre and Movements 29 Rodrigo s Concierto de Aranjuez 29 Joaquín Rodrigo 29 LISTENING GUIDE Rodrigo: Concierto de Anmjuei Second Movement 30 Main Points of This Chapter 31 Features to Listen tor 32 5 · Orchestral Instruments ЪЪ String Instruments 34 Sound Production 34 Modifying Basic Timbre 35 Regulating Pitch 35 Starting and Stopping Sounds 36 Woodwind Instruments 36 Sound Production 36 Modifying Basic Timbre 37 Regulating Pitch 37 Starting and Stopping Sounds 37 Brass Instruments 38 Sound Production 38 CONTENTS Modifying Sound 39 Regulating Pitch 39 Starting and Stopping Sounds 39 Percussion Instruments 39 Sound Production 40 Moãfying Sound 40 Benjamin Britten 41 Reguhting Pitch 41 Starting and Stopping Sounds 41 Listening for Instruments 41 LISTENING GUIDE Britten: The Young Person s Guide to the Orchestra 42 Main Points of This Chapter 43 Features to Listen for 44 6 · Other Musical Instruments 45 The Voice 45 Sound Production 45 Modifying Basic Timbre 45 Regukting Pitch 45 Starting and Stopping Sounds 45 Types of Voices 46 Rutters Open Thou Mine Eyes 46 John Rutter 46 LISTENING GUIDE Rutter: Open Thou Mine Eyes 47 Wind Band Instruments 47 Traditional Keyboard Instruments 48 Harpsichord 48 Piano 48 Pipe Organ 49 Sound Production 49 Modifying Basic Timbre 50 Regulating Pitch 50 Starting and Stopping Sounds 50 Changing Dynamic Level 50 Popular Instruments 50 Guitar 50 Accordion 51 Electronic Instruments 51 Main Points of This Chapter 53 Features to Listen for 53 Concert Attendance Tips 53 PART и Early, Medieval, and Renaissance Music 56 7 · Early Western Music 58 Ancient Greek and Roman Times 58 The Middle Ages 59 Music in the Middle Ages 60 The Mass and Its Music 60 Gregorian Chant 61 LISTENING GUIDE Anonymous: Dies irae 61 Hildegard s Ordo virtutum 62 LISTENING GUIDE Hildegard of Bingen: Ordo virtutum, excerpt from Scene 4 62 Hildegard of Bingen 63 Main Points of This Chapter 63 Features to Listen for 64 8 · Medieval Music 65 Medieval Times 65 Polyphony 65 Pérotin s Alleluia, Diffusa est gratia 67 LISTENING GUIDE Pérotin: Alleluia, Diffusa est gratia 67 Léonin anâ Pérotin 68 The Motet 68 LISTENING GUIDE Machaut: Motet: Quant en moi 69 Guillame de Machaut 10 Secular Music 70 LISTENING GUIDE Beatrix de Dia: A chantar 70 Music in the Rest of Europe 11 LISTENING GUIDE Anonymous: Estampie 72 Main Points of This Chapter 73 Features to Listen for 73 9 · Renaissance Music 74 The Renaissance Outlook 74 Features and Types of Renaissance Music 76 Josquin Des Prez 16 The Renaissance Mass 77 LISTENING GUIDE Josquin: Kyrie from Pange lingua Mass 77 The Renaissance Motet 78 LISTENING GUIDE Palestrina: Sicut cervus, Part I 79 Palestrina s Sicut cervus 79 Giovanni Pierluigi da Palestrina 80 The Madrigal 80 Weelkes s As Vesta Was from Latmos Hill Descending 81 LISTENING GUIDE Weelkes: As Vesta Was from Latmos Hill Descending 82 Thomas Weelkes 82 Renaissance Instrumental Music 83 Main Points of This Chapter 83 Features to Listen for 83 PART Ш Baroque Music 84 10· The Baroque Period 86 Styles in Music 86 Characteristics of Baroque Style 86 Grandiose Dimensions 86 Love of Drama 87 Religious Intensity 87 Baroque Art 87 Baroque Intellectual Activity 89 Early Baroque Music 89 Music in the Baroque 89 Performance of Baroque Music 91 Characteristics of Baroque Music 91 Homophony 91 Recitative 92 Metrical Rhythm 92 Major/Minor Keys 92 Tonal Center 92 Modulation 92 Doctrine of Affections 93 Handel s The Voice of Him That Crieth in the Wilderness from Messiah 93 LISTENING GUIDE Handel: The Voice of Him That Crieth in the Wilderness from Messiah 93 Features of Baroque Instrumental Music 94 Tuning 94 Terraced Dynamics 94 Continuo 94 Main Points of This Chapter 95 Features to Listen for 95 CONTENTS і і · Oratorio and Cantata 96 Oratorio 96 Handel s Messiah 96 Aria 96 Ev ry Valley Shall Be Exalted from Messiah 97 LISTENING GUIDE Handel: Ev ry Valley Shall Be Exalted from Messiah 98 George Frideric Handel 99 Chorus 99 Hattelujah Criorus from Messiah 100 LISTENING GUIDE Handel-. Hallelujah Chorus from Messiah 100 Chorale 101 Cantata 102 Bach s Cantata No. 140 102 LISTENING GUIDE Bach: Chorale (Section 7) from Cantata No. 140 103 Other Types of Baroque Vocal Music 104 LISTENING GUIDE BACH: Zion Hears the Watchmen (Section 4) from Cantata No. 140 104 Main Points of This Chapter 105 Features to Listen for 105 12· Opera in the Baroque 106 The Elements of Opera 106 Voices and Roles 106 Ensembies 107 The Orchestra 107 The Libretto 107 Staging і 08 Operatic Conventions 108 Claudio Monteverdi І 09 Enjoying Opera 109 Monteverdi s Coronation of Poppea 110 LISTENING GUIDE Monteverdi: Recitative from lhe Coronation of Poppen, Act I, Scene 1 110 PurceU s Dido and Aeneas 111 LISTENING GUIDE Purcell: Dido s Lament from Dido and Aeneas 111 Henry Purcell í 12 Main Points of This Chapter 112 Features to Listen for 112 CONTENTS 13· Baroque Instrumental Music: Suite and Sonata 114 Baroque Instruments 114 Pachelbeľs Canon in D 115 LISTENING GUIDE Pachelbel: Canon in D 115 Johann Pachelbel 116 The Suite 116 Handeľs Hornpipe from Water Music Suite 117 LISTENING GUIDE Handel: Hornpipe from Water Music 117 The Sonata 117 Coreffi s Trio Sonata ¡18 LISTENING GUIDE CorelliiTho Sonata in F, Op. 3, No. 1, Second Movement 118 Arcangelo Carelli 118 LISTENING GUIDE CoRELUiTrio Sonata in F, Op. 3, No. 1, Third Movement 119 Other Baroque Composers 119 Main Points of This Chapter 120 Features to Listen for 120 14· Baroque Instrumental Music: Concerto and Fugue 121 The Concerto Grosso 121 Bach s Brandenburg Concerto No. 5 1 21 LISTENING GUIDE Bach: Brandenburg Concerto No. 5, Third Movement 122 Antonio Vivaldi 123 Vivaldi s Concerto Spring from The Four Seasons і 23 The Fugue 123 LISTENING GUIDE Vivaldi: Spring from The Four Seasons, First Movement 124 Bach s Toccata and Fugue in D Minor 125 Other Keyboard Forms 125 LISTENING GUIDE Bach:Toccata and Fugue in D Minor, BWV 565 126 Johann Sebastian Bach 121 Features of Baroque Music 128 Main Points of This Chapter 128 Features to Listen for 129 PART iv Classical Music 130 15· Classicism and Classical Music 132 Cultural Setting 132 Four Leaders 132 Architecture 133 Phihsaphy 133 Toward Classicism: The Rococo Style 133 Classical Art 134 Characteristics of Classical Music 134 Features to Listen for in Classical Music 135 Melody 135 Homophony 135 Harmony ¡36 Rhythm 136 Dynamic Levels 136 Performance 136 Forms 136 Main Points of This Chapter 136 16· Sonata Form 138 Development in Musical Works 138 Mozart s Symphony No. 40, K. 550 138 Wolfgang Amadeus Mozart 139 The Plan of Sonata Form 139 Exposition 1 39 Development 141 LISTENING GUIDE Mozart: Symphony No. 40, First Movement 142 Recapitulation 143 Other Aspects of Sonata Form 143 Main Points of This Chapter 144 Features to Listen for 144 17· The Concerto 145 The Solo Concerto 145 Mozart s Violin Concerto No. 5, K. 219 145 LISTENING GUIDE Mozart:Violin Concerto No. 5, First Movement 146 The Second Movement of Concertos 147 Rondo Form 147 Haydn s Trumpet Concerto 148 LISTENING GUIDE Haydn: Concerto for Trumpet in Е -flat, Third Movement 148 Franz Joseph Haydn 149 Main Points of This Chapter 150 Features to Listen for 1 51 18· Classical Opera 152 The Development of Opera 152 Mozart s Operas 152 Mozart s Don Giovanni 152 CONTENTS χι LISTENING GUIDE Mozart: Don Giovarmi, excerpt from Act II, Scene 5 154 Main Points of This Chapter 157 Features to Listen for 158 19· Chamber Music 159 The Nature of Chamber Music 159 Listening to Chamber Music 159 Chamber Music in the Classical Period 160 The Sonata 160 The String Quartet 161 Haydn s String Quartet, Op. 76, No. 3 ( Emperor ) 161 Other Types of Chamber Music Groups 161 LISTENING GUIDE Haydn: String Quartet in С Major, Op. 76, No. 3, Emperor, Third Movement 162 Mozart s Clarinet Quintet 162 LISTENING GUIDE Mozart: Clarinet Quintet in A Major, Fourth Movement 163 Main Points of This Chapter 165 Features to Listen for 165 20· Piano Sonatas 166 The Sonata 166 The Piano 166 Mozart s Piano Sonata No. 11 167 LISTENING GUIDE Mozart: Piano Sonata No. 11 in A Major, K. 331, Third Movement, Rondo alla Turca 167 Beethoven s Piano Sonata No. 21 ( Waldstein ) 168 First Movement 168 LISTENING GUIDE Beethoven: Piano Sonata No. 21, Op. 53, Waldstein, First Movement 169 Ludwig van Beethoven 170 Second Movement ¡71 Third Movement 111 Main Points of This Chapter 17 2 Features to Listen for 172 21 · The Symphony and Beethoven 173 The Symphony 173 Beethoven s Symphony No. 5 173 First Movement ¡74 LISTENING GUIDE Beethoven: Symphony No. 5 in С Minor, First Movement 1 75 Second Movement 176 LISTENING GUIDE Beethoven: Symphony No. 5 in С Minor, Second Movement 177 Third Movement ¡78 Fourth Movement í 78 LISTENING GUIDE Beethoven: Symphony No. 5 in С Minor, Third Movement 179 LISTENING GUIDE Beethoven: Symphony No. 5 in С Minor, Fourth Movement 180 Appreciating Beethoven s Music 181 Features of Classical Music 182 Main Points of This Chapter 182 Features to Listen for 182 PARTV Romantic Music 184 22· Romance and Romanticism 186 Characteristics of Romanticism 186 Romantic Art 189 The Split Personality of Romanticism 189 Main Points of This Chapter 191 Features to Listen for 191 23· Early Romantic Music 192 The Art Song 192 Schubert s Der Erlkönig 193 LISTENING GUIDE Schubert: Der Erlkönig 194 Franz Schubert 195 Mendelssohn s Elijah 195 Solo and Chamber Music 196 LISTENING GUIDE Mendelssohn: Elijah 196 Felix Mendelssohn & Fanny Mendelssohn Hensel 198 Where Are the Women Composers? 199 Main Points of This Chapter 199 Features to Listen for 200 24· Romantic Piano Music 201 Character Pieces 201 Chopin s Nocturne in D-flat 202 LISTENING GUIDE Chopin: Nocturne in D-flat Major, Op. 27, No. 2 202 Frédéric Chopin 203 Virtuoso Music 204 Liszt s La CampanelL· 204 LISTENING GUIDE Liszt: La Campanella 205 Niccolo Paganini & Franz Liszt 206 Clara Schumann s Scherzo, Op. 10 207 xii τ CONTENTS LISTENING GUIDE Schumann: Scherzo, Op. 10 in D Minor 207 Robert Schumann & Clara Wieck Schumann 208 Main Points of This Chapter 208 Features to Listen for 209 25· Program and Ballet Music 210 N ature of Program Music 210 Types of Program Music 210 Concert Overture 210 Incidental Music 211 Tone Poem 211 Program Symphony 211 Berlioz s Symphonie Fantastique 211 Hector Berlioz 214 LISTENING GUIDE Berlioz: Symphonie fantastique, Op. 14, Fifth Movement 215 Richard Strauss 215 Ballet and Ballet Music 216 Tchaikovsky s Nutcracker 216 The Development of Ballet 217 LISTENING GUIDE Tchaikovsky: Waltz of the Flowers from The Nutcracker 218 Piotr Ilich Tchaikovsky 219 Main Points of This Chapter 219 Features to Listen for 220 26· Romantic Opera 221 The Italian Style 221 Verdi s Rigoletto 221 Puccini s La bohème 221 LISTENING GUIDE Vérdi: La donna è mobile from Rigoletto 222 Giuseppe Verdi & Giacomo Puccini 223 LISTENING GUIDE Puccini: La Bohème, excerpt from Act I 224 The French Style 228 The German Style 229 Wagner s Music Dramas 229 Wagner s Götterdämmerung 230 LISTENING GUIDE Wagner: Immolation scene from Götterdämmerung 231 Richard Wagner 233 Main Points of This Chapter 233 Features to Listen for 234 27· Late Romantic Music 235 Brahms s Symphony No. 4 235 First Movement 235 LISTENING GUIDE Brahms: Symphony No. 4 in E Minor, First Movement 236 Second, Third, and Fourth Movements 238 Johannes Brahms 238 Dvorak s American String Quartet in F Major 239 Antonín Dvorak 239 LISTENING GUIDE Dvořák: American Quartet, First Movement 240 First Movement 241 Second, Third, and Fourth Movements 241 Tchaikovsky s Symphony No. 4 241 LISTENING GUIDE Tchaikovsky: Symphony No. 4 in F Minor, Op. 36, Fourth Movement 241 Main Points of This Chapter 242 Features to Listen for 243 28· Nationalism 244 Characteristics of Nationalism 244 The Russian Five 244 Mussorgsky s Boris Godunov 245 LISTENING GUIDE Mussorgsky: Coronation scene from Boris Godunov 246 Modest Mussorgsky 248 Bohemia 248 Smetana s Moldau 249 LISTENING GUIDE Smetana: The Moldau from Má vlast 249 Bedřich Smetana 250 Other Nationalistic Composers 250 Norway 250 Finbnd 250 Enghnd 251 Italy 251 Spam 251 France 251 United States 251 Main Points of This Chapter 251 Features to Listen for 252 Features of Romantic Music 253 PART VI Twentieth-Century Music 254 29 · Impressionism and Post- Romanticism 256 Characteristics of Impressionism 256 Debussy s Clair de lune 258 LISTENING GUIDE Debussy: Clair de lune 258 Ravel s Daphnis and Chloé, Suite No. 2 259 LISTENING GUIDE Ravel: Daphnis and Oiloè, Suite No. 2, Lever du jour ( Daybreak ) 259 Debussy, Ravel, & Rachmaninoff 260 Post-Romanticism 261 Rachmaninoff s Rhapsody on a Theme of Paganini 261 LISTENING GUIDE Rachmaninoff: Rhapsody on a Theme of Paganini 262 Main Points of This Chapter 262 Features to Listen for 263 30· Music in the Twentieth Century 264 The Tremendous and Tumultuous Century 264 Twentieth-Century Art 265 Describing Twentieth-Century Music 266 What to Listen for in Twentieth-Century Music 267 Rhythm 266 Melody 267 Harmorry and Counterpoint 267 Dissonance 268 Timbre 268 Form 268 Sources 268 Main Points of This Chapter 269 31 · The Mainstream 270 Bartók s Concerto for Orchestra 270 First, Second, and Third Movements 270 Fourth Movement 271 LISTENING GUIDE Bartók: Concerto for Orchestra, Fourth Movement 271 Béla Bartók 212 Fifth Movement 272 Heitor Villa-Lobos: Bachianas Brasileiras 272 LISTENING GUIDE Villa-Lobos: Aria from Bachianas Brasileiras No. 5 273 Heitor Villa-Lobos 274 Britten s War Requiem 274 CONTENTS LISTENING GUIDE Britten: Dies irae from War Requiem, excerpt from beginning 275 Benjamin Britten 276 Other Mainstream Composers 277 Russia 277 Enghnd 277 France 277 Lili and Nadia Boulanger 277 Latin America 278 Main Points of This Chapter 278 Features to Listen for 278 32· Expressionism and Primitivism 280 Expressionism 280 Berg s Wozzeck 281 LISTENING GUIDE Berg: Wozzeck, Act III, Scene 2 282 Alban Berg 284 Primitivism 284 Stravinsky s The Rite of Spring 285 LISTENING GUIDE Stravinsky: Hie Rite of Spring, excerpts from Act I 286 Igor Stravinsky 287 What Is Beautiful? What Is Fascinating? 288 Main Points of This Chapter 288 Features to Listen for 289 33· Neoclassicism and Tone Row Music 290 Neoclassical Style 290 Neoclassicism in Music 290 Prokofiev s Classical ЅутрЊпу 291 Sergei Prokofiev 291 First Movement 292 LISTENING GUIDE Prokofiev: Classical Symphony, Op. 25, First Movement 292 Second Movement 293 Third Movement 293 Fourth Movement 293 Hindemith s Kleine Kammermusik 293 Paul Hindemith 293 LISTENING GUIDE Hindemith: Kleine Kammermusik für Fünf Bläser, Op. 24, No. 2, Fifth Movement 294 Other Neoclassical Works 295 Tone Row Music 295 xiv Τ CONTENTS Schoenberg s Variations for Orchestra 295 Arnold Schoenberg 296 LISTENING GUIDE Schoenberg: Variations for Orchestra excerpt 297 Serialism: Beyond Tone Rows 297 Webern s Five Pieces for Orchestra 298 LISTENING GUIDE Webern: Five Pieces for Orchestra, Op. 10 Third Piece 298 Anton Webern 299 Main Points of This Chapter 300 Features to Listen for 300 34· New Sounds and New Techniques 301 Extensions of Serialism 301 Chance Music 301 Electronic Music 302 Varèse s Poème électronique 304 LISTENING GUIDE Várese: Poème électronique, beginning 304 Edgard Varèse 305 Eclecticism 305 Crumb s Night of the Four Moons 305 George Crumb 306 LISTENING GUIDE Crumb: The moon is dead, dead . . . from Night of the Vom Moons 306 Features of Twentieth-Century Music 307 Coda: The Twenty-First Century 308 Main Points of This Chapter 308 Features to Listen for 309 Glossary 310 Listening Guides Indexed by Composer 316 Index of Composer Biographies 317 Index Зі 8 Performers List 323
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title_full	Western music listening today Charles Hoffer
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