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Jazz: the first 100 years

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Bibliographic Details
Main Authors:	Martin, Henry (Author), Waters, Keith (Author)
Format:	Book
Language:	English
Published:	Boston, Mass. Cengage Learning 2012
Edition:	3. ed.
Subjects:	Geschichte Jazz > History and criticism > Textbooks Jazz
Online Access:	Inhaltsverzeichnis
Item Description:	Includes bibliographical references (p. 391-394), discography (p. 395-401), and index
Physical Description:	XXIV, 419 S. Ill., Notenbeisp. CD (12 cm)
ISBN:	9781439083338 1439083339 1424069319

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MARC


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adam_text	Intro Brief Contents Listening Guide CD Tracks Inside front cover Preface xix About the Authors xxiv Jazz Basics 3 Roots 23 Early Jazz 57 Morton, Bechet, Armstrong, and Beiderbecke 83 1 920s Jazz in Hew York and Europe 103 The Swing Era 131 Swing-Era Bands and Stylists 163 The Bebop Era 191 The 1950s and New Jazz Substyles 223 I The 1960s Avant-Garde 259 Mainstream Jazz; Into the 1960s 285 ¡Jazz-Rock, Jazz-Funk Fusion 321 Jazz Since the 1980s 345 Notes 376 Glossary 382 Selected Readings 391 Selected Discography 395 Selected Jazz DVDs and Videos 398 Index 402 G Audio Primer CD Tracks Inside back cover lim îiSïSII Éäjff pii mm Contents Listening Guide CD Tracks Inside front cover Preface xix About the Authors xxiv Jazz Basics Hearing Form in Jazz 4 The 32-Bar AABA Song Form 5 The aab Blues Form 8 More on Rhythm 10 More on Melody 10 More on Harmony 12 Timbre and Texture 14 Dynamics and Articulation 14 Jazz Instruments 15 Wind Instruments 15 String Instruments 16 Percussion Instruments 16 The Piano 17 More on the Blues 17 The Blues Scale 18 Jazz Performance Terms 18 Ways of Listening to Jazz 19 m Insider s Guide to ... The Blues Scale Key Terms 20 19 Contents Chapter 1 Roots 23 African American Music in the Nineteenth Century 23 Sources of Musical Diversity 24 The Preservation of African Traditions 25 LISTENING GUIDE: Kasuan Kura 28 CD 1, Tracki LISTENING GUIDE: Daniel 29 CD 1, Track 2 European Music in the Nineteenth Century 29 Instrumentation, Form, and Harmony 29 Written Versus Head Arrangements 31 Early African American Music 31 The Character of Early African American Music 31 Christianity, the Ring Shout, Spirituals, and Work Songs 33 LISTENING GUIDE: Dere s No Hidin Place Down Dere 34 CD 1, Track 3 Blue Notes and Syncopation 35 Minstrelsy 36 Ragtime 38 Scott Joplin 40 LISTENING GUIDE: Maple Leaf Rag (excerpt) 41 CD 1, Track 4 James Scott 43 Joseph Lamb 43 Artie Matthews 43 Ragtime s Relationship to Jazz 44 LISTENING GUIDE Maple Leaf Rag 45 CD 1, Track 5 The Blues 46 W. С Handy 47 Blues Form 48 Pioneers of the Delta Blues 49 LISTENING GUIDE: Love in Vain 50 CD 1, Track 6 Bessie Smith 51 LISTENING GUIDE: Backwater Blues 52 CD 1, Track 7 Characteristics of Early Jazz Singing 53 Boogie-Woogie and Other Forms of the Blues 53 Exam Review Questions 54 Key Terms 54 Contents Chapter 2 Early Jazz 57 The Shift from Ragtime to Jazz 57 New Orleans 60 How Did Jazz Arise in New Orleans? 62 Buddy Bolden 63 The Evolution of the Jazz Band 64 Early Jazz Instruments and Their Players 65 Cornet 65 m Insider s Guide to ... Early Jazz Performance Terms 65 Trombone 66 Clarinet 66 Bass/Tuba 67 Guitar/Banjo 67 Drums 67 Piano 68 The Exodus from New Orleans 68 The Migration North 70 The Roaring Twenties 71 The Chicago Jazz Scene in the Late 1910s and Early 1920s 72 The Advent of Jazz Recording 72 The ODJB and the First Jazz Recording 73 LISTENING GUIDE: Tiger Rag 75 CD 1, Track 8 King Oliver and the Creole Jazz Band 77 LISTENING GUIDE: Dippermouth Blues 78 CD 1, Track 9 The Evolution of Improvisation 80 Exam Review Questions 81 Key Terms 81 Chapter 3 Morton, Bechet, Armstrong, and Beiderbecke 83 Jelly Roll Morton 83 Sidney Bechet 86 J Contents LISTENING GUIDE: Grandpa s Spells 87 CD 1, Track 10 Louis Armstrong 89 Armstrong s Classic Style 90 Armstrong in the Later 1920s 90 LISTENING GUIDE: Cake Walking Babies (from Home) 91 CD 1, Track 11 LISTENING GUIDE: West End Blues 94 CD 1, Track 12 The Chicagoans and Віх Beiderbecke 96 LISTENING GUIDE: Singin the Blues 99 CD 1, Track 13 Exam Review Questions 101 Key Terms 101 Chapter 4 1 920s Jazz in New York and Europe 103 Tin Pan Alley 106 The Harlem Renaissance 106 Harlem Stride Piano 108 Eubie Blake 109 James R Johnson 109 LISTENING GUIDE: Carolina Shout 111 CD 1, Track 14 Fats Waller 112 ArtTatum 113 LISTENING GUIDE: Tiger Rag 115 CD 1, Track 15 Paul Whiteman and George Gershwin 116 Beginnings of the Big Bands 117 Fletcher Henderson 118 Duke Ellington s Early Career 120 LISTENING GUIDE: East St. Louis Toodle-Oo 123 CD 1, Track 16 Jazz in Europe 124 LISTENING GUIDE: Tiger Rag 128 CD 1, Track 17 Exam Review Questions 129 KeyTerms 129 Contents Chapter 5 The Swing Era 131 Social Upheavals in the 1930s 131 A Decade of Swing 133 The Big Band in the Swing Era 135 Instrumentation, Technique, and Arrangement 135 m Insider s Guide to ... Big-Band Terms 136 LISTENING GUIDE: Down South Camp Meeting 137 CD 1, Track 18 The Changing Role of the Rhythm Section 139 Territory Bands 140 The Original Blue Devils 141 Kansas City 142 Mary Lou Williams and The Clouds of Joy 142 Count Basie 143 LISTENING GUIDE: Mary s Idea 144 CD 1, Track 19 ■ Insider s Guide to ... Jazz Performance Terms 146 LISTENING GUIDE: Every Tub 147 CD 1, Track 20 Benny Goodman: King of Swing 150 Goodman s Later Career 153 LISTENING GUIDE: Down South Camp Meeting 153 CD 1, Track 21 Ellington After the Cotton Club 154 Building on the Band 155 Changes for the Better 156 The 1940s 158 LISTENING GUIDE: Ko-Ko 158 CD 1, Track 22 Exam Review Questions 160 Key Terms 161 Chapter 6 Swing-Era Bands and Stylists 163 Influential Big Bands of the Swing Era 163 CabCalloway 163 Jimmie Lunceford 165 Contents Chick Webb 165 The Casa Loma Orchestra 166 McKinney s Cotton Pickers 166 Tommy and Jimmy Dorsey 167 Glenn Miller 167 Artie Shaw 168 Louis Armstrong and His Orchestra 168 LISTENING GUIDE: Swing That Music 169 CD 1, Track 23 Technique and Technology: Trombone Technique 170 World War II andTherAll-Girl Bands 171 LISTENING GUIDE: Vi Vigor 172 CD 1, Track 24 Swing-Era Stylists 173 Benny Goodman 173 LISTENING GUIDE: Down South Camp Meeting 174 CD 1, Track 21 Coleman Hawkins 175 Lester Young 176 LISTENING GUIDE: Body and Soul 177 CD 1, Track 25 LISTENING GUIDE: Every Tub 178 CD 1, Track 20 Roy Eldridge 180 JackTeagarden 180 EarlHines 180 Teddy Wilson 181 Jimmy Blanton 182 Jo Jones 183 Gene Krupa 183 Charlie Christian 183 LISTENING GUIDE: Swing to Bop (Topsy) 184 CD 1, Track 26 Benny Carter 186 Billie Holiday 187 LISTENING GUIDE: Body and Soul 188 CD 1, Track 27 Summary of the Features of Swing 189 Exam Review Questions 189 Key Terms 189 Contents кш Chapter 7 The Bebop Era 191 The War Years and the 1940s 192 Revolution Versus Evolution 192 Characteristics of the Bebop Style 194 v Insider s Guide to ... A Contrafact: Dizzy GillespieVGroovi^High 195 The Historical Origins of Bebop 196 The Early Forties: Jamming at Minton s and Monroe s 196 Big Bands in the Early 1940s 197 Bebop Moves to Fifty-second Street 198 The Architects of Bebop 199 Charlie Parker 199 LISTENING GUIDE: Salt Peanuts 201 CD 1, Track 28 LISTENING GUIDE: Ko Ko 203 CD 2, Tracki Dizzy Gillespie 207 Latin Jazz 208 LISTENING GUIDE: Manteca 209 CD 2,Track 2 Bud Powell 210 LISTENING GUIDE: Tempus Fugit 211 CD 2, Track З TheloniousMonk 213 Technique and Technology: Monk and Metric Displacement 214 LISTENING GUIDE: Four in One 215 CD 2, Track 4 Other Bebop Artists 217 J.J.Johnson 217 Fats Navarro 217 Dexter Gordon 217 Вор -Style Big Bands of the Late 1940s 219 Woody Herman 219 ClaudeThomhill 219 Exam Review Questions 220 Key Terms 221 Contents The 1950s and New Jazz Substyles 223 Jazz and the New Substyles 224 Technique and Technology: Technological Advances in the 1 950s 226 Cool Stylists 227 Miles Davis and Birth of the Cool 227 LISTENING GUIDE: Jeru 228 CD 2, Track 5 Gerry Mulligan and Chet Baker 229 The Modern Jazz Quartet 230 LISTENING GUIDE: Versailles (Porte de Versailles) 231 CD 2, Track 6 Dave Brubeck 233 LISTENING GUIDE: Blue Rondo à la Turk 234 CD 2, Track 7 Stan Getz 236 LISTENING GUIDE: The Girl from Ipanema 237 CD 2, Track 8 Lennie Tristano 238 Jazz on the West Coast 239 Third-Stream Music 240 Piano Stylists 241 Hard Bop and Funky/Soul Jazz 243 Art Blakey and the Jazz Messengers 243 LISTENING GUIDE: Moanin (excerpt) 244 CD 2, Track 9 Horace Silver 245 Clifford Brown-Max Roach Quintet 246 Sonny Rollins 247 LISTENING GUIDE: Powell s Prances 247 CD 2, Track 10 Charles Mingus 249 LISTENING GUIDE: Hora Decubitus 250 CD 2, Track 11 Miles Davis in the 1950s 252 s Insider s Guide to ... What Is Modal Jazz? 254 LISTENING GUIDE: So What (excerpt) 255 CD 2, Track 12 Exam Review Questions 257 Key Terms 257 Contents Chapter 9 The 1960s Avant-Garde 259 Omette Coleman and Free Jazz 261 LISTENING GUIDE: Street Woman 264 CD 2, Track 13 John Coltrane 265 Overview of Coltrane s Career 265 Early Years 266 Hard Bop with Miles Davis 266 Coltrane s Classic Quartet 268 LISTENING GUIDE: Acknowledgement 270 CD 2, Track 14 Coltrane and the Avant-Garde 271 EricDolphy 272 Avant-Garde Jazz and Black Activism 273 Archie Shepp 274 ■ Issues of Race: Voices of Discontent 274 Albert Ayler 275 LISTENING GUIDE: Ghosts: First Variation (excerpt) 276 CD 2, Track 15 Black Activism and the Avant-Garde Today 277 Cecil Taylor 277 Sun Ra 279 Chicago: AACM, the Art Ensemble of Chicago, and Anthony Braxton 280 Black Artists Group and the World Saxophone Quartet 281 Exam Review Questions 282 Key Terms 283 Chapter 10 Mainstream Jazz: Into the 1 960s 285 Vocalists in the 1950s and 1960s 285 Ella Fitzgerald 286 Sarah Vaughan 287 LISTENING GUIDE: Take the A Train 287 CD 2, Track 16 Cool Singing in the 1950s: The Big Band Legacy 289 Contents JoeWilliams 289 Vocalese: Eddie Jefferson and Lambert, Hendricks, and Ross 289 LISTENING GUIDE: Lullaby of Birdland 290 CD 2, Track 17 Frank Sinatra 292 The Big Bands Persevere 292 Count Basie and The New Testament Band 293 LISTENING GUIDE: Corner Pocket 293 CD 2, Track 18 Duke Ellington After 1950 295 LISTENING GUIDE: Sunset and the Mockingbird 296 CD 3, Tracki Thad Jones-Mel Lewis Big Band 298 Miles Davis in the 1960s 298 LISTENING GUIDE: ESP. 301 CD 3, Track 2 Pianists 302 Bill Evans 302 LISTENING GUIDE: Autumn Leaves (excerpt) 304 CD 3, Track 3 Herbie Hancock 306 Chick Corea 307 Keith Jarren and ECM Records 308 LISTENING GUIDE: TheWindup 309 CD 3, Track 4 Funky/Soul Jazz 311 Cannonball Adderley 312 The Blues in Funky/Soul Jazz 312 Jimmy Smith and Jazz Organists 312 LISTENING GUIDE: Mercy, Mercy, Mercy 313 CD 3, Track 5 Guitarists 315 LISTENING GUIDE: James and Wes (excerpt) 315 CD 3, Track 6 The Hard Bop Legacy in the 1960s 316 Blue Note Records 316 Lee Morgan and Freddie Hubbard 317 Wayne Shorter 317 Joe Henderson 318 Other Blue Note Artists 318 Exam Review Questions 318 Key Terms 319 Contents Chapter 11 Jazz-Rock, Jazz-Funk Fusion 321 Elements of Jazz-Rock and Jazz-Funk Fusion 321 The Synthesizer 322 The Role of the Electric Guitar 323 The Character of Seventies Fusion 323 The Appeal of Rock and Funk 324 The Fusion Music of Miles Davis 326 LISTENING GUIDE: It s About That Time/In a Silent Way (excerpt) 326 CD 3, Track 7 Other Fusion Pioneers 329 Lifetime 330 Mahavishnu Orchestra 330 Herbie Hancock and Heodhunters 331 LISTENING GUIDE: Phenomenon: Compulsion 332 CD 3, Track 8 Chick Corea and Return to Forever 334 Weather Report 336 LISTENING GUIDE: Birdland 338 CD 3, Track 9 Pat Metheny 340 Other Fusion Bands: The Brecker Brothers and Steps 341 Exam Review Questions 342 Key Terms 343 Chapter 12 Jazz Since the 1980s 345 Classicism and the Jazz Repertory Movement 347 Complete Jazz-Recording Reissues 347 Jazz Pedagogy 348 Jazz Repertory 349 Wynton Marsalis 350 LISTENING GUIDE: Express Crossing 351 CD 3, Track 10 The Blakey Alumni 353 Big Bands 356 Contents LISTENING GUIDE: Hang Gliding (excerpt) 358 CD 3, Track 11 The Popular Connection 359 Digital Technology 360 Smooth Jazz 360 LISTENING GUIDE: Softly, As in a Morning Sunrise 360 CD 3, Track! 2 Acid Jazz and Hip Hop 362 The Mass Market: Radio and the Internet 362 Neo-Swing 363 The Avant-Garde, World Music, Crossover, and Jazz to Come 363 Jazz and Feminism 363 Jazz Abroad 364 Latin Jazz: The Afro-Cuban Tradition, The Caribbean, and Salsa 365 LISTENING GUIDE: Guataca City (To David Amram) 365 CD 3, Track 13 Crossover, Postmodernism, and World Music 367 LISTENING GUIDE: Salt Peanuts 370 CD 3, Track 14 Directions for Crossover Jazz 371 LISTENING GUIDE: Far West (excerpt) 372 CD 3, Track 15 LISTENING GUIDE: Solitude 373 CD 3, Track 16 The Future of Jazz 374 Exam Review Questions 375 Key Terms 375 Notes 376 Glossary 382 Selected Readings 391 Selected Discography 395 Selected Jazz DVDs and Videos 398 Index 402 1 Audio Primer CD Tracks Inside back cover
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spelling	Martin, Henry Verfasser aut Jazz the first 100 years Henry Martin, Keith Waters 3. ed. Boston, Mass. Cengage Learning 2012 XXIV, 419 S. Ill., Notenbeisp. CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 391-394), discography (p. 395-401), and index Geschichte gnd rswk-swf Jazz History and criticism Textbooks Jazz (DE-588)4028532-7 gnd rswk-swf Jazz (DE-588)4028532-7 s Geschichte z DE-604 Waters, Keith Verfasser aut Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024472841&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Martin, Henry Waters, Keith Jazz the first 100 years Jazz History and criticism Textbooks Jazz (DE-588)4028532-7 gnd
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title	Jazz the first 100 years
title_auth	Jazz the first 100 years
title_exact_search	Jazz the first 100 years
title_full	Jazz the first 100 years Henry Martin, Keith Waters
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title_full_unstemmed	Jazz the first 100 years Henry Martin, Keith Waters
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