The Wiley-Blackwell history of American film: 2 1929 to 1945
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Malden
Wiley-Blackwell
2012
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XXI, 567 S. Ill. |
| ISBN: | 9781405179843 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
OF VOLUME
II
1929
to
19Д5
Fuli
table of contents
vii
Preface
xiii
Acknowledgments
xvi
Contributors to Volume II
xvii
Part I Setting the Stage
1
Introduction to Volume II: American Film,
1929
to
1945 3
22
Era of the Moguls: The Studio System
23
Matthew H. Bernstein
Part II
1929-1938 55
23
Re-visioning Frank
Capra
57
Vito
Zagarrio
24
As Close to Real Life As Hollywood Ever Gets : Headline Pictures,
Topical Movies, Editorial Cinema, and Studio Realism in the
1930s 76
Richard Maltby
25
Early American
Avant-Garde
Cinema
112
Jan-Christopher Horak
26 1930s
Documentary and Visual Culture
133
Pauh Rabinowitz
27
Hollywood and Spanish-Speaking Audiences
156
Lisajarvinen
28
Let Em Have It : The Ironic Fate of the
1930s
Hollywood Gangster
179
Ruth Vasey
29
Landscapes of Fantasy, Gardens of Deceit: The Adventure
Film Between Colonialism and Tourism
202
Hans
Jürgen Wulff
vi
Contents
of Volume II
30
The Screwball Comedy
226
William Rothman
31
Cinema and the Modern Woman
247
Veronica Pravadelli
32
Queering the (New) Deal
269
David M. Lugowski
Part III
1939-1945 297
33
The Hollywood A-Production Western
299
Kevin L. Stoehr
34
There s No Place Like Home: The Hollywood Folk Musical
318
Desirée J.
Garcia
35
The Magician: Orson Welles and Film Style
339
James
Naremore
36
Classical
Cel
Animation, World War II, and
Bambi
358
Kirsten
Moana Thompson
37
Friz Freleng s Jazz: Animation and Music at Warner Bros.
379
Krin Gabbard
38
Mapping Why We Fight: Frank
Capra
and the US Army
Orientation Film in World War II
397
Charles Wolfe
39
A Victory Uneasy with Its Contrasts : The Hollywood
Left Fights World War II
417
Saverio Giovacchini
40
Hollywood Unions and Hollywood Blacklists
445
Larry Ceplair
Part IV Film and Culture: Summary Essays
465
41
Hollywood as Historian,
1929-1945 467
J. E. Smyth
42
Taking Stock at War s End: Gender, Genre, and Hollywood Labor
in The Strange Love of Martha
Ivers
495
Roy Grundmann
Index
530
A tremendous double achievement: both a definitive collation of American
cinema s history and a presentation of the personal perspectives of the top
scholars working productively on that history. A research must-have!
Dana
Polan,
New York University
The editors have assembled a rich collection that provides authoritative,
scholarly coverage of the key industrial, social, and aesthetic elements of
American film history.
Brian Neve, University of Bath
The Wiley-Blackwell History of American Film is the first multi-volume reference
of its kind, assembling the work of a diverse group of scholars who interrogate
the entirety of American cinema. Unabashedly ambitious, deeply historical, and
unprecedented in its multi-faceted examination of film history, this is the most
striking and authoritative collection of fresh investigations available in one state-
of-the-art resource.
These volumes offer essays on a number of specialized topics that, taken as a
whole, represent a comprehensive and nuanced overview of American
fílm
history
from the intersecting perspectives of industry, audiences, aesthetics, culture,
politics, issues, and ideology.
The contributions investigate: the industrial and institutional component of
fílm,
including studio production, distribution, and marketing; larger political,
social, and economic factors, such as the Great Depression and World War II that
informed industrial change and framed the reception of films; and individual
artists, writers, directors, producers, and stars.
Volume II:
1929
to
1945
Volume Two examines the golden age of the studio era when Hollywood
responded to tumultuous events such as the Great Depression and World War II.
These are the years of classic genre production with the musical, animated
feature, western, screwball comedy, and gangster films defining American
attitudes about gender, sexuality, ethnicity, and the role of the state at mid-
century. This volume also looks beyond the Hollywood studios to the work of the
early American avant-garde and documentary filmmakers.
Online edition available on Wiley Online Library at www.historyofamericanfilm.com
Cover image: Clark Gable and lean Hariow, Red Dust.
1932-
Photo: Pictorial Press Ltd
,
Aiamy
Cover design: www.simonlevyassodates.co.uk
ISBN
978-1-4051-7984-3
WILEY-BLACKWELL
www. wilcy.com
wifcy-blackwełl
|
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| title | The Wiley-Blackwell history of American film |
| title_auth | The Wiley-Blackwell history of American film |
| title_exact_search | The Wiley-Blackwell history of American film |
| title_full | The Wiley-Blackwell history of American film 2 1929 to 1945 edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_fullStr | The Wiley-Blackwell history of American film 2 1929 to 1945 edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_full_unstemmed | The Wiley-Blackwell history of American film 2 1929 to 1945 edited by Cynthia Lucia, Roy Grundmann, and Art Simon |
| title_short | The Wiley-Blackwell history of American film |
| title_sort | the wiley blackwell history of american film 1929 to 1945 |
| topic | Film (DE-588)4017102-4 gnd |
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