Holdings: The Oxford handbook of the new cultural history of music

The Oxford handbook of the new cultural history of music:

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Bibliographic Details
Other Authors:	Fulcher, Jane F. 1950- (Editor)
Format:	Book
Language:	English
Published:	Oxford [u.a.] Oxford Univ. Press 2011
Subjects:	Geschichte Musik Musicology Music > Philosophy and aesthetics
Online Access:	Inhaltsverzeichnis
Physical Description:	XVII, 586 S. Ill., Kt., Notenbeisp.
ISBN:	9780195341867

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Record in the Search Index

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adam_text	Titel: The Oxford handbook of the new cultural history of music Autor: Fulcher, Jane F. Jahr: 2011 Contents Contributors, xiii Introduction: Defining the New Cultural History of Music, Its Origins, Methodologies, and Lines of Inquiry, 3 Jane F. Fulcher PART I: Cultural Identity and Its Expression: Constructions, Representations, and Exchanges Constructions or Representations of the Body, Gender, Sexuality, and Race 1. Gender, Performativity, and Allusion in Medieval Services for the Consecration of Virgins, 17 James Borders 2. Music, Violence, and the Stakes of Listening, 39 Richard Leppert 3. Music and Pain, 68 Andreas Dorschel Subjectivity and the Shaping of the Self in Society 4. The Road into the Open : From Narrative Closure to the Endless Performance of Subjectivity in Mahler and Freud at the Turn of the Century, 80 John E. Toews 5. Understanding Schoenberg as Christ, 117 Julie Brown 6. The Strange Landscape of Middles, 163 Michael Beckerman Nationalism, Cosmopolitanism, and Transnationalism 7. The Genre of National Opera in a European Comparative Perspective, 182 Philipp Ther 8. Cosmopolitan, National, and Regional Identities in Eighteenth- Century European Musical Life, 209 William Weber 9. Mendelssohn on the Road: Music, Travel, and the Anglo-German Symbiosis, 228 Celia Applegate Elite and Popular Cultural Exchanges 10. Shooting the Keys : Musical Horseplay and High Culture, 245 Charles Hiroshi Garrett 11. Yvette Guilbert and the Revaluation of the Chanson populate and Chanson ancienne during the Third Republic, 1889-1914, 264 Jacqueline Waeber 12. Remembrance of Jazz Past: Sidney Bechet in France, 307 Andy Fry Part II: Cultural Experience: Practices, Appropriations, And Evaluations Urban, Aural, and Print Culture 13. An Evening at the Opera in Seventeenth-Century Venice, 335 Edward Muir 14. Josquin des Prez, Renaissance Historiography, and the Cultures of Print, 354 Kate van Orden 15. From the Voice of the Marichal to Musique Concrete: Pierre Schaeffer and the Case for Cultural History, 381 Jane F. Fulcher Symbols, Icons, and Sites of Collective Memory or Ritual 16. A Matter of Style: State Sacrificial Music and Cultural-Political Discourse in Southern Song China (1127-1279), 403 Joseph S. C. Lam 17- Ernani Hats: Italian Opera as a Repertoire of Political Symbols during the Risorgimento, 428 Carlotta Sorba 18. Modalities of National Identity: Sibelius Builds a First Symphony, 452 James Hepokoski Politics, Aesthetics, and Transmission 19. Beethoven, Napoleon, and Political Romanticism, 484 Leon Plantinga 20. Translating Herder Translating: Cultural Translation and the Making of Modernity, 501 Philip V. Bohlman 21. The Eye of the Needle: Music as History after the Age of Recording, 523 Leon Botstein Afterword: Whose Culture? Whose History? Whose Music?, 550 Michael P. Steinberg Index, 563
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callnumber-first	M - Music
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discipline	Soziologie Geschichte Musikwissenschaft
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title	The Oxford handbook of the new cultural history of music
title_alt	New cultural history of music
title_auth	The Oxford handbook of the new cultural history of music
title_exact_search	The Oxford handbook of the new cultural history of music
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title_full_unstemmed	The Oxford handbook of the new cultural history of music ed. by Jane F. Fulcher
title_short	The Oxford handbook of the new cultural history of music
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