Verfügbarkeit: An introduction to nineteenth century art

An introduction to nineteenth century art: artists and the challenge of modernity

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Bibliographische Detailangaben
1. Verfasser:	Facos, Michelle (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Abingdon, Oxon [England] Routledge 2011
Ausgabe:	1. ed., 1. publ.
Schlagworte:	Geschichte 1800-1900 Geschichte Art, Modern > 19th century Art and society > History > 19th century Kunst Gesellschaft
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes bibliographical references and index
Beschreibung:	XXVII, 435 S. zahlr. Ill.
ISBN:	0415780705 0415780721 9780415780704 9780415780728

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Datensatz im Suchindex

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adam_text	An Introduction to Nineteenth-Century Art MICHELLE FACOS O Routledge g^^ Taylor & Francis Group NEW YORK AND LONDON Contents Chapter 1: A Time of Transition Ust of Figures ........................................................................................................................ χ Acknowledgments ...............................................................................................................xxvi Introduction ............................................................................................................................. 1 В Social Critique ......................................................................................................... 6 Moral Reform .........................................................................................................8 Monarch as Model ...............................................................................................11 Era of Change ......................................................................................................13 Age of Discovery .................................................................................................14 Grand Tour ...........................................................................................................16 Antiquity Becomes Fashionable ........................................................................19 Neoclassical Style .................................................................................................23 Calm Grandeur in Dante ....................................................................................25 Conclusion ............................................................................................................26 Neoclassicism in Britain ......................................................................................28 Neoclassicism Becomes Popular .......................................................................33 The Elgin Marbles ...............................................................................................35 Homer Illustrations .............................................................................................35 Political Instability in France ..............................................................................37 D Angiviller s Reform Program .........................................................................38 Roman Virtue .......................................................................................................38 Neoclassical Eroticism ........................................................................................44 Neoclassical Sculpture .........................................................................................46 Neoclassicism in Denmark and the German States .......................................48 Conclusion ............................................................................................................51 Legitimizing Contemporary History .................................................................52 Painting of Contemporary History in France .................................................55 Political Instability ................................................................................................55 New Hero fora New Republic ..........................................................................56 Equestrian Portraits: Rulers on Horseback ......................................................58 Neoclassicism Made Ridiculous .........................................................................62 Legitimizing Bonaparte .......................................................................................63 Transgrcssive History Painting ..........................................................................66 Representing Republican Values ........................................................................69 Establishing Museums .........................................................................................74 Conclusion ............................................................................................................76 Origins and Characteristics .................................................................................78 Burke s Sublime ....................................................................................................78 Blake and the Imagination ..................................................................................82 Nature Mysticism .................................................................................................85 Goya: Ambiguity and Modernism .....................................................................87 Abnormal Mental States .....................................................................................93 Sculpture ................................................................................................................96 Escape to the National Past: England ..............................................................98 Medievalism in France: Troubadour Style ......................................................100 Medievalism in the German States ..................................................................103 The Nazarenes ....................................................................................................106 Conclusion ..........................................................................................................109 New Attitudes Toward Nature .........................................................................110 Academic Landscape Tradition ........................................................................112 Nature and the Sublime .................................................................................... 114 The Picturesque ..................................................................................................116 Turner: From Convention to Innovation .......................................................118 Constable: Conservative Nostalgia ..................................................................121 Naturalism and Tourism ...................................................................................124 Friedrich: Patriotism and Spirituality ...............................................................128 Feminization of Nature ....................................................................................131 Hudson River School ........................................................................................133 American West ....................................................................................................137 Conclusion ..........................................................................................................138 янЯншнЯниммшІнйЕнЇУщяяммімннЬнйййшіїївняшнНІІІІІНІНННІННВІІІВимі Documenting Distant Lands and Peoples .....................................................141 Colonial Citizens ................................................................................................144 Picturing Slavery .................................................................................................146 Native Americans: Ideal or Foe? .....................................................................150 Orientalism Emerges .........................................................................................154 Orient Imagined .................................................................................................156 Delacroix s Orientalism .....................................................................................158 Orientalist Sculpture ..........................................................................................162 International Exhibitions ..................................................................................164 Conclusion ..........................................................................................................165 Modernism, Urbanization, Instability .............................................................166 Bourgeois Morality and the Separation of Spheres ......................................170 Biedermeier and the Emergence of Middle-class Culture ..........................171 Biedermeier Portraiture .....................................................................................175 Biedermeier Cityscapes ..................................................................................... 177 Biedermeier Peasant Painting ...........................................................................178 Biedermeier Landscape .....................................................................................178 Biedermeier History Painting ...........................................................................180 Golden Age in Denmark ..................................................................................181 Biedermeier in Russia ........................................................................................182 Mid-Century America ........................................................................................183 Victorian Painting ..............................................................................................185 Pre-Raphaelite Brotherhood ............................................................................185 Municipal Art Associations ..............................................................................192 Conclusion ..........................................................................................................193 Invention of Photography ............................................................................194 Documenting Current Events .........................................................................197 Social Reform .....................................................................................................201 Photography and Science ..................................................................................203 Portraiture ...........................................................................................................204 Landscape ............................................................................................................207 Travel ....................................................................................................................209 Photography as a Fine Art ................................................................................210 Pictorialism and New Technologies ................................................................216 Conclusion ..........................................................................................................217 Contrasting Responses to 1848........................................................................219 Urban Migration .................................................................................................222 Social Unrest .......................................................................................................224 Alcoholism ..........................................................................................................225 Female Suicide ....................................................................................................227 Middle-class Working Women .........................................................................230 Poor Working Women .......................................................................................232 Prostitution .........................................................................................................235 Documenting Work ...........................................................................................239 Idealized Labor ...................................................................................................240 Oppressed Workers ...........................................................................................243 Reforming the Poor ...........................................................................................244 Conclusion ..........................................................................................................246 Peasant Identity ..................................................................................................248 Peasant Imagery Before 1848...........................................................................249 Courbeťs Burial: More than Just a Funeral ....................................................250 Academically Acceptable Peasant Images ......................................................251 Powerful Peasants: Heroic or Threatening? ...................................................254 Pitiable Peasants .................................................................................................258 Idealized Peasants ..............................................................................................261 Grim Realities .....................................................................................................265 Conclusion ..........................................................................................................271 in tbe Academy The Importance <>t Titles .................................................................................273 History Fainting and Autobiography: Courbet .............................................276 The Situation of Women Artists .....................................................................279 Salon of 1863 and Salon des Refuses .............................................................280 Salon of 1865 .....................................................................................................286 Sculpture and Politics ........................................................................................290 Foreign Artists in Pans ......................................................................................293 Art Academies in Austria and the Cierman States ........................................294 Menzel and Academic Realism ........................................................................300 World s Fairs ........................................................................................................302 Conclusion ..........................................................................................................304 Truth ....................................................................................................................306 Haussmannization ..............................................................................................306 New Pans ............................................................................................................308 l /ànei/rs and Boiilerardiers....................................................................................310 I Experimentation .................................................................................................311 Old Paris ..............................................................................................................313 Bourgeois Leisure ..............................................................................................314 Cafe Society .........................................................................................................317 Suburban Industry .............................................................................................319 Suburban Leisure ...............................................................................................320 Natural and Acquired Identities ......................................................................323 Ciare Saint Lazare ...............................................................................................324 Seaside Resorts ...................................................................................................326 Beaches, Bathing, and Hygiene ........................................................................329 Cezanne and Postimpressionism .....................................................................333 The Macchiaioli ..................................................................................................336 Conclusion ..........................................................................................................337 Symbolist Precursors .........................................................................................340 Animate Nature ..................................................................................................344 Music ....................................................................................................................346 Music and Genius ..............................................................................................346 Rodin: Abstract Ideas in Human Form ..........................................................348 Pessimistic Withdrawal ......................................................................................352 Women: Angels or Whores? .............................................................................355 Imagination Out of Control ............................................................................356 Virgin Mothers ...................................................................................................357 Social Pessimism ................................................................................................358 Memory and Degeneration ..............................................................................360 Gauguin: Seeking but Never Finding ..............................................................362 Van Gogh: Iixpressing Nature .........................................................................365 Genius and Creativity ........................................................................................367 Bevond the Five Senses .....................................................................................369 Conclusion ..........................................................................................................370 Artists Colonies .................................................................................................372 Pont Aven ............................................................................................................372 Worpswede..........................................................................................................376 Skagen ..................................................................................................................378 Artist Organizations ..........................................................................................380 Society of Independent Artists ........................................................................381 TheNabis ............................................................................................................381 Rose + Croix .......................................................................................................385 Les XX .................................................................................................................385 National Identity ................................................................................................387 France: Monet s Cathedrals ..............................................................................388 Russia ...................................................................................................................390 Serbia ....................................................................................................................393 Poland ..................................................................................................................394 Finland .................................................................................................................397 Hungary ...............................................................................................................399 Conclusion ..........................................................................................................401 Epilogue: Looking Toward the Twentieth Century ...............................................................403 Glossary ..............................................................................................................................404 Bibliography ........................................................................................................................406 Index ..................................................................................................................................411
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discipline	Kunstgeschichte
edition	1. ed., 1. publ.
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spelling	Facos, Michelle Verfasser (DE-588)136485731 aut An introduction to nineteenth century art artists and the challenge of modernity Michelle Facos Introduction to 19th century art Artists and the challenge of modernity 1. ed., 1. publ. Abingdon, Oxon [England] Routledge 2011 XXVII, 435 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Geschichte Art, Modern 19th century Art and society History 19th century Kunst (DE-588)4114333-4 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Kunst (DE-588)4114333-4 s Gesellschaft (DE-588)4020588-5 s Geschichte 1800-1900 z DE-604 Erscheint auch als Online-Ausgabe 978-0-203-83307-0 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024386794&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Facos, Michelle An introduction to nineteenth century art artists and the challenge of modernity Geschichte Art, Modern 19th century Art and society History 19th century Kunst (DE-588)4114333-4 gnd Gesellschaft (DE-588)4020588-5 gnd
subject_GND	(DE-588)4114333-4 (DE-588)4020588-5
title	An introduction to nineteenth century art artists and the challenge of modernity
title_alt	Introduction to 19th century art Artists and the challenge of modernity
title_auth	An introduction to nineteenth century art artists and the challenge of modernity
title_exact_search	An introduction to nineteenth century art artists and the challenge of modernity
title_full	An introduction to nineteenth century art artists and the challenge of modernity Michelle Facos
title_fullStr	An introduction to nineteenth century art artists and the challenge of modernity Michelle Facos
title_full_unstemmed	An introduction to nineteenth century art artists and the challenge of modernity Michelle Facos
title_short	An introduction to nineteenth century art
title_sort	an introduction to nineteenth century art artists and the challenge of modernity
title_sub	artists and the challenge of modernity
topic	Geschichte Art, Modern 19th century Art and society History 19th century Kunst (DE-588)4114333-4 gnd Gesellschaft (DE-588)4020588-5 gnd
topic_facet	Geschichte Art, Modern 19th century Art and society History 19th century Kunst Gesellschaft
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024386794&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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