Arts: a science matter
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Jersey [u.a.]
World Scientific
2011
|
| Schriftenreihe: | Science matters series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVIII, 396 S. Ill. 24 cm |
Internformat
MARC
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| 490 | 0 | |a Science matters series | |
| 500 | |a Includes bibliographical references and index | ||
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Datensatz im Suchindex
| _version_ | 1804148322007515136 |
|---|---|
| adam_text | Science
Matters Series
ARTS
A SCIENCE MATTER
Maria Burguete
Scientific Research Institute
Bento da Rocha Cabral,
Portugal
Lui Lam
San Jose
State
University,
USA
Editors
World
Scientific
NEW JERSEY
·
LONDON
·
SINGAPORE
·
BEIJING
·
SHANGHAI
·
HONG KONG
·
TAIPEI
·
CHENNAI
Contents
Summary
Preface v
1
Arts: A Science Matter
1
L. Lam
PART I PHILOSOPHY AND HISTORY OF ARTS
33
2
The Latin
Artes
and the Origin of Modern Arts
35
B.
Hoppe
3
Science and Art: A Philosophical Perspective
69
G.-S. Wu
4
Neuroarthistory: Reuniting Ancient Traditions in a New
Scientific Approach to the Understanding of Art
78
J. Onians
5
Science and Art in China
99
B. Liu
6
The Development of Science Theater
120
/.
Schneider
PARTII
ARTS IN ACTION
149
7
Silence in Art
151
С
Leiria
vu
viii Contents
Summary
8 Linsen
s
Art
169
L. H.
Ngai
9
From Curiosity to Creation: The Art of Holly Lane
180
H. Lane
10
Making Movies and Making Physics
204
H. Tsui and L. Lam
11
A Journey along the Borderland: A Critical Approach to
Artificial Intelligence-Based Art and Literary Practices
222
/.
Zhu and D.
F. Harreil
12
ChemArt and BioArt: Art-Science Interactions
247
M. Burguete
PART III UNDERSTANDING ARTS
265
13
On the Origin of Literary Narrative and
Its Relation to Adaptation
267
P. C.
Bogan
14
Emotion, Cognition and Aesthetic Form in Vishal
Bhardwaj s Omkara and Shakespeare s Othello
293
L
P. Hogan
15
Tanbi Novels and Fujoshi: A New Romance for
Young Chinese Women
317
T.-T. Wang
16
Objects in Art and Science
333
N.
Saniti
17
Su Dong-Po s
Bamboo and Cezanne s Apple
348
L. Lam and L.-M. Qiu
Acknowledgments
371
Contributors
373
Index
381
Contents
Preface
1
Arts: A Science Matter
Lui Lam
1.1
Introduction
1
1.2
Science and Science Matters
2
1.2.1
What Is Science?
2
1.2.2
Three Misconceptions about Science
3
1.2.3
Science Matters
5
1.3
Humans
5
1.4
Origin of Arts
8
1.5
Nature of Arts
12
1.5.1
Applied Arts
12
1.5.2
Pure Arts
12
1.6
Arts as a Science Matter
19
1.6.1
Three Lessons from Physics
19
1.6.2
Arts Studies in Three Approaches
20
1.7
Arts and Science
22
1.8
Discussion and Conclusion
25
References
29
IX
Contents
PART I PHILOSOPHY AND HISTORY OF ARTS
2
The Latin
■Artes
and the Origin of Modern Arts
35
Brigitte Hoppe
2.1
Introduction
36
2.2
Meaning and Etymology of the Word Art
37
2.3
Artes —
Fields of Knowledge
38
2.3.1
Liberales Artes
as Basis of Education
39
2.3.2
The Mechanical Arts —
Artes Mechanicae
40
2.4
Relationship between the Systems of
Artes
and Arts
42
2.5
A New Type of Artifact Collection: The Cabinet of
Curiosities
( 1
4th to
1
8th Centuries)
43
2.6
The System of
Artes
as a Principle of
Classification of the Cabinets of Curiosities
45
2.7
The
Artes
Concept Approved and Acquired by
Artists and Craftsmen
48
2.8
Scientific Motifs in the Fine Arts
49
2.9
Turning Points in Arts and Sciences in
Modern Times
56
2.9.1
Turning Point Following the Enlightenment
Philosophy
56
2.9.2
Turning Point Based on Technical and
Industrial Development, and Accompanied
by Social and Political Changes
61
2.10
Summary
64
References
65
3
Science and Art: A Philosophical Perspective
69
Guo-Sheng Wu
3.1
Introduction
69
3.2
Origin of Science
69
3.3
Origin of Art
72
Contents xi
3.4
Freedom as the Common Nature of
Science and Art
76
References
77
4
Neuroarthistory: Reuniting Ancient Traditions in a New
Scientific Approach to the Understanding of Art
78
John Onions
4.1
Introduction
78
4.1.1
A Long Tradition
78
4.1.2
Humanists Who Convert to Science
79
4.2
From Art History to Neuroarthistory
81
4.2.1
From Art History to World Art Studies
81
4.2.2
From the Conscious to the Unconscious
83
4.2.3
Advantages of a Scientific Approach
84
4.3
Neuroscientific Tools: Neural Plasticity and
Neural Mirroring
85
4.4
Neuroarthistory and Its Applications:
Selected Examples
87
4.4.1
Neuroscience
Applied to History:
Prehistoric Art
87
4.4.2
Neuroscience
Applied to Geography:
Japan and Europe
90
4.4.3
Neuroscience
Applied to Geography:
Athens and Rome
93
4.4.4
Neuroscience
Applied: China and Europe
93
4.5
Conclusion
96
References
97
5
Science and Art in China
99
Bing
Liu
5.1
Introduction
99
5.2
The Concept and Early History
100
5.3
The New Rising: Important Symposiums and
Exhibitions
102
xii
Contents
5.3.1
Symposiums Organized by Tsung-Dao Lee
(Since
1987) 102
5.3.2
International Conferences and Exhibitions
Organized by Tsinghua University
(2001
and
2006) 105
5.3.3
The Science, Art (Aesthetics) and
Innovation Forum
( 2007 ) 106
5.3.4
The Shanghai International Science and
Art Exhibition
(
Since
2004 ) 107
5.3.5
The Beijing International Conference on
Science and Arts
(2010) 108
5.4
Publications on Science and Art
110
5.4.1
Books
110
5.4.2
Journals
113
5.4.3
Research Papers
114
5.5
Problems in Developing Science and Art in China
115
Appendix
5.1:
Science-and-Art Theses in China
117
References
118
6
The Development of Science Theater
120
Ivo
Schneider
6.1
What Is Science Theater?
120
6.2
Science Theater Plays Staged Around
2000
in
New York and London
121
6.3
Science Theater in German Speaking Countries
125
6.3.1 Brecht
s
Life of Galileo
128
6.3.2 Dürrenmatt
s
The Physicists
129
6.3.3
Kipphardťs
In the Matter of
J. Robert
Oppenheimer 131
6.3.4
Differences Concerning the Situation of
Theaters in Germany and in Other
Countries
132
6.4
The Most Successful Plays in the Last Decade:
Copenhagen and Infinities
133
6.4.1
Frayn s Copenhagen
134
Contents xiii
6.4.2
Barrow and Ranconi
s
Infinities
137
6.5
France as an Example
142
6.6
Science Theater Plays Authored by Scientists and
Historians of Science
144
6.7
Conclusion
147
References
148
PART II
7
Silence in Art
151
Cristina Leiria
7.1
Introduction
151
7.2
Development of Sculpture Work
152
7.3
Creative Stages
157
7.4
Conclusion
168
8
Linsen s Art
169
Linsen
H. Ngai
8.1
My Background
169
8.2
Early Period
169
8.3
Later Period
170
8.4
Conclusion
178
9
From Curiosity to Creation: The Art of Holly Lane
180
Holly Lane
9.1
Introduction
180
9.2
Science and Ait
181
9.3
Origins of Art
183
9.3.1
Archeological Evidence of Art
184
9.3.2
Tool Use and Aesthetic Awareness
185
9.4
Definitions of Art
187
9.4.1
Philosophical Definitions of Art
187
xiv Contents
9.4.2 Art
as a Cluster Concept
189
9.5
On Thinking about Art
191
9.6
The Art of Holly Lane
192
9.7
Conclusion
201
References
202
10
Making Movies and Making Physics
204
Hark Tsui and
Lui Lam
10.1
Introduction
204
10.2
Our Background
205
10.3
What Are Movies? What Is Physics?
211
10.4
Picking a Project
212
10.5
Executing the Project
215
10.6
Creativity and Innovation
218
10.7
The Joy of Making Movies and Making Physics
219
10.8
Conclusion
220
References
221
11
A Journey along the Borderland: A Critical Approach
to Artificial Intelligence-Based Art and Literary
Practices
222
Jichen Zhu and D. Fox Harrell
11.1
Introduction
222
11.2
Integrating the Two Cultures
224
11.2.1
Duchamp-Land and Turing-Land
225
11.2.2
The Borderland of Critical Computing
227
11.3
Artificial Intelligence, Cognitive Science and
Stream of Consciousness
229
11.3.1
Stream of Consciousness Literature and
Artificial Intelligence
230
11.3.2
Stream of Consciousness Literature and
Cognitive Linguistics
232
11.3.3
Benefits and Challenges
232
11.4
Memory, Reverie Machine
234
Contents xv
11.4.1
Literary Antecedents
235
11.4.2
Conceptual Blending and the
GRIOT
System
236
11.4.3
Framework for Memory, Reverie
Machine
238
11.5
Conclusion
242
References
243
12
ChemArt and BioArt: Art-Science Interactions
247
Maria Burguete
12.1
Introduction
248
12.2
Science and Art
251
12.3
ChemArt: A Case Study
251
12.3.1
Artistic Science
252
12.3.2
Scientific Art
254
12.4
BioArt
256
12.5
Fractal Geometry: The Paradigm Shift in
Art and Science
259
12.6
Discussion and Conclusion
262
References
264
PART III UNDERSTANDING ARTS
13
On the Origin of Literary Narrative and
Its Relation to Adaptation
267
Patrick Colm Hogan
13.1
On Literature and Adaptation
267
13.1.1
Principles of Evolutionary Explanation
268
13.1.2
Evolution and Complex Practices
271
13.2
Literary Narrative and Strict Adaptation:
What Makes a Story
275
13.2.1
Literary
Universais
275
13.2.2
Imagination and Literature
276
xvi
Contents
13.2.3
Literature and Emotion
278
13.2.4
Explaining Aversive Imagination
279
13.2.5
Explaining Literary Emotion
280
13.2.6
Literary Narrative Beyond Imagination
:
Explaining Discourse
282
13.3
Literary Narrative and Ancillary Adaptation
283
13.4
Productivity and Eudaimonia: On the Obsession
with Literary Adaptation
286
13.5
Conclusion
290
References
291
14
Emotion, Cognition and Aesthetic Form in Vishal
Bhardwaj s
Отката
and Shakespeare s Othello
293
Lalita P. Hogan
14.1
Reading Love and Anger
294
14.1.1
Imagination and Emotion
294
14.1.2
Matital Infidelity and Manly Anger:
Varying Norms
295
14.1.3
How Reading Is Influenced by
Private Stories
296
14.2
Laws of Emotion, Appraisal and Imagination
299
14.2.1
Relation between Appraisal and
Laws of Emotion
299
14.2.2
Basics of Appraisal and Early Modern
Theory of Humors
301
14.3
Othello and Omkara: The Main Storyline
302
14.3.1
Маке
-Believe Reality and Emotion in
Othello and Omkara
303
14.3.2
Metaphor, and Appraisal of Women
as Objects
303
14.4
The Law of Situational Meaning: The Foul Thief
in Othello and Omkara
304
14.4.1
Romantic Love as a Figure for
Democracy
305
Contents xvii
14.4.2
Appraising Love as Possession and Its
Loss as Theft
305
14.4.3
Malevolence: Stealing the Gift of Love
308
14.5
Appraisal and the Law of Apparent Reality
309
14.5.1
Theft and Its Imagined Appraisal in
Othello and Omkara
309
14.5.2
Discourse of Slander, Appraisal,
and Emotion
310
14.5.3
Discursive Circulation: The Stolen Gift
of Love
311
14.6
The Law of Closure: Putting out the Light
313
References
315
15
Tanbi Novels and Fujoshi: A New Romance for
Young Chinese Women
317
Ting-Ting Wang
15.1
Introduction
317
15.2
History of Tanbi Subculture in Japan
319
15.3
Two Types of Tanbi Stories and the Binary
Opposition of Seme and Uke
321
15.4
Texts about Gays as a Global Fashion
323
15.5
New Young Women in China and Their Desire
325
15.6
Fatherly Love in the New Romance
327
15.7
Tanbi Novels in China: Writing and Publishing
329
15.8
Conclusion
331
References
332
16
Objects in Art and Science
333
Nigel
Saniti
16.1
Introdution
333
16.2
Mimesis in Science
334
16.3
Time and Language
338
16.4
Science Questions
339
16.5
Science and Truth
343
xviii Contents
16.6 Science Networks 344
16.7 Science and Human
Nature
346
References
347
17
Su
Dong-Po s
Bamboo and Paul Cezanne s Apple
348
Lui
Lam and Li-Meng Qiu
17.1
Introduction
348
17.2
Su
Dong-Po and His Bamboo
350
17.2.1
Su s Life and Career
350
17.2.2
Su s Art View
352
17.2.3
Su s Bamboo Painting
354
17.3
Paul
Cézanne
and His Apple
355
17.3.1
Cezanne s Life and Career
355
17.3.2
Cezanne s Art View
358
17.3.3
Cezanne s Apple Painting
360
17.4
Neurological Basis of Their Artworks
362
17.5
Discussion and Conclusion
363
Appendix
17.1:
Dong-Po Pork
364
References
368
Acknowledgments
371
Contributors
373
Index
381
|
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| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024368504 |
| oclc_num | 743515488 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | XVIII, 396 S. Ill. 24 cm |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | World Scientific |
| record_format | marc |
| series2 | Science matters series |
| spelling | Arts a science matter Maria Burguete, Lui Lam, ed. New Jersey [u.a.] World Scientific 2011 XVIII, 396 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Science matters series Includes bibliographical references and index Science and the arts Interdisciplinary approach to knowledge Wissenschaft (DE-588)4066562-8 gnd rswk-swf Künste (DE-588)4033422-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Künste (DE-588)4033422-3 s Wissenschaft (DE-588)4066562-8 s Ästhetik (DE-588)4000626-8 s DE-604 Burguete, Maria edt Lam, Lui 1944- (DE-588)128642734 edt KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024368504&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Arts a science matter Science and the arts Interdisciplinary approach to knowledge Wissenschaft (DE-588)4066562-8 gnd Künste (DE-588)4033422-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4066562-8 (DE-588)4033422-3 (DE-588)4000626-8 (DE-588)4143413-4 |
| title | Arts a science matter |
| title_auth | Arts a science matter |
| title_exact_search | Arts a science matter |
| title_full | Arts a science matter Maria Burguete, Lui Lam, ed. |
| title_fullStr | Arts a science matter Maria Burguete, Lui Lam, ed. |
| title_full_unstemmed | Arts a science matter Maria Burguete, Lui Lam, ed. |
| title_short | Arts |
| title_sort | arts a science matter |
| title_sub | a science matter |
| topic | Science and the arts Interdisciplinary approach to knowledge Wissenschaft (DE-588)4066562-8 gnd Künste (DE-588)4033422-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Science and the arts Interdisciplinary approach to knowledge Wissenschaft Künste Ästhetik Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024368504&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT burguetemaria artsasciencematter AT lamlui artsasciencematter |