The digital filmmaking handbook:
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| Main Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Boston, Mass.
Course Technology Cengage Learning
2012
|
| Edition: | 4. ed. |
| Subjects: | |
| Online Access: | Klappentext Inhaltsverzeichnis |
| Item Description: | Includes index. |
| Physical Description: | XXIV, 497 S. zahlr. Ill., graph. Darst. |
| ISBN: | 9781435459113 1435459113 |
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MARC
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| 020 | |a 1435459113 |9 1-4354-5911-3 | ||
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| 100 | 1 | |a Schenk, Sonja |d 1937- |e Verfasser |0 (DE-588)124467431 |4 aut | |
| 245 | 1 | 0 | |a The digital filmmaking handbook |c Sonja Schenk ; Ben Long |
| 250 | |a 4. ed. | ||
| 264 | 1 | |a Boston, Mass. |b Course Technology Cengage Learning |c 2012 | |
| 300 | |a XXIV, 497 S. |b zahlr. Ill., graph. Darst. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes index. | ||
| 650 | 4 | |a Datenverarbeitung | |
| 650 | 4 | |a Digital cinematography |v Handbooks, manuals, etc | |
| 650 | 4 | |a Digital video |v Handbooks, manuals, etc | |
| 650 | 4 | |a Video recording |x Data processing |v Handbooks, manuals, etc | |
| 650 | 0 | 7 | |a Filmtechnik |0 (DE-588)4017144-9 |2 gnd |9 rswk-swf |
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| 856 | 4 | 2 | |m Digitalisierung UB Passau - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024183984&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 856 | 4 | 2 | |m Digitalisierung UB Passau - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024183984&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Record in the Search Index
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| adam_text | The Digital Filmmaking Fiandbookr Fourth Edition is a
comprehensive digital filmmaking resource for everyone-from begin-
ners to professionals. This book guides you through the modern digital
filmmaking workflow from initial concept to finished project and
shows you all the tools that will make the process run smoothly and
easily. Organized into three parts, just like a film shoot, the book covers
preproduction, production, and postproduction. In the preproduction
section, you’ll go through the decisions necessary to start shooting:
writing, technology basics, planning, scheduling, storyboarding, set
design, and choosing a camera. Production covers the principal shoot
of your project: lighting, using the camera, shooting, and recording
production sound. And postproduction wraps up with workstations
and equipment, organizing and media management, editing, sound
design, color correction, titles, special effects, and delivery of the
finished product.
Completely revised to cover all the latest digital video technology and
innovations, this fourth edition includes information on HD video,
shooting with digital SLR cameras, workflows for tapeless recording,
and much more. The Digital Filmmaking Handbook, Fou?՝th Editio?2
will help you navigate the ever-changing developments of new film-
making technology while keeping the big picture in mind: storytelling.
CONTENTS
INTRODUCTION.................................... xxiii
Getting Started .....................................2
Better, Cheaper, Easier............................3
Who This Book Is For...............................8
What Kind of Digital Film Should You Make?.........8
Writing and Scheduling .................
Screenwriting..............................................13
Finding a Story........................................14
Structure..............................................14
Writing Visually.......................................16
Formatting Your Script.................................18
Writing for Television.................................23
Writing for Unscripted”...............................24
Writing for Corporate Projects.........................25
Scheduling.................................................26
Breaking Down a Script.....................................27
Choosing a Shooting Order..............................29
How Much Can You Shoot in a Day?.......................29
Production Boards......................................30
Scheduling for Unscripted Projects.....................32
Digital Video Primer
34
What Is HD?...............................................35
Components of Digital Video...............................36
Tracks................................................36
Frames................................................36
Scan Lines............................................37
Pixels................................................38
Audio Tracks..........................................41
Audio Sampling........................................42
Working with Analog or SD Video...........................43
Digital Image Quality.....................................46
Color Sampling........................................47
Bit Depth.............................................48
Compression Ratios....................................49
Data Rate.............................................49
Understanding Digital Media Files.........................49
Digital Video Container Files.........................50
Codecs................................................50
Audio Container Files and Codecs .....................55
Transcoding...............................................55
Acquisition Formats.......................................57
Unscientific Answers to Highly Technical Questions........58
Choosing a Camera.........................60
Evaluating a Camera.......................................61
Image Quality.............................................62
Sensors...............................................62
Compression...........................................65
Sharpening............................................66
White Balance.........................................68
Image Tweaking........................................68
Lenses .................................................. 69
Lens Quality..........................................69
Lens Features.........................................70
Interchangeable Lenses.............................. 71
Contents
XI
Never Mind the Reasons, How Does It Look?
Camera Features...........................
Camera Body Types.....................
Manual Controls.......................
Focus.................................
Shutter Speed.........................
Aperture Control......................
Image Stabilization...................
Viewfinder............................
Interface.............................
Audio.................................
Media Type............................
Wireless..............................
Batteries and AC Adaptors.............
DSL.Rs....................................
Use Your Director of Photography..........
Accessorizing.............................
Tripods...............................
Field Monitors........................
Remote Controls.......................
Microphones...........................
Filters...............................
All That Other Stuff..................
What You Should Choose....................
72
73
73
76
76
77
79
81
82
83
84
85
86
86
87
88
89
89
90
90
90
90
91
91
Planning Your Shoot ................... .92
Storyboard ing...........................................93
Shots and Coverage...................................95
Camera Angles........................................97
Computer-Generated Storyboards......................101
l.ess Is More.......................................104
Camera Diagrams and Shot l ists........................104
Location Scouting.......................................108
Production Design..........................................112
Art Directing Basics...................................113
Building a Set.........................................113
Set Dressing and Props.................................114
DIY Art Direction......................................114
Visual Planning for Documentaries..........................116
Effects Planning...........................................117
Creating Rough Effects Shots...........................119
Lighting
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Film-Style Lighting...................
The Art of Lighting...................
Three-Point Lighting..............
Types of Light........................
Color Temperature.................
Types of Lights...................
Wattage...........................
Controlling the Quality of Light......
Lighting Gels.....................
Diffusion.........................
Lighting Your Actors..................
Tutorial: Three-Point Lighting . .
Interior Lighting.....................
Power Supply......................
Mixing Daylight and Interior Light .
Using Household Lights............
Exterior Lighting.....................
Enhancing Existing Daylight.......
Video Lighting........................
Low-Light Shooting....................
Special Lighting Situations...........
Lighting for Video-to-Film Transfers
Lighting for Blue and Green Screen
121
122
122
125
125
126
126
129
131
131
132
132
135
135
135
136
136
137
138
139
139
140
140
Contents
xiii
Using the Camera ............................142
Setting Focus............................................143
Using the Zoom Lens......................................147
Controlling the Zoom.................................151
Exposure.................................................152
Aperture ............................................153
Shutter Speed........................................154
Gain.................................................156
Which One to Adjust?.................................157
Exposure and Depth of Field..........................157
White Balancing..........................................158
Composition.............................................162.
Headroom............................................164-
Lead Your Subject....................................164
Following Versus Anticipating........................167
Don t Be Afraid to Get Too Close.....................167
Listen...............................................168
Eyelines.............................................168
Clearing Frame.......................................169
Beware of the Stage Line.............................169
TV Framing...........................................169
Breaking the Rules...................................170
Camera Movement..........................................170
Panning and Tilting..................................170
Zooms and Dolly Shots................................171
Tracking Shots.......................................171
Handholding..........................................171
Deciding When to Move................................173
Shooting Checklist.......................................174
Production Sound
176
What You Want to Record.................................177
Microphones.............................................178
What a Mic Hears....................................179
How a Mic Hears.....................................182
Types of Mies.......................................183
Mixing..............................................185
Connecting It All Up................................186
Wireless Mies.......................................187
Setting Up..............................................188
Placing Your Mies...................................188
Getting the Right Sound for the Picture.............194
Testing Sound.......................................195
Reference Tone......................................196
Managing Your Set...................................196
Recording Your Sound....................................197
Room Tone...........................................198
Run-and-Gun Audio...................................198
Gear Checklist..........................................199
Shooting and Directing................................. .200
The Shooting Script......................................201
Updating the Shooting Script.........................202
Directing................................................202
Rehearsals...............................................203
Managing the Set.........................................204
Putting Plans into Action................................205
Double-Check Your Camera Settings....................206
The Protocol of Shooting.............................206
Respect for Acting...................................206
Organization on the Set..................................208
Script Supervising for Scripted Projects.............208
Documentary Field Notes..............................209
Contents
XV
DSLRs and Other Advanced Shooting Situations............210
What s Different with a DSLR?............................211
DSLR Camera Settings for HD Video........................214
Working with Interchangeable Lenses......................216
What Lenses Do i Need?...............................216
How to Get a Shallow Depth of Field......................218
Measuring and Pulling Focus..............................219
Measuring Focus......................................220
Pulling Focus........................................220
Advanced Camera Rigging and Supports.....................221
Viewing Video on the Set.................................224
Double-System Audio Recording............................227
How to Record Double-System Audio....................229
Multi-Cam Shooting.......................................230
Multi-Cam Basics................................... 231
Challenges of Multi-Cam Shoots.......................232
Going Tapeless...........................................233
On-set Media Workstations............................234
Media Cards and Workflow.............................234
Organizing Media on the Set..........................235
Audio Media Workflow.................................237
Shooting Blue-Screen Effects.............................237
Editing Gear
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Setting Up a Workstation................................241
CPU.................................................242
RAM.................................................242
Storage........................................... 242
Monitors............................................243
Videotape Interface.................................244
Custom Keyboards and Controllers . . , . ...........246
Backing Up..........................................246
Networked Systems.......................................247
Storage Area Networks (SANs) and Network-Attached
Storage (NAS)....................................247
Cloud Storage.......................................248
Render Farms........................................248
Audio Equipment.......................................249
Digital Video Cables and Connectors...................250
FireWire..........................................250
HDMI..............................................250
SDI and HD-SDI....................................250
Fibre Channel.....................................251
Thunderbolt.......................................251
RS-422........................................... 251
Audio Interfaces..................................251
Know What You Need....................................252
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The Interface...............................................255
Editing Tools...............................................256
Drag-and-Drop Editing...................................256
Three-Point Editing.....................................256
JKL Editing.............................................257
Insert and Overwrite Editing............................257
Trimming.............................................. 258
Ripple and Roll, Slip and Slide.........................258
Multi-Camera Editing....................................259
Advanced Features..................................... 260
Organizational Tools........................................261
Importing Media.............................................262
Effects and Titles..........................................264
Types of Effects........................................264
Titles..................................................266
Audio Tools.................................................266
Equalization............................................267
Audio Effects and Filters...............................267
Audio Plug-In Formats.................................. 267
Mixing..................................................267
OMF Export..............................................268
Finishing Tools.............................................268
Our Software Recommendations................................268
Know What You Need..........................................269
Contents
xvii
Preparing to Edit...................................270
Organizing Your Media.....................................272
Create a Naming System................................273
Setting Up Your Project...............................274
Importing and Transcoding.................................276
Capturing Tape-based Media................................280
Logging...............................................280
Capturing.............................................282
importing Audio...........................................282
Importing Still Images....................................283
Moving Media..............................................284
Sorting Media After Ingest................................285
How to Sort by Content................................286
Synchronizing Double-System Sound and Picture ............286
Preparing Multi-Camera Media..............................288
Troubleshooting..........................................288
Editing
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Editing Basics.................
Applied Three-Act Structure . .
Building a Rough Cut...........
Watch Everything............
Radio Cuts..................
Master Shot—Style Coverage .
Tutorial: Creating a First Cut
Editing Techniques.............
Cutaways and Reaction Shots .
Matching Action.............
Matching Screen Position . . , .
Overlapping Edits...........
Matching Emotion and Tone . .
Pauses and Pull- Ups........
Hard Sound Effects and Music
Tutorial: Refining Your Cut .
tin an
291
293
293
294
294
294
295
305
305
306
307
307
308
308
309
309
Transitions Between Scenes..................................311
Hard Cuts...............................................311
Dissolves, Fades, and Wipes.............................311
Establishing Shots......................................311
Clearing Frame and Natural “Wipes”......................312
Solving Technical Problems..................................312
Missing Elements........................................312
Temporary Elements......................................312
Multi-Cam Editing...........................................313
Fine Cutting................................................314
Editing for Style.......................................314
Duration................................................315
The Big Picture.........................................315
Sound Editing
.316
Sounding Off..............................................317
Setting Up................................................318
Temp Mixes................................................319
Audio Levels Metering.....................................320
Clipping and Distortion...............................321
Using Your Editing App for Sound..........................321
Dedicated Sound Editing Apps..............................325
Moving Your Audio.........................................327
Editing Sound.............................................328
Unintelligible Dialogue...............................328
Changes in Tone.......................................329
Is There Extraneous Noise in the Shot?................329
Are There Bad Video Edits That Can Be Reinforced with
Audio?..............................................330
Is There Bad Audio?...................................330
Are There Vocal Problems You Need to Correct?.........330
Dialogue Editing..........................................331
ADR...................................................332
Non-Dialogue Voice Recordings.........................332
EQ Is Your Friend.........................................333
Sound Effects........................................... 336
Sound Effect Sources..................................337
Contents
x։x
Music...................................................337
Editing Music.........................................338
License to Play.......................................339
Finding a Composer....................................340
Do It Yourself........................................341
Fix It in the Mix........................................342
Color Correction
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Color Correction..................................
Advanced Color Controls........................
Seeing Color......................................
A Less Scientific Approach.....................
Too Much of a Good Thing ......................
Brightening Dark Video............................
Compensating for Overexposure.....................
Correcting Bad White Balance......................
Matching Footage from Different Cameras and Shoots
Using Tracks and Layers to Adjust Color........
Black-and-White Effects...........................
Correcting Color for Film.........................
Making Your Video Look Like Film..................
One More Thing....................................
346
349
350
353
O
o
360
361
362
362
363
363
365
Titles.........................................................367
Choosing Your Typeface and Size.......................368
Ordering Your Titles......................................369
Coloring Your Titles......................................370
Placing Your Titles......................... , , , .....370
Safe Titles...............................................371
Tutorial: Create Your Main Title.................... 372
Motion Effects................................................377
Keyframes and Interpolating...............................377
Siow-Mo and Speed Ramps...................................379
Integrating Still Images and Video...........................379
Special Effects Workflow.....................................380
Compositing 101..............................................383
Keys....................................................384
Tutorial: Creating a Luminance Key...................385
Tutorial: Using a Chroma Key.........................390
Keying Tips.............................................394
Mattes..................................................396
Mixing SD and HD Footage................................398
Tutorial: Adding Camera Shake........................401
Using Effects to Fix Problems................................404
Eliminating Camera Shake................................404
Getting Rid of Things...................................405
Moving On....................................................409
Finishing .
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410
What Do You Need?.......................................412
Start Early.........................................412
What Is Mastering?..................................413
What to Do Now......................................414
Preparing for Film Festivals............................414
DIY File-Based Masters..................................415
Preparing Your Sequence.............................415
Color Grading.......................................418
Create a Mix........................................419
Make a Textless Master..................................420
Export Your Masters.................................420
Watch Your Export...................................421
Web Video and Video-on֊Demand...........................422
Streaming or Download?..............................422
Compressing for the Web.............................423
Choosing a Data Rate................................425
Choosing a Keyframe Interval........................425
Contents
xxi
DVD and Blu-Ray Discs.......................................426
DVD and Blu-Ray Compression.............................428
DVD and Blu-Ray Disc Authoring..........................430
High-End Finishing..........................................432
Reel Changes............................................432
Preparing for a Professional Audio Mix..................433
Preparing for Professional Color Grading................434
Putting Audio and Video Back Together...................435
Digital Videotape Masters...................................435
35mm Film Prints............................................437
The Film Printing Process...............................438
Printing from a Negative................................438
Direct֊io֊Prini.........................................439
Optica! Soundtracks.....................................439
Digital Cinema Masters......................................440
Archiving Your Project......................................441
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|
| any_adam_object | 1 |
| author | Schenk, Sonja 1937- Long, Ben |
| author_GND | (DE-588)124467431 |
| author_facet | Schenk, Sonja 1937- Long, Ben |
| author_role | aut aut |
| author_sort | Schenk, Sonja 1937- |
| author_variant | s s ss b l bl |
| building | Verbundindex |
| bvnumber | BV039166641 |
| callnumber-first | T - Technology |
| callnumber-label | TR860 |
| callnumber-raw | TR860 |
| callnumber-search | TR860 |
| callnumber-sort | TR 3860 |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 55000 |
| ctrlnum | (OCoLC)745532784 (DE-599)BVBBV039166641 |
| dewey-full | 778.5/3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 778 - Specific fields & kinds of photography |
| dewey-raw | 778.5/3 |
| dewey-search | 778.5/3 |
| dewey-sort | 3778.5 13 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| edition | 4. ed. |
| format | Book |
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| id | DE-604.BV039166641 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:00:27Z |
| institution | BVB |
| isbn | 9781435459113 1435459113 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024183984 |
| oclc_num | 745532784 |
| open_access_boolean | |
| owner | DE-1050 DE-739 |
| owner_facet | DE-1050 DE-739 |
| physical | XXIV, 497 S. zahlr. Ill., graph. Darst. |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Course Technology Cengage Learning |
| record_format | marc |
| spelling | Schenk, Sonja 1937- Verfasser (DE-588)124467431 aut The digital filmmaking handbook Sonja Schenk ; Ben Long 4. ed. Boston, Mass. Course Technology Cengage Learning 2012 XXIV, 497 S. zahlr. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Includes index. Datenverarbeitung Digital cinematography Handbooks, manuals, etc Digital video Handbooks, manuals, etc Video recording Data processing Handbooks, manuals, etc Filmtechnik (DE-588)4017144-9 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Digitaltechnik (DE-588)4012303-0 gnd rswk-swf Filmproduktion (DE-588)4124971-9 s Digitaltechnik (DE-588)4012303-0 s 1\p DE-604 Filmtechnik (DE-588)4017144-9 s 2\p DE-604 Long, Ben Verfasser aut Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024183984&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024183984&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Schenk, Sonja 1937- Long, Ben The digital filmmaking handbook Datenverarbeitung Digital cinematography Handbooks, manuals, etc Digital video Handbooks, manuals, etc Video recording Data processing Handbooks, manuals, etc Filmtechnik (DE-588)4017144-9 gnd Filmproduktion (DE-588)4124971-9 gnd Digitaltechnik (DE-588)4012303-0 gnd |
| subject_GND | (DE-588)4017144-9 (DE-588)4124971-9 (DE-588)4012303-0 |
| title | The digital filmmaking handbook |
| title_auth | The digital filmmaking handbook |
| title_exact_search | The digital filmmaking handbook |
| title_full | The digital filmmaking handbook Sonja Schenk ; Ben Long |
| title_fullStr | The digital filmmaking handbook Sonja Schenk ; Ben Long |
| title_full_unstemmed | The digital filmmaking handbook Sonja Schenk ; Ben Long |
| title_short | The digital filmmaking handbook |
| title_sort | the digital filmmaking handbook |
| topic | Datenverarbeitung Digital cinematography Handbooks, manuals, etc Digital video Handbooks, manuals, etc Video recording Data processing Handbooks, manuals, etc Filmtechnik (DE-588)4017144-9 gnd Filmproduktion (DE-588)4124971-9 gnd Digitaltechnik (DE-588)4012303-0 gnd |
| topic_facet | Datenverarbeitung Digital cinematography Handbooks, manuals, etc Digital video Handbooks, manuals, etc Video recording Data processing Handbooks, manuals, etc Filmtechnik Filmproduktion Digitaltechnik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024183984&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024183984&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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