Have not been the same: the CanRock renaissance, 1985 - 1995
"Capturing the spirit of Canadian rock from the late 20th century, this history tells the stories of the musicians and bands that made an indelible mark on Canadian culture and the global stage. Regarded by critics and musicians as the definitive history of the era, this massive tome has been u...
Saved in:
| Main Authors: | , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Toronto
ECW Press
2011
|
| Edition: | [10. anniversary ed.] ; rev. ed. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "Capturing the spirit of Canadian rock from the late 20th century, this history tells the stories of the musicians and bands that made an indelible mark on Canadian culture and the global stage. Regarded by critics and musicians as the definitive history of the era, this massive tome has been updated to include brand-new interviews and up-to-the-present histories of the bands from Canada's homegrown music industry, including Blue Rodeo, the Tragically Hip, Sarah McLachlan, Sloan, Barenaked Ladies, Daniel Lanois, and many others."--Amazon.com |
| Item Description: | Issued also in electronic formats. - Includes a selected cast of characters, p. 649-655 Includes bibliographical references and index Includes discography, p. 656-694 |
| Physical Description: | x, 739, [16] S. Ill. 24 cm |
| ISBN: | 9781550229929 |
Staff View
MARC
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| 245 | 1 | 0 | |a Have not been the same |b the CanRock renaissance, 1985 - 1995 |c Michael Barclay ; Ian A. D. Jack ; Jason Schneider. Foreword by Gordon Downie |
| 250 | |a [10. anniversary ed.] ; rev. ed. | ||
| 264 | 1 | |a Toronto |b ECW Press |c 2011 | |
| 300 | |a x, 739, [16] S. |b Ill. |c 24 cm | ||
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| 500 | |a Issued also in electronic formats. - Includes a selected cast of characters, p. 649-655 | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Includes discography, p. 656-694 | ||
| 520 | |a "Capturing the spirit of Canadian rock from the late 20th century, this history tells the stories of the musicians and bands that made an indelible mark on Canadian culture and the global stage. Regarded by critics and musicians as the definitive history of the era, this massive tome has been updated to include brand-new interviews and up-to-the-present histories of the bands from Canada's homegrown music industry, including Blue Rodeo, the Tragically Hip, Sarah McLachlan, Sloan, Barenaked Ladies, Daniel Lanois, and many others."--Amazon.com | ||
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Record in the Search Index
| _version_ | 1804148016803741696 |
|---|---|
| adam_text | CONTENTS
їх
Disclaimer
χι
Foreword
I OVERTURE: EVERYBODY KNOWS THIS IS NOWHERE
In
1985,
tears are not enough to rescue Canadian music
. . .
punks and folkies go diy
. . .
Stompin Tom brings it all back
home
. . .
recording technology breeds indie boom
. . .
the children of CanCon come home to roost
25
DID YOU GET MY MESSAGE ON THE PEOPLE S RADIO?:
CBC, CAMPUS RADIO, MUCHMUSIC
The CBC s Brave New Waves and Night Lines build new alterna¬
tive communities
...
the dawn of campus radio
...
MuchMusic s
videos spawn the radio stars
53
GLITTERING PRIZES AND ENDLESS COMPROMISES
Og Records connect the country with It Came From Canada
. . .
Barenaked Ladies indie cassette changes the rules
. . .
Lowest
of the Low battle the industry
. . .
major labels give former indie
stars vanity labels
. . .
Sonic Unyon builds an empire
. ..
the Inbreds reap the rewards of the CanRock Renaissance
76
UNDER THE VOLCANO: THE FALLOUT OF VANCOUVER PUNK
The careening career of Art
Bergmann .. .
Bob Rock goes
from the
Payólas
to ushering heavy metal into the main¬
stream
...
NoMeansNo makes hardcore an
artform ...
Slow
spawns grunge then takes on David Geffen as Copyright
114
FOLK OF THE EIGHTIES:
MONTREAL
Men Without Hats and Rational Youth capture Cold War nightlife
with the punk underground
. . .
Gerard Van Herk and Tony
Dewald go primitive with
Deja
Voodoo
...
the Asexuals, the Nils
and the Doughboys break out beyond city walls
.. .
Voivod
escape
a Northern Quebec factory town and become Montreal metal gods
I7O YEAH, IT MATTERS: CHANGE OF HEART AND POST-PUNK TORONTO
Young art school punks form Change of Heart
...
A Neon
Rome dabble in the dark side of rock mythology and nearly
become casualties
. . .
Elvis Mondays create a community
. . .
Bruce McDonald sets out to document A Neon Rome and ends
up with Roadkill
202
NORTHERN WISHES
&
VISIONARY FLOUNDERS
The Rheostatics take a self-conscious
Canadiana
approach to art
rock
. . .
Jane Siberry s technological folk transforms into spiri¬
tual soul
.. .
Look People s Jaymz Bee embodies Toronto s
comedie
id
...
the Bourbon Tabernacle Choir find soul salva¬
tion
. . .
Mary Margaret O Hara labours over a singular
masterpiece and retreats under pressure
. . .
Dale Morningstar
tosses out the rulebook in Dinner Is Ruined
258
WHAT ARE WE FIGHTING FOR?: THE OUTSIDERS
Andrew Cash gives Canadian punk a social conscience
. . .
Skydiggers turn back the clock to help cope with hard times
. . .
Bruce Cockburn embraces activism and finds a wider audience
than he has ever known
. . .
Spirit of the West leads the charge
for Celtic music and topical songwriting
. . .
the Pursuit of
Happiness battle political correctness
295
ACADIAN DRIFTWOOD: THE CREATION OF
THE DANIEL LANOIS SOUND
The Lanois brothers open Grant
Ave.
Studios
.. .
Daniel meets
Brian
Eno
and shifts from recording folk artists to new wave
bands
...
Luba,
Parachute Club and Martha and the Muffins are
early clients
...
Lanois indelibly alters modern music production
via his international client base
...
Crash Vegas, Junkhouse and
siANspheric follow the Lanois example
333
IN THE SPIRIT OF CRAZY HORSE
Neil Young reclaims his rightful place as the father of Canadian
rock
... 13
Engines borrow the Crazy Horse template to forge
their own powerful sound
. . .54-40
seek success in America but
instead discover they can t escape their roots
. ..
the songs of
Hayden, Weeping Tile and Treble Charger echo Young s painful
honesty, but for a new generation
366
FOLK YOU: ROOTS REVISITED
Handsome Ned tries to bring traditional country to Queen St.
. . .
Cowboy Junkies mutant Queen St. blues somehow ends up
selling millions
. . .
k.d.
lang
tries to subvert the mainstream
with cowpunk and gives up
...
Jr. Gone Wild s fusion of punk
and country struggles to fit into either camp
419
THE IMPORTANCE OF BEING SLOAN
Jay Ferguson and Chris Murphy meet in Kearney Lake Rd.
. . .
Sloan create a bidding war and ignite the Halifax Pop Explo¬
sion
. . .
battling their major label over Twice Removed becomes
worthy of a Hollywood underdog story
. . .
Sloan decide that
breaking up is hard to do
...
the band takes ownership of their
career and develop Murderecords
456
NEVER MIND THE MOLLUSCS: THE HALIFAX UNDERGROUND
Jellyfishbabies show the locals how it s done
...
the October
Game becomes a launch pad for Sarah McLachlan s talents
...
John Chisholm s Black Pool develops a sense of professionalism
in the independent circuit
. . .
the search for the next Nirvana
brings Sub Pop to Halifax and record deals for Eric s Trip,
Jale
and Hardship Post
. ..
the Super Friendz, Rebecca West and
Thrush Hermit sustain the explosion
500
THE PATH OF THORNS:
NETTWERK
RECORDS
Terry McBride s label grows beyond his one-bedroom apartment to
become a multi-million-dollar international operation
...
Moev
and Skinny Puppy give the label an early electronic credibility
...
the Grapes of Wrath and Lava Hay present the folk rock side of the
label
...
Sarah McLachlan moves from Halifax to begin her rise as
an international superstar and the label s epicentre
...
Nettwerk s
growing pains cause much of its original roster to splinter as
various lawsuits arise
546
TRUST YOURSELF: BLUE RODEO
Greg Keelor and Jim Cuddy flirt with new wave and New York
City
...
they come home to find a band and a better music scene
...
Try becomes a video hit and prom staple
...
Bob Wiseman s talent
can no longer be contained in Blue Rodeo
...
happy accidents spawn
Five Days in July
...
not-so-happy accidents and turmoil spawn
Nowhere to Here
...
solo albums bring the band back together
581
TWO SOLITUDES: THE TRAGICALLY HIP
An unlikely garage band from Kingston, Ontario, avoids the
cover-band trap
. . .
early recordings capture the imagination of
young Canadians seeking a band to call their own
. . .
Gord
Downie develops his poetic talents and becomes the figurehead
of the CanRock Renaissance
. . .
the Tragically Hip parlay their
popularity into a touring festival, curating a definitive collection
of the country s top talent
622
EPILOGUE: WHERE THE CHANGE IS
By the late
90s,
the scene s hopes exceed its expectations
...
delusions of grandeur and a major bankruptcy help sink the
scene
...
creatively adventurous material hits a glass ceiling
. ..
even a mainstream songwriter like Ron Sexsmith struggles to have
his voice heard
...
Canada s live scene evaporates
...
Godspeed
You! Black Emperor, the New Pornographers and the Weakerthans
find international success on their own terms
...
the next genera¬
tion applies lessons learned to an even more productive decade
649
Selected Cast of Characters
656
Selected Critical Discography
695
Sources
711
Thank Yous
715
Index
|
| any_adam_object | 1 |
| author | Barclay, Michael 1971- Jack, Ian Andrew Dylan 1973- Schneider, Jason 1971- |
| author_GND | (DE-588)1015875750 (DE-588)101587570X (DE-588)139669523 |
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| author_role | aut aut aut |
| author_sort | Barclay, Michael 1971- |
| author_variant | m b mb i a d j iad iadj j s js |
| building | Verbundindex |
| bvnumber | BV039165690 |
| ctrlnum | (OCoLC)702799205 (DE-599)BVBBV039165690 |
| edition | [10. anniversary ed.] ; rev. ed. |
| era | Geschichte 1985-1995 gnd |
| era_facet | Geschichte 1985-1995 |
| format | Book |
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| spelling | Barclay, Michael 1971- Verfasser (DE-588)1015875750 aut Have not been the same the CanRock renaissance, 1985 - 1995 Michael Barclay ; Ian A. D. Jack ; Jason Schneider. Foreword by Gordon Downie [10. anniversary ed.] ; rev. ed. Toronto ECW Press 2011 x, 739, [16] S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Issued also in electronic formats. - Includes a selected cast of characters, p. 649-655 Includes bibliographical references and index Includes discography, p. 656-694 "Capturing the spirit of Canadian rock from the late 20th century, this history tells the stories of the musicians and bands that made an indelible mark on Canadian culture and the global stage. Regarded by critics and musicians as the definitive history of the era, this massive tome has been updated to include brand-new interviews and up-to-the-present histories of the bands from Canada's homegrown music industry, including Blue Rodeo, the Tragically Hip, Sarah McLachlan, Sloan, Barenaked Ladies, Daniel Lanois, and many others."--Amazon.com Geschichte 1985-1995 gnd rswk-swf Rock music / Canada / 1981-1990 / History and criticism Rock music / Canada / 1991-2000 / History and criticism Rockmusik (DE-588)4115774-6 gnd rswk-swf Tonträger (DE-588)4134364-5 gnd rswk-swf Kanada Kanada (DE-588)4029456-0 gnd rswk-swf (DE-588)4188171-0 Verzeichnis gnd-content Kanada (DE-588)4029456-0 g Rockmusik (DE-588)4115774-6 s Geschichte 1985-1995 z DE-604 Tonträger (DE-588)4134364-5 s Jack, Ian Andrew Dylan 1973- Verfasser (DE-588)101587570X aut Schneider, Jason 1971- Verfasser (DE-588)139669523 aut Erscheint auch als Online-Ausgabe, EPUB 978-1-55490-968-1 Erscheint auch als Online-Ausgabe, PDF 978-1-55490-992-6 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024183060&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Barclay, Michael 1971- Jack, Ian Andrew Dylan 1973- Schneider, Jason 1971- Have not been the same the CanRock renaissance, 1985 - 1995 Rock music / Canada / 1981-1990 / History and criticism Rock music / Canada / 1991-2000 / History and criticism Rockmusik (DE-588)4115774-6 gnd Tonträger (DE-588)4134364-5 gnd |
| subject_GND | (DE-588)4115774-6 (DE-588)4134364-5 (DE-588)4029456-0 (DE-588)4188171-0 |
| title | Have not been the same the CanRock renaissance, 1985 - 1995 |
| title_auth | Have not been the same the CanRock renaissance, 1985 - 1995 |
| title_exact_search | Have not been the same the CanRock renaissance, 1985 - 1995 |
| title_full | Have not been the same the CanRock renaissance, 1985 - 1995 Michael Barclay ; Ian A. D. Jack ; Jason Schneider. Foreword by Gordon Downie |
| title_fullStr | Have not been the same the CanRock renaissance, 1985 - 1995 Michael Barclay ; Ian A. D. Jack ; Jason Schneider. Foreword by Gordon Downie |
| title_full_unstemmed | Have not been the same the CanRock renaissance, 1985 - 1995 Michael Barclay ; Ian A. D. Jack ; Jason Schneider. Foreword by Gordon Downie |
| title_short | Have not been the same |
| title_sort | have not been the same the canrock renaissance 1985 1995 |
| title_sub | the CanRock renaissance, 1985 - 1995 |
| topic | Rock music / Canada / 1981-1990 / History and criticism Rock music / Canada / 1991-2000 / History and criticism Rockmusik (DE-588)4115774-6 gnd Tonträger (DE-588)4134364-5 gnd |
| topic_facet | Rock music / Canada / 1981-1990 / History and criticism Rock music / Canada / 1991-2000 / History and criticism Rockmusik Tonträger Kanada Verzeichnis |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024183060&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT barclaymichael havenotbeenthesamethecanrockrenaissance19851995 AT jackianandrewdylan havenotbeenthesamethecanrockrenaissance19851995 AT schneiderjason havenotbeenthesamethecanrockrenaissance19851995 |