Sacred painting. Museum:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English Latin |
| Veröffentlicht: |
Cambridge, Mass. [u.a.]
Harvard University Press
2010
|
| Schriftenreihe: | I Tatti Renaissance library
44 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Text lat. mit engl. Übers., Einf. und Anm. engl. |
| Beschreibung: | XXVI, 298 S., [5] Bl. Ill. 21 cm |
| ISBN: | 9780674047587 |
Internformat
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| 245 | 1 | 0 | |a Sacred painting. Museum |c Federico Borromeo. Ed. and transl. by Kenneth S. Rothwell, Jr. Introd. and notes by Pamela M. Jones |
| 246 | 1 | 3 | |a EST des beigef. Werkes: Musaeum |
| 246 | 1 | 3 | |a Sacred painting |
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Datensatz im Suchindex
| _version_ | 1804147934362599424 |
|---|---|
| adam_text | EDITED AND TRANSLATED BY
KENNETH S.
ROTHWELL,
JR.
INTRODUCTION AND NOTES BY
PAMELA M. JONES
THE I
TATTI
RENAISSANCE LIBRARY
HARVARD UNIVERSITY PRESS
CAMBRIDGE, MASSACHUSETTS
LONDON,ENGLAND
2OIO
Contents
Introduction
ix
Illustrations
xxvii
Sacred Painting
3
Book
1
I.
The Subject and Arrangement of the Book
3
2.
Decorum
5
3·
The Errors of the Ancient Pagans
II
4·
Historical Falsehoods
II
5·
Pagan Myths
17
6.
Nudity
21
7·
Clothing
23
8.
Age
27
9·
The Compositional Field of the Painting
ЗІ
ΙΟ.
How Difficult It Is to Express the Emotions
37
π.
Piety, Above All Else, Is Necessary for the
Painter
45
12,
Athletic Figures
51
13 ·
Lascivious Figures
55
Book
n
Ι.
The Appearance of the Most Holy Trinity
61
2.
The Portrayal of the Savior
65
• CONTENTS ·
3.
Representations of the Crucifixion
77
4.
The Mysteries of the Savior
83
5.
The Appearance of the Most Blessed Virgin
91
6.
Images of Angels
95
7.
Sacred Symbols
99
8.
Images Copied from Life
103
9.
Portraits of St. Gregory the Great and
Charlemagne
ш
10. In
Which Various Knotty Problems Concerning
Portraits of the Saints Are Solved
117
11.
The Clothing and Attributes of the Saints
125
12.
The Various Uses of Images by Christians
133
13.
The Ancient Forms of Sacred Buildings
137
Museum
145
Introduction: the importance of written documentation; Pliny as a
model; organization of the book, following the arrangement of the
Museum
§§1-6 ·
Titian, Adoration of the Magi; Titian s technique;
skills artists need:
colorito
and
disegno;
landscapes and human figures;
Deposition; Holy Family with Tobias; Virgin and Child with St.
Catherine
$§7-16 ·
Jacopo Eassano the Elder, Annunciation, Rest
on the Flight to Egypt
§§17-1$ ·
Copies: the usefulness of copies;
guidelines for copying
§§19-21 ·
Copies of Raphael: Isaiah, Sibyls;
Lumi
the Elder s Sibyls; Carracci s copy of Correggio s Mother of God
and Gypsy
§§22-26 ·
Miniatures: six miniature paintings in a silver
frame, by Clovio, Luini.Jan Brueghel
§§27-28 ·
Brueghel s skills as a
vi
• CONTENTS ·
miniaturist; his Daniel in the Lions Den; The Four Elements
described; Madonna and Child in a Garland
§§29-32 ·
Other
miniatures: Luini, Marchesino, Decio; a crystal Triumph of David;
Brueghel s miniature of a mouse
§§33-35 ·
Other paintings, including a
portrait by Michelangelo
§§36-38 ·
Next room: larger paintings; Luini
the Elder s The Holy Family, executed with Leonardo; the practice of
artists sharing credit
§§39-40 ·
Landscape by Titian; seascape by
Bril;
Noli me
tangere
by Luini; Mother of God by Giampietrino; Titian s
Penitent Magdalene
§§41-44 ·
More on Brueghel: twelve small
works by Brueghel; Rottenhammer s Winter Landscape, with flowers
by Brueghel; comparison of Titian s and
Luim
s
Penitent
Magdalene
§§45-47 ·
Comparison of Brueghel s two flower paintings;
Luini copies
§§48-49
Leonardo s Last Supper: attempts at
conservation; Vespino s copy; discussion of the portrayal of the
personalities
§§50-55
Further paintings: Mariani s Magdalene,
modeled on a Raphael; copy of Raphael s Hercules; copies by
Mariani
of Gaudenzio paintings; Tttian s Old Man in Armor, of his
father
§§56-60
Portraits, including copies of Raphael by
Mariani;
Caravaggio s Basket of Fruit; other masterpieces, and a miniature study
of a head by Marchesini
§§61-65 ·
Why ignorance of art is
inappropriate for an ecclesiastic; an anecdote about visitors to
Rome
§§66-67 ·
Sculpture: the usefulness of casts and copies; Aretino s
excellent work
§§68-70 ·
Regret for the loss of Michelangelo s drawings;
his relationship with students
§§71-72 ·
Copies of Apollo Belvedere,
Antinous,
and others; Raphael s cartoon for The School of Athens;
Prestinari
§§73-76 ·
The colossal statue of Carlo Borromeo in
Arona
§§77-78
Third part of the treatise: a list of portraits
made from life
§79
vii
• CONTENTS ·
Appendix: Rules of the Accademia del
Disegno
207
Note on the Texts and Translation
217
Notes to the Texts
225
Notes to the Translation
227
Bibliography
277
Index
279
viu
|
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 750 - Painting and paintings |
| dewey-raw | 750 |
| dewey-search | 750 |
| dewey-sort | 3750 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Book |
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| spelling | Borromeo, Federico 1564-1631 Verfasser (DE-588)119139170 aut De pictura sacra Sacred painting. Museum Federico Borromeo. Ed. and transl. by Kenneth S. Rothwell, Jr. Introd. and notes by Pamela M. Jones EST des beigef. Werkes: Musaeum Sacred painting Cambridge, Mass. [u.a.] Harvard University Press 2010 XXVI, 298 S., [5] Bl. Ill. 21 cm txt rdacontent n rdamedia nc rdacarrier The I Tatti Renaissance library 44 Text lat. mit engl. Übers., Einf. und Anm. engl. Borromeo, Federico 1564-1631 Musaeum (DE-588)7707030-6 gnd rswk-swf Borromeo, Federico 1564-1631 (DE-588)119139170 gnd rswk-swf Pinacoteca Ambrosiana (DE-588)1009054-X gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Religiöse Kunst (DE-588)4193793-4 gnd rswk-swf Borromeo, Federico 1564-1631 Musaeum (DE-588)7707030-6 u DE-604 Pinacoteca Ambrosiana (DE-588)1009054-X b Ästhetik (DE-588)4000626-8 s Religiöse Kunst (DE-588)4193793-4 s Borromeo, Federico 1564-1631 (DE-588)119139170 p Rothwell, Kenneth S. edt Jones, Pamela M. Sonstige (DE-588)1147194947 oth I Tatti Renaissance library 44 (DE-604)BV013784336 44 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024124668&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Museum |
| spellingShingle | Borromeo, Federico 1564-1631 Sacred painting. Museum I Tatti Renaissance library Borromeo, Federico 1564-1631 Musaeum (DE-588)7707030-6 gnd Borromeo, Federico 1564-1631 (DE-588)119139170 gnd Pinacoteca Ambrosiana (DE-588)1009054-X gnd Ästhetik (DE-588)4000626-8 gnd Religiöse Kunst (DE-588)4193793-4 gnd |
| subject_GND | (DE-588)7707030-6 (DE-588)119139170 (DE-588)1009054-X (DE-588)4000626-8 (DE-588)4193793-4 |
| title | Sacred painting. Museum |
| title_alt | De pictura sacra EST des beigef. Werkes: Musaeum Sacred painting |
| title_auth | Sacred painting. Museum |
| title_exact_search | Sacred painting. Museum |
| title_full | Sacred painting. Museum Federico Borromeo. Ed. and transl. by Kenneth S. Rothwell, Jr. Introd. and notes by Pamela M. Jones |
| title_fullStr | Sacred painting. Museum Federico Borromeo. Ed. and transl. by Kenneth S. Rothwell, Jr. Introd. and notes by Pamela M. Jones |
| title_full_unstemmed | Sacred painting. Museum Federico Borromeo. Ed. and transl. by Kenneth S. Rothwell, Jr. Introd. and notes by Pamela M. Jones |
| title_short | Sacred painting. Museum |
| title_sort | sacred painting museum |
| topic | Borromeo, Federico 1564-1631 Musaeum (DE-588)7707030-6 gnd Borromeo, Federico 1564-1631 (DE-588)119139170 gnd Pinacoteca Ambrosiana (DE-588)1009054-X gnd Ästhetik (DE-588)4000626-8 gnd Religiöse Kunst (DE-588)4193793-4 gnd |
| topic_facet | Borromeo, Federico 1564-1631 Musaeum Borromeo, Federico 1564-1631 Pinacoteca Ambrosiana Ästhetik Religiöse Kunst |
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