Hill Hall: a singular house devised by a Tudor intellectual 1
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
<<The>> Society of Antiquaries of London
2009
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Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XXVII, 437 S. zahlr. Ill. und graph. Darst., Kt. |
Internformat
MARC
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100 | 1 | |a Drury, Paul |e Verfasser |4 aut | |
245 | 1 | 0 | |a Hill Hall |b a singular house devised by a Tudor intellectual |n 1 |c Paul Drury. With a major contribution by Richard Simpson |
264 | 1 | |a London |b <<The>> Society of Antiquaries of London |c 2009 | |
300 | |a XXVII, 437 S. |b zahlr. Ill. und graph. Darst., Kt. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
700 | 1 | |a Simpson, Richard |e Sonstige |0 (DE-588)141766247 |4 oth | |
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Datensatz im Suchindex
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adam_text | I
a
a singular house devised
by a Tudor intellectual
Paul Drury
with a major contribution by Richard Simpson
and other contributions by
Phil Andrews, Martin Bridge, Hilary Cool, Tobit Curteis, David Gaimster, Sheila Hamilton-Dyer, Nick Hill, Michael
J
Hughes,
Emma Loader, Lorraine Mepham, Peter Murphy, Sarah Paynter, Nicholas Wells, Sir George White and Sarah
F Wyles
Principal illustrator: Linda Coleman
with other illustrations by
Liz James and Rob
Golier
The Society of Antiquaries of London
Contents
Figures:
Illustrations
in the text
xv
Maps
xix
Early views
xix
Sectional elevations
xx
Period plans
xx
Tables
xxi
Editorial notes
xxii
Acknowledgements
xxiii
Summary
xxv
Chapter
1
Introduction
1.1
Background
ι
1.2
Location and modern topography
2
1.3
The history of investigation since
1969 5
2
The medieval house in its landscape context
9
2.1
Period
1.0:
The evolution of the landscape before Hill Hall
9
2.2
Period
1.1:
Late 12th and 13th centuries
13
The first occupation of the site of Hill Hall
13
The masonry building
13
Structural evidence in situ
13
The stone chimney shaft
13
Ceramic building materials
15
Conclusion: the date and form of the building
20
Hill Hall in Period
1.1 20
Developments in the landscape setting
21
2.3
Period
1.2:
14th to late 15th centuries
21
Documentary sources
21
The development of the house
22
Developments in the landscape setting
23
2.4
Period
1.3:
Late 15th century to
1554 23
Documentary sources
23
The development of the house
23
The eastern outer court and garden
24
Developments in the landscape setting
26
2.5
Building materials and techniques
26
Introduction
26
Walls
26
Daub and plaster
26
Brick
27
Walls on peg tile foundations
28
Stone
28
Roofs
28
Floors
28
Window glass by Hilary Cool
29
2.6
Objects relating to daily life by Emma Loader and Lorraine Mepham,
29
with a contribution by Nicholas A Wells
Introduction
29
Dress and personal items
29
Household equipment and furniture
31
Occupations and craft activities
35
Recreation and transport
35
Catalogue of illustrated objects
36
2.7
Overview and conclusions: The medieval house
37
Chapter
3
Sir Thomas Smith s work at Hill Hall
38
3.1
Documentary evidence for chronology and scope
38
The confusion between Mount Hall and Hill Hall
38
Reconciling the documentary evidence with the structural sequence
38
3.2
Period
2.0:
Alterations and additions to the Hampden house,
с
1554-6 41
Introduction
41
The east court and garden
42
The outer court range
44
3.3
Period
2.1 :
Reconstruction around the inner courtyard,
1557-8 46
Introduction
46
The general form of the building
46
The west range
46
The south range
49
The east range
54
The junction of the east and north ranges
54
The north range
56
The courtyard
57
3.4
Period
2.2:
The rebuilding of the north and west ranges,
1568-9 57
Introduction
57
The general form of the building
57
The layout and decoration of the ground and first floor rooms
58
The ground floor
59
The first floor
66
The roofs and garrets
74
Interpreting the plan
77
The courtyard elevations
79
The outer elevations
81
Alterations to the outer north-west range
84
The courtyard and immediate environs of the house
84
3.5
Period
2.3:
The rebuilding of the east and south ranges,
1574-5 84
Introduction
84
The general form of the building
86
Basic elements common to all elevations
90
Wall construction
90
Mullion and transom windows
90
The courtyard orders
90
The Doric order
91
The Ionic order
93
The Corinthian order
95
The courtyard elevations
97
The south courtyard elevation
97
The east courtyard elevation
97
Alterations to the north courtyard elevation
98
The external (giant) Doric order
99
The external elevations
102
The south elevation and pavilions
102
The east elevation
105
The layout and architecture of the interior
107
Internal finishes
107
The loggia, hall and gallery
1
O7
The service rooms west of the hall
116
The south range cellar
119
The east range
121
The great stair I24
The first floor
125
Alterations in the north and west ranges
129
The second floor and roof structures
130
The second floor plan
134
The courtyard
135
3.6
Period
2.4:
The north-west range,
с
1576-81 135
Introduction
135
The general form and external appearance of the building
135
The layout of the interior
136
The ground floor
136
The first floor
136
The second floor and stair turret
136
The western service courtyard
136
3.7
The Tudor gardens and landscape
137
Introduction
137
The approach from the north
137
The formal garden
137
Other gardens
137
The environs of the house
140
3.8
Building materials and techniques
140
Introduction
140
Walls
140
Common brick
140
Partition bricks
141
Moulded brick, primarily of Period
2.1 141
Cut brick, primarily of Period
2.2 142
Terracotta of Period
2.3 149
Stone
158
Roofs
160
Floors and stoves
160
Flemish slip decorated tiles
160
Plain floor tiles of Period
2.1 162
Plain geometric floor tiles of Periods
2.2
and
2.3 162
Antwerp polychrome floor tiles probably of Period
2.2 162
Tin-glazed stove and floor tiles
162
Discussion with general comments by David Gaimster
168
Woodwork
169
Window glass by Hilary Cool
170
Introduction
170
The panels
173
The excavated glass
177
The glazing waste contexts
178
Lead
carnes
by Lorraine Mepham
178
The sundial by Sir George White
179
3.9
The Period
2
decorative scheme by Richard Simpson
180
The wall paintings
180
Introduction: overview and extent of paintings
180
Context and choices
202
Iconographie
choices in the Cupid and Psyche paintings
206
The Hezekiah sequence as an exemplum
209
The paintings and the painter(s) by Tobit Curteis and Richard Simpson
213
The painted decorative tiles
217
The painted window glass
225
The painted ensemble: overview and conclusions
236
3.10
Objects relating to daily life by Emma Loader and Lorraine Mepham,
242
with a contribution by Nicholas A Wells
Introduction
242
Dress and personal items
242
Household equipment and furniture
242
Occupations and craft activities
245
Recreation and transport
246
Catalogue of illustrated objects
247
3.11
Overview and conclusions: Sir Thomas Smith and his houses
247
Introduction
247
The career of Sir Thomas Smith
248
Initial work at Hill Hall,
1554-6
(Period
2.0) 261
The new Hill Hall,
1557-8
(Period
2.1) 261
The first stage of rebuilding,
1568-9
(Period
2.2) 265
Completing the rebuilding,
1574-5
(Period
2.3) 271
The terracotta, floor tiles and related material
274
The addition of the service range (Period
2.4) 280
Conclusions
281
Chapter
4
The evolution of the house since the death of Sir Thomas Smith
283
4.1
Period
3.1 :
Alterations prior to the end of the
1
7th century
283
Period 3.1a: Alterations prior to the middle of the 17th century
283
Ownership and dating
283
The house
285
St Michael s Church
288
The wider landscape
290
Period 3.1b: Alterations during the later 17th century
290
Ownership and dating
290
The house
290
The gardens
293
Period
3.1:
Overview
294
4.2
Period
3.2:
The reconstruction of the east range,
с
1714 296
Ownership and dating
296
The house
296
Characteristic materials
296
The reconstruction of the east range
296
The south range
301
Later work to the great hall
303
The west range
303
The north range
303
The courtyard
303
The west courtyard
304
The formal gardens
304
Overview
304
4.3
Period
3.3:
Alterations to the entrance front,
с
1750-68 305
Ownership and dating
305
The house
305
The north range
305
The south and east elevations
305
The south range cellar
305
The north-west range
305
The entrance court
307
The west court
307
The formal gardens
307
Overview
308
4.4
Period
3.4:
Repton, Roman cement and corridors,
с
1789-1815 308
Ownership and dating
308
The house
308
Characteristic materials
308
Corridors
310
The west range
310
The north range
311
The south and east ranges
312
The reworking of the courtyard details
312
The courtyard
313
The north-west range and stable block
313
Outbuildings south-west of the house
ЗІЗ
The landscape
315
Overview
318
4.5
Period
3.5:
The rebuilding of the west front and other works,
с
1844
onwards
318
Ownership and dating
318
The house
319
The west front,
1844 319
Other works
320
The courtyard in the 19th century
320
The area west of the west range
320
The landscape
321
Mid 19th century
321
Later 19th century
321
4.5
Period
3.6:
Remodelling by Blomfield,
1909 321
Ownership and dating
321
The house
323
The main building
323
The north-west range and outbuildings
324
The landscape
325
Overview
326
4.7
Period
3.7:
The country retreat,
1925-39 329
Ownership and dating
329
The house
329
The landscape
329
4.8
Period
3.8:
Wartime requisition and the prison
331
4.9
Building materials and techniques
332
Introduction
332
Walls
332
Roofs
332
Floors and drains
332
Window glass by Hilary Cool and Paul Drury
333
4.10
Objects relating to daily life by Emma Loader and Lorraine Mepham,
with a contribution by Nicholas A Wells
334
Introduction
334
Dress and personal items
334
Household equipment and furniture
335
Occupations and craft activities
337
Recreation and transport
338
Catalogue of illustrated objects
339
4.11
Conclusions: Hill Hall after Sir Thomas Smith
340
ChâpÍGf
5
Environmental and scientific studies
343
5.1
Animal bone by Sheila Hamilton-Dyer
343
Introduction
343
Methodology
343
Results
343
Summary of the phases
343
Taxa
346
Condition and taphonomy
347
Anatomical distribution
348
Butchery
349
Ageing
350
Metrical information
350
Conclusions
351
5.2
Marine Shell by Sarah
F Wyles
351
5.3
Plant macrofoSSils and molluscs by Peter Murphy
353
Introduction
353
Sampling and laboratory methods
353
The Period
1.1
pits
353
The Period
1.3-2.0
garden features
354
Soil profiles
354
Cultivated plants
357
Wood and other remains of trees and shrubs
359
Weeds and other wild plants
359
Molluscs
351
Conclusions
362
5.4
Tree-ring analysis by Martin Bridge
362
Methodology
362
Results
363
Interpretation and discussion
365
North range
365
North-west range
365
5.5
ICP-AES analysis of ceramic building material by Michael
j
Hughes
366
Introduction
366
Analysis by ICP-AES
367
Medieval and post-medieval brick and earthenware tiles
371
Principal components of the Hill Hall items alone
371
Principal components of the Hill Hall results combined with comparative
Low Countries earthenware
373
Discriminant analysis of the Hill Hall results combined with comparative
Low Countries earthenware
373
Principal components of the Hill Hall results compared with earthenware
from Essex and Middlesex
374
Post-medieval polychrome tiles
375
Comparison with ICP-AES analyses of Low Countries tiles and pottery
375
Comparison with ICP-AES and NAA analyses of Low Countries tiles
and pottery
377
Discussion
378
Conclusions
379
5.6
Pigment residues
ОП
palettes and containers by Tobit Curteis and Sarah Paynter
379
Results
379
Discussion
381
6
Restoration and reuse
38з
6.1
The restoration of the house,
1993-8
by Nick Hill
383
After the fire:
1969-93 383
The new initiative of
1993 384
Restoration of the south and east courtyard elevations
385
Brickwork repairs and rebuilding
390
Re-roofing
397
Windows and exterior finishes
398
The great hall chimney piece
400
Completion and marketing
401
Conclusion
402
6.2
The conservation of the wall paintings by Tobit
Curtas
405
The history of conservation
405
The conservation programme
407
Structure and methodolgy
407
Condition before treatment
408
Environmental investigations
412
Environmental survey programme
413
Conservation treatment
414
Future preventative conservation
418
Bibliography
419
Index
430
Illustrated appendices (bound separately)
439
Maps
440
Early views
448
Sectional elevations of the house
467
Period plans
490
|
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indexdate | 2024-07-09T23:55:10Z |
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language | English |
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physical | XXVII, 437 S. zahlr. Ill. und graph. Darst., Kt. |
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spelling | Drury, Paul Verfasser aut Hill Hall a singular house devised by a Tudor intellectual 1 Paul Drury. With a major contribution by Richard Simpson London <<The>> Society of Antiquaries of London 2009 XXVII, 437 S. zahlr. Ill. und graph. Darst., Kt. txt rdacontent n rdamedia nc rdacarrier Simpson, Richard Sonstige (DE-588)141766247 oth (DE-604)BV038726695 1 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=023961943&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Drury, Paul Hill Hall a singular house devised by a Tudor intellectual |
title | Hill Hall a singular house devised by a Tudor intellectual |
title_auth | Hill Hall a singular house devised by a Tudor intellectual |
title_exact_search | Hill Hall a singular house devised by a Tudor intellectual |
title_full | Hill Hall a singular house devised by a Tudor intellectual 1 Paul Drury. With a major contribution by Richard Simpson |
title_fullStr | Hill Hall a singular house devised by a Tudor intellectual 1 Paul Drury. With a major contribution by Richard Simpson |
title_full_unstemmed | Hill Hall a singular house devised by a Tudor intellectual 1 Paul Drury. With a major contribution by Richard Simpson |
title_short | Hill Hall |
title_sort | hill hall a singular house devised by a tudor intellectual |
title_sub | a singular house devised by a Tudor intellectual |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=023961943&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV038726695 |
work_keys_str_mv | AT drurypaul hillhallasingularhousedevisedbyatudorintellectual1 AT simpsonrichard hillhallasingularhousedevisedbyatudorintellectual1 |