Le concerto de Manuel de Falla, langage et style, classicisme et modernisme:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | French |
| Veröffentlicht: |
1927
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| ISSN: | 0995-8274 |
Internformat
MARC
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| 245 | 1 | 0 | |a Le concerto de Manuel de Falla, langage et style, classicisme et modernisme |c Adolfo Salazar |
| 264 | 1 | |c 1927 | |
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Datensatz im Suchindex
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| author | Salazar, Adolfo 1890-1958 |
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| author_role | aut |
| author_sort | Salazar, Adolfo 1890-1958 |
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| bvnumber | BV038540968 |
| ctrlnum | (OCoLC)888542980 (DE-599)BVBBV038540968 |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-09T23:50:32Z |
| institution | BVB |
| issn | 0995-8274 |
| language | French |
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| spelling | Salazar, Adolfo 1890-1958 Verfasser (DE-588)116762756 aut Le concerto de Manuel de Falla, langage et style, classicisme et modernisme Adolfo Salazar 1927 txt rdacontent n rdamedia nc rdacarrier volume:2 year:1927 pages:352-354 Cahiers d'art Paris, 1927 2.1927, 352-354 (DE-604)BV006668534 0995-8274 (DE-600)215414-6 |
| spellingShingle | Salazar, Adolfo 1890-1958 Le concerto de Manuel de Falla, langage et style, classicisme et modernisme |
| title | Le concerto de Manuel de Falla, langage et style, classicisme et modernisme |
| title_auth | Le concerto de Manuel de Falla, langage et style, classicisme et modernisme |
| title_exact_search | Le concerto de Manuel de Falla, langage et style, classicisme et modernisme |
| title_full | Le concerto de Manuel de Falla, langage et style, classicisme et modernisme Adolfo Salazar |
| title_fullStr | Le concerto de Manuel de Falla, langage et style, classicisme et modernisme Adolfo Salazar |
| title_full_unstemmed | Le concerto de Manuel de Falla, langage et style, classicisme et modernisme Adolfo Salazar |
| title_short | Le concerto de Manuel de Falla, langage et style, classicisme et modernisme |
| title_sort | le concerto de manuel de falla langage et style classicisme et modernisme |
| work_keys_str_mv | AT salazaradolfo leconcertodemanueldefallalangageetstyleclassicismeetmodernisme |