Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
1998
|
ISBN: | 968-36-6941-7 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV038036482 | ||
003 | DE-604 | ||
005 | 20090530105425 | ||
007 | t | ||
008 | 080226s1998 |||| 00||| eng d | ||
035 | |a (OCoLC)887121108 | ||
035 | |a (DE-599)BVBBV038036482 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
100 | 1 | |a Herring, Adam |d 1967- |e Verfasser |0 (DE-588)131584456 |4 aut | |
245 | 1 | 0 | |a Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition |c Adam L. Herring |
264 | 1 | |c 1998 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
773 | 1 | 8 | |g pages:43-52 |
773 | 0 | 8 | |t La abolición del arte / Instituto de Investigaciones Estéticas. Ed. a cargo de Alberto Dallal |b 1. ed. |d México, 1998 |g S. 43-52 |k Estudios de arte y estética ; 49 |w (DE-604)BV038874836 |z 968-36-6941-7 |
999 | |a oai:aleph.bib-bvb.de:BVB01-023249252 | ||
941 | |s 43-52 |
Datensatz im Suchindex
_version_ | 1804146704121856000 |
---|---|
any_adam_object | |
article_link | (DE-604)BV038874836 |
author | Herring, Adam 1967- |
author_GND | (DE-588)131584456 |
author_facet | Herring, Adam 1967- |
author_role | aut |
author_sort | Herring, Adam 1967- |
author_variant | a h ah |
building | Verbundindex |
bvnumber | BV038036482 |
ctrlnum | (OCoLC)887121108 (DE-599)BVBBV038036482 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00945naa a2200265 c 4500</leader><controlfield tag="001">BV038036482</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20090530105425 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">080226s1998 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)887121108</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV038036482</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Herring, Adam</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)131584456</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition</subfield><subfield code="c">Adam L. Herring</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">1998</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:43-52</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">La abolición del arte / Instituto de Investigaciones Estéticas. Ed. a cargo de Alberto Dallal</subfield><subfield code="b">1. ed.</subfield><subfield code="d">México, 1998</subfield><subfield code="g">S. 43-52</subfield><subfield code="k">Estudios de arte y estética ; 49</subfield><subfield code="w">(DE-604)BV038874836</subfield><subfield code="z">968-36-6941-7</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-023249252</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">43-52</subfield></datafield></record></collection> |
id | DE-604.BV038036482 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T23:39:34Z |
institution | BVB |
isbn | 968-36-6941-7 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-023249252 |
oclc_num | 887121108 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
publishDate | 1998 |
publishDateSearch | 1998 |
publishDateSort | 1998 |
record_format | marc |
spelling | Herring, Adam 1967- Verfasser (DE-588)131584456 aut Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition Adam L. Herring 1998 txt rdacontent n rdamedia nc rdacarrier pages:43-52 La abolición del arte / Instituto de Investigaciones Estéticas. Ed. a cargo de Alberto Dallal 1. ed. México, 1998 S. 43-52 Estudios de arte y estética ; 49 (DE-604)BV038874836 968-36-6941-7 |
spellingShingle | Herring, Adam 1967- Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition |
title | Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition |
title_auth | Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition |
title_exact_search | Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition |
title_full | Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition Adam L. Herring |
title_fullStr | Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition Adam L. Herring |
title_full_unstemmed | Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition Adam L. Herring |
title_short | Banner stones, big rocks, and the ends of representation in the Maya sculptural tradition |
title_sort | banner stones big rocks and the ends of representation in the maya sculptural tradition |
work_keys_str_mv | AT herringadam bannerstonesbigrocksandtheendsofrepresentationinthemayasculpturaltradition |