An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London:
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Payne & Foss in Komm. [u.a.]
1827
|
Beschreibung: | VII, 536 S. Ill. |
Internformat
MARC
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100 | 1 | |a Cumberland, George |d 1754-1848 |e Verfasser |0 (DE-588)119237342 |4 aut | |
245 | 1 | 0 | |a An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London |
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Datensatz im Suchindex
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any_adam_object | |
author | Cumberland, George 1754-1848 |
author_GND | (DE-588)119237342 |
author_facet | Cumberland, George 1754-1848 |
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ctrlnum | (OCoLC)249069923 (DE-599)BVBBV037898985 |
format | Book |
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id | DE-604.BV037898985 |
illustrated | Illustrated |
indexdate | 2024-07-09T23:36:25Z |
institution | BVB |
language | English |
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publishDate | 1827 |
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publisher | Payne & Foss in Komm. [u.a.] |
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spelling | Cumberland, George 1754-1848 Verfasser (DE-588)119237342 aut An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London London Payne & Foss in Komm. [u.a.] 1827 VII, 536 S. Ill. txt rdacontent n rdamedia nc rdacarrier |
spellingShingle | Cumberland, George 1754-1848 An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London |
title | An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London |
title_auth | An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London |
title_exact_search | An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London |
title_full | An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London |
title_fullStr | An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London |
title_full_unstemmed | An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London |
title_short | An essay on the utility of collecting the best works of the ancient engravers of the Italian school ; accompanied by a critical catalogue, with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London |
title_sort | an essay on the utility of collecting the best works of the ancient engravers of the italian school accompanied by a critical catalogue with interesting anecdotes of the engravers of a chronological series of rare and valuable prints from the earliest practice of the art in italy to the year 1549 now deposited in the british museum and royal academy in london |
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