Message from the darkroom:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Turin
Adarte
2006
|
| Ausgabe: | First Engl. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Aus dem Ital. übers. |
| Beschreibung: | 444 S. überw. Ill. |
| ISBN: | 8889082038 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
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| 003 | DE-604 | ||
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| 250 | |a First Engl. ed. | ||
| 264 | 1 | |a Turin |b Adarte |c 2006 | |
| 300 | |a 444 S. |b überw. Ill. | ||
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Datensatz im Suchindex
| _version_ | 1804146094152613888 |
|---|---|
| adam_text | MESSAGE
FROM THE DARKROOM
CARLO
MOLLINO
A SHORT HISTORY OF PHOTOGRAPHIC TASTES
...............
p.
11
1. -
From
Niépce s
discovery to the Neoclassical taste for the daguerrotype
. » 11
2. -
Nadar
and D. H. Hill, classical portraitists
................. » 18
3. -
Photography mimics fuzzy painting and Impressionism
......... ■> 24
4. -
Eclectic chaos
.................................. » 29
5. -
Pure photography
.............................. » 35
6. -
Eugene Atget and modern photographic taste
................ » 38
7. -
Alvarez Bravo
.................................. » 45
8. -
Man Ray
..................................... » 48
MESSAGE FROM THE DARKROOM
........................ » 53
9. -
Photography and art
.............................. » 53
10. -
Reproducing nature
............................... » 54
11. -
The perception of nature and subjective transfiguration
.......... » 58
12. -
Beauty is not art but an opportunity for art
.............. » 60
13. -
The apparent mechanical objectivity of the photographic lens
...... » 64
14. -
Paragon without a camera
........................... » 69
15. -
The technical photographic means of aesthetically transfiguring nature
. » 71
16. -
Selection of space
............................... » 72
17. -
Selection of time
................................ » 72
18. -
Time has endless worlds not perceived by the naked eye
....... » 75
19. -
The difficulties of a technique provide the opportunity to subjectively
interpret the world
............................... » 78
20. -
Contrary to its purpose, mechanical and technical progress in photography
provides new ways of transfiguring reality
................. » 81
21. -
Selecting tonality ratios and angles of perspective
............. » 83
22. -
Focus
-
Sharp and blurred
-
Prejudices
............... » 83
23. -
Photography can begin after the button is pressed
........... » 85
24. -
Photography and the dream of the painting
................ » 87
25. -
All is permitted
................................. » 88
26. -
Photography and parallel taste in the other arts
.............. » 90
27. -
The newly eclectic contemporary taste
.................... » 92
28. -
Document and textual reproduction of reality
............. » 94
Notes and pretexts
................................... » 99
Plates
........................................... » 125
|
| any_adam_object | 1 |
| author | Mollino, Carlo 1905-1973 |
| author_GND | (DE-588)119150069 |
| author_facet | Mollino, Carlo 1905-1973 |
| author_role | aut |
| author_sort | Mollino, Carlo 1905-1973 |
| author_variant | c m cm |
| building | Verbundindex |
| bvnumber | BV037653849 |
| ctrlnum | (OCoLC)255586750 (DE-599)BVBBV037653849 |
| edition | First Engl. ed. |
| era | Geschichte 1860-1949 gnd |
| era_facet | Geschichte 1860-1949 |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-07-09T23:29:53Z |
| institution | BVB |
| isbn | 8889082038 |
| language | English |
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| oclc_num | 255586750 |
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| owner_facet | DE-255 |
| physical | 444 S. überw. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Adarte |
| record_format | marc |
| spelling | Mollino, Carlo 1905-1973 Verfasser (DE-588)119150069 aut Il messaggio dalla camera obscura Message from the darkroom by Carlo Mollino First Engl. ed. Turin Adarte 2006 444 S. überw. Ill. txt rdacontent sti rdacontent n rdamedia nc rdacarrier Aus dem Ital. übers. Mollino, Carlo 1905-1973 (DE-588)119150069 gnd rswk-swf Geschichte 1860-1949 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Fotografie (DE-588)4045895-7 s Ästhetik (DE-588)4000626-8 s Geschichte 1860-1949 z 1\p DE-604 Mollino, Carlo 1905-1973 (DE-588)119150069 p 2\p DE-604 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022867376&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Mollino, Carlo 1905-1973 Message from the darkroom Mollino, Carlo 1905-1973 (DE-588)119150069 gnd Ästhetik (DE-588)4000626-8 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)119150069 (DE-588)4000626-8 (DE-588)4045895-7 |
| title | Message from the darkroom |
| title_alt | Il messaggio dalla camera obscura |
| title_auth | Message from the darkroom |
| title_exact_search | Message from the darkroom |
| title_full | Message from the darkroom by Carlo Mollino |
| title_fullStr | Message from the darkroom by Carlo Mollino |
| title_full_unstemmed | Message from the darkroom by Carlo Mollino |
| title_short | Message from the darkroom |
| title_sort | message from the darkroom |
| topic | Mollino, Carlo 1905-1973 (DE-588)119150069 gnd Ästhetik (DE-588)4000626-8 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | Mollino, Carlo 1905-1973 Ästhetik Fotografie |
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