Semiotics at the circus:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin [u.a.]
De Gruyter Mouton
2010
|
| Schriftenreihe: | Semiotics, communication and cognition
3 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. [185] - 194 |
| Beschreibung: | IX, 196 S. Ill. 230 mm x 155 mm |
| ISBN: | 9783110218305 9783110218299 |
Internformat
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Datensatz im Suchindex
| _version_ | 1805095997912645632 |
|---|---|
| adam_text |
IMAGE 1
CONTENTS
INTRODUCTION A SEMIOTICIAN AT THE CIRCUS 1
CHAPTER 1. THE PRODUCTION OF CIRCUS SPACE 11
1.1. THE CONSTRAINTS OF NOMADIC LIFE 11
1.2. THE SPATIAL ALGORITHM OF THE CIRCUS 14
1.3. SQUARING THE CIRCLE 16
1.4. OLLI AND ULI: PLAYING WITH SPACE AND DESIRE 18
CHAPTER 2. THE TIME OF THE CIRCUS. COGNITIVE AND EMOTIONAL DIMENSIONS OF
ACROBATICS AND OTHER CIRCUS ACTS 21 2.1. CIRCUS ACTS AS TEXTS 22
2.2. A BRAIN TO BRAIN AFFAIR 24
2.3. ANOTHER KIND OF TIME 29
2.4. THE TIMELESS TOOLS OF TIME 34
2.5. CLOWNS AT WORK: THE MELODIC STRUCTURE OF SOCIAL INTERACTIONS 38
2.6. CONCLUDING REMARKS: CIRCUS TIME AND COGNITION 43
CHAPTER 3. IN WHAT SENSE IS A CIRCUS ANIMAL PERFORMING? 44 3.1. MEANING,
TEXT, AND CONTEXT 44
3.2. THE CIVILIZED ANIMAL 46
3.3. A SYMPHONY OF SIGNS: THE ART OF DECEIT AND THE PITFALLS OF
SELF-DECEPTION 50
CHAPTER 4. HORSES' FEATHERS: FROM TACIT KNOWLEDGE TO CIRCUS METAPHORS 55
4.1. A THEORETICAL PRELUDE 55
4.2. BIRDS, HORSES, AND FEATHERS 58
4.3. HORSES, OSTRICHES, AND CHORUS GIRLS 60
4.4. CIRCUS HORSES IN TIMES OF CULTURAL CHANGES 65
CHAPTER 5. CIRCUS AND CYCLES 68
5.1. HORSE AND BICYCLE: PRELIMINARY ANALOGIES 68
5.2. HISTORY, CULTURAL EVOLUTION, AND THE CIRCUS 71
5.3. THE INTRODUCTION OF THE BICYCLE IN CIRCUS SPECTACLES 72
5.4. PONDERING THE STRANGE HISTORY OF THE BICYCLE 75
5.5. THE SEMIOTICS OF THE BICYCLE 78
5.6. THE BICYCLE ENTERS THE KINGDOM OF THE HORSE 80
BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/1010340824
DIGITALISIERT DURCH
IMAGE 2
VIII CONTENTS
CHAPTER 6. THE PYRAMID AND THE WHEEL: THE VISUAL DISCOURSE OF CIRCUS
ACROBATICS 82
6.1. THE REPRESENTATION OF LAW AND ANARCHY 83
6.2. THE LANGUAGE OF THE PYRAMID 84
6.3. THE TANGIER TROUPE: FROM ORDER TO CHAOS AND BACK 86
6.4. THE STAGING OF ACROBATICS AS SOCIAL METAPHORS 89
6.5. REVOLUTION(S) ON A TRAMPOLINE 90
6.6. TRIUMPH AND TRAGEDY: THE SEMIOTICS OF FEAR AND DANGER 92
6.7. UNDER THE SEMIOTIC MAGNIFYING LENS 94
6.8. GENDER ECONOMY AND TACIT RULES: NORMS AND TRANSGRESSIONS IN THE AIR
95
6.9. THE PREDICTIVE POWER OF SEMIOTICS 100
6.10. ORDER AND CHAOS ON WHEELS 101
CHAPTER 7. THE LOGIC OF CLOWN FACES 103
7.1. THE STRUCTURE OF EUROPEAN CLOWNS'MAKE-UP 104
7.2. FROM STRUCTURALISM TO BIOSEMIOTICS 106
7.3. ICONS OF BIOMORPHOLOGY 108
7.4. WHITE FACES AND WHITE PATCHES: THE MANAGEMENT OF LEUCOSIGNALS IN
CLOWN MAKE-UP 110
7.5. A CROSS-CULTURAL PROBE OF CLOWN MAKE-UP AND ITS TRANSFORMATIONS 113
7.6. EXPANDING THE SCOPE: TOWARD A GLOBAL SEMIOTIC THEORY OF CLOWN
MAKE-UP 117
CHAPTER 8. INCIDENT, ACCIDENT, FAILURE: LIFE AND DEATH AT THE CIRCUS 120
8.1. THE REPRESENTATION OF NEGATIVE EXPERIENCE IN PERFORMANCE 121 8.2. A
SCIENCE OF THE INDIVIDUAL 122
8.3. TOWARD A MODEL OF NEGATIVE EXPERIENCE 125
8.4. WHEN FAILURE MEANS SUCCESS: THE STAGING OF A NEGATIVE EXPERIENCE
127 8.5. THE SEMIOTIC DISSECTION OF GEORGE CARL'S COMIC ACT 132
8.6. ANATOMY OF A NEGATIVE MASTERPIECE 134
8.7. SUBJECTIVE VS. OBJECTIVE SITUATIONS 136
8.8. A LADY IN DANGER 141
CHAPTER 9. THERE'S NO BUSINESS LIKE SHOW BUSINESS: THE MARKETING OF
PERFORMANCE 149
9.1. MARKETING THE PERFORMING ARTS 149
9.2. THE GOLDEN RULES OF PERFORMANCE 154
9.3. HOW TO CAPTURE AN AUDIENCE 155
9.4. THE POWER OF STORIES 158
IMAGE 3
CONTENTS IX
CHAPTER 10. THE RESEARCHER AS SPECTATOR: THE PRAGMATICS OF CIRCUS
PERFORMANCES 162
10.1. TOWARD A THEORY OF LIVE PERFORMANCES 163
10.2. THE PREDICAMENTS OF DESCRIPTION 166
10.3. THE RULES OF PERFORMANCE 170
10.4. HOW TO MAKE A VERBAL COPY 172
10.5. FROM RULES OF PERFORMANCE TO RULES OF DESCRIPTION 175
CONCLUSION CIRCUS IN PERSPECTIVE 177
REFERENCES 185
SUBJECT INDEX 195
AUTHOR INDEX 197 |
| any_adam_object | 1 |
| author | Bouissac, Paul 1934- |
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| dewey-full | 791.3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.3 |
| dewey-search | 791.3 |
| dewey-sort | 3791.3 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Sprachwissenschaft Literaturwissenschaft |
| format | Book |
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| institution | BVB |
| isbn | 9783110218305 9783110218299 |
| language | English |
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| publishDate | 2010 |
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| spellingShingle | Bouissac, Paul 1934- Semiotics at the circus Semiotics, communication and cognition Semiotik (DE-588)4054498-9 gnd Zirkus (DE-588)4067878-7 gnd |
| subject_GND | (DE-588)4054498-9 (DE-588)4067878-7 |
| title | Semiotics at the circus |
| title_auth | Semiotics at the circus |
| title_exact_search | Semiotics at the circus |
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| topic_facet | Semiotik Zirkus |
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