Monteverdi:
Claudio Monteverdi is now recognized as the towering figure of a critical transitional moment of Western music history: relentless innovator in every genre within chamber, church and theatre music; self-proclaimed leader of a "new dispensation" between words and their musical expression; p...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2011
|
| Schriftenreihe: | The Baroque composers
[1] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Claudio Monteverdi is now recognized as the towering figure of a critical transitional moment of Western music history: relentless innovator in every genre within chamber, church and theatre music; self-proclaimed leader of a "new dispensation" between words and their musical expression; perhaps even "Creator of Modern Music". During recent years, as his arrestingly attractive music has been brought back to life in performance, so too have some of the most outstanding musicologists focussed intensely on Monteverdi as they worked through the "big" questions in the historiography and hermeneutics of early Baroque music, including musical representation of language; compositional theory; social, institutional, cultural and gender history; performance practices and more. The 17 articles in this volume have been selected by Richard Wistreich to exemplify the best scholarship in English and because each, in retrospect, turns out to have been a ground-breaking contribution to one or more significant strands in Monteverdi studies. |
| Beschreibung: | Bandzählung der Verlagshomepage entnommen |
| Beschreibung: | XXXIV, 535 S. Ill., Notenbeisp. 26 cm |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV037336987 | ||
| 003 | DE-604 | ||
| 005 | 20140626 | ||
| 007 | t | ||
| 008 | 110413s2011 agl| |||| 00||| eng d | ||
| 015 | |a GBB0B0671 |2 dnb | ||
| 020 | |z 9780754629023 |c hbk. |9 978-0-7546-2902-3 | ||
| 035 | |a (OCoLC)664324748 | ||
| 035 | |a (DE-599)BVBBV037336987 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-703 | ||
| 084 | |a LP 40300 |0 (DE-625)106725: |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 245 | 1 | 0 | |a Monteverdi |c ed. by Richard Wistreich |
| 264 | 1 | |a Farnham [u.a.] |b Ashgate |c 2011 | |
| 300 | |a XXXIV, 535 S. |b Ill., Notenbeisp. |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a The Baroque composers |v [1] | |
| 500 | |a Bandzählung der Verlagshomepage entnommen | ||
| 520 | |a Claudio Monteverdi is now recognized as the towering figure of a critical transitional moment of Western music history: relentless innovator in every genre within chamber, church and theatre music; self-proclaimed leader of a "new dispensation" between words and their musical expression; perhaps even "Creator of Modern Music". During recent years, as his arrestingly attractive music has been brought back to life in performance, so too have some of the most outstanding musicologists focussed intensely on Monteverdi as they worked through the "big" questions in the historiography and hermeneutics of early Baroque music, including musical representation of language; compositional theory; social, institutional, cultural and gender history; performance practices and more. The 17 articles in this volume have been selected by Richard Wistreich to exemplify the best scholarship in English and because each, in retrospect, turns out to have been a ground-breaking contribution to one or more significant strands in Monteverdi studies. | ||
| 600 | 1 | 4 | |a Monteverdi, Claudio / 1567-1643 / Criticism and interpretation |
| 600 | 1 | 7 | |a Monteverdi, Claudio |d 1567-1643 |0 (DE-588)118583700 |2 gnd |9 rswk-swf |
| 648 | 4 | |a Geschichte 1700-1800 | |
| 650 | 4 | |a Music / 18th century / History and criticism | |
| 650 | 4 | |a Musik | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Monteverdi, Claudio |d 1567-1643 |0 (DE-588)118583700 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Wistreich, Richard |d 1954- |e Sonstige |0 (DE-588)130432954 |4 oth | |
| 830 | 0 | |a The Baroque composers |v [1] |w (DE-604)BV037406596 |9 1 | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022490770&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09031 |g 45 |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |f 09032 |g 45 |
Datensatz im Suchindex
| _version_ | 1805066476863881216 |
|---|---|
| adam_text |
Contents
Acknowledgements
vii
Series Preface
ix
Introduction
xi
PART I MUSIC, TEXT AND REPRESENTATION
1
Nino Pirrotta
(1984),
'Monteverdi's Poetic Choices', in Nino Pirrotta, Music
and Culture in Italy from the Middle Ages to the Baroque: A Collection of
Essays, Cambridge, MA and London: Harvard University Press, pp.
271-316,
endnotes pp.
428-52. 3
2
Gary Tomlinson
(1981),
'Madrigal, Monody, and Monteverdi's "via
naturale
alla
immitatione'",
Journal of the American Musicological Society,
34,
pp.
60-108. 75
3
Ellen Rosand
(1989),
'Monteverdi's Mimetic Art:
L
'incoronazione di
Popped
',
Cambridge Opera Journal,
1,
pp.
113-37. 125
4
Tim Carter
(1995),
'Resemblance and Representation: Towards a New Aesthetic
in the Music of Monteverdi', in Iain Fenlon and Tim Carter
(eds),
Con che
soavità:
Studies in Italian Opera, Song and Dance,
1580-1740,
Oxford:
Clarendon Press, pp.
118-34. 151
PARTII
THEORY AND GENRE
5
Tim Carter
(1992),
'Artuši,
Monteverdi, and the Poetics of Modern Music',
in Nancy Kovaleff Baker and Barbara
Russano Hanning
(eds),
Musical
Humanism and its Legacy: Essays in Honor of Claude V.
Polisca, Hillsdale,
NY:
Pendragon Press, pp.
171 -94. 171
6
Suzanne G. Cusick
(1993),
'Gendering Modern Music: Thoughts on the
Monteverdi-Artusi Controversy', Journal of the American Musicological
Society,
46,
pp.
1-25. 195
7
Massimo
Ossi
(1992),
'Claudio
Monteverdi's
Ordine
novo,
bello et gustevole:
The Canzonetta
as Dramatic Module and Formal Archetype', Journal of the
American Musicological Society,
45,
pp.
261-304. 221
8
Barbara
Russano
Hanning
(1992),
'Monteverdi's Three Genera: A Study in
Terminology', in Nancy Kovaleff Baker and Barbara
Russano
Hanning
(eds),
Musical Humanism and its Legacy: Essays in Honor of Claude V.
Patisca,
Hillsdale, NY: Pendragon Press, pp.
145-70. 265
Monteverdi
PART III CRITICISM, ANALYSIS AND HISTORY
9
Susan McClary
(1989),
'Constructions of Gender in Monteverdi's Dramatic
Music', Cambridge Opera Journal,
1,
pp.
203-23. 293
10
Geoffrey Chew
(1993),
'The Platonic Agenda of Monteverdi's
Seconda
Pratica:
A Case Study from the Eighth Book of Madrigals', Music Analysis,
12,
pp.
147-68. 315
11
Anthony Pryer
(1997),
'Monteverdi, Two Sonnets and a Letter', Early Music,
25,
pp.
357-71. 337
12
Wendy Heller
(1999),
'Tacitus Incognito: Opera as History in
L 'incoronazione
di
Popped1
,
Journal of the American Musicological Society,
52,
pp.
39-96. 353
PART IV INSTITUTIONAL, SOURCE AND PERFORMANCE ISSUES
13
Susan
Parisi
(1994),
'Musicians at the Court of Mantua during Monteverdi's
Time: Evidence from the Payrolls', in Siegfried Gmeinwieser, David Hiley
and
Jörg Riedlbauer
(eds),
Musicologia
Humana: Studies in Honor of
Warren and Ursula Kirkendale, Florence: Olschki, pp.
183-208. 413
14
Iain Fenlon
(1984),
'Monteverdi's Mantuan Orfeo: Some New Documentation',
Early Music,
12,
pp.
163-72. 439
15
Andrew Parrott
(1984),
'Transposition in Monteverdi's Vespers of
1610:
An "Aberration" Defended'
,
Early Music,
12,
pp.
490-516. 449
16
Alan Curtis
(1989),
'La Poppea Impasticciata or,
Who Wrote the Music to
L
'Incoronazione
(1643)?',
Journal of the American Musicological Society,
42,
pp.
23-54. 475
17
Jeffrey G. Kurtzman
(1994),
'Monteverdi's "Mass of Thanksgiving" Revisited',
Early Music,
22,
pp.
63-76, 78-84. 507
Name Index
529 |
| any_adam_object | 1 |
| author_GND | (DE-588)130432954 |
| building | Verbundindex |
| bvnumber | BV037336987 |
| classification_rvk | LP 40300 |
| ctrlnum | (OCoLC)664324748 (DE-599)BVBBV037336987 |
| discipline | Musikwissenschaft |
| era | Geschichte 1700-1800 |
| era_facet | Geschichte 1700-1800 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 cb4500</leader><controlfield tag="001">BV037336987</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20140626</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">110413s2011 agl| |||| 00||| eng d</controlfield><datafield tag="015" ind1=" " ind2=" "><subfield code="a">GBB0B0671</subfield><subfield code="2">dnb</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780754629023</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-7546-2902-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)664324748</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV037336987</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 40300</subfield><subfield code="0">(DE-625)106725:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Monteverdi</subfield><subfield code="c">ed. by Richard Wistreich</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Farnham [u.a.]</subfield><subfield code="b">Ashgate</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XXXIV, 535 S.</subfield><subfield code="b">Ill., Notenbeisp.</subfield><subfield code="c">26 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">The Baroque composers</subfield><subfield code="v">[1]</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Bandzählung der Verlagshomepage entnommen</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Claudio Monteverdi is now recognized as the towering figure of a critical transitional moment of Western music history: relentless innovator in every genre within chamber, church and theatre music; self-proclaimed leader of a "new dispensation" between words and their musical expression; perhaps even "Creator of Modern Music". During recent years, as his arrestingly attractive music has been brought back to life in performance, so too have some of the most outstanding musicologists focussed intensely on Monteverdi as they worked through the "big" questions in the historiography and hermeneutics of early Baroque music, including musical representation of language; compositional theory; social, institutional, cultural and gender history; performance practices and more. The 17 articles in this volume have been selected by Richard Wistreich to exemplify the best scholarship in English and because each, in retrospect, turns out to have been a ground-breaking contribution to one or more significant strands in Monteverdi studies.</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Monteverdi, Claudio / 1567-1643 / Criticism and interpretation</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Monteverdi, Claudio</subfield><subfield code="d">1567-1643</subfield><subfield code="0">(DE-588)118583700</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / 18th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Monteverdi, Claudio</subfield><subfield code="d">1567-1643</subfield><subfield code="0">(DE-588)118583700</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wistreich, Richard</subfield><subfield code="d">1954-</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)130432954</subfield><subfield code="4">oth</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">The Baroque composers</subfield><subfield code="v">[1]</subfield><subfield code="w">(DE-604)BV037406596</subfield><subfield code="9">1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022490770&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09031</subfield><subfield code="g">45</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09032</subfield><subfield code="g">45</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV037336987 |
| illustrated | Illustrated |
| indexdate | 2024-07-20T03:18:58Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022490770 |
| oclc_num | 664324748 |
| open_access_boolean | |
| owner | DE-12 DE-703 |
| owner_facet | DE-12 DE-703 |
| physical | XXXIV, 535 S. Ill., Notenbeisp. 26 cm |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Ashgate |
| record_format | marc |
| series | The Baroque composers |
| series2 | The Baroque composers |
| spelling | Monteverdi ed. by Richard Wistreich Farnham [u.a.] Ashgate 2011 XXXIV, 535 S. Ill., Notenbeisp. 26 cm txt rdacontent n rdamedia nc rdacarrier The Baroque composers [1] Bandzählung der Verlagshomepage entnommen Claudio Monteverdi is now recognized as the towering figure of a critical transitional moment of Western music history: relentless innovator in every genre within chamber, church and theatre music; self-proclaimed leader of a "new dispensation" between words and their musical expression; perhaps even "Creator of Modern Music". During recent years, as his arrestingly attractive music has been brought back to life in performance, so too have some of the most outstanding musicologists focussed intensely on Monteverdi as they worked through the "big" questions in the historiography and hermeneutics of early Baroque music, including musical representation of language; compositional theory; social, institutional, cultural and gender history; performance practices and more. The 17 articles in this volume have been selected by Richard Wistreich to exemplify the best scholarship in English and because each, in retrospect, turns out to have been a ground-breaking contribution to one or more significant strands in Monteverdi studies. Monteverdi, Claudio / 1567-1643 / Criticism and interpretation Monteverdi, Claudio 1567-1643 (DE-588)118583700 gnd rswk-swf Geschichte 1700-1800 Music / 18th century / History and criticism Musik (DE-588)4143413-4 Aufsatzsammlung gnd-content Monteverdi, Claudio 1567-1643 (DE-588)118583700 p DE-604 Wistreich, Richard 1954- Sonstige (DE-588)130432954 oth The Baroque composers [1] (DE-604)BV037406596 1 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022490770&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Monteverdi The Baroque composers Monteverdi, Claudio / 1567-1643 / Criticism and interpretation Monteverdi, Claudio 1567-1643 (DE-588)118583700 gnd Music / 18th century / History and criticism Musik |
| subject_GND | (DE-588)118583700 (DE-588)4143413-4 |
| title | Monteverdi |
| title_auth | Monteverdi |
| title_exact_search | Monteverdi |
| title_full | Monteverdi ed. by Richard Wistreich |
| title_fullStr | Monteverdi ed. by Richard Wistreich |
| title_full_unstemmed | Monteverdi ed. by Richard Wistreich |
| title_short | Monteverdi |
| title_sort | monteverdi |
| topic | Monteverdi, Claudio / 1567-1643 / Criticism and interpretation Monteverdi, Claudio 1567-1643 (DE-588)118583700 gnd Music / 18th century / History and criticism Musik |
| topic_facet | Monteverdi, Claudio / 1567-1643 / Criticism and interpretation Monteverdi, Claudio 1567-1643 Music / 18th century / History and criticism Musik Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022490770&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV037406596 |
| work_keys_str_mv | AT wistreichrichard monteverdi |