American music: a panorama
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Cengage Learning
2012
|
| Ausgabe: | 4th ed |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XV, 332 S. Ill. |
| ISBN: | 9780495916123 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804145615369666560 |
|---|---|
| adam_text | Contents
Preface
xiii
Part I
Folk and Ethnic Musics
2
Chapter
1
The English-Celtic
Tradition
4
Imported Ballads
4
Θ
Barbara Allen (H. J. Beeker)
5
Features Common to Most Ballads
6
Naturalized Ballads
8
©
Gypsy Davy (Woody Guthrie)
8
Native Ballads
10
©
John Hardy (The Carter Family)
11
Print and the Ballad
12
Fiddle Tunes
13
©
Soldier s Joy (Marion Sumner)
13
Print and the Fiddle Tune
14
Play-Party Songs
14
©
Old Man at the Mill (Clint Howard,
Fred Price, Doc Watson)
14
Key Terms
16
Chapter
2
The African American
Tradition
17
African Music and Its Relation to Black Music
in America
17
©
Music in Praise of a Yoruba Chief
(Nigeria)
18
Religious Folk Music: The Spiritual
19
©
Sheep, Sheep, Don t You Know the Road
(Bessie Jones, Sea Island Singers)
19
©
Jacob s Ladder (Paul Robeson)
21
Secular Folk Music
23
@ Quittin Time Song (Samuel Brooks)
23
©
John Henry (Arthur Bell)
25
Key Terms
28
Chapter
3
The American Indian
Tradition
29
Music in Indian Life
29
Types of Songs According to Purpose
31
@ Pigeon s Dream Song (Louis Pigeon, vocal;
Menominee, Northern Plains)
32
@ Cherokee/Creek Stomp Dance (Eastern
Woodlands)
32
©
Butterfly Dance (San Juan Pueblo,
New Mexico)
34
Characteristics of Indian Music
34
Indian Music and Acculturation
35
©
Ghost Dance Song (Pawnee Plains)
36
©
Rabbit Dance (Los Angeles Northern
Singers)
36
Key Terms
37
Chapter
4
Latino Traditions
38
The Legacy of the Spanish Conquest
38
Sacred Music from Mexico
38
©
Al Pie de Este
Santo Altar
(Luis Montoya,
vocal; Vicente
Padilla, pito)
40
vu
Vlil
Contents
© Las
Posadas (Franquilino Miranda
and group)
41
Secular Music from Mexico
42
©
Las Abajeñas (Mariachi Cobre)
44
J}
El Corrido de Gregorio Cortéz
(Los
Hermanos
Banda)
47
•fr
Mal
Hombre
(Lydia
Mendoza)
49
The Caribbean and South America
51
©
Para los Rumberos (Tito Puente)
52
Key Terms
53
Chapter
5
Diverse Traditions:
French, Scandinavian,
Arab, and Asian
54
The French Influence in Louisiana
54
•fr Midland Two-Step (Michael Doucet,
Beausoleil)
55
«0
Zydeco
Sont pas Salé
(Clifton Chenier)
57
The Scandinavian Influence in the Upper
Midwest
58
©
Banjo, Old Time (LeRoy Larson,
Minnesota Scandinavian Ensemble)
59
Arab American Traditions
60
©
Zaffat al-Hilu (Majid Kakka, Bells
Band)
61
The Asian Influence
62
©
Tampopo (Nobuko Miyamoto)
65
Key Terms
67
Chapter
6
Folk Music as an Instrument
of Advocacy
68
©
The Farmer Is the Man That Feeds Them All
(Fiddlin John Carson)
68
The Urban Folk Song Movement of the
1930s
and
1940s 70
(¿) I Am a Union Woman (Aunt Molly
Jackson)
71
Protest and Folk Song in the
1960s 73
©
Masters of War (Bob Dylan)
75
Freedom Songs and the Civil Rights
Movement in the South
77
©
We Shall Overcome (SNCC)
77
Key Terms
79
Part
I I
Three Offspring of the
Rural South
80
Chapter
7
Country Music
82
Enduring Themes
82
The Country Sound
83
Commercial Beginnings: Early Recordings,
Radio, and the First Stars
85
Jimmie Rodgers: the Father of Country
Music
87
@ Muleskinner Blues (Jimmie
Rodgers)
87
The West: Cowboys, Honky-Tonks, and
Western Swing
88
@ Cotton-Eyed Joe (Bob Wills and
His Texas Playboys)
91
Postwar Dissemination and Full-Scale
Commercialization
92
©
I m So Lonesome I Could Cry
(Hank Williams)
94
©
I m Blue Again (Patsy
Cline)
95
©
Blue Eyes Crying in the Rain (Willie
Nelson)
98
The Persistence and Revival of Traditional
Styles
99
©
Muleskinner Blues (Bill Monroe and His
Blue Grass Boys)
100
©
John Henry (The Lilly Brothers)
101
Key Terms
102
Chapter
8
The Blues
103
Characteristics of the Blues
103
©
Countin the Blues (Ma Rainey, and Her
Georgia Jazz Band)
107
©
Prison Cell Blues (Blind Lemon Jefferson)
108
Contents
їх
@ Preachin Blues (Up Jumped the Devil)
(Robert Johnson,)
110
Early Published Blues
110
Classic Blues 111
Blues and Jazz
112
Boogie-Woogie
113
0
Mr. Freddie Blues (Meade Lux Lewis)
114
Selling the Country Blues
115
Urban Blues
115
Blues at the Turn of the Century
116
0
Texas Flood (Stevie Ray Vaughan)
117
Key Terms
118
Chapter
9
Rock Music
119
Rock s Ties to Rhythm and Blues
119
0
Good Rockin Tonight (Wynonie Harris)
120
0
Rock Around the Clock (Bill Haley and His
Comets)
121
Reaching White Audiences
122
The Influence of Country Music
123
J} That s All Right (Elvis Presley)
124
Trends from the
1960s
to the Present
125
^ Good Vibrations (The Beach Boys)
127
J^ The Star-Spangled Banner
(Live at Woodstock)
(Jimi Hendrix)
129
J^ Eruption (Van
Halen)
131
,φ
Sheena Is a Punk Rocker (The
Ramones)
132
HipHop 135
0
Walk This Way
(Run-D.M.C.)
136
Key Terms
137
Part III
Popular Sacred Music
138
Chapter
10
From Psalm Tune to Rural
Revivalism
140
Psalmody in America
140
0
Amazing Grace (Congregation of
the Old Regular Baptist Church)
142
The Singing-School Movement
143
0
Chester (The Old Sturbridge Singers)
144
0
Amity (The Old Sturbridge Singers)
148
The Frontier and Rural America in the
Nineteenth Century
148
0
Wondrous Love (Anonymous
4) 150
Music Among Smaller Independent
American Sects
154
0
Tis
the Gift to Be Simple (The United
Society of Shakers)
155
Key Terms
155
Chapter
11
Urban Revivalism and Gospel
Music
156
Urban Revivalism After the Civil War: The
Moody-Sankey Era of Gospel Hymns
156
0
In the Sweet By-and-By (The Harmoneion
Singers)
158
The Billy Sunday-Homer
Rodeheaver
Era:
Further Popularization
159
0
Brighten the Corner Where You Are (Homer
Rodeheaver) 160
Gospel Music After the Advent of Radio and
Recordings
161
©
Give the World a Smile (The Stamps
Quartet)
162
0
He Got Better Things for You (Memphis
Sanctified Singers)
164
0
Swing Down, Chariot (Golden Gate
Quartet)
168
Key Terms
171
Part IV
Popular Secular Music
172
Chapter
12
Secular Music in the Cities
from Colonial Times to the
Age of Andrew Jackson
174
Concerts and Dances
174
0
The College Hornpipe (Rodney Miller)
175
Contents
Bands and Military Music
177
@ Lady Hope s Reel (American Fife
Ensemble)
178
@ Washington s March (The Liberty Tree Wind
Players)
178
Musical Theater
179
©
Chorus of Adventurers from The Indian
Princess, (Federal Music Society Opera)
181
Popular Song
183
©
Junto Song (Seth McCoy)
184
Key Terms
185
Chapter
13
Popular Musical Theater
and Opera from the Age
of Andrew Jackson to the
Present
186
Minstrelsy and Musical Entertainment
Before the Civil War
186
®
De
Boatman s Dance (Ensemble)
189
From the Civil War Through the Turn
of the Century
192
©
The Yankee Doodle Boy (Richard Perry)
194
The First Half of the Twentieth Century
195
The Musical in Its Maturity: Show Boat
to West Side Story
196
©
Cool West Side Story (Original Broadway
Cast)
198
The Musical Since West Side Story
199
Opera in America
200
©
It Ain t Necessarily So (Lawrence
Tibbett)
201
Key Terms
204
Chapter
14
Popular Music from the
Jacksonian Era to the
Advent of Rock
205
Popular Song from the 1830s Through the
Civil War
206
©
Get Off the Track (The Hutchinson
Family Singers)
208
©
Hard Times Come Again No More
(The Hutchinson Family Singers)
210
©
The Battle Cry of Freedom (George
Shirley)
213
Bands and Band Music from the Civil War to
John Philip
Sousa
214
©
The Washington Post March (Advocate Brass
Band)
215
Popular Song in the Gilded Age
216
Tin Pan Alley: Popular Music Publishing
Becomes an Industry
217
©
Brother, Can You Spare a Dime?
(Bing
Crosby)
218
Key Terms
219
Part V
Jazz and Its Forerunners
220
Chapter
15
Ragtime and Precursors
of Jazz
222
The Context of Ragtime from Its Origins
to Its Zenith
222
@ Hello! Ma Baby (Don Meehan, Dave
Corey)
222
The Musical Characteristics of Ragtime
226
©
Maple Leaf Rag (Scott Joplin)
227
The Decline and Dispersion of Ragtime
227
©
If Dreams Come True (James P.
Johnson)
228
Precursors of Jazz
229
©
Eternity (Eureka Brass Band)
231
©
Just a Little While to Stay Here (Eureka Brass
Band)
231
Key Terms
232
Chapter
16
Jazz
233
The New Orleans Style: The Traditional Jazz
of the Early Recordings
233
©
Dippermouth Blues (King Oliver s Creole
Jazz Band)
233
Contents
xi
0
Hotter Than That (Louis Armstrong
and His Hot Five)
236
Chicago s Jazz Scene in the
1920s 236
The Swing Era and the Big Bands
237
©
Ko-ko (Duke Ellington and His
Orchestra)
238
The Emergence of Modern Jazz: Bop as a
Turning Point
241
©
KoKo (Charlie Parker)
243
•ft Out of This World flohn
Coltrane)
244
Jazz Since the
1970s 245
0
Bitches Brew (Miles Davis)
246
Key Terms
247
Part VI
Classical Music
248
Chapter
17
The Search for an American
Identity
250
Music Education Before the Civil
War
252
Music Education and Culture After the
Mid-Nineteenth Century
253
@ Pawnee Horses Arthur Farwell
(Dario Müller) 258
American Music and American
Life
259
0
Rhapsody in Blue, George Gershwin (Oscar
Levant)
260
©
Afro-American Symphony, William Grant Still
(Fort Smith Symphony)
262
@ Appalachian Spring, Aaron Copland
(New York Philharmonic)
263
America s Virtuoso Cult
263
@ The Banjo, Louis
Gottschalk
(Eugene
List)
265
@ The Battle ofManassas by Thomas
Wiggins (John Davis)
267
Key Terms
268
Chapter
18
Twentieth-Century
Innovation and the
Contemporary World
269
Charles Ives: American Innovator
269
0
Four New England Holidays, Charles Ives
(Chicago Symphony Orchestra)
271
New York Modernism
271
0
Hyperprism,
Edgard
Várese
(Columbia
Symphony Orchestra)
273
Midcentury Modernism
273
The West Coast: Cowell and Partch
275
©
The Banshee (Henry Cowell)
276
New Technology and the New Music
278
Minimalism
278
@ Piano Phase (Steve Reich)
280
Multimedia Art and Concept Music
280
Classical Music and the Contemporary
World
281
0
The Bushy Wushy Rag, Philip Bimstein (Equinox
Chamber Players)
282
Key Terms
282
Chapter
19
Film Music
283
A Realistic Film of the American West
283
Two Films About the Small Town and
the Big City
285
Three Career Film Composers
286
©
The Murder Psycho, Bernard Herrmann
(Los Angeles Philharmonic)
289
©
The Imperial March Star Wars John
Williams (London Symphony Orchestra)
290
The American Panorama on Film
291
Key Terms
291
References
293
Glossary
301
Index
315
|
| any_adam_object | 1 |
| author | Candelaria, Lorenzo F. Kingman, Daniel |
| author_facet | Candelaria, Lorenzo F. Kingman, Daniel |
| author_role | aut aut |
| author_sort | Candelaria, Lorenzo F. |
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| bvnumber | BV037332070 |
| ctrlnum | (OCoLC)705954656 (DE-599)BVBBV037332070 |
| edition | 4th ed |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| genre | (DE-588)4151278-9 Einführung gnd-content |
| genre_facet | Einführung |
| geographic | USA USA (DE-588)4078704-7 gnd Amerika (DE-588)4001670-5 gnd |
| geographic_facet | USA Amerika |
| id | DE-604.BV037332070 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T23:22:16Z |
| institution | BVB |
| isbn | 9780495916123 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022485950 |
| oclc_num | 705954656 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XV, 332 S. Ill. |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Cengage Learning |
| record_format | marc |
| spelling | Candelaria, Lorenzo F. Verfasser aut American music a panorama Lorenzo Candelaria, Daniel Kingman 4th ed New York [u.a.] Cengage Learning 2012 XV, 332 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte gnd rswk-swf Music / United States / History and criticism Musik Musikethnologie (DE-588)4127833-1 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf Amerika (DE-588)4001670-5 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Amerika (DE-588)4001670-5 g Musik (DE-588)4040802-4 s Geschichte z DE-604 Musikethnologie (DE-588)4127833-1 s USA (DE-588)4078704-7 g Geschichte (DE-588)4020517-4 s 1\p DE-604 2\p DE-604 Kingman, Daniel Verfasser aut Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022485950&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Candelaria, Lorenzo F. Kingman, Daniel American music a panorama Music / United States / History and criticism Musik Musikethnologie (DE-588)4127833-1 gnd Geschichte (DE-588)4020517-4 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4127833-1 (DE-588)4020517-4 (DE-588)4040802-4 (DE-588)4078704-7 (DE-588)4001670-5 (DE-588)4151278-9 |
| title | American music a panorama |
| title_auth | American music a panorama |
| title_exact_search | American music a panorama |
| title_full | American music a panorama Lorenzo Candelaria, Daniel Kingman |
| title_fullStr | American music a panorama Lorenzo Candelaria, Daniel Kingman |
| title_full_unstemmed | American music a panorama Lorenzo Candelaria, Daniel Kingman |
| title_short | American music |
| title_sort | american music a panorama |
| title_sub | a panorama |
| topic | Music / United States / History and criticism Musik Musikethnologie (DE-588)4127833-1 gnd Geschichte (DE-588)4020517-4 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Music / United States / History and criticism Musik Musikethnologie Geschichte USA Amerika Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022485950&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT candelarialorenzof americanmusicapanorama AT kingmandaniel americanmusicapanorama |