Daniel-François-Esprit Auber: the man and his music
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Newcastle
Cambridge Scholars Publ.
2010
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | XXXI, 619 S. Ill., Notenbeisp. 21 cm |
ISBN: | 9781443825634 1443825638 |
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Datensatz im Suchindex
_version_ | 1804145599849693184 |
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adam_text | Table of Contents
List of Illustrations
.....................................................................................xi
List of Musical Examples
.........................................................................xix
Foreword
.................................................................................................xxv
Introduction
...........................................................................................xxvii
Daniel-François-Esprit
Auber: Some Critical Perspectives
.........................1
1)
Auber, Man and Artist: Elegance, Detachment and Wit
—
An Anecdotal Legacy
.......................................................................1
2)
The Early Career
..............................................................................11
3)
The Association with
Eugène
Scribe
...............................................16
4)
Early Private Life
.............................................................................20
5)
The Mature Career
...........................................................................22
6)
The Music: The Predominance of Melody
......................................24
7)
Auber and Rossini
...........................................................................28
8)
Some Creative Highpoints
...............................................................29
9)
Some Other Stylistic Features
..........................................................35
10)
The Late Works
.............................................................................42
11)
A German and a Russian Interest
..................................................43
Letters of
Daniel-François-Esprit
Auber and
Augustin-Eugène
Scribe
.....53
The Stage Works of
Daniel-François-Esprit
Auber
{opéras-comiques,
grands-opéras,
ballets, plays)
..................................................................113
1.
L Erreur d un
moment
...................................................................113
2.
Couvin/Jean
de Chimay
.................................................................113
3.
Le Séjour militaire
........................................................................115
4.
Le Testament et Les Billets Doux
...................................................116
5.
La Bergère Châtelaine
...................................................................119
6.
Emma, ou La Promesse imprudente
...............................................122
I.Leicester,
ou Le Château de Kenilworth
........................................124
8.
La Neige, ou Le Nouveau Eginard
.................................................129
9.
Vendôme en Espagne
.....................................................................138
viii
Daniel-François-Esprit Auber.
The Man and His Music
10.
Les Trois
Genres
..........................................................................139
11.
Le
Concert
à la cour, ou La Débutante
........................................140
ll.Léocadie
.......................................................................................143
13.
Le Maçon
.....................................................................................149
14.
Le Timide
.....................................................................................158
15.
Fiorella
........................................................................................159
16.
La Muette de
Porţiei (Masaniello)
...............................................164
17.
La Fiancée
...................................................................................187
18.
Fra Diavolo,
ou L Hôtellerie de Terracina
..................................196
19.
Le Dieu et la
Bayadere
.................................................................223
20.
Le Philtre
.....................................................................................231
21.
La Marquise de Brinvilliers
.........................................................241
22.
Le Serment, ou Les Faux Monnayeurs
.........................................245
23.
Gustave
III,
ou Le Bal masqué
.....................................................252
24.
Lestocq, ou
Ľ
Intrigue et
ľ
amour
...............................................270
25.
Le Cheval de Bronze
....................................................................279
26.
Actéon
..........................................................................................296
27.
Les Chaperons Blancs
..................................................................299
28.
L Ambassadrice
...........................................................................304
29.
La Fête de Versailles (Divertissement de Versailles)
..................314
30.
Le Domino noir
............................................................................315
31.
Incidental Music for the Turkish Scene in
Molière s Le
Bourgeois
Gentilhomme
...............................................................330
32.
Le Lac des
fees
.............................................................................330
33.
Zanetta, ou II ne faut pas jouer avec le feu
..................................342
34.
Les Diamants de la couronne
.......................................................349
35.
Le Duc d Olonne
..........................................................................363
36.
La Part du Diable, ou Carlo Broschi
...........................................367
37.
La Sirène
......................................................................................379
38.
La
Barcarolle,
ou L Amour et la Musique
...................................386
39.
Les Premiers Pas
.........................................................................395
40.
Haydée, ou Le Secret
...................................................................396
Al. L Enfant Prodigue
.......................................................................410
42.
Zerline, ou La Corbeille d oranges
..............................................420
43.
Marco
Spada
................................................................................425
A4. Jenny Bell.....................................................................................432
45.
Manon Lescaut
.............................................................................436
46.
Marco
Spada
(ballet)
...................................................................446
47.
Le Cheval de bronze (opéra-ballet)
..............................................453
48.
La Circassienne
...........................................................................454
49.
La Fiancée du Roi de
Garbe........................................................459
Introduction
ix
50.
Le Premier Jour de Bonheur.
......................................................463
5Í.
Rêve d Amour
..............................................................................469
Non-Operatic
Works
................................................................................475
1)
Ballets
2)
Plays/Incidental Music
3)
Cantatas
Musical
Bibliography
..............................................................................479
Pieces without date
............................................................................479
Individual works
................................................................................479
Arrangements
.....................................................................................525
Anthologies
........................................................................................549
Thematic Bibliography
............................................................................555
Auber and Scribe
................................................................................555
—
Daniel-François-Esprit
Auber
..................................................555
—
Augustin-Eugène
Scribe
...........................................................559
General
...............................................................................................563
—
General
(Grand-Opéra
and
Opéra-Comique)
..........................563
—
Contemporary Composers
........................................................564
—
French History
..........................................................................566
—
Music
........................................................................................567
—French Opera
............................................................................570
—
Literature
..................................................................................572
Discography
.............................................................................................575
Index
........................................................................................................587
1.
General Index
.................................................................................588
2.
Index of Role Creators
...................................................................603
a. Singers
......................................................................................603
b. Dancers
.....................................................................................609
3.
Index of Productions
......................................................................610
4.
Index of Translators
.......................................................................614
5.
Index of Illustrators
........................................................................616
6.
Index of Scholars and Critics
.........................................................617
Daniel-François-Esprit Auber
(1782-1871),
the
composer
of
La Muette de
Portici
(1828)
and
Fra
Diavolo
(1830),
was once regarded as one of the great figures of music, a staple of the operatic repertoire
in France, and indeed internationally. It is now almost impossible to understand the extent of his once
universal fame and his influence on contemporary composers. His operas were in the theatre repertories
of the world until the
1920s,
and innumerable arrangements of them were published and sold
everywhere. The ubiquity of his overtures
—
Masaniello,
Fra Diavolo,
The Bronze Horse, The Black
Domino, The Crown Diamonds
—
once as popular as those of Rossini and
Suppé,
and the influence of his
melodies and dance rhythms on piano and instrumental music, and on Romantic comic opera, was
overwhelming. Auber s style was distinguished by an avoidance of excess in dramatic expression; all
feeling and emotion, any vivid depiction of local colour, were realized within his discreetly nuanced
tones, always stamped with a Parisian elegance.
Many important posts were conferred on Auber. His appointment to the Institute
(1829)
was followed
by other prestigious positions: Director of Concerts at Court
(1839),
Director of the Paris Conservatoire
(1842),
Musical Director of the Imperial Chapel
(1852),
and Grand Officer of the Legion
d Honneur
(1861).
His death during the Siege of Paris
(1871)
in the city he always loved, marked the end of an era.
Auber s operas continued to be loved in France up to the years preceding the First World War, but the
influence of Wagner, Impressionism and the Neo-Classicism of the Ballet
Russe
resulted in a neglect of
the ancient traditions of
opéra-comique
in the country of its origin. Only in Germany did the genre
continue to flourish. Auber s most enduring work
Fra Diavolo
is still performed there. The time has
surely come for Auber s life and work to be reassessed; perhaps then the world will begin to hear more of
his elegant, gracious, life-afHrming music.
The aim of this study is to offer an overview of the
Ufe
and work of Auber by close examination of his
forty operas, with consideration of origins, casting, plot, analysis of dramaturgy and musical style, and
reception history. This is presented with regard to Auber s understanding of the dominant genres of early
nineteenth-century French opera. The analysis of the operas is made in the context of Auber s crucial
working relationship with
Eugène
Scribe
(1791-1861)—
master dramatist and supreme librettist, a
determining force in the history of opera
—
who provided
38
of his libretti. Their cooperation is unique
and of importance on several literary, musical and cultural levels. The nature of their interaction and
personal friendship is assessed by a translation of the extant correspondence between them, some
80
letters that have not appeared in English before. The presentation of each opera is illustrated by musical
examples from all the scores, prints from the complete works of Scribe, and other theatrical memorabilia.
The book also contains bibliographies of Auber s works and their contemporary arrangements, studies of
Auber s and Scribe s lives and work, their artistic and historical milieux, and a discography.
Robert Ignatius Letellier has specialized in the music and literature of the Romantic Period. He has studied the
work of
Giacomo
Meyerbeer (a four-volume English edition of his diaries, a collection of critical and biographical
studies, a guide to research, two readings of the operas, as well as compiling and introducing editions of the complete
libretti and non-operatic texts, and a selection of manuscripts facsimiles). He has
ако
written on the ballets of
Ludwig
Minkus, compiled a series of scores on the Romantic Ballet, and produced a study of the
opéra-comique.
|
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author | Letellier, Robert Ignatius 1953- |
author_GND | (DE-588)136190065 |
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bvnumber | BV037320776 |
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discipline | Musikwissenschaft |
edition | 1. publ. |
format | Book |
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spelling | Letellier, Robert Ignatius 1953- Verfasser (DE-588)136190065 aut Daniel-François-Esprit Auber the man and his music by Robert Ignatius Letellier 1. publ. Newcastle Cambridge Scholars Publ. 2010 XXXI, 619 S. Ill., Notenbeisp. 21 cm txt rdacontent n rdamedia nc rdacarrier Auber, Daniel-François-Esprit 1782-1871 (DE-588)118646192 gnd rswk-swf Tonträger (DE-588)4134364-5 gnd rswk-swf Auber, D. F. E / (Daniel François Esprit), 1782-1871 (DE-588)4006804-3 Biografie gnd-content (DE-588)4188171-0 Verzeichnis gnd-content (DE-588)4189680-4 Werkverzeichnis gnd-content Auber, Daniel-François-Esprit 1782-1871 (DE-588)118646192 p DE-604 Tonträger (DE-588)4134364-5 s Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022474978&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022474978&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Letellier, Robert Ignatius 1953- Daniel-François-Esprit Auber the man and his music Auber, Daniel-François-Esprit 1782-1871 (DE-588)118646192 gnd Tonträger (DE-588)4134364-5 gnd |
subject_GND | (DE-588)118646192 (DE-588)4134364-5 (DE-588)4006804-3 (DE-588)4188171-0 (DE-588)4189680-4 |
title | Daniel-François-Esprit Auber the man and his music |
title_auth | Daniel-François-Esprit Auber the man and his music |
title_exact_search | Daniel-François-Esprit Auber the man and his music |
title_full | Daniel-François-Esprit Auber the man and his music by Robert Ignatius Letellier |
title_fullStr | Daniel-François-Esprit Auber the man and his music by Robert Ignatius Letellier |
title_full_unstemmed | Daniel-François-Esprit Auber the man and his music by Robert Ignatius Letellier |
title_short | Daniel-François-Esprit Auber |
title_sort | daniel francois esprit auber the man and his music |
title_sub | the man and his music |
topic | Auber, Daniel-François-Esprit 1782-1871 (DE-588)118646192 gnd Tonträger (DE-588)4134364-5 gnd |
topic_facet | Auber, Daniel-François-Esprit 1782-1871 Tonträger Biografie Verzeichnis Werkverzeichnis |
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