Renaissance theories of vision:
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissanc...
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| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey
Ashgate
2010
|
| Schriftenreihe: | Visual culture in early modernity
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley |
| Beschreibung: | Includes bibliographical references and index Introduction / John S. Hendrix and Charles H. Carman -- Classical optics and the perspectivae traditions leading to the Renaissance / Nader El-Bizri -- Meanings of perspective in the Renaissance : tensions and resolution / Charles H. Carman -- Criminal vision in early modern Florence : Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze / Allie Terry -- Donatello's Chellini Madonna, light, and vision / Amy R. Bloch -- Perception as a function of desire in the Renaissance / John S. Hendrix -- Leonardo da Vinci's theory of vision and creativity : the Uffizi Annunciation / Liana De Girolami Cheney -- At the boundaries of sight : the Italian Renaissance cloud putto / Christian Kleinbub -- Gesture and perspective in Raphael's School of Athens / Nicholas Temple -- Seeing and the transfer of spirits in early modern art theory / Thijs Weststeijn -- "All in him selfe as in a glass he sees" : mirrors and vision in the Renaissance / Faye Tudor -- "Nearest the tangible earth" : Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch / Alice Crawford Berghof |
| Beschreibung: | X, 245 S. Ill., graph. Darst. |
| ISBN: | 9781409400240 |
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| 500 | |a Introduction / John S. Hendrix and Charles H. Carman -- Classical optics and the perspectivae traditions leading to the Renaissance / Nader El-Bizri -- Meanings of perspective in the Renaissance : tensions and resolution / Charles H. Carman -- Criminal vision in early modern Florence : Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze / Allie Terry -- Donatello's Chellini Madonna, light, and vision / Amy R. Bloch -- Perception as a function of desire in the Renaissance / John S. Hendrix -- Leonardo da Vinci's theory of vision and creativity : the Uffizi Annunciation / Liana De Girolami Cheney -- At the boundaries of sight : the Italian Renaissance cloud putto / Christian Kleinbub -- Gesture and perspective in Raphael's School of Athens / Nicholas Temple -- Seeing and the transfer of spirits in early modern art theory / Thijs Weststeijn -- "All in him selfe as in a glass he sees" : mirrors and vision in the Renaissance / Faye Tudor -- "Nearest the tangible earth" : Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch / Alice Crawford Berghof | ||
| 520 | |a How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley | ||
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| 650 | 4 | |a Geschichte | |
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| 650 | 4 | |a Perspective |x History | |
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Datensatz im Suchindex
| _version_ | 1804145597625663488 |
|---|---|
| adam_text | IMAGE 1
CONTENTS
LIST OF ILLUSTRATIONS VII
NOTES ON CONTRIBUTORS IX
ACKNOWLEDGMENTS XI
1 INTRODUCTION 1
JOHN S. HENDRIX AND CHARLES H. CARMAN
2 CLASSICAL OPTICS AND THE PERSPECTIVAE TRADITIONS LEADING TO THE
RENAISSANCE 11
NADER EL~BIZRI
3 MEANINGS OF PERSPECTIVE IN THE RENAISSANCE: TENSIONS AND RESOLUTION 31
CHARLES H. CARMAN
4 CRIMINAL VISION IN EARLY MODERN FLORENCE: FRA ANGELICO S ALTARPIECE
FOR II TEMPIO AND THE MAGDALENIAN GAZE 45
ALLIE TERRY
5 DONATELLO S CHELLINI MADONNA, LIGHT, AND VISION 63
AMY R. BLOCH
6 PERCEPTION AS A FUNCTION OF DESIRE IN THE RENAISSANCE 89
JOHN S. HENDRIX
7 LEONARDO DA VINCI S THEORY OF VISION AND CREATIVITY: THE UFFIZI
ANNUNCIATION 103
LIANA DE GIROLAMI CHENEY
IMAGE 2
VI RENAISSANCE THEORIES OF VISION
8 AT THE BOUNDARIES OF SIGHT: THE ITALIAN RENAISSANCE CLOUD PUTTO 117
CHRISTIAN KLEINBUB
9 GESTURE AND PERSPECTIVE IN RAPHAEL S SCHOOL OF ATHENS 135
NICHOLAS TEMPLE
10 SEEING AND THE TRANSFER OF SPIRITS IN EARLY MODERN ART THEORY 149
THIJS WESTSTEIJN
11 ALL IN HIM SELFE AS IN A GLASS HE SEES : MIRRORS AND VISION IN THE
RENAISSANCE 171
FAYE TUDOR
12 NEAREST THE TANGIBLE EARTH : REMBRANDT, SAMUEL VAN HOOGSTRATEN,
GEORGE BERKELEY, AND THE OPTICS OF TOUCH 187
ALICE CRAWFORD BERGHOF
BIBLIOGRAPHY 213
INDEX 235
|
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| dewey-full | 701/.8 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.8 |
| dewey-search | 701/.8 |
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| format | Book |
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| spelling | Renaissance theories of vision ed. by John Shannon Hendrix ... Farnham, Surrey Ashgate 2010 X, 245 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Visual culture in early modernity Includes bibliographical references and index Introduction / John S. Hendrix and Charles H. Carman -- Classical optics and the perspectivae traditions leading to the Renaissance / Nader El-Bizri -- Meanings of perspective in the Renaissance : tensions and resolution / Charles H. Carman -- Criminal vision in early modern Florence : Fra Angelico's altarpiece for "Il Tempio" and the Magdalenian gaze / Allie Terry -- Donatello's Chellini Madonna, light, and vision / Amy R. Bloch -- Perception as a function of desire in the Renaissance / John S. Hendrix -- Leonardo da Vinci's theory of vision and creativity : the Uffizi Annunciation / Liana De Girolami Cheney -- At the boundaries of sight : the Italian Renaissance cloud putto / Christian Kleinbub -- Gesture and perspective in Raphael's School of Athens / Nicholas Temple -- Seeing and the transfer of spirits in early modern art theory / Thijs Weststeijn -- "All in him selfe as in a glass he sees" : mirrors and vision in the Renaissance / Faye Tudor -- "Nearest the tangible earth" : Rembrandt, Samuel van Hoogstraten, George Berkeley, and the optics of touch / Alice Crawford Berghof How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley Geschichte 1400-1700 gnd rswk-swf Visual perception / History Vision / History Perspective / History Art / Philosophy Art, Renaissance Geschichte Kunst Philosophie Visual perception History Vision History Perspective History Art Philosophy Optik (DE-588)4043650-0 gnd rswk-swf Perspektive (DE-588)4045301-7 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2005 Cambridge Mass. gnd-content Perspektive (DE-588)4045301-7 s Geschichte 1400-1700 z DE-604 Optik (DE-588)4043650-0 s Hendrix, John edt SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022473432&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Renaissance theories of vision Visual perception / History Vision / History Perspective / History Art / Philosophy Art, Renaissance Geschichte Kunst Philosophie Visual perception History Vision History Perspective History Art Philosophy Optik (DE-588)4043650-0 gnd Perspektive (DE-588)4045301-7 gnd |
| subject_GND | (DE-588)4043650-0 (DE-588)4045301-7 (DE-588)1071861417 |
| title | Renaissance theories of vision |
| title_auth | Renaissance theories of vision |
| title_exact_search | Renaissance theories of vision |
| title_full | Renaissance theories of vision ed. by John Shannon Hendrix ... |
| title_fullStr | Renaissance theories of vision ed. by John Shannon Hendrix ... |
| title_full_unstemmed | Renaissance theories of vision ed. by John Shannon Hendrix ... |
| title_short | Renaissance theories of vision |
| title_sort | renaissance theories of vision |
| topic | Visual perception / History Vision / History Perspective / History Art / Philosophy Art, Renaissance Geschichte Kunst Philosophie Visual perception History Vision History Perspective History Art Philosophy Optik (DE-588)4043650-0 gnd Perspektive (DE-588)4045301-7 gnd |
| topic_facet | Visual perception / History Vision / History Perspective / History Art / Philosophy Art, Renaissance Geschichte Kunst Philosophie Visual perception History Vision History Perspective History Art Philosophy Optik Perspektive Konferenzschrift 2005 Cambridge Mass. |
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