National performance: representing Quebec from Expo 67 to Céline Dion
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ne...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Toronto ; Buffalo ; London
University of Toronto Press
[2011]
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| Schriftenreihe: | Cultural spaces
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| Schlagworte: | |
| Zusammenfassung: | In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Cľine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec |
| Beschreibung: | ix, 244 Seiten Illustrationen 24 cm |
| ISBN: | 9781442640955 9781487521332 |
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| 520 | |a In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Cľine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec | ||
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Datensatz im Suchindex
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|---|---|
| any_adam_object | |
| author | Hurley, Erin |
| author_facet | Hurley, Erin |
| author_role | aut |
| author_sort | Hurley, Erin |
| author_variant | e h eh |
| building | Verbundindex |
| bvnumber | BV037284467 |
| classification_rvk | MS 1235 NK 5260 |
| contents | Includes bibliographical references (p. [189]-235) and index |
| ctrlnum | (OCoLC)466659705 (DE-599)BVBBV037284467 |
| discipline | Soziologie Geschichte |
| era | Geschichte 1967-2010 gnd |
| era_facet | Geschichte 1967-2010 |
| format | Book |
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| id | DE-604.BV037284467 |
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| isbn | 9781442640955 9781487521332 |
| language | English |
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| spelling | Hurley, Erin Verfasser aut National performance representing Quebec from Expo 67 to Céline Dion Erin Hurley Toronto ; Buffalo ; London University of Toronto Press [2011] ix, 244 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Cultural spaces Includes bibliographical references (p. [189]-235) and index In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Cľine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec Geschichte 1967-2010 gnd rswk-swf Theater and society / Québec (Province) Theater audiences / Québec (Province) / Psychology Performing arts / Social aspects / Québec (Province) Performing arts / Audiences / Québec (Province) Nationalism / Québec (Province) Gesellschaft Nationalismus Kulturelle Identität (DE-588)4033542-2 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Québec Provinz (DE-588)4048030-6 gnd rswk-swf Québec Provinz (DE-588)4048030-6 g Darstellende Kunst (DE-588)4129566-3 s Kulturelle Identität (DE-588)4033542-2 s Nationalbewusstsein (DE-588)4041282-9 s Geschichte 1967-2010 z DE-604 |
| spellingShingle | Hurley, Erin National performance representing Quebec from Expo 67 to Céline Dion Includes bibliographical references (p. [189]-235) and index Theater and society / Québec (Province) Theater audiences / Québec (Province) / Psychology Performing arts / Social aspects / Québec (Province) Performing arts / Audiences / Québec (Province) Nationalism / Québec (Province) Gesellschaft Nationalismus Kulturelle Identität (DE-588)4033542-2 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
| subject_GND | (DE-588)4033542-2 (DE-588)4041282-9 (DE-588)4129566-3 (DE-588)4048030-6 |
| title | National performance representing Quebec from Expo 67 to Céline Dion |
| title_auth | National performance representing Quebec from Expo 67 to Céline Dion |
| title_exact_search | National performance representing Quebec from Expo 67 to Céline Dion |
| title_full | National performance representing Quebec from Expo 67 to Céline Dion Erin Hurley |
| title_fullStr | National performance representing Quebec from Expo 67 to Céline Dion Erin Hurley |
| title_full_unstemmed | National performance representing Quebec from Expo 67 to Céline Dion Erin Hurley |
| title_short | National performance |
| title_sort | national performance representing quebec from expo 67 to celine dion |
| title_sub | representing Quebec from Expo 67 to Céline Dion |
| topic | Theater and society / Québec (Province) Theater audiences / Québec (Province) / Psychology Performing arts / Social aspects / Québec (Province) Performing arts / Audiences / Québec (Province) Nationalism / Québec (Province) Gesellschaft Nationalismus Kulturelle Identität (DE-588)4033542-2 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Darstellende Kunst (DE-588)4129566-3 gnd |
| topic_facet | Theater and society / Québec (Province) Theater audiences / Québec (Province) / Psychology Performing arts / Social aspects / Québec (Province) Performing arts / Audiences / Québec (Province) Nationalism / Québec (Province) Gesellschaft Nationalismus Kulturelle Identität Nationalbewusstsein Darstellende Kunst Québec Provinz |
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