Performance: a critical introduction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
2010
|
| Ausgabe: | 2. ed., reprinted |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | X, 276 S. Ill. |
| ISBN: | 0415299268 0415299276 9780415299268 9780415299275 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of illustrations
viii
Preface
ix
Acknowledgments
xi
Introduction: what is performance?
1
The aims of this book
2
The display of skills
2
Patterned behavior
3
Keeping up the standard
4
Theatre and performance art
5
The plan of this book
6
PART I
Performance and the social sciences
9
1
The performance of culture: anthropological and
ethnographic approaches
11
Performance and anthropology
12
Theories of cultural performance
13
Liminality and play
18
Performing anthropology
24
2
Performance in society: sociological and psychological
approaches
31
Social performance
32
Framing
35
Performance and agency
37
Perspectives on social performance
38
Moreno and psychodrama
41
Eric Berne and
Такой
Parsons
43
vi
Contents
Social
constructionism
44
Erving Goffman
and keying
45
Richard Schechner and restored behavior
46
Binocular vision and the actual
48
Performance and psychoanalysis
50
3
The performance of language: linguistic approaches
56
Semiotics
56
The
poststructuralist
challenge
57
The linguistic tradition
58
Speech act theory
61
The literary speech act
65
Speech act theory and semiotics
71
Text and performance
74
Performativity and citation
75
Performance and the social sciences: a look backward
79
PART II
The art of performance
81
4
Performance in its historical context
83
Performance s new orientation
83
Folk and popular performance
87
Experimental performance
95
Modern mime and dance
101
Non-dramatic events
104
5
Performance art
110
The beginnings of performance art
110
Spectacle performance
117
Solo work
123
The turn to language
128
Live art, liveliness, and the media
132
Looking ahead
134
Contents
vii
PART III
Performance and contemporary theory
135
6
Performance and the postmodern
137
Theorists of the modern and postmodern
137
Postmodern dance
142
Strategies of postmodernism
145
Postmodernism, poststructuralism, and theatricality
148
Performance as experience
151
After postmodernism
155
7
Performance and identity
157
Early feminist performance
157
Autobiographical performance
162
Male performance
164
Controversies of the
1990s 168
Performance and ethnicity
173
8
Cultural performance
179
Guerrilla and street performance
180
Social concerns in early feminist performance
182
The search for subjectivity
184
Resistant performance
188
Recent political performance
194
Post-colonial perspectives
198
Intercultural performance in a global context
204
Conclusion: what is performance?
205
Drawing to a close
205
Some overviews
208
The spread of performance study
211
Coda: an apologia for theatre
213
Glossary
217
Notes
224
Bibliography
247
Name index
266
Subject index
272
This is vintage Carlson
-
erudite, concise,
precise and engaging.
New Theatre Quarterly
Performance: a critical introduction was the first textbook to provide
an overview of the modern concept of performance and its development
in various related fields. This comprehensively revised, illustrated edition
discusses recent performance work and takes into consideration changes
that have taken place in the
--tudy
of performance since the book s
original publication in
1996.
Marvin Carlson
cuides
the reader through
the contested definition of performance as a theatrical activity and the
myriad ways in which performance has been interpreted by
ethnographers, anthropologists. linguists, and cultural theorists.
Topics covered include:
the evolution
formance
art since the UunK
•
the relationship between performance, postmodernism,
the politics o{identity, and current cultural studies
•
the recent theoretical developments in the study
Ы
performance in the fields oi anthropology, psychoanalysis,
linguistics, and technology.
With a fully updated bibliography and additional glossary of terms.
students of performance studies, visual and performing arts or theatre
history will welcome this new version oi a classic text.
.Marvin Carlson
1-
the Sidney
Ľ.
Coho Professor of Theatre and
Comparative Literature at the Graduate Center of the City
Universit .
Ы
New
Vork.
He has received the ATHE Career Achievement Award, the
George Jean Nathan Award for Dramatic Criticism, the Calloway Prize,
and the
ASI R
Distinguished Scholarship Award. He has published widely
in theatre history and theory,
performance
studies, and dramatic literature.
Performance Studies/Theatre HistoryA isual and Performina Art-
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|
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| illustrated | Illustrated |
| indexdate | 2024-07-09T22:52:57Z |
| institution | BVB |
| isbn | 0415299268 0415299276 9780415299268 9780415299275 |
| language | English |
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