Understanding and crafting the mix: the art of recording
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Amsterdam [u.a.]
Elsevier, Focal Press
2007
|
| Edition: | 2. ed. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Item Description: | Bibliogr. S. 380 - 386. - Diskogr. S. 387 - 388 |
| Physical Description: | XXVIII, 396 S. graph. Darst., Ill. 1 CD-ROM |
| ISBN: | 024080483X 9780240807553 |
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MARC
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| 264 | 1 | |a Amsterdam [u.a.] |b Elsevier, Focal Press |c 2007 | |
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| 650 | 0 | |a Acoustical engineering | |
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Record in the Search Index
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|---|---|
| adam_text | IMAGE 1
LISTING OF EXERCISES
P. IX
FOREWORD
P. XII
PREFACE
P. XVI
ACKNOWLEDGMENTS
P. XXI
INTRODUCTION
P. XXII
OVERVIEW OF ORGANIZATION AND MATERIALS
P. XXIII
ESTABLISHING AN ACCURATE PLAYBACK OF RECORDINGS
P. XXVII
DEFINING THE ART OF RECORDING: THE SOUND CHARACTERISTICS AND AESTHETIC
QUALITIES OF AUDIO RECORDINGS
THE ELEMENTS OF SOUND AND AUDIO RECORDING
P. 3
THE STATES OF SOUND
P. 3
PHYSICAL DIMENSIONS OF SOUND
P. 5
PERCEIVED PARAMETERS OF SOUND
P. 15
SUMMARY
P. 34
EXERCISES
P. 35
THE AESTHETIC AND ARTISTIC ELEMENTS OF SOUND IN AUDIO RECORDINGS P. 36
THE STATES OF SOUND AND THE AESTHETIC/ARTISTIC ELEMENTS
P. 37
PITCH LEVELS AND RELATIONSHIPS
P. 38
DYNAMIC LEVELS AND RELATIONSHIPS
P. 42
RHYTHMIC PATTERNS AND RATES OF ACTIVITIES
P. 45
SOUND SOURCES AND SOUND QUALITY
P. 46
SPATIAL PROPERTIES: STEREO AND SURROUND SOUND
P. 48
CONCLUSION
P. 59
EXERCISES
P. 60
THE MUSICAL MESSAGE AND THE LISTENER
P. 61
THE MUSICAL MESSAGE
P. 61
MUSICAL FORM AND STRUCTURE
P. 63
MUSICAL MATERIALS
P. 65
THE RELATIONSHIPS OF ARTISTIC ELEMENTS AND MUSICAL MATERIALS P. 66
EQUIVALENCE AND THE EXPRESSION OF MUSICAL IDEAS
P. 68
TEXT AS SONG LYRICS
P. 70
THE LISTENER
P. 73
CONCLUSION
P. 80
EXERCISES
P. 81
UNDERSTANDING THE MIX: DEVELOPING LISTENING AND SOUND EVALUATION SKILLS
LISTENING AND EVALUATING SOUND FOR THE AUDIO PROFESSIONAL
P. 85
WHY AUDIO PROFESSIONALS NEED TO EVALUATE SOUND
P. 86
TALKING ABOUT SOUND
P. 87
THE LISTENING PROCESS
P. 89
PERSONAL DEVELOPMENT FOR LISTENING AND SOUND EVALUATION
P. 95
SUMMARY
P. 98
EXERCISES
P. 99
IMAGE 2
A SYSTEM FOR EVALUATING SOUND
P. 100
SYSTEM OVERVIEW
P. 100
SOUND EVALUATION SEQUENCE
P. 103
GRAPHING THE STATES AND ACTIVITY OF SOUND COMPONENTS
P. 106
PLOTTING SOURCES AGAINST A TIME LINE
P. 112
SUMMARY
P. 114
EXERCISES
P. 115
EVALUATING PITCH IN AUDIO AND MUSIC RECORDINGS
P. 118
ANALYTICAL SYSTEMS
P. 119
REALIZING A SENSE OF PITCH
P. 120
RECOGNIZING PITCH LEVELS
P. 121
PITCH AREA AND FREQUENCY BAND RECOGNITION
P. 124
MELODIC CONTOUR
P. 131
EXERCISES
P. 134
EVALUATING LOUDNESS IN AUDIO AND MUSIC RECORDINGS
P. 138
REFERENCE LEVELS AND THE HIERARCHY OF DYNAMICS
P. 139
PROGRAM DYNAMIC CONTOUR
P. 146
MUSICAL BALANCE
P. 149
PERFORMANCE INTENSITY VERSUS MUSICAL BALANCE
P. 151
EXERCISES
P. 153
EVALUATING SOUND QUALITY
P. 157
SOUND QUALITY IN CRITICAL LISTENING CONTEXTS
P. 158
SOUND QUALITY IN ANALYTICAL LISTENING CONTEXTS
P. 159
SOUND QUALITY AND PERSPECTIVE
P. 160
EVALUATING THE CHARACTERISTICS OF SOUND QUALITY AND TIMBRE
P. 161
SUMMARY
P. 173
EXERCISES
P. 174
EVALUATING THE SPATIAL ELEMENTS OF REPRODUCED SOUND
P. 176
UNDERSTANDING SPACE AS AN ARTISTIC ELEMENT
P. 177
STEREO SOUND LOCATION
P. 184
DISTANCE LOCATION
P. 188
ENVIRONMENTAL CHARACTERISTICS
P. 195
SPACE WITHIN SPACE
P. 203
SURROUND SOUND
P. 207
EXERCISES
P. 215
COMPLETE EVALUATIONS AND UNDERSTANDING OBSERVATIONS
P. 224
PITCH DENSITY AND TIMBRAL BALANCE
P. 225
THE OVERALL TEXTURE
P. 230
RELATIONSHIPS OF THE INDIVIDUAL SOUND SOURCES AND THE OVERALL TEXTURE P.
233
THE COMPLETE EVALUATION
P. 239
USING GRAPHS FOR MAKING EVALUATIONS AND IN PRODUCTION WORK P. 247
IMAGE 3
SUMMARY
P. 247
EXERCISES
P. 249
CRAFTING THE MIX: SHAPING MUSIC AND SOUND, AND CONTROLLING THE RECORDING
PROCESS
BRINGING ARTISTIC JUDGMENT TO THE RECORDING PROCESS
P. 255
PARTTHREE OVERVIEW
P. 255
THE SIGNAL CHAIN
P. 256
GUIDING THE CREATION OF MUSIC
P. 259
SUMMARY
P. 260
THE AESTHETICS OF RECORDING PRODUCTION
P. 261
THE ARTISTIC ROLES OF THE RECORDIST
P. 262
THE RECORDING AND REALITY: SHAPING THE RECORDING AESTHETIC P. 263
THE RECORDING AESTHETIC IN RELATION TO THE PERFORMANCE EVENT P. 266
ALTERED REALITIES OF MUSIC PERFORMANCE
P. 271
SUMMARY
P. 274
PRELIMINARY STAGES: DEFINING THE MATERIALS OF THE PROJECT
P. 275
SOUND SOURCES AS ARTISTIC RESOURCES, AND THE CHOICE OF TIMBRES P. 277
MICROPHONES: THE AESTHETIC DECISIONS OF CAPTURING TIMBRES P. 280
EQUIPMENT SELECTION: APPLICATION OF INHERENT SOUND QUALITY
P. 295
MONITORING: THE SOUND QUALITY OF PLAYBACK
P. 298
SUMMARY
P. 306
EXERCISES
P. 307
CAPTURING, SHAPING AND CREATING THE PERFORMANCE
P. 310
RECORDING AND TRACKING SESSIONS: SHIFTING OF FOCUS AND PERSPECTIVES P.
311
SIGNAL PROCESSING: SHIFTING OF PERSPECTIVE TO RESHAPE SOUNDS AND MUSIC
P. 317
THE MIX: COMPOSING AND PERFORMING THE RECORDING
P. 319
SUMMARY
P. 335
EXERCISES
P. 335
THE FINAL ARTISTIC PROCESSES AND AN OVERVIEW OF MUSIC PRODUCTION
SEQUENCES P. 339
AN OVERVIEW OF TWO SEQUENCES FOR CREATING A MUSIC RECORDING P. 340
EDITING: REARRANGING AND SUSPENDING TIME
P. 344
MASTERING: THE FINAL ARTISTIC DECISIONS
P. 349
THE LISTENER S ALTERATIONS TO THE RECORDING
P. 354
CONCLUDING REMARKS
P. 355
EXERCISES
P. 356
CD CONTENTS AND TRACK DESCRIPTIONS
P. 359
GLOSSARY
P. 369
BIBLIOGRAPHY
P. 381
DISCOGRAPHY
P. 389
INDEX
P. 391
TABLE OF CONTENTS PROVIDED BY BLACKWELL S BOOK SERVICES AND R.R. BOWKER.
USED WITH PERMISSION.
|
| any_adam_object | 1 |
| author | Moylan, William |
| author_facet | Moylan, William |
| author_role | aut |
| author_sort | Moylan, William |
| author_variant | w m wm |
| building | Verbundindex |
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| classification_rvk | LR 57600 ZN 6800 |
| ctrlnum | (OCoLC)255782636 (DE-599)GBV523713363 |
| dewey-full | 621.38932 621.3893 |
| dewey-hundreds | 600 - Technology (Applied sciences) |
| dewey-ones | 621 - Applied physics |
| dewey-raw | 621.38932 621.3893 |
| dewey-search | 621.38932 621.3893 |
| dewey-sort | 3621.38932 |
| dewey-tens | 620 - Engineering and allied operations |
| discipline | Elektrotechnik / Elektronik / Nachrichtentechnik Musikwissenschaft |
| edition | 2. ed. |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-07-09T22:44:53Z |
| institution | BVB |
| isbn | 024080483X 9780240807553 |
| language | English |
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| owner_facet | DE-83 |
| physical | XXVIII, 396 S. graph. Darst., Ill. 1 CD-ROM |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Elsevier, Focal Press |
| record_format | marc |
| spelling | Moylan, William Verfasser aut Understanding and crafting the mix the art of recording William Moylan 2. ed. Amsterdam [u.a.] Elsevier, Focal Press 2007 XXVIII, 396 S. graph. Darst., Ill. 1 CD-ROM txt rdacontent n rdamedia nc rdacarrier Bibliogr. S. 380 - 386. - Diskogr. S. 387 - 388 Sound / Recording and reproducing Acoustical engineering Music theory Music / Editing Musik Schallaufzeichnung (DE-588)4052020-1 gnd rswk-swf Soundverarbeitung (DE-588)4485311-7 gnd rswk-swf Schallaufzeichnung (DE-588)4052020-1 s Soundverarbeitung (DE-588)4485311-7 s DE-604 DE-601 pdf/application http://www.gbv.de/dms/bowker/toc/9780240807553.pdf Inhaltsverzeichnis GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020568814&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Moylan, William Understanding and crafting the mix the art of recording Sound / Recording and reproducing Acoustical engineering Music theory Music / Editing Musik Schallaufzeichnung (DE-588)4052020-1 gnd Soundverarbeitung (DE-588)4485311-7 gnd |
| subject_GND | (DE-588)4052020-1 (DE-588)4485311-7 |
| title | Understanding and crafting the mix the art of recording |
| title_auth | Understanding and crafting the mix the art of recording |
| title_exact_search | Understanding and crafting the mix the art of recording |
| title_full | Understanding and crafting the mix the art of recording William Moylan |
| title_fullStr | Understanding and crafting the mix the art of recording William Moylan |
| title_full_unstemmed | Understanding and crafting the mix the art of recording William Moylan |
| title_short | Understanding and crafting the mix |
| title_sort | understanding and crafting the mix the art of recording |
| title_sub | the art of recording |
| topic | Sound / Recording and reproducing Acoustical engineering Music theory Music / Editing Musik Schallaufzeichnung (DE-588)4052020-1 gnd Soundverarbeitung (DE-588)4485311-7 gnd |
| topic_facet | Sound / Recording and reproducing Acoustical engineering Music theory Music / Editing Musik Schallaufzeichnung Soundverarbeitung |
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