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Bass guitar for dummies:

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Bibliographic Details
Main Author:	Pfeiffer, Patrick (Author)
Format:	Book
Language:	English
Published:	Hoboken, N.J. Wiley 2010
Edition:	2nd ed.
Series:	... for dummies
Subjects:	Bass guitar > Methods > Self-instruction Elektrobass Gitarrenspiel Einführung
Online Access:	Inhaltsverzeichnis
Item Description:	Previous ed.: 2003. -- Includes index
Physical Description:	XIII, 342 S. Ill., Notenbeisp. CD-ROM (12 cm)
ISBN:	9780470539613

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MARC


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Record in the Search Index

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adam_text	Table of Contents Foreword......... ........................................................... /ť/V Intraduction ................................................................. / About This Book ..............................................................................................1 Conventions Used in This Book .....................................................................2 What You re Not to Read ................................................................................3 Foolish Assumptions .......................................................................................3 How This Book Is Organized ..........................................................................4 Part I: The World According to Bass ...................................................4 Part II: The Bass-ics of Playing .............................................................4 Part III: Making the Moves, Creating the Grooves .............................4 Part IV: Using the Correct Accompaniment for Each Genre ............5 Part V: Buying and Caring for Your Bass ............................................5 Part VI: The Part of Tens .......................................................................5 Icons Used in This Book .................................................................................5 Where to Go from Here ...................................................................................6 Partí: The World According to Bass ..............................7 Chapter 1: Bass Bass-ics: What Is the Meaning of Bass? ...........9 Discovering the Differences between the Bass and Its High-Strung Cousins ...............................................................................9 Understanding the Bass Player s Function in a Band ...............................10 Making the link between harmony and rhythm ...............................11 Moving the song along ........................................................................11 Keeping time .........................................................................................12 Establishing rhythms ..........................................................................12 Looking cool .........................................................................................12 Dissecting the Anatomy of a Bass Guitar ...................................................12 The neck ................................................................................................13 The body ...............................................................................................14 The innards ...........................................................................................15 On a Need-to-Know Basses : Gearing Up to Play Bass ............................16 Coordinating your right and left hands ............................................16 Mastering major and minor chord structures .................................16 Tuning your bass .................................................................................16 Combining scales and chords ............................................................17 Playing Grooves, Solos, and Fills .................................................................17 Creating grooves and riffs ...................................................................17 Treating yourself and your audience with solos and fills ...............17 ξ /flf Bass Guitar For Dummies, 2nd Edition Experimenting with Different Musical Genres ...........................................18 Stocking Up On Some Bass Gear ..................................................................19 Buying a bass ........................................................................................19 Getting an amplifier .............................................................................19 Accessorizing your bass .....................................................................20 Giving Your Bass Some Good Old TLC .......................................................20 Changing the strings ............................................................................20 Cleaning your bass ..............................................................................20 Chapter 2: Gaining the Tools and Skills to Play ...................21 Getting a Handle on Your Bass ....................................................................21 Holding Your Bass .........................................................................................22 Strapping on your bass: Strings to the outside ................................22 Voilà! Standing with your bass ...........................................................23 Sitting with your bass ..........................................................................24 Placing Your Hands in the Proper Position ................................................25 Positioning your left hand ..................................................................25 Positioning your right hand ................................................................26 Reading a Fingerboard Diagram ..................................................................32 The language of music: Scales and chords .......................................33 Viewing a diagram of the major and minor scales ..........................35 Playing open-string scales ..................................................................36 Finding the notes on the neck ............................................................36 Identifying intervals: They re always in the same place .................38 Tuning Your Bass Guitar ..............................................................................40 Reference pitch sources to use when playing alone .......................40 Reference pitch sources to use when playing with others ............42 Tuning the bass guitar to itself ..........................................................45 Playing a Song with Your Bass Guitar .........................................................51 Making some noise with the open strings ........................................52 Closing the strings ...............................................................................52 Chapter 3: Reading, Riting, and Rhythm .........................55 Reading Notation: No Pain, Much Gain .......................................................55 Chord notation: The chord chart ......................................................56 Music notation: Indicating rhythm and notes ..................................57 Tablature notation: Showing strings, frets, and sequence .............58 The vocal chart: Using lyrics and chords when working with a singer or songwriter ..............................................58 Finding Any Note in Any Octave ..................................................................60 Using the Metronome: You Know, That Tick-Tock Thing ........................64 Setting the metronome ........................................................................64 Playing along ........................................................................................64 Dividing Music into Phrases, Measures, and Beats ...................................65 The quarter note ..................................................................................66 The eighth note ....................................................................................67 Table of Contents The sixteenth note ...............................................................................67 The half note .........................................................................................67 The whole note .....................................................................................68 The triplet .............................................................................................68 The dot ..................................................................................................68 The tie ...................................................................................................69 The rest .................................................................................................69 Discovering How to Read Music ..................................................................70 Playing Your First Song While Reading Music ...........................................71 Partii: The Bass-icsof Ріщіпа ...................................73 Chapter 4: Warming Up: Getting Your Hands in Shape to Play ......75 Understanding the Sound Your Bass Makes ..............................................75 Performing Right-Hand Warm-Ups ..............................................................76 Right-hand same-string strokes .........................................................77 Controlling the strength in your striking hand: Right-hand accents ..........................................................................78 Skating across the strings: Right-hand string crossing ...................80 Coordinating Your Left Hand with Your Right Hand ................................81 Doing finger permutations ..................................................................81 Muting the strings to avoid the infamous hum ................................83 Putting it all together ...........................................................................84 Chapter 5: Understanding Major and Minor Structures ............85 Building Major and Minor Scales .................................................................86 Major scales ..........................................................................................86 Minor scales .........................................................................................88 Building Chords: One Note at a Time, Please ............................................89 Triads: The three most important notes of a chord .......................89 Seventh chords: Filling out the triad .................................................95 Getting your kicks with boogie licks .................................................96 Spicing Up Your Sound: The Seven Main Modes (Scales) ........................97 Using Chromatic Tones: All the Other Notes ...........................................103 Chromatic tones within the box ......................................................103 Chromatic tones outside the box ....................................................104 Bringing a Groove to Life with Dead Notes (Weird but True) ................106 Playing dead notes .............................................................................106 Raking dead notes ..............................................................................107 Sampling Accompaniments ........................................................................108 Using your accompaniments in a tune ............................................ Ill Keeping your groove gloriously ambiguous ...................................112 Bass Guitar For Dummies, 2nd Edition Part 111: Making the Motfes, Creating the Grootfes ....... /15 Chapter 6: Creating the Groove ................................117 Anatomy of a Groove: Putting Together the Necessary Elements ........117 Rattling the groove skeleton ............................................................118 Playing a song using only the groove skeleton ..............................120 Choosing the right notes for a groove ............................................120 Creating Your Own Groove ........................................................................124 Covering the basses : Creating dominant, minor, and major grooves .............................................................124 Movin and groovin from chord to chord ......................................133 Finding the perfect fit: The designer groove ..................................137 Grooving with a Drummer ..........................................................................140 The bass drum ...................................................................................140 The snare drum ..................................................................................141 Thehi-hat ............................................................................................141 Jammin With Other Musicians ..................................................................142 Listening for the note ........................................................................143 Pivoting the note ................................................................................144 Chapter 7: Going Solo: Playing Solos and Fills ...................149 Soloing: Your Moment to Shine .................................................................149 Playing with the blues scale: A favorite solo spice .......................150 Jamming with the minor pentatonic scale: No wrong notes ........151 Using the major pentatonic scale: Smooth as can be ...................155 Moving from chord to chord ............................................................156 Creating Fills without Any Help from Your Dentist .................................158 A match made in heaven: Connecting your fill to the groove ......159 Timing a fill .........................................................................................159 Part IV: ¡Àsina the Correct Accompaniment (or Each Genre ......................................................... 163 Chapter 8: Rock On! Getting Down with the Rock Styles .........................................165 Rock n Roll: The Good Old Standby ........................................................166 Hard Rock: Going at It Fast and Furious ...................................................171 Pop Rock: Supporting the Vocals ..............................................................174 Blues Rock: Feeling a Bit More Organized ................................................176 Country Rock: Where Vocals Are King, and You Take a Back Seat ......179 One Rock Fits All: Applying a Standard Rock Groove to Any Rock Song .....................................................................................181 Table of Contents )CI Chapter 9: Swing It! Playing Styles That Rely on the Triplet Feel ... .183 Swing: Grooving Up-Tempo with Attitude ................................................183 Jazz: Going for a Walk .................................................................................185 Working the walk ...............................................................................186 Applying a jazz blues walking pattern .............................................191 Blues Shuffle: Taking an Organized Walk .................................................193 Funk Shuffle: Combining Funk, Blues, and Jazz .......................................196 Chapter 10: Making It Funky: Playing Hardcore Bass Grooves .....201 R & B: Movin to Some Rhythm and Blues ................................................201 The Motown Sound: Grooving with the Music of the Funk Brothers ......204 Fusion: Blending Two Styles into One ......................................................206 Funk: Sounding Heavy and Deep ...............................................................208 Hip-Hop: Featuring Heavy Funk with Heavy Attitude .............................212 Knowing What to Do When You Just Want to Funkifize a Tune ............213 Chapter 11: Sampling International Flavors: Bass Styles from Around the World .......................................215 Bossa Nova: Baskin in a Brazilian Beat ....................................................215 Afro-Cuban: Ordering Up Some Salsa (Hold the Chips, Please) ............217 Reggae: Relaxing with Offbeat Riddims .................................................219 Soca: Blending American and Calypso Party Sounds .............................221 Combining Reggae and Rock: The Distinct Sound of Ska .......................223 South African: Experimenting with Exotic Downbeat Grooves .............225 Music without Borders: Grooving to the World Beat .............................227 Chapter 12: Playing in Odd Meters: Not Strange, Just Not the Norm .. .229 An Odd-Meter Oldie but Goodie: The Waltz .............................................229 Beyond the Waltz: Navigating Beats in Odd Meter .................................231 5/4 meter: Not an impossible mission .............................................231 7/4 meter: Adding two more beats ..................................................234 Chapter 13: Groovin in a Genre: It s All About Style! .............241 Playing Grooves in Each Genre: One Simple Song Many Genres Strong... 242 Pop: Backing up the singer-songwriter ...........................................242 Rocking by the quarter, or the eighth note ....................................244 R & B/Soul, with or without the dot ................................................246 Feeling the funk ..................................................................................249 Layin down some Latin grooves .....................................................250 When you re feelin blue, shuffle ......................................................250 To Blend or Not to Blend: Knowing How to Fit In ...................................253 Just blending in: How to do it ...........................................................254 The bold and the beautiful: Creating a bold groove .....................254 Blending and bolding by genre ........................................................255 Signing off with a flourish .................................................................256 Bass Guitar For Dummies, 2nd Edition Part V: Buying and Carina For ¡/our Bass ...................259 Chapter 14: Love of a Lifetime or One-Night Stand? Buying the Right Bass ........................................261 Assessing Your Needs Before You Buy ....................................................261 Thinking long-term: Moving in together .........................................262 Thinking short-term: Help me make it through the night .............263 How many strings are too many? ....................................................263 To fret or not to fret ..........................................................................264 Needs Are One Thing ... Budget Is Quite Another .................................265 A Trip to the Bass-Mint: Where to Shop for Your Bass Guitar ..............265 Hitting the music stores ....................................................................266 Consulting newspaper ads ................................................................268 Visiting online shops and individual online ads ............................268 When Money Is No Object: Getting a Custom-Made Bass ......................269 Chapter 15: Getting the Right Gear for Your Bass Guitar ..........271 Making Yourself Heard: A Primer on Amplifiers and Speakers .............271 Full-meal deal or à la carte: Combo or separate amp and speaker ............................................................................272 Opting for solid state or tubes .........................................................273 Picking a speaker size .......................................................................273 Setting the tone ..................................................................................274 Needs, Wants, and Nonessentials: Rounding Out Your Equipment ......275 Must-haves: Cases, gig bags, and more ...........................................275 Definite maybes: Useful effects, gadgets, and practice items ......277 Extras: Effects pedals ........................................................................279 Chapter 16: Changing the Strings on Your Bass Guitar ............281 Knowing When It s Time to Say Goodbye ................................................282 Off with the Old: Removing Bass Strings ..................................................282 On with the New: Restringing Your Bass ..................................................284 Ensuring a Long Life for Your Strings .......................................................289 Chapter 17: Keeping Your Bass in Shape: Maintenance and Light Repair ................................291 Cleaning Your Bass, Part by Part ...............................................................291 The body and neck ............................................................................292 The hardware .....................................................................................292 The pickups ........................................................................................292 The fingerboard .................................................................................292 The strings ..........................................................................................293 Making Minor Repairs to Your Bass ..........................................................294 The taming of the screw(s) ...............................................................294 Taking care of the finish ....................................................................295 Leaving the electronics to the experts ............................................295 Table of Contents Adjusting the Bass Guitar ...........................................................................296 Providing relief to the truss rod ......................................................296 Raising and lowering the bridge ......................................................298 Assembling a Cleaning and Repair Tool Bag ............................................300 Storing Your Bass ........................................................................................301 Part Vi: The Part of Tens ...........................................303 Chapter 18: Ten Innovative Bassists You Should Know ...........305 Jack Bruce ....................................................................................................305 Stanley Clarke ..............................................................................................306 John Entwistle ..............................................................................................306 James Jamerson ...........................................................................................306 Will Lee .........................................................................................................306 Paul McCartney ............................................................................................307 Marcus Miller ...............................................................................................307 Jaco Pastorius ..............................................................................................307 Victor Wooten ..............................................................................................307 X (Fill in Your Own) .....................................................................................308 Chapter 19: Ten Great Rhythm Sections (Bassists and Drummers). . .309 Bootsy Collins and Jab o Starks .................................................................309 Donald Duck Dunn and Al Jackson, Jr ...................................................310 James Jamerson and Benny Benjamin ......................................................310 John Paul Jones and John Bonham ...........................................................311 Joe Osborn and Hal Blaine .........................................................................311 Jaco Pastorius and Peter Erskine ..............................................................311 George Porter, Jr. and Zig Modeliste........................................................312 Francis Rocco Prestia and David Garibaldi ..............................................312 Chuck Rainey and Bernard Purdie ............................................................313 Robbie Shakespeare and Sly Dunbar ........................................................313 Appendix .................................................................315 Index .......................................................................329
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spelling	Pfeiffer, Patrick Verfasser aut Bass guitar for dummies by Patrick Pfeiffer ; foreword by Will Lee 2nd ed. Hoboken, N.J. Wiley 2010 XIII, 342 S. Ill., Notenbeisp. CD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier ... for dummies Previous ed.: 2003. -- Includes index Bass guitar Methods Self-instruction Elektrobass (DE-588)4261650-5 gnd rswk-swf Gitarrenspiel (DE-588)4021101-0 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Elektrobass (DE-588)4261650-5 s Gitarrenspiel (DE-588)4021101-0 s DE-604 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=020505480&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Pfeiffer, Patrick Bass guitar for dummies Bass guitar Methods Self-instruction Elektrobass (DE-588)4261650-5 gnd Gitarrenspiel (DE-588)4021101-0 gnd
subject_GND	(DE-588)4261650-5 (DE-588)4021101-0 (DE-588)4151278-9
title	Bass guitar for dummies
title_auth	Bass guitar for dummies
title_exact_search	Bass guitar for dummies
title_full	Bass guitar for dummies by Patrick Pfeiffer ; foreword by Will Lee
title_fullStr	Bass guitar for dummies by Patrick Pfeiffer ; foreword by Will Lee
title_full_unstemmed	Bass guitar for dummies by Patrick Pfeiffer ; foreword by Will Lee
title_short	Bass guitar for dummies
title_sort	bass guitar for dummies
topic	Bass guitar Methods Self-instruction Elektrobass (DE-588)4261650-5 gnd Gitarrenspiel (DE-588)4021101-0 gnd
topic_facet	Bass guitar Methods Self-instruction Elektrobass Gitarrenspiel Einführung
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